Don McLaughlin is NOT a Christian. Jesus told me so.
John 8:26 I have many things to say and to judge of you:
but he that sent me is true;
and I SPEAK to the world those things
which I have HEARD of him.
John 8:27 They understood not that he spake to them of the Father.
John 8:28 Then said Jesus unto them,
When ye have lifted up the Son of man,
then shall ye know that I am he,
and that I do nothing of myself;
but as my Father hath taught me,
I speak these things.
John 8:29 And he that sent me is with me:
the Father hath not left me alone;
for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed;
Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn
Epos joined with muthos, 1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos, historic truth), THE REGULATIVE PRINCIPLEDevil Do: LATIN: făcĭo , to make in all senses, to do, perform, accomplish, prepare, produce, bring to pass, cause, effect, create, commit, perpetrate, form, fashion, operor Lying Wonder, “poëma,” to compose, id. Pis. 29, 70: “carmina,” Juv. 7, 28: “versus,” id. 7, 38: “sermonem,” Cic. Fam. 9, 8, 1; cf. “litteram,” id. Ac. 2, 2, 6: ludos, to celebrate, exhibit, admirationem alicujus rei alicui,” to excite [the Laded Burden],Hdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth.
The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders]
that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin.
This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1
which he afterwards taught at Corinth.
1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.
Devil Do: carmen
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). note, sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis
“barbaricum,” id. M. 11, 163.—With allusion to playing on the cithara: The Mother o Harlots in John 17 “Carminibus Circe socios mutavit Ulixi,Devil Do: Commercium sermonis,” 7 In mercant. lang., to practise, exercise, follow any trade or profession: 8. In relig. lang., like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice:
Devil Do: Mousa II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695
“Kanakhan .Clanging Brass
Theias as many as made them hope by divinations, Madness caused by Ritual
worship as divine, “Puthagoran [Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron mousas” S.Tr.643 (lyr.); PLAYING THE LYRE
“Aiakō moisan pherein”I. bear or carry a load, A Laded Burden
Holy Scriptures never specified a DAY of Worship.
Holy Scriptures never identifies as worship preaching, listening, singing, Playing an instrument, Acting or PAY FOR PLAY.
Holy Scripture from Genesis to Revelation identifies any tuneful or instrumental tones as Sorcery or other efforts to silence the Word, Logos or Regulative Principle.
http://www.pineycom.com/Jeremiah.23.CENI.html
http://www.pineycom.com/ComExamInfer.html
Jer. 23:25 I have heard what the prophets said,
that prophesy lies in my name, saying, I have dreamed, I have dreamed.
Jer. 23:26 How long shall this be in the heart of the prophets that prophesy lies?
yea, they are prophets of the deceit of their own heart;
Jer. 23:27 Which think to cause my people to forget my name by their dreams
which they tell every man to his neighbour, as their fathers have forgotten my name for Baal.
Jer. 23:28 The prophet that hath a dream,
let him tell a dream;
and he that hath my word,
let him speak my word faithfully.
What is the chaff to the wheat? saith the LORD.
John.T.Willis.Miriam.Prophetess.Church.Pattern.html
Willis is the Father of All modern Discord: He is a Doctor of the Law but Jesus said that "Doctors of the Law take away the key to knowledge." They are OF the World or DUST (Aborigines) and not sons FORM god. This proves that the Willis-McLaughlin are not permitted to speak the WORD.
John.T.Willis Asserts that: "The Lord spoke through HER just as he spoke through MOSES and Aaron (Num 12:2)".
THIS IS ANTI-GOD AND ANTI-CHRIST.
Num. 12:3 (Now the man Moses was very meek,
above all the men which were upon the face of the earth.)
Num. 12:4 And the LORD spake SUDENLY unto Moses, and unto Aaron, and unto Miriam,
"Come out ye three unto the tabernacle of the congregation.
And they three came out.
Num. 12:5 And the LORD came down in the pillar of the cloud,
and stood in the door of the tabernacle,
and called Aaron and Miriam: and they both came forth.
Num. 12:6 And he said, Hear now MY WORDS.: [Dabar, Logos, Regulative Principle]
IF there be a prophet among you,
I the LORD will make myself known unto him in a VISION,
and will speak unto him in a dream.
Num. 12:7 My servant Moses is not so, who is FAITHFUL in all mine house.
The meaning of SPIRIT (never a person) is defined by God Himself]
Num. 12:8 With him will I speak MOUTH TO MOUTH
even apparently, and not in dark speeches; a
and the similitude of the LORD shall he behold:
wherefore then were ye not afraid to speak against my servant Moses?
FACT : WHY ARE ALL OF THE APOSTATE THEOLOGIANS NOT AFRAID?
Num. 12:9 And the ANGER [RAGE] of the LORD was kindled against them; and he departed.
Num. 12:10 And the cloud departed from off the tabernacle;
and, BEHOLD, MIRIAM BECAME LEPROUS, WHITE AS SNOW.
and Aaron looked upon Miriam, and, behold, she was leprous.
Jer. 23:29 Is not my word like as a fire? saith the LORD; and like a hammer that breaketh the rock in pieces?
Jer. 23:30 Therefore, behold, I am against the prophets, saith the LORD, that steal my words every one from his neighbour.
Jer. 23:31 Behold, I am against the prophets, saith the LORD, that use their tongues, and say, He saith.
Jer. 23:32 Behold, I am against them that prophesy false dreams, saith the LORD, and do tell them, and cause my people to err by their lies, and by their lightness; yet I sent them not, nor commanded them: therefore they shall not profit this people at all, saith the LORD.
Don McLaughlin Instrumental Music Worship Mark of the Beast: The BEAST is the invasion of a new style of music and Satyric drama. The NACC has fed all of the proof texts and "handled" preachers and instruct others about how to transistion YOUR congregation into the Instrumental Sect.
Don McLaughlin follow's Rick Atchley's both/and which is based on all of the "proof texts" as the PATTERN for the Jacob-Cursed and God-Abandoned Levites. Their instrumental prophesying was called soothsaying or sorcery used as EXORCISM to drive away the DUNG-FLIES during animal slaughter God did not command.
No one in history has concocted such a demonic ploy as to say that NOT using instruments--machines for doing hard work mostly making war--is a BARRIER to those following Christ. Not using instruments--sourced from Lucifer says the Spirit OF Christ-is claimed to HINDER THE GOSPEL. Or not using instruments is just based on the TRADITIONS of Churches of Christ they invented. There is no way that any one could be so Biblically illiterate and morally bankrupt. As hard as it is to take, The Spirit CHRIST gifted elders as THE only Pastor teachers. The pattern is to teach that which has been taught. Job One as the mark of APT elders is to eject the cunning craftsmen or sophists.
It's a mark of "Angels of Light" that people would DEMAND unity in diversity always meaning that YOU must submit to MY diversity or get out: the mantra of the BOTH/AN folly is to "get over it or get out."j
Eph 4:14 That we henceforth be no more children, tossed to and fro,
and carried about with every wind of doctrine,
by the sleight of men, and cunning craftiness whereby they lie in wait to deceive;
WHO ARE THE BOTH/AND CUNNING CRAFTSMEN OF SOPHISTS
-Panourg-êma A. knavish trick, villainy, S.El.1387 (lyr.), LXX Si.1.6 (v.l.); sophistry, Gal.5.251; cf. panourgeuma.
Cunning craftiness has the same meaning as SOPHOS:
1Cor. 3:18 Let no man deceive himself. If any man among youDon McLaughlin: while de-emphasizing traditions and practices that create barriers to some who are seeking to follow Christ.
seemeth to be wise [sophos] in this world,
let him become a fool, that he may be wise.
1Cor. 3:19 For the wisdom of this world is foolishness with God.
For it is written,
He taketh the wise sophia
in their own craftiness. pa^nourg-ia
1Cor. 3:20 And again,
The Lord knoweth the thoughts of the wise, sophōn
that they are vain. matai-os
-Sophia A. cleverness or skill in handicraft and art, as in carpentry, tektonos, hos rha te pasēs eu eidē s. Il.15.412; of the Telchines, Pi.O.7.53; hē entekhnos s., of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus and Palamedes, X.Mem.4.2.33, cf. 1.4.2; in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.11
Saying that NOT using instruments is just your heritage or tradition is a lie because it is not true and intends to slander others making it very difficult for the LAITY that feeds your face to object for FEAR of being one of those. Shame! Shame! This makes the FACT that Good will cast the religious craftsmen ALIVE INTO THE LAKE OF FIRE seem more reasonable.
Jesus said that if we want to seek Him "all ye that labor and are heavy laden and I WILL GIVE YOU REST. He said come OUTSIDE the camps or "observations" and come learn of me. In prophecy and fulfilment Jesus would be MUSICALLY MOCKED on the way to the Cross. The singers-instrument players among the Jews and all institutional worship centers for hire were called PARASITES. Jesus removed the laded burden (songs and taxes) and the burden laders. Don wants to LADE more burdens.
TIMELINE OF THE ORGAN SECT
Was there ever such a craft as priestcraft? No, it is the craftiest of all crafts. It is so crafty that it obtains by its craft the means to make craftsmen, and then it makes the deluded support them!" (Campbell, Alexander, Christian Baptist, Dec. 1, 1823, Vol. 1, p. 91)1823 Preaching for pay? "Give money to make poor pious youths learned clergy, or vain pretenders to erudition; and they pray that they may preach to you; yes, and pay them too.
1825 A Restoration of the Ancient Order of Things--by Alexander Campbell
No. III I have no idea of seeing, nor one wish to see, the sects unite in one grand army.
This would be dangerous to our liberties and laws.
For this the Saviour did not pray.
It is only the disciples of Christ dispersed among them,
that reason and benevolence would call out of them.
Let them unite who love the Lord, and
then we shall soon see the hireling priesthood
and their worldly establishments prostrate in the dust.
Contrary to the Instrumental sowers of Discord, Alexander said that IF there were baptized disciples in the SECTS "they should COME OUT OF BABYLON." He said that the "Christians" hand only shown how to be divided.
Therefore, Don McLaughlin is a SECTARIAN: Self-pleasure outlawed by Paul in Romans 1 includes all of the hypocritic arts and crafts: rhetoric, singing, playing instruments or acting. Only then could the ONE PIECE PATTERN from the wilderness onward could take place: "Using one mind and one mouth to speak that is written for our learning" or "Scripture for our comfort." That was the one piece Pattern Paul commanded Timothy to observe. A heretic or sectarian is one who uses the performing arts to "create mental excitement" so you can TAKE other people's property and make it your own.
IF YOU SAY THAT THOSE NOT USING INSTRUMENTS TO HINDER THE SCHOOL OF THE WORD ARE HINDERING THE GOSPEL AND SOMETHING INVENTED BY CHURCHES OF CHRIST AS EVIL, YOU SIMPLY ARE NOT QUALIFIED TO RECEIVE A DOLE WHEN JESUS OUTLAWED YOUR ROLE.
Vocal or instrumental rejoicing including rhetoric was outlawed for the Church of Christ (thee Rock) in the wilderness. No one in recorded history claimed any authority for musical performance as worship in the SCHOOL OF CHRIST before the Disciples-Christians in 1878.
1851 Early in 1851, J. Henshall was asked by a man who said "we are far in the rear of Protestants" whether "instrumental music in our churches" would consummate "the great object of Psalmody." He replied that the worldly minded might seek such "helps to their devotion," but true spiritual worship had no place for an entertaining display, a choir, and "a wooden devotion quickener." The 1850s saw precious little advance in the instrument cause; almost no one favored it. "It is scarcely necessary for us to say to our readers that we regard the organ and violin worship, and even the fashionable choir singing of our country, as mockery of all that is sacred," said Tolbert Fanning in the 1856 Gospel Advocate.(9) The next flare-up revealed that fifty years after Thomas Campbell's Declaration and Address (1809), Dr. L. L. Pinkerton had placed a melodeon in the church at Midway, Kentucky. Answering a question in January 1860, Benjamin Franklin mused that a church without the Spirit of Christ might need an instrument for amusement and entertainment in place of religion and worship. This stung Pinkerton because he was the only church known to be using one. Offering the aid argument, he said the singing had been so bad as to "scare even the rats from worship." Practice sessions with its use had been followed by use in regular worship.(10)
1859 Restoration Movement Boles: A second departure was the introduction of instrumental music in the worship. This began about 1859. It was not introduced because it was found in the New Testament; neither were those who introduced it in the worship guided by the New Testament. But few have been bold enough to attempt to prove that the New Testament authorizes the use of instrumental music in worship. Many have claimed on other grounds that they have a right to use instrumental music in worship, but the point made here is that no one, guided by the New Testament, introduced the organ into the worship. Errett Gates, in his history referred to above, p. 250, says:8. Henshall, "Instrumental Music In Churches," Ecclesiastic Reformer, Vol. 4 (15 March 1851):171; Rogers, "Dancing"; Campbell, "Dancing" and "Instrumental Music," Millennial Harbinger (September and October, 1851):503-507 and 581-582.
9. On p. 199, quoted in John T. Lewis, The Voice of the Pioneers on Instrumental Music and Societies (Nashville: Tennessee: Gospel Advocate Co., 1932), p. 120.
10. Franklin and Pinkerton articles entitled "Instrumental Music in Churches," American Christian Review, Vol. 3 (31 January and 28 February -1860):19, 34. See Earl West, The Search For The Ancient Order, 3 Volumes (Nashville: Tennessee: Gospel Advocate Co., 1949; Indainapolis, Indiana: Religious Book Service, 1950, 1979), 1: 310-312.
"The organ controversy was the missionary controversy in a new form,
for both grew out of the opposition to human innovations in the work and worship of the church ...
The organ party treated it as a question of expediency on which there should be forbearance and liberty.
The antiparty treated it as a matter of principle." The arguments now used to justify the use of instrumental music in worship are "after-thoughts" and were not used when the instrument or organ was first imposed on the brotherhood.
Christ outlawed VOCAL or INSTRUMENTAL Rejoicing for the Church of Christ (the Rock) in the wilderness. The godly people attended synagogue which was a SCHOOL OF THE WORD ONLY. When the ekklesia assembles Paul call it a synagogue.
WHY TWIST THE TRUTH? BECAUSE PEOPLE WILL BELIEVE IT AND NOT GET SPOOKED AND FLEE BABYLON.
Using the Rick Atchley Both/And they promised that they would ONLY introduce the organ knowing that they were sowing discord and offending generations. However, like Atchley's faithful vow when violated he said That was then/Bur This is now. You cannot be a little bit IDOLATROUS and God marks for burning those who KNOW that they will sow discord but are driven by a BAND OF BROTHERS more than the Blood of Jesus.
Again lying about Paul:"
Don McLaughlin: We came to understand that for many of our members, and their family and friends,
our current worship is not always adequate in inspiring them to a closer walk with God.
This led us to consider ways that we could more effectively use our worship
services to accomplish God’s mission for us.
In His Glorified STATE Jesus is Holy Spirit Comforter or Paraclete.
1John 2:3 And hereby we do know that we know him,
if we keep his commandments.
1John 2:4 He that saith, I know him,
and keepeth not his commandments,
is a liar, and the truth is not in him.
1John 2:5 But whoso keepeth his WORD,
in him verily is the love of God perfected:
hereby know we that we are in him.
1John 2:6 He that saith he abideth in him ought himself
also so to walk, even as he walked.
This examination, as with all of our other areas of ministry, was done against the backdrop of Scripture. In considering Paul’s admonition to the Corinthians about saving souls
1.Corinthians.13.Speaking.In.Tongues.html
1Corinthians 13:1 Though I speak with the tongues of men and of angels,
and have not charity,
I am become as sounding brass, or a tinkling cymbal.
La^l-eō ,Mark of the Locusts
II. chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,III. of musical sounds, “aulō [flute] laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echo, magadin lalein sound the magadis, [double flute]
-kat-auleô , A. charm by flute-playing, metaphor I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros chelônidos psophon to be played to on the flute with lyre accompaniment,Tettix This noise is freq. used as a simile for sweet sounds, Il.3.151, Hes.Op.582, Sc.393, Simon.173, 174, etc.; and Plato calls them hoi Mousōn prophētai, Phdr.262d; but they also became a proverb. for garrulity, “lalein tettix” Aristopho10.7: “t. polloi ginomenoi nosōdes to etos sēmainous
II. in Pass., [ton monochordon kanona] parechein tais aisthêsesi . . katauloumenon subdued by a flute accompaniment, to be piped down, ridiculed, gelômenoi
2. make a place sound with flute-playing, resound with flute-playing, nêsos katêuleito Plu.Ant.56
katapsallôA.play stringed instruments to, [sumposion]katauleinkai k. Plu.2.713e :--usu. in Pass., have music played to one, enjoy music, ib.785e; of places, resound with music, Id.Ant.56. 2. Pass., to be buried to the sound of music, 3. metaph., katapsalletai . . hodêmiourgos is drummed out
hupauleô , play on the flute in accompaniment, melo. lusiôidos 1 one who played women's characters in male attire,
The Mark of the Locusts: Abaddon's Muses (dirty adulteresses) performing as sorcerers.
ALL RECORDED LITERATURE IDENTIFIES TUNEFUL MECHANICAL SOUNDS AS SHUTTING DOWN THE MASCULINE BRAIN. THE FEMININE OR EFFEMENATE SOUNDS ARE IDENTIFIED AS PRODUCING KOMA, SORCERY OR WITCHCRAFT.
Huxley The Devils of Loudin. Intimately associated with the ecstasy-producing rite of rhythmic movement is the ecstasy-producing rite of rhythmic sound. Music is as vast as human nature and has something to say to men and women on every level of their being, from the self-regardingly sentimental to the abstractly intellectual, from the merely visceral to the spiritual.
In one of its innumerable forms music is a powerful drug, partly stimulant and partly narcotic,
but wholly alterative.
No man, however highly civilized, can listen for very long to African drumming, or Indian chanting, or Welsh hymn-singing, and retain intact his critical and self-conscious personality
Civilization demands from the individual devoted self-identification with the highest of human causes. But if this self-identification with what is human is not accompanied by a conscious and consistent effort to achieve upward self-transcendence into the universal life of the Spirit, the goods achieved will always be mingled with counterbalancing evils. "We make," wrote Pascal, "an idol of truth itself; for truth without charity is not God, but His image and idol, which we must neither love or worship." And it is not merely wrong to worship an idol; it is also exceedingly inexpedient. The worship of truth apart from charity—self-identification with science unaccompanied by self-identification with the Ground of all being—results in the kind of situation which now confronts us. Every idol, however exalted, turns out, in the long run, to be a Moloch, hungry for human sacrifice.
Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
the STAR of your god, which ye made to yourselves.
Acts 7:41 And they made a calf in those days,
and offered sacrifice unto the idol,
and rejoiced in the works of their own hands
The practice in the wilderness, tyre and Jerusalem
Acts 7:42 Then God turned,
and gave them up to worship the HOST of heaven;
as it is written in the book of the prophets,
O ye house of Israel, have ye offered to me slain beasts and sacrifices
by the space of forty years in the wilderness?
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star of your god Remphan,
figures which ye made to worship them:
and I will carry you away beyond Babylon.
Mark.10.They.Shall.Mock.Him.With.Music
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE
Religious worship was always a sexual or virtual sexual activity: the Vineyard or Fuller expects the music to bring on a sexual-like climax with Jesus. Worship is IN the SPIRIT and not IN THE FLESH to exclude the dogs or concision: these were the cynic old style praise singers howling and seeking a partner. WE cannot OFFER anything especially our personal worship IN THE SPIRIT (place) and giving attention TO THE TRUTH or Word of God. Music marks hypocrisy as well is USING Paul to justify NOT going.
Paul did not keep the Law of the Monarchy where Instrumental noise was God's abandonment to worship the starry host. In the beginning and now Apollo-Abaddon-Apollon is dredged up from Hell where he had fallen. He is the Leader of the Muses or LOCUSTS. The Purpose Driven is to drive out the Little Flock of the SECT that is called the WAY and preserve the craftsmen, singers and instrument players as sorcerers to be CAST ALIVE INTO THE LAKE OF FIRE.But I have used none of these things: neither have I written these things, that it should be so done unto me: for it were better for me to die, than that any man should make my glorying void. 1 Cor 9:15
For though I preach the gospel, I have nothing to glory of: for necessity is laid upon me; yea, woe is unto me, if I preach not the gospel 1 Cor 9:16
For if I do this thing willingly, I have a reward: but if against my will, a dispensation of the gospel is committed unto me. 1 Cor 9:17
What is my reward then? Verily that, when I preach the gospel, I may make the gospel of Christ without charge, that I abuse not my power in the gospel. 1 Cor 9:18
For though I be free from all men,
yet have I made myself servant unto all, that I might gain the more. 1 Cor 9:19
1Cor. 9:20 And unto the Jews I became as a Jew, that I might gain the Jews; to them that are under the law, as under the law, that I might gain them that are under the law;
MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,
1Cor. 9:21 To them that are without law, as without law, (being not without law to God, but under THE LAW OF CHRIST that I might gain them that are without law.Shame! Shame! Shame! Cheer up it is all prophesied in Revelation 17f
MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,
1Cor. 9:22 To the weak became I as weak, that I might gain the weak: I am made all things to all men, that I might by all means save some.
MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,
1Cor. 9:23 And this I do for the gospel’s sake,
that I might be partaker thereof with you.
1Cor. 9:24 Know ye not that they which run in a race run all,
but one receiveth the prize? So run, that ye may obtain.
1Cor. 9:25 And every man that striveth for the mastery is temperate in all things.
Now they do it to obtain a corruptible crown; but we an incorruptible.
1Cor. 9:26 I therefore so run, not as uncertainly;
so fight I, not as one that beateth the air:
1Cor. 9:27 But I keep under my body, and bring it into subjection:
lest that by any means, when I have preached to others, I myself should be a castaway.
Anathema means a thing or person dedicated to a religious site claiming to adorn it: they CANNOT be redeemed and MUST BE BURNED.MEANING
yet have I made myself servant unto all, that I might gain the more
I preach the gospel, I may make the gospel of Christ without charge,
8.10.15
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Don.McLaughlin.Instrumental.Music.Worship
