Matt. 24:43 But know this, that if the goodman of the house had known in what watch the thief would come, he would have watched, and would not have suffered his house to be broken up.
Matt. 24:44 Therefore be ye also ready: for in such an hour as ye think not the Son of man cometh.
Asebēmata A.impious or profane act, sacrilege, opp. adikēma,[properly, intentional wrong,] Antipho 2.1.3, Th.6.27, D.21.104; “ta peri tous theous asebēmata”
THE PHRASE: peri tous theous asebēmata”
[1] peri , 2. with words which denote care or anxiety, about, on account of 3. of the object about which one is occupied or concerned, hoi p. tēn mousikēn ib.4 ; hoi p. tas teletas ministers of the mysteries, “paizein p. tinos”mousi^kē (sc. tekhnē), hē, A.any art over which the Muses presided, esp. poetry sung to music,paizō , 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16.[2] Theous II. theos fem., goddess,
asebēmata” A.impious or profane act, sacrilege
MATT 24: 43] But know this, that if the master of the house had known in what watch of the night the thief was coming, he would have watched, and would not have allowed his house to be broken into.
THE SERPENTINE-BABYLONIAN PATTERN IS GENESIS 1
Serpo , persons who creep or go slowly; “ of things, to move slowly or imperceptibly, to creep along, proceed gradually
To creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail argumenti, grovelling poetic style: “(poëta)
“(poëta) a maker, producer, a contriver, trickster, “versificator
“sermones Repentes per humum,
canam, căno , cĕcĭni, cantum once canituri,” Vulg. Apoc. 8, 13), to produce melodious sounds, utter melodious notes, to sing, sound, play.Is. 5:11 Woe unto them that rise up early in the morning,
C. Transf., of the instruments by which, or (poet.) of the places in which, the sounds are produced, to sound, resound: “canentes tibiae, “tibia “harundine, “cithara
incentor I .one who sets the tune or begins to sing, a precentor, singer (post-class.).
“carminis,” Paul. Nol. Carm. 15, 32: “incentore canam Phoebo Musisque magistris,
II. Trop., an inciter, exciter: “igneus turbarum,” Amm. 15, 1, 2: “civilis belli,” Oros. 5, 19: “rebellionis totius,”
.I. Lit.: “carminis,” Paul. Nol. Carm. 15, 32: “incentore canam Phoebo [APOLLON]. Musisque magistris,” FEMALE MUSICAL MASTER.
Phoebus Apollo as the god of light
C. Phoebas , ădis, f., a priestess of Apollo; hence the inspired one, the prophetess,
herpō , “herpei anta tō sidarō to kalōs kitharisdēn”
kitharisdēn”A. play the cithara, “phormiggi
to kitharizomenon music composed for the cithara, [Worship songs]
phormigg as the instrument of Apollon, “
that they may follow strong drink;
that continue until night, till wine inflame them!
Is. 5:12 And the HARP, and the VIOL, the TABRET, and PIPE, and wine, are in their feasts:
but they regard not the work of the LORD,
Neither consider the operation of his hands.
Is. 5:13 Therefore my people are gone into captivity,
because they have no knowledge: and their honourable men are famished,
and their multitude dried up with thirst.
THE KING OF BABYLON AND TYRE ARE IDENTIFIED WITH THE MUSICAL SERPENT
Is. 23:15 And it shall come to pass in that day,
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years shall Tyre sing as an harlot.
HOW DOES A HARLOT SING?
Is. 23:16 Take an [1] harp, go about the city,
thou harlot that hast been forgotten;
make sweet [2] melody,
[3] sing many songs,
that thou mayest be remembered.
Ezek. 26:13 And I will cause the NOISE of thy SONGS to cease;
and the sound of thy harps shall be no more heard.
Ezek. 28:12 Son of man, take up a lamentation upon the king of Tyrus, and say unto him, Thus saith the Lord GOD; Thou sealest up the sum, full of wisdom, and perfect in beauty.
Eze 28:13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created.
THE BOASTED SERPENTINE INFILTRATION OF OUTLAWED SINGERS
One way we did that was
A. to start using a praise team,
B. not every Sunday,
C. but at first only occasionally,
D. and now about every other week--
E. before the actual service starts-
F. THEN we have the traditional congregational singing
ed by a song leader for the rest of the service.
G. At first we had them stand in the back, which didn't cause much of a stir,
H. but when we moved them up front in front of the whole congregation,
many people had serious problems with this, and a few left because of it.
Deliberate Sowing of Discord and Offending is the PRICE WE PAY.
I. we still sing acapella and have no desire to change that:
J. praise team of men and women standing in front of the church.
AND then standing of the STAGE with amplified performance
"Now if this was the case in
Job's day, much more must it have been the case
at the earlier period when the Mysteries were
instituted. It was a matter, therefore, of
necessity, if idolatry were to be brought in, and
especially such foul idolatry as the Babylonian
system contained in its bosom,
that it should be done STEALTHILY
and in secret. *
Even though introduced by the hand of
power, it might have produced a revulsion,
and violent attempts might have been
made by the uncorrupted portion of mankind to put it
down;
and at all events, if it had appeared at once in all
its hideousness,
it would have alarmed the
consciences of men,
and defeated the very object in
view. Alexander Hislop