The Discipling Dilemma Again
Jimmy Adcox, Russ Adcox,
David Young, Stan Grandberg: Kairos is Antichrist. The
year ad 2000 is well documented in real prophecy. C.
BC 4000 is the date when the Sumerians (the Cain people)
collected all of the people and their animal and food
producing property and sold the free animals back to the
people. The priesthood performed rituals which appeased the
gods and kept the people safe. The praise singer or
encomiast was purpose driven to keep the gods from
failing--again. You brought your tithes to the towers of
Babylon: the later Temple at Jerusalem was God's abandoning
the people to Babylonianism because of the instrumental,
trinitarian PLAY or musical mocking at Mount Sinai.
The Kingdom of God is
within you and does not come with observation:
meaning religious services as IMPURE Threskia or religion.
You are commanded NOT to give them money for the free water
of the Word. While protected FROM religion as an
UMBRELLUM the singular PATTERN is to Read and Meditate on
the Word of God, the LOGOS or Regulative Principle which
excludes ALL religious craftsmen such as speakers, singers
or instrument players. Jesus calls them hypocrites (Scribes
and Pharisees). He also said that God HIDES from them.
The only SPIRITUAL Covenant
is made with the laos or laity excluding priests or
Levites. Jacob commanded everyone not to attend the
assemblies of the Levites nor to enter into their covenant.
Jesus as Spirit gave APT
elders to "teach that which has been taught." He gave no
ROLE nor DOLE for "leadership" claiming authority to destroy
the REST and fleece the widow's purse. There is no law of
tithing nor law of giving. Those who demand money to PLAN
for you are called thieves and robbers: He is called Hermes
or KAIROS.
ISIS
is the Mother of the Egyptian Trinity. All pagans
believed in a father, spirit (mother) and infant son. John
said that ANTICHRIST denies that there is ONE GOD THE FATHER
and ONE LORD the MAN Jesus of Nazareth.
Plut.
De Iside and Osiris Apollo,
and some call him also the elder Horus
Plut.
De Iside 3 Moreover, many writers have
held her [Isis] to be the daughter of Hermes,
and many others the daughter of Prometheus,2
because of the belief that Prometheus is the discoverer of wisdom
and forethought, and Hermes the inventor of grammar
and music. For this
reason they call the first of the Muses at Hermopolis
Isis as well as Justice. Isis discloses the
divine mysteries...It is a fact, dea, that having a beard and
wearing a coarse cloak does not make philosophers, nor does
dressing in linen and shaving the hair make votaries of Isis
[Galli or Catamites]
2 Cf. 365 f, infra, and
Clement
of Alexandria, Stromateis,
speaking of Hermes or KAIROS
The devil is called "thief and robber; "having mixed false
prophets with the prophets, as tares with the wheat.
"All, then, that came before the Lord,
were thieves and robbers; "not absolutely all men, but
all the false prophets, and all who were not properly sent by Him. For the false prophets
possessed
the prophetic name dishonestly, being prophets, but prophets
of the liar.
For the Lord says, "Ye are of your father the devil; and the lusts of your father
ye will do. He was a murderer from the beginning, and
abode not in the truth, because there is no truth in him.
When he speaketh a lie, he speaketh of his own; for he is
a liar,
and the father of it."
But
among the lies, the false prophets also
told some true things. And in reality they prophesied "in an
ecstasy, as" the
servants of the apostate. And the Shepherd, the angel of
repentance, says to Hermas, of the
false prophet:
"For he speaks some truths. For the devil fills him
with his own spirit, if perchance he may be
able to cast down any one from what is
right." All things, therefore, are
dispensed from heaven for good, "that by the Church
may be made known the manifold wisdom of God,
according to the eternal foreknowledge, which He purposed in
Christ."
Hermes: Born with
the dawning, at mid-day he played on the lyre, and in the
evening he stole the cattle of far-shooting Apollo on the fourth
day of the month; for on that day queenly Maia bare
him. Hermes is also the god of shepherds, land travel,
merchants, weights and measures, oratory, literature, athletics and thieves, and known for
his cunning and shrewdness.
He was also a minor patron of poetry. He was
worshiped throughout Greece especially in Arcadia.
Festivals in honor of Hermes were called Hermoea. Originally Hermes was a phallic
god
ISIS
is far less dangerous: they can only cut off your head.
However, they intend to TRANSISTION your property into the
INSTRUMENTAL SECT. Islam, the Jews and apostate
christians conspiring to "infiltrate and divert your
congregation" to Devil or KAIROS worship are devoted to Semiramis.
SHE was included in the pagan Babylonian
trinity as the holy spirit or seed of the divine son in
his mother's womb... The Egyptian mother and child
were worshiped as Isis with the infant Osiris or Horus seated
on his mother's lap. In Egypt, as the "queen of
heaven" she was the greatest and most worshiped of
all the divinities. During Egyptian bondage, the Israelites
repeatedly departed from the one true invisible Elohim and
worshiped the pagan mother. When the Israelites fell into
apostasy under King Solomon, they worshiped this mother
goddess as Ashtaroth (Asherah), a name by which the pagan
Babylonian goddess was known to the Israelites: Homer
Hymn to Hermes.
And the people of
Israel again did what was evil in the sight of YHWH, and
served the Baals [various lord gods depicting Nimrod]
and the Ashtaroth [Semiramis],
the gods of Syria, the gods of Sidon, the gods of Moab, the
gods of the Ammonites, and the gods of the
Philistines; and they forsook YHWH, and did not serve him.
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Before looking at David Young's Discipling
Dilema it is important to understand that the same
manipulators us the same methods as the Discipling Cults.
This fits with Spiritual Formation among the feminists
professors and Lectio-Divina which seeks a new vision
ignoring the text. This is the opposite of READING the LECTIONS
of the DIVINE WORD as the one piece pattern for a Church OF
Christ where He is the only Teacher and intercessor.
FROM A REBUKE TO PURPOSE DRIVEN
CHURCH
IMPLEMENTATION OF THE
PURPOSE-DRIVEN VISION
> Our transition (change agents) involved an eleven
year process that continues to this day and will continue
for years to come. Our plan for transition involved a
prescribed procedure in the following order:
David Young Sowing Discord
Hurts: WE
acknowledge that change is
painful. WE
acknowledge that many of us wish WE
did not have to make any changes to communicate to
people, even though WE
are committed to making the effort. WE
also acknowledge that WE leaders
often don’t know the best way to communicate the
Gospel in an age that is becoming more
vulgar and more hostile to Christ.
WE remember the counsel of Solomon:
“By wisdom a house is built, and through understanding it
is established” (Prov. 24:3).
Styles,
traditions, and methods will change with or without us.
WE
commit to making changes wisely, carefully,
and with the consensus of the leadership team.
God has supplied all that we need: beware of people spreading
PAIN or discord.
Prov. 24:1 Be not thou envious against evil men,
neither desire to be with them.
Prov. 24:2 For their heart studieth destruction, and
their lips talk of mischief.
Prov. 24:3 Through wisdom is an house builded; and by
understanding it is established:
Prov. 24:4 And by knowledge shall the chambers be filled
with all precious and pleasant riches.
Prov. 24:5 A wise man is strong; yea, a man of knowledge
increaseth strength.
Prov. 24:6 For by wise counsel thou shalt make thy
war:
and in multitude of
counsellors there is safety.
Prov. 24:7 Wisdom is too high for a fool: he openeth not
his mouth in the gate.
Prov. 24:8 He that deviseth [plots in the mind]
to do evil shall be called a mischievous person.
Prov. 24:9 The thought of foolishness is sin: and the
scorner is an abomination to men.
sophos
, A.skilled in any handicraft or art,
clever
“mantis”
poets and musicians, Pi.O.1.9,
P.1.42,
3.113; en
kithara
s.
E.IT1238
> Start a gradual worship style transition.
HOW TO TRANSITION TO MUSICAL IDOLATRY
This is boasted of as the way the instrumental churches intend
to make disciples.
Jeff
Walling and the NACC Never confesses
how he REALLY seduced HIS church
Rick
Atchley and the Christian Standard.
> Focus on preaching for change to set the stage for determining your
church purpose.
> Determine your
church purpose: Our church
purpose is "to grow in our relationship with Jesus Christ, His
family, and the world, our neighbor." [Vision
Casting]
Jesus beat you to it:
Eph. 3:3 How that by revelation he made
known unto me the mystery; (as I wrote afore in few words,
Eph. 3:4 Whereby, when ye READ, ye may understand my
knowledge in the mystery of Christ)
Eph. 3:10 To the intent that now unto the principalities and
powers in heavenly places
might be known by
the church the manifold wisdom of God,
Eph. 3:16 That he would grant you, according to the riches
of his glory,
to be strengthened
with might by his Spirit in the inner man;
Eph. 3:17 That Christ may dwell in your hearts by
faith; that ye,
being rooted and
grounded in love,
Eph. 3:18 May be able to comprehend with all saints
what is the breadth, and length, and depth, and height;
Eph. 3:19 And to know the love of Christ, which passeth
knowledge, that ye might be filled with all the fulness
of God.
> Emphasize the
church's responsibility to reach the unchurched.
> Launch a New
Member's class.
> Encourage your members to embrace the church purpose as their
personal purpose. [We versus Them]
> Adopt new church
by-laws so that the
organizational concept and structure of the church comply with
the biblical structure for a church.
[before you
expose your agenda: been there, done that three times]
> Implement a
covenant process for personal,
spiritual growth of church members. [Pledge
loyalty to the leaders]
> Enlist the support
of your senior adults.
> Transition the
ministry of the church to the
people and the maintenance of the church to the staff
> Transition the
education ministry to make it
life-empowering.
> Lead the church to
decide to relocate (or
expand).
> Pay for property.
> Raise funds for
the new facility.
> Lead the church to
change its name in preparation
for the relocation. [remove
Christ from the sign]
> Launch in-home
community groups.
> Graciously Release Those Members Who Choose To
Leave. Expressed from J.W.McGarvey and
"progressives" "get over it or get out."
> "Those who went out
were not OF us." You must
remember that the transition will not please everyone - that
would be impossible. Do not abandon your vision to
appease a person or even a group
of persons who choose to
leave. God will send other
leaders to take their place.
Easy step 1. Worship Planning - Form a worship
planning team that will help you plan services to
correspond with the message so that all songs match the theme of
the message. Introduce video projection of
sermon notes and WORDS of the songs at this point.
David Young:
Beyond these
non-negotiable instructions, however, the Scriptures permit
Christians and churches to exercise
considerable freedom and to apply God’s Word in merciful
ways.
Jeremiah by the Spirit OF Christ said that if you SAY that God
or Scripture PERMITS someone to do something that He did not
that person despises the Word or blasphemes.
Jer. 13:10 This evil people, which refuse to hear my
WORDS,
which walk in the
imagination of their heart,and walk after other gods, to serve
them,
and to worship
them,shall even be as this girdle, which is good for nothing.
Jer. 16:12 And ye have done worse than your fathers;
for, behold, ye walk
every one after the imagination of his evil heart,
that they may not
hearken unto me:
Jer. 18:12 And they said, There is no hope:
but we will walk [dīco speak] after our own
devices,
and we will every one do
the imagination of his evil heart.
ĕo (compositio), id. 9, 4, 142: “cum per omnes et personas et affectus eat (comoedia),”
cōgĭtātĭo
, a thinking, considering, deliberating;
thought, reflection, meditation
Quint.
Inst. 5 9.1 Every artificial proof
consists either of indications, arguments or examples. I am
well aware that many consider indications to form part of
the arguments. My reasons for distinguishing them are
twofold. In the first place indications as a rule come under
the head of inartificial proofs: for a bloodstained
garment, a shriek, a dark blotch and the like are all
evidence analogous to documentary or oral evidence and
rumours; they are not discovered by the orator, but are
given him with the case itself. artĭfĭcĭālis
Jer. 23:17 They say still unto them that despise me,
The LORD hath said, Ye
shall have peace;
and they say unto every
one that walketh after the imagination of his own
heart,
No evil shall come upon
you.
Luke 1:51 He hath shewed strength with his arm
the hath scattered the
proud in the imagination of their hearts.
The Direct Command for the Word, Logos or
Regulative Principle is SPEAK, TEACH OR READ: poetry, music or
rhetoric are EXCLUDED. No mortal has freedom to decide what
God HAS DECIDED with no statute of limitations until Jesus
Returns.
The Inclusive-Exclusive to the elders as the only
Christ-ordained vocational Pastor teachers is to TEACH THAT
WHICH HAS BEEN TAUGHT. Ephesians says of speakers for
hire, singers or instrument players that THEY
ARE LYING IN WAIT TO DECEIVE.
The singular meaning of "worship" in the school of Christ is
reading the Word. Covenants are to the domos or laity:
exclusive of Priests or Levites. Jesus called the Scribes and
Pharisees, hypocrites. In Isaiah 29 hypocrites are staff engaged
in MOUTH religion: rhetoric, singing, playing instruments. Jesus
died to give US freedom from YOU as burden laders lading
burdens. Burdens are the self-composed songs and sermons of the
Jacob-cursed and God-abandoned Levites and their laded burden.
These burdens are songs and "Evil men set their lies to melodies
to deceive the simple."
According to Philo, the
gods of the pagans exploit this weakness of
men. For the sake of a better effect, and with the intention of more
easily cheating their devotes, that they have set their
lies to melodies, rhythms and meters.." Click for more.
Easy step 2. Hymn
Arrangements - Introduce new arrangements
of favorite hymns.
Singing and all musical concepts are Purpose Driven
among the pagans as SORCERY. The singers, speakers and
instrument players in Revelation 18 are called SORCERERS
marking the original Babylon Mother of Harlots. John says that
is the mark that the lampstands have been removed and THEY WILL BE CAST ALIVE INTO THE LAKE OF FIRE.
Men who twist the command to SPEAK that
which is written for our learning into SING and PLAY are
predestined according to Jude. No one can be that Bible and
Ethically illiterate:
The command is to SPEAK
the ODES
-lexis , eōs, h(, (legō B) A. speech,
OPPOSITE.
ōdē, Pl.Lg.816d;
l. ē praxis speech or
action, Id.R.396c;
ho tropos tēs l. ib.400d; ta lexei dēloumena orders given by
word of mouth,
-ōdē
, hē,
contr. for aoidē,
“en
tais
ōdais
kai
melesin”
R.399c, cf. 398c; OPPOSITE.
lexis,
Psallo has never and can never
speak of musical melody. If someone said:
SPEAK to the students about the rules of grammar
SING and WHISTLE in the bathroom.
Easy step 3.
Introduce Some Praise Choruses - Start with a new chorus
of the month.
-Apollon exercises an elevating and inspiring influence on the mind as god of music, which, though not belonging
to him alone any more than atonement and prophecy, was yet pre-eminently his province. In Homer
he is represented only
as a player on
the lyre,
while song is the province of the Muses;
but in course of time he grows to be the god, as they are the goddesses, of song and poetry,
and
is therefore Mousagetês (leader of the Muses) as well as master of the choral dance,
which
goes with music and song. And as the friend of all that beautifies life
he is intimately
associated
with the Graces [Graces meaning CHARIS
meaning Charismatic
meaning
the MARK of homosexual "worship"]
Easy step 4.
Gradually increase the number of choruses, gauging the
response of your church family as you go. Some will readily
embrace this change. Others will gradually come
along. Still others will reject this outright -- try
to help them see the validity of what YOU are
doing.
David Young: WE
commit to listening to the church as it seeks to understand
what the leadership at North Boulevard is doing. WE
will try to work SLOWLY and
WISELY so as to avoid disorder, disunity,
and needless confusion as WE try to speak the
Gospel in a world with multiple opinions and tastes.
Aristot.
Nic. Eth. 1175b.1
But things that are akin to things of
different kinds must themselves differ in kind.
[3] A still clearer proof may be
drawn
from the hindrance
that activities
receive from the
pleasure derived from other activities.
For instance, persons fond of the flute
cannot give
their attention to a philosophical discussion [The LOGOS or Regulative Principle]
when they overhear
someone playing the flute,
because they enjoy
music more than the activity in which they are engaged;
therefore the pleasure afforded by the
music of the flute
impairs the
activity of study.
Hislop: "THE
MYSTERY OF INIQUITY DOTH ALREADY WORK" (2
Thess 2:7). That system
of iniquity which then began it was divinely foretold
was to issue in a portentous apostacy, that in due time
would be awfully "revealed," and would continue until it
should be destroyed "by the breath [SPIRIT] of the
Lord's mouth (The Word), and consumed by the brightness of His
coming."
A Lying Wonder:
mendācĭum
, ii, n. mendax,
I. a lie, untruth,
falsehood.: “
prophetāsti
mendacium,”
Vulg. Jer. 20, 6;
“
credere
mendacio,”
to believe a lie,
id. 2 Thess.
2, 11.—
B.
Esp.,
a fable, fiction (opp.
historic
truth): “
poëtarum,”
Curt. 3, 1, 4.—
II.
Transf., of things,
a counterfeit
(post-Aug.): “
neque
est
imitabilior
alia
mendacio
vitri,”
Plin. 37, 8, 33, §
112;
35, 6, 29, § 48.
pŏēta maker,
producer, contriver,
trickster, oratores
et
poëtae,
versificator
quam
poëta
melior,”
poi-ētēs II.
composer of a poem, author, “
p.
kōmōdias”
Pl.Lg.935e;
“
p.
kainōn
dramatōn,
tragōdiōn
b. composer of music,
Pl.Lg.812d.
1
i.e. the notes of the instrument must be in accord
with those of the singer's voice.
So, to attain this object, both the lyre-master and
his pupil must use the notes of the lyre, “The tune,
as composed by the poet, is supposed to have
comparatively few notes,
But at its first
introduction into the Church, it came in secretly and
by stealth, with "all DECEIVABLENESS of
unrighteousness." It wrought "mysteriously" under fair but false pretences, leading men away
from the simplicity of the truth as it is in Jesus.
And it did
so secretly, for the
very same reason that idolatry was secretly
introduced in the ancient Mysteries of Babylon; it was not
safe, it was not prudent
to do otherwise. The zeal of the true Church, though
destitute of civil power, would
have aroused itself, to
put the false system and all its abettors beyond the pale of Christianity, if it had
appeared openly and all
at once in all its grossness; and this would have
arrested its progress.
Therefore it was brought
in secretly, and by little
and little, one corruption
being introduced after another, as apostacy proceeded, and the backsliding
Church became prepared to tolerate it, till it has reached the gigantic height
we now see, when in almost every particular the system of
the Papacy is the very antipodes of the system
of the primitive Church.
Of the gradual
introduction of all that
is now most characteristic
of Rome, through the
working of the "Mystery of
iniquity," we have very
striking evidence, preserved even by Rome itself, in the
inscriptions copied from the Roman catacombs.
> Our transition
(change agents) involved an eleven year process
Easy step 5. Move Into a Blended Service
- This will happen naturally as you continue to introduce praise
choruses.
Easy step 6. Begin to
Use a Praise Team - This and the next step are the most
challenging part of the worship transition. When some
people see a Praise Team in front of them, they think, “We are
changing,” and the reaction can be extreme.
The Jews had a Covenant with Death and Hell: they
were "predestined" and could NOT be lost. The Spirit OF Christ
excluded "vocal or instrumental rejoicing or rhetoric" for the
Rest or School day in the Church in the wilderness.
Isa 8:19And when they shall
say unto you,
Seek unto them that have familiar spirits,
and unto wizards that peep, and that
mutter:
should not a people seek unto their God?
for the living to the dead?
-cantus , ūs, m. id., 2.
With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,” Hor. C. 3, 1, 20:
“horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm, magic
song, etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
“magici,”
To the law and to
the testimony:
if they
speak not according to this word,
it is
because there is no light in them. Isa 8:20
Easy step 7.
Introduce Other Instruments - Gradually de-emphasize
the piano and organ while introducing other
instruments like guitars and drums. This
transition can be started with Sunday night
services and carefully introduced to Sunday
morning. For those churches who do not have Sunday night
services, one option is to start a week night praise
service that utilizes these other instruments.
Easy step 8. One good
way to begin this transition is with previously recorded
music, which allows you time to recruit a praise
band and gradually incorporate them into the worship
service.
THE MEANING OF THE SERPENT WORSHIP.
DAVID
YOUNG AND THE NORTH BOULEVARD CHURCH 20/20 VISION:
be careful that the frogs don't jump out of the boiling water.
THE ABOMINATION OF A MUSICAL WORSHIP TEAM AT MOUNT SINAI:
Never males before David.
Exodus
32 Exod 32:6
And they rose up early on the morrow, and
offered
burnt offerings, and brought peace offerings;
and the people sat
down to eat and to drink, and rose up to play
6] surgentesque mane obtulerunt holocausta et hostias pacificas et sedit populus comedere ac bibere et surrexerunt ludere
Surgo they rose up in
insurrection AGAINST God.
Hêdonais 3. Pl., desires
after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3,
"The triumphal hymn of Moses had unquestionably a religious
character about it; but the employment of music in religious services, though
idolatrous, is more distinctly marked in the festiviti es which
attended the erection of the golden calf." (Smith's Bible
Dictionary, Music, p. 589)
Empaizō , fut. To be
deluded 2. euphem.
in mal. part., LXXJd. 19.25.
Jdg 19:25 But the men would not hearken to him: so the
man took his concubine, and brought her forth unto them;
and they knew her, and abused her all the night until the
morning: and when the day began to spring, they let her
go.
II. sport in or on, hôs
nebros chloerais e. leimakos hêdonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the dance, Ar.Th.975; tôi Luc.Lex.5
Paig-ma
A. play, sport,
lōtos hotan . . paigmata bremē whene'er the pipe
sounds its sportive strains, E.Ba.161(lyr.);
“Ludia p. luras” . II. 'child's play', to toiouto p. tōn logōn
Exod 32:34 Therefore now go,
lead the people unto the place of which I
have spoken unto thee:
behold, mine Angel shall go before thee:
nevertheless in the day when I visit I
will visit their sin upon them.
WARNING ABOUT THE ABOMINATION OF A MUSICAL WORSHIP TEAM:
the PATTERN in 2 Chronicles 29
Unity in Diversity is a lie: Paul told the elders as THE
LEADERS WITH THE DEACONS to cast out the cunning craftsmen or
sophists: speakers, singers, instrument players infiltrated to
eat up the living of the widows as the MARK of Pharisees.
Because, Jesus had Paul say THEY ARE LYING IN WAIT TO
DECEIVE. While they appear just to be scripturally and
morally corrupt Jude says they were predestined from old as
defunct spirits CONDUCTED by Hermes or KAIROS.
Deut. 18:9 When thou art come into the land which the LORD
thy God giveth thee,
thou shalt not learn
to do after the abominations of those nations.
Deut. 18:10 There shall not be found among you any one that
maketh his son or his daughter to pass through the fire,
or that useth divination,
or an observer of times, or an enchanter, or a
witch,
hărĭŏlus
soothsayer, prophet, prophetess
somnĭo
, to dream; to dream of or see in a dream,
to dream, i. e. to think idly or vainly,
to talk foolishly:
psaltrĭa
, ae, f., = psaltria,
. a female player on the cithara, a
lutist, “ineptias,”
Col. 1, 8, 2:
“ah
stulte!
tu
de
Psaltriā
me
somnias
Agere,”
Ter. Ad. 4, 7, 6;
Plaut. Pers. 2, 3, 5.—Absol.:
“vigilans
somniat
“portenta
non
disserentium
philosophorum
sed
somniantium,”
Cic. N. D. 1, 8, 18.
Deut. 18:11 Or a charmer, or a consulter with
familiar spirits, or a wizard, or a necromancer
A Charmer is an
Abomination
incantātor
, ōris, m. incanto, I. an enchanter,
wizard (post-class.)
B. An
incantation, charm, magic song,
etc.: cantusque artesque magorum.
“cantus
e
curru
Lunam
deducere
tentat,”
2.
With instruments, a playing, music: “in
nervorum
vocumque
cantibus,”
Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,”
Hor. C. 3, 1, 20:
“horribili
stridebat
tibia
cantu,”
Cat. 64, 264:
“querulae
tibiae,”
David Young in His Mark Discipling book dismisses
Amos' warning as just devoted to EXTERNAL things
without being spiritual: they were, therefore
hypocrites. Among the scholars God was happy with the
instrumental worship but was sad because they had a bad
mental attitude. Amos identifies the worship in Israel
as identical to that of the instrumental-trimitarian
idolatry at Mount which was a sin beyond redemption.
Extreme Discipleship p. 132
They focused exclusively on external things
rather than on purity of heart. Look at a
few scriptures from Isaiah 1:10-31; Jeremiah 7:21-26;
Hosea 6:6; Amos 5:21-24; Micah 6:6-8. When are
external actions right? When they are wrong? Can of
think of instances in Christianity where we focus on the
wrong things as a means of purity before God?
How should we go about changing these?
The Scribes in Jeremiah 7 lied about the role of the Temple
which God did NOT command except as the headquarters of an
abandoned Civil-Military-Clergy:
Jer. 7:4 Trust ye not in lying words, saying, The
temple of the LORD, The temple of the LORD, The temple of
the LORD, are these.
Jer. 7:18 The children gather wood, and the fathers kindle
the fire, and the women knead their dough,
to make cakes to the
queen of heaven, and to pour out drink offerings unto other
gods, that they may provoke me to anger.
Jer. 7:21 Thus saith the LORD of hosts, the God of Israel;
Put your burnt offerings unto your sacrifices, and eat
flesh.
> For I spake NOT unto your
fathers, nor commanded them
in the day that I
brought them out of the land of Egypt,
concerning burnt offerings or
sacrifices: Jeremiah 7:22
> But this
thing
commanded I them, saying,
Obey my
voice, and I will be your God, and ye shall be
my people:
and walk ye in
all the ways that I have commanded you,
that it may be
well unto you. Jeremiah 7:23
> But they HEARKENED NOT, nor inclined their ear,
but walked in the
counsels and in the imagination of their
evil heart,
and went backward,
and not forward. Jeremiah 7:24
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
Pind.
I. 6 Just as we
mix the second bowl of wine when the men's
symposium is flourishing, here is the second
song of the Muses for Lampon's children
and their athletic victories: first in Nemea, Zeus, in
your honor they received the choicest of
garlands,
Pind.
I. 7 In which of the local
glories of the past, divinely blessed Thebe, did you most
delight your spirit? Was it when you raised to
eminence the one seated beside Demeter of the clashing
bronze cymbals, flowing-haired [5] Dionysus? Or when
you received, as a snow-shower of gold in the middle of
the night, the greatest of the gods, when he stood in the
doorway of Amphitryon, and then went in to the wife to
beget Heracles?
David and the "doctors of the Law" pretend that the Spirit
OF Christ was approving of the external acts BUT not when
done with an impure heart. They always miss the punch line:
Amos 5:23 Take thou away
from me the noise of thy songs; for I will not
hear the melody of thy viols.
Amos 5:24 BUT [instead] let judgment run
down as waters, and righteousness as a mighty stream.
Amos 5:25 Have ye offered unto me sacrifices and offerings
in the wilderness forty years, O house of Israel?
God had not commanded sacrifices nor burnt offerings until
after their ABOMINATION of instrumental-trinitarian idolatry
at Mount Sinai. Then, sacrifices were at the Tabernacle only
and the godly people were excluded on the penalty of death.
They attended SCHOOL of the WORD only.
Amos 5:21 I hate, I despise
your feast days, and I will not smell in your solemn
assemblies [HE DID NOT COMMAND THEM]
Amos 5:22 Though ye offer me burnt offerings and your
meat offerings, I will not accept them: neither will I
regard the peace offerings of your fat beasts.
Psa. 50:12 If I were hungry, I
would not tell thee: for the world is mine, and the
fulness thereof.
Amos 5:23 Take thou away from me
the noise of thy songs; for I will not
hear the melody OF thy viols.
Zimrah (h2172) zim-raw';
from 2167; a musical piece or song to be accompanied
by an instrument: - melody, psalm. [You must NAME and
instrument if used]
Amos 5:24 BUT let judgment
run down as waters, and righteousness as a mighty
stream.
David Young
faults their focus on EXTERNAL worship but did not
have a GOOD HEART. The Devil or Demon (KAIROS)
worshipers are PURPOSE DRIVEN.
Amos 5:25 Have ye offered
unto me sacrifices and offerings in the wilderness forty
years, O house of Israel?
Amos 5:26 BUT ye have borne the tabernacle
of your Moloch and Chiun your images,
the star of your
god, which ye made to yourselves.
Amos 5:27 Therefore
will I cause you to go into captivity beyond
Damascus,
saith the LORD,
whose name is The God of hosts.
Amos 6:1 WOE to them that are at ease [opulenti] in Zion, and
trust in the mountain of Samaria,
which are named chief
of the nations, to whom the house of Israel came
ŏpŭlentus B
Of respectability or rank, respectable, powerful,
noble: opulenti pariter atque ignobiles,
“ludos
opulentius
instructiusque
facere,”
Liv. 1, 35, 7
lūdus A. In
gen., a play, game, diversion, pastime, ,
spectacles, shows, exhibitions, which were
given in honor of the gods, “hoc
praetore
ludos
Apollini faciente,”
Cic. Brut. 20, 78
2. Stage-plays “Dionysius
Corinthi
dicitur
ludum
aperuisse,”
făcĭo
....făcĭo anything YOU make
or do;
“poëma,” to compose,
id. Pis. 29, 70:
“carmina,” Juv. 7, 28:
“versus,” id. 7, 38:
“sermonem,” Cic. Fam. 9, 8, 1;
cf. “litteram,” id. Ac. 2, 2, 6: ludos, to
celebrate, exhibit “audientiam orationi
in -strŭo , 1.
To set in order, draw up in
battle array: to lay an ambush, A.
In gen., to procure, provide for,
prepare for, furnish: “in
instruendo
(orationem)
dissipatus,”
CHIEF pompātĭcus , a, um,
adj. pompa, I.showy, pompous,
splendid (post-class.): “femina,”
Tert. Cult. Fem. 9: “genus
vehiculi,
for
state
occasions,”
Isid. 20, 12, 3.—Hence,
adv.: pompātĭcē
, with display, pompously, Vulg. Amos, 6, 1;
“Jul.
Vict.
Rhet.
10, p.
233: favor,”
Aeschin.
1 4 I am aware, fellow citizens, that the
statement which I am about to make first is something
that you will undoubtedly have heard from other men on
other occasions;
Dem.
23 124 and I need not say that we often
make friends, to serve our occasions [kairous], with
many such people,
Amos 6:4 That lie upon beds of
ivory, and stretch themselves upon their
couches, and eat the lambs out of the flock, and the
calves out of the midst of the stall;
lascīvĭo
, to be wanton, petulant, sportive, to sport, frisk,
frolic modo
exsultasse,”
mŏdus 2.
The measure of tones, measure, rhythm, melody,
harmony, time; in poetry, measure, metre, mode:
“vocum,”
Cic. Div. 2, 3, 9:
“musici,”
Quint. 1, 10, 14:
“lyrici,”
saltare ad tibicinis modos, to the music or sound
of the flute,
Quintilian
Oratoria 10.[14]
It is recorded that the greatest
generals played on the lyre and the pipe, and that
the armies of Sparta were fired to martial
ardour by the strains of music. And what else is the
function of the horns and trumpets attached to our
legions? The louder the concert of their notes, the
greater is the glorious supremacy of our arms over
all the nations of the earth
Augures Hence the arguments of the Stoics, that
if there are gods they care for men, and that if they
care for men they must send them signs of their
will (Cic. de Leg.
2.1. 3, 32), Hence each people
possessed a national mantikē
or divinatio,
In Greece, the oracles supplanted the birds, and the
future was learnt from Apollo and other gods, rarely
from Zeus, who possessed very few oracles in Greece.
exsulto (exult-
) B. In partic., to exult, rejoice
exceedingly; to run riot, to revel; to vaunt,
boast
2. Of an orator or an oration, diffuse,
prolix:
lectus
, A. A bridal bed: lectus genialis, the
nuptial-bed, which, after the marriage,
gĕnĭālis
, Of or belonging to enjoyment, jovial,
pleasant, delightful, joyousfestive,
genial: i. e. under which festivals were
celebrated. Ceres and Bacchus
Wine Bakch-eios
or
Bakcheios , Bacchus and his rites. a,
on,
also Bakchios , a, on (to suit the metre), fem. os
Luc.Ocyp.171:-- A. of or belonging to Bacchus
and
his rites, botrus S.Fr.255.2 ; nomos
[LEGALISM]E.Hec.686 (lyr.); rhuthmos
X.Smp.9.3 , etc.: hence, frenzied,
rapt, B. Dionusos h.Hom.19.46 , cf. Hdt.4.79; ho B.
theos S.OT1105 (lyr.); Bakcheie despot'
Ar.Th.988 (lyr.), cf. IG4.558.20 (Argos), etc.; ton B.
anakta, of Aeschylus, Ar.Ra.1259.
Aristoph.
Thes. 988 Chorus
[985] Let us form fresh measures that keep good time, and
may our songs [ōdēn]: resound to the very heavens.
Do thou, oh divine Bacchus, who art crowned with ivy,
direct our chorus; 'tis to thee that both my hymns and my
dances are dedicated.
Resound: euruthm-os , on,
Ep. eurr-
A.rhythmical, mousikē
eu.
moving in time, keeping time
melos
The Musically Melody Word, kinēsis
Harp of the Barbarian:
|
 |
Amos 6:5 That chant to the sound of the viol,
and invent to themselves instruments of musick, like
David;
Amos 8:2 And he said, Amos, what seest thou? And I
said, A basket of summer fruit. T
hen said the LORD unto
me, The end is come upon my people of Israel;
I will not again
pass by them any more.
Aristophanes Archarnians
DICAEOPOLIS
Peace, profane men! Let the basket-bearer come
forward, and thou Xanthias, hold the phallus well
upright.
DAVID YOUNG AND ALL OF THOSE IMPOSING INSTRUMENTS IN THE
SCHOOL OF THE WORD AND BURNING THEIR INFANTS.
In 2 Chronicles 28; 33 The Lie is that God commanded the
Jacob-Cursed and God-Abandoned Levites to provide INSTRUMENTAL
ACCOMPANIMENT to the regular worship of the Jews. Hezekiah was
conducting an EXORCISM because of taking the animal slaughter
from outside closed city gates to hide its ugliness. The
command was for the Levites to stand in ranks with instruments
and sword to execute any one not of the priesthood. Why
would people lie about Scripture?
2Chr. 29:27 And Hezekiah commanded to
offer the burnt offering upon the altar.
And when the burnt
offering began, the song of the LORD began also
with the trumpets,
and with the
instruments ordained by David king of Israel.
Hezekiah stopped the sacrifice of infants with the instrumental
noise of the Levites who were an old Egyptian Infant burning
priesthood. As soon as Hezekiah died the sacrifices to
Moloch began all over again. And THIS IS THE PATTERN of those LYING IN WAIT TO DECEIVE.
The triumphal
hymn of Moses had
unquestionably a religious character about it; but the
employment of music
in religious services, though idolatrous, is more distinctly marked in the festivities which attended the
erection of the golden calf." (Smith's Bible
Dictionary, Music, p. 589).
ACTS
7 IS A DIRECT PARALLEL TO AMOS WHOM DAVID CLAIMS WERE
JUST INTERNAL WRONG.
Acts
7:37 This is that Moses, which said unto the
children of Israel,
A PROPHET shall the
Lord your God raise up unto you of your
brethren,
like unto me; him
shall ye hear.
Acts 7:38 This is he, that was in the church in
the wilderness
with the angel which
spake to him in the mount Sina, and with our
fathers:
who received the lively
oracles to give unto us:
Acts 7:39 To whom our fathers would not obey,
but thrust him
from them, and in their hearts turned back again
into Egypt,
Acts 7:40 Saying unto Aaron, Make us gods to
go before us:
for as for this Moses,
which brought us out of the land of Egypt, we wot
not what is become of him.
Acts 7:41 And they made a calf in those days,
and offered sacrifice
unto the idol,
and
rejoiced in the works
of their own hands.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
II. Pass., make merry, enjoy oneself,
to sing,
i. mēkhanēn, [sound, lights
]in the theatre, merriment of a feast
4. take up and
bear, as a burden, “moron” A.Pers.547;
“athlon” S.Tr.80;
“algos” A.R.4.65.
2. raise
by words, hence, praise, extol, E.Heracl.322,
etc.; ai. logō to exaggerate,
D.21.71.
mēkha^n-ē
Acts 7:42 Then God
turned,
and gave
them up to worship the HOST of heaven;
as it is written
in the book of the prophets,
O ye house of
Israel, have ye offered to me slain beasts and
sacrifices
by the space of
forty years in the wilderness?
Acts 7:43
Yea, ye took up the tabernacle of Moloch,
and the star
of your god Remphan,
figures which ye
made to worship them:
and I will carry you away beyond
Babylon.
PROPHECY OF
JUDAS IN PSALM 41 AND THE DEAD SEA SCROOLS
Ruwa (h7321) roo-ah'; a prim.
root; to mar (espec. by breaking); fig.
to split the ears with sound, i. e. shout (for alarm or joy): - blow
an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout for joy,
sound an alarm, triumph.
By this I know that thou
favourest me, because mine enemy (Judas) doth not triumph over me. Ps.41:11
DSS: "After them the chiefs of the
Levites serve continually, twelve in all, one to a
tribe. The chiefs of their courses shall serve each man in
his office. The chiefs of the tribes and fathers of the
congregation shall support them, taking their stand
continually at the gates of the sanctuary
DSS: And they, teachers of lies and
seers of falsehood,
have schemed against
me a devilish scheme to exchange the Law engraved on my
heart
by Thee for the smooth things which
they speak to Thy people.
"The priests shall blow the
trumpets of massacre, and the Levites and all the blowers of the ram's horn
shall sound a battle alarm,
and the foot
soldiers shall stretch out their hands against the host...
and at the sound of the alarm
they shall begin to
bring down the
slain.
All the people shall
cease their clamor,
but the priests shall continue
to blow the trumpets of massacre." -
War Scroll DSS: All who have eaten my bread
have lifted their heel against me (cf John 13:18)
And all those joined to my Council
have mocked me with wicked lips. (Children piping and
chiding.)
They have
overtaken me in a narrow pass (gap) without escape .........
And there is no rest
for me in my
trial.
.........
They sound my censure upon a harp ........
.and their murmuring and storming upon a zither." Ps.41:11
Mark.10.They.Shall.Mock.Him.With.Music
Judas
was a thief: his bag or box was
always attached to the spotted flute case.
And God
WATCHED the prophesied and fulfilled Musical Worship
Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your
FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
The TERMINAL MARK of the Purpose Driven Cult
consulting KAIROS for planting new groups: followed
the pattern for using my "gifts to the Lord" for a
purpose-driven agenda.
When the Jacob-cursed and
God-Abandoned Levites were burned along with 10,000 harps in
Jerusalem then
DSS: Then
will I play on
the zither of deliverance
and harp of joy,
on the tabors of prayer
and the pipe of praise
without end.
Revelation 18F: they are all called Sorcerers who HAD
once deceived the whole world.
They WILL BE CAST ALIVE INTO
THE LAKE OF FIRE.
This is Purpose Driven of two things God hates and hides from:
Those who bring music into the holy places and men who
deliberately sow discord. The list of TASKS above is the brash
boast of men who intentional Direct Defunct Souls into Hell:
His name is Hermes or
Kairos.
1Corinthians 10:6 Now these things were our
examples,
[pattern]
to the intent we
should
not lust after evil things, as they also
lusted.
1 Cor. 10:7 Neither be ye idolaters, as were some of them; as it
is written,
The people sat down to eat and drink, and rose up to play.
Paizō
pais
I. properly, to play like a child, to
sport, alla
pepaistai
metriōs
hēmin,
of the chorus, Ar. Th.1227.
4. play on a musical instrument,
h.Ap.206:
c. acc., “Pan
ho
kalamophthogga
paizōn”
dance and sing, Pi. O.1.16.
Aristoph.
Frogs 225
Rightly so, you busybody.
the Muses of the fine lyre love us
And so does horn-crested Pan, playing his reed
pipe.
And the harpist Apollo
delights in us as well,
On account of the reed, which as a bridge for
his lyre
Apollōn
, ho,
Apollo: Abaddon, Apollyon The name of a
NUMBER
phorm-iktēs
phorm-miktas
, ho,
A. lyre-player, of Orpheus, Pi.P.4.176
phorm-iktos ,
A.
sung TO the phormigx,
kai
peza
kai
ph.
(sc.
melē)
S.Fr.16.
Melos ,
eos,
to,
2. music to which a song is set, tune,
Arist.Po.1450a14;
3. melody of an
instrument, “
phormigx
d'
au
phtheggoith'
hieron
m.
ēde
kai
aulos”
; “
aulōn
pamphōnon
m.”
Pi.P.12.19;
Pausanias Greece Paus. 1.2 But
in
my time it was devoted to the worship of Dionysus.
This Dionysus they call Melpomenus Apollo [Abaddon, Apollyon]
Musegetes
(Leader of the Muses). They
are called LOCUSTS who separate those with the mark
of the beast (a new style of music or Satyric
(perverted Capella) Drama FROM those marked with the
LOGOS or Regulative p;rinciple
Mousagetēs 1
doric for Mousēgetēs leader
of the Muses, Lat. Musagetes, of Apollo,
Plat1
Mous-a_getēs, ou, ho
melpō , Il.1.474,
celebrate with song and dance, melpontes hekaergon Il.l.c.; Phoibon [Apollo]
sing to the lyre or harp, “meta de sphin emelpeto theios aoidos, phormizōn” [Apollo's
Lyre]Melpomenos, epith. of
Dionysus at Athens,
5. play amorously, “pros
allēlous”
X.Smp.9.2;
“
II. est, sport, Hdt.2.28, 5.4, 9.11; make
fun with a person,
1Corinthians 10:20 But I say, that the things which the
Gentiles [
Gens]
[ sacrifice,
they
sacrifice
to
devils, and not to God:
and I would not
that ye should have
fellowship with
DEVILS.
daimonaō , A. to
be under the power of a daimōn, to suffer by a
divine visitation, “daimona domos kakois” A.Ch.566;
“daimonōntes en ata” Id.Th. 1008
(lyr.): abs., to be possessed, to be mad,
E.Ph.888,
X.Mem.1.1.9,
Plu.Marc.20,
etc.; “daimonas” Men.140.
Greek: Daimonios , II.
from Hdt. and Pi. downwds. (Trag. in lyr.), heaven-sent,
miraculous, marvellous, “bōlax” Pi.P.4.37;
“teras” B.15.35, S.Ant.376
2. of persons, “tō d. hōs alēthōs kai thaumastō” Id.Smp.219b;
ho peri toiauta sophos d. anēr ib.203a; “daimonios tēn sophian” Luc.Philops.32:
Comp. “-ōteros” D.C.53.8.
Sophos , ē, on, mostly of poets
and musicians, Pi.O.1.9,
P.1.42,
3.113; en kithara s. E.IT1238
(lyr.),
Sophia A. cleverness
or skill in handicraft and art, in music
and singing, tekhnē kai s. h.Merc.483,
cf. 511; in
poetry, in divination,
The Kairos Plot
derives from Babylon and Greek myths or Jewish Fables.
Hope Network: Jimmy Adcox has been the preaching
minister for the Southwest Church of Christ in Jonesboro,
Arkansas since 1977. Jimmy and the church are highly
involved with Kairos Church Planting –a ministry
committed to recruiting, training, and coaching church
planters and their partner churches. Stan
Grandberg leads the Kairos Church Planting Ministry.
Existing churches and
Teaching that which has been taught has been disabled by the
Heisenburg Uncertainty Principle and the arrival of
COMPUTERS. They miss the Computer as the only way to
TEACH the Word to the whole world as a WITNESS. Anti-Logos
or Anti-Jesus
The Discipling Dilema
as:
The
Kairos Church Planting VISION
Kairos-Hermes-Mercury is the ANTICHRISTIAN LOGOS
WHAT IS A CULT
Lynn Anderson
Hope
Network Ministries- Lynn Anderson Shepherding
ERASMUS ON SHEPHERDING
MARK FIVE: David Young's
Book Extreme Discipleship Mark 5 pg 97 The
musical minstrels were professional religious musicians
hired to perform to appease the spirits of the dead.
The Jews "had a covenant with death and hell" and all
religious music intends to appease or buy off a god.
MARK SEVEN:
David Young's Book Chapter 7 the Scribes and
Pharisees, Hypocrites
KAIROS PATTERN: There must be something–a conception,
an idea, a vision, a dream–that gives rise to the creative
event. That idea is the formative essence of vision.
It’s well
documented that church planters need to be vision casters, people who are
able to see so clearly what does not yet exist
that others are willing to commit themselves to bring
that thing (a new church) about. We feel the
idea of vision creation so important that it is one of the
central pieces we look for in our church planter assessment
(Discovery Lab). We truly believe Charles Ridley is right
when he lists vision casting as a knock factor.
This calls God a Liar:
Gen. 6:5 And GOD saw that the
wickedness of man was great in the earth, and that every
imagination of the thoughts of his heart was only evil
continually.
h3336. yetser,
yay´-tser; from 3335; a form; figuratively, conception
(i.e. purpose):—frame, thing framed, imagination, mind,
work.
to mould into a form; especially as a potter;
figuratively, to determine (i.e. form a
resolution)
Cōgĭtātĭo
a thinking, considering, deliberating;
thought, reflection, meditation a
thought, opinion, judgment; a resolution,
design. plan, project:
Thus saith the Lord;
Cursed
be the man that trusteth in man,
and maketh flesh his arm, and
whose heart departeth from the Lord. Jer 17:5
For he shall be like the heath in the desert,
and shall not see when good cometh;
but shall inhabit the parched places in the
wilderness,
in a salt land and not inhabited. Jer 17:6
For he shall be as a tree planted by
the waters,
and that spreadeth out her roots by the river,
and shall not see when heat cometh, but her leaf
shall be green;
and shall not be careful in the year of drought,
neither shall cease from yielding fruit. Jer 17:8
The heart is deceitful above all
things, and desperately
wicked: who can know it? Jer 17:9
In
personality theory the Myers-Briggs
concept of iNtuition is important. People
with the N as their second letter in the MBTI four letter
sequence (example ENTP). Aubrey Malphurs lists four MBTI types
as strong indicators for church planting success: ENTP,
ENTJ, ENFP, and ENFJ. All of them have the iNtuition aspect
in their personality. In the DiSC behavioral assessment it
is the high DI combination, the Influencer, that tends to have most
success in planting new churches. We look to these two
instruments to give us starting points for vision casting.
The JESUS as God's PATTERN
for LOGOS was to pick simple people who could still
understand the meaning is to GO INTO ALL THE WORLD. If
they used any human talent or were HIRED it would destroy
the meaning of the Free Water of the Word.
The Word, Logos or
Regulative Principle OUTLAWS personal opinions, preaching,
singing, playing instruments. The LOGOS is so divine that
the Greeks knew that it could not be spoken, sung or danced
but must just be READ.
Acts 15:21 For Moses of old
time hath in every city them that PREACH him,
being READ in
the synagogues every sabbath day.
THE MARK OF JESUS DISCIPLES
IS THAT THEY PLANT SEED--THE WORD OF GOD.
MARKS
FOR AVOIDANCE. Kairos-Hermes-Mercury is
the ANTICHRISTIAN LOGOS. Those who slander
existing Churches of Christ often remove "Christ" from their
public confession. The Logos or Regulative Principle
is the OPPOSITE of rhetoric, personal opinions, personal
experiences, singing, playing instruments or anything which
SILENCES the Word. A Church of Christ is a school of the
Word and it is the only power of God to salvation and does
not depend on molding personalities.
Jesus refused to pray for
the WORLD or ECUMENICAL as the "kingdom of the Devil" as
Kairos is a demon.
God HIDES from the wise or Sophist "personality" marked as
opinion speakers, singers, instrument players.
KAIROS
(or Caerus) was the spirit
(daimon) of opportunity, the youngest divine
son of Zeus. He was depicted as a youth with a
long lock of hair hanging down from his forehead, which
indicated that Opportunity could only be grasped as he
approached.
In Greek mythology, Carius
or Karios was the son of Zeus
and Torrhebia. His mother's name is connected to
Torrhebos, name of a city in Lydia.
According to Hellanicus, there was
a mountain named Karios (Carius) near this city, with the
sanctuary of Carius situated on it. Nicolaus
Damascenus related of him the following tale. As
Carius was wandering by a lake which later received the
name Torrhebis, he heard the voices of nymphs
singing; these nymphs, Nicolaus remarked, were also
called the Muses by
the Lydians. Carius learned the music from them,
and taught it to the Lydians. This kind of music was known
as "Torrhebian songs" Carius
("of Caria") was also a surname of Zeus
himself, under which he was venerated in Mylasa.[2]
Apollon-Abaddon is
the LEADER and personified spirit of the MUSES and "brides"
or Nymps. His musical worship team were marked as
dirty adulteresses: they specialized in changing truth
(logos) into outlawed songs to DECEIVE: that is why they are
called SORCERERS and will be CAST
ALIVE INTO THE LAKE OF FIRE.
I. (“kairos”
11) in Hom. always of Place, in
or at the right place, hence of parts of the
body,
kairion
a vital part,of wounds, mortal, plēgēn”
A.Ag.1343;
kairias
plēgēs
tukhein“ sphagas”
E.Ph.1431;
Slaughter, sacrifices, cut throat
(heresy) Downward Sword, tirade,
Fall, Trauma, wound,
hurt, intent to murder
generally, “kairiōtatēs
teteukhenai
Khōras”
Theol.Ar.44.
II. of Time, in
season, timely, “heuriske
tauta
kairiōtata
einai”
Hdt.1.125,
Khrē
legein
ta
k.
A.Th.1,
cf. Ch.582;
kairioi
sumphorai
ib.1064; [3.
rarely in good sense, good luck, happy issue,
“ei
ti
k.
legei”
S.Ant.724;
dran,
phronein
ta
k.,
Id.Aj.120,
El.228
(lyr.);
“kairios
spoudē”
Id.Ph.637;
“Making Haste, zeal for the conflicting
arguments
-ōtera
boulē”
E.Heracl.471;
[Killing children: Heirs]
“k.
enthumēma”
Reasoning, Device, syllogism, inference X. HG4.5.4;
to
aei
k.
Id.Cyr.4.2.12,
etc.; pros
to
k.,
= kairiōs,
S.Ph. 525;
critical, auta
ta
k.
ekhōn
hekkaideka
(sc. etē)
kairian
d'
hēmin
horō
steikhousan
Iokastēn
coming at the right time,
S.OT631;
The city is mine too, not yours alone. Time to
settle the feud.
“kairios
ēluthes”
E.El.598;
time "to avenge myself on my father's murderer"
kairia
(Dind. for kai
doria） ptōsimos
falling at the exact or fatal moment,
A. Ag.1122
(lyr.);
ta
k.
timely circumstances, opportunities to
fight battles, Th.4.10;
emergencies,
2. lasting but
for a season, AP12.224
(Strato).
IV.Adv. -riōs
in season, seasonably, “k.
eirēmenon”
A.Ag.1372;“
time for eirēmena
muthologeuein”
skopein”
E.Rh.339:
His mere appearance would cause a panic among the foe.
Comp. “-ōterōs”
X.Cyr.4.5.49.
And if it seems that we are of more use to you by
fighting with you on horseback,
2. mortally,
“outasmenos”
A.Ag.1344,
Silence! Who is this that cries out, wounded [plēgēn] by a mortal
blow?
cf. Plb.2.69.2.
fight with trauma, intent to murder
CATHOLIC ROOTS FOR THE
DISCIPLING DILEMA
They began to
require, therefore, that the confessor and the Spiritual
Director could not be the same person. In this regard,
the modern discipling movement is about where the Roman
Catholic Church was almost 1,500 years ago. They have
not yet learned the danger of having one [p126] person
serve both as the confessor and the Spiritual Director for
another person.
In the Roman Catholic Church today there is much less
emphasis on each person having a Spiritual Director and more
emphasis on each person having spiritual direction.
Based on his work with the Association for Psychological
Type, Flavil Yeakley reports that the Roman Catholic
Church was the first religious group to make widespread use
of Jungian typology, the
Myers-Briggs Type Indicator, and other
approaches to personality differences as a way of counseling
individuals about the spiritual direction their lives should
take. They now clearly recognize the value of diversity and
do not try to make members over after the image of the group
norm
Pietism/Wesleyanism
A
second root of the discipling movement is to be found in
Pietism/Wesleyanism. Early in the Reformation, such men as
Spener, Franke, and Zinzendorf wanted to breathe new life
into ice cold state churches. John Wesley was impressed by
Spener's use of small groups (collegia pietatis)
for this purpose. This influenced him to establish Methodist
societies within Anglican churches. These small groups soon
came to see themselves as a church within a church. They
believed that they had achieved a higher level of
spirituality than that experienced by other Christians.
WHAT
IS A CULT
Researcher
Flavil Yeakley, professor at Abilene Christian University,
conducted a major study using the Myers-Briggs Type
Indicator (MBTI), a psychological profile tool, on
members of the Boston Church of Christ (International Church
of Christ), Hare Krishnas, Church of Scientology, Children of
God, Unification Church (Moonies), The Way, as well as members
of mainline Churches of Christ, Baptist, Catholic, Lutheran,
Methodist and Presbyterian congregations. The results
demonstrated a high level of unhealthy and unnatural changes
in personality in the first group of cults, compared with the
population of traditional mainline churches. The changes in
the members of cult groups showed a strong tendency to conform
to the particular personality type normative within a given
group. ...
When used in a theological context, the term “cult”
refers to a group of people who are centered around a
particular person’s serious misinterpretation of the Bible
Ephesians
4:14 warns of men using trickery, craftiness, and deceitful
scheming to draw followers.
Group Mentality
Lynn Anderson
Link: Hope
Network Ministries- Lynn Anderson Shepherding
Hope Network: Jimmy Adcox has been the preaching
minister for the Southwest Church of Christ in Jonesboro,
Arkansas since 1977. Jimmy and the church are highly involved
with Kairos Church Planting –a ministry committed to
recruiting, training, and coaching church planters and their
partner churches. Stan Grandberg leads the Kairos
Church Planting Ministry.
Lynn
Anderson: Accountability Group (no more than 3) What are some
good questions to ask each time 2 or 3 of us men meet to hold each other accountable. What
are the do's and don'ts of such a commitment...size
limits...suggestions for such a commitment. If women want
to do this, what accountability questions would be asked
in this case? Your ideas and experiences and suggested
resources please. We are ministers wanting to lead
holy lives before our community in the hope that we
may have opportunities to minister and teach.
That does not prevent Lynn Anderson and
family from leading the TRANSISTIONING peaceable
churches of Christ into Instrumental idolaters. No one
can suggest that God ever connected "machines for doing
hard work" to "make the lambs dumb before the slaughter
without lying about every "instrumental" tidbit in the
Bible and Church History.
Lynn Anderson Family Subverting the
Elders at Oak Hills Church: Max Lucado's church.
Lynn
Anderson Lying about the Psallo foundation for
instrumental idolatry
Lynn
Anderson the Bible Texts perverted: confessing to
sowing discord
The Musical Invasion is the INTENTIONAL UPSETTING YOUR
COMFORT ZONES to make "boiling the frogs easier." Lynn
Anderson defined how to BLOW winds of change and the how to
NAVIGATE the winds. Hitler
and Machiavelli never said it better.
Accountability
Group (no more than 3) Maybe something I say about this
can be of help. I think we
all know that accountability
is an essential part of Christianity
in that we are to help each other grow and become sharpened
as iron sharpens iron.
Accountability
questions need to be positive focused, direct, and
geared toward motivating people to grow.
This
type of accountability
can be hard but it is where people really grow.
Especially us ministers have a hard time admitting
our faults for fear of discovery and losing our jobs
and/or reputations. The end result is that many of
us live double lives with secret sin being our
second god that we worship when no one else is looking.
Obviously in some cases this deeper type of
accountability [your sex life] is only appropriate
within all male or all female groups.
Accountability groups only work when there is trust
and openness. This may take a while to develop. Give
it time and start slow until you feel that your
relationship can progress into these more intimate areas.
Here's the list from Steve Farrar's
"Point Man" (Promise Keepers)
1. Have you been with a woman this week in such a
way that was inappropriate or could have looked
to others that you were using poor judgment?
2. Have you been completely above reproach in all
your financial dealings this week?
3. Have you exposed yourself to any explicit
material this week?
4. Have you spent daily time in prayer and in the Scriptures
this week?
5. Have you fulfilled the mandate of your calling
this week?
6. Have you taken time off to be with your family this week?
7. Have you just lied to me?
ERASMUS ON SHEPHERDING
ERASMUS ON MONKS
But Christ, interrupting
them in their vanities, which otherwise were endless, will
ask them,
"Whence this new
kind of Jews?
I acknowledge one
commandment, which is truly mine, of which alone I hear
nothing. I promised, 'tis true, my Father's heritage,
and that without parables, not to cowls, odd
prayers, and fastings,
but to the duties of faith and charity.
Nor can I acknowledge them
that least acknowledge their faults. They that would seem
holier than myself, let them if they like possess to
themselves those three hundred sixty-five heavens of
Basilides the heretic's invention, or command them whose
foolish traditions they have preferred before my precepts to erect them
a new one."
When they shall hear these
things and see common ordinary persons preferred before
them, with what countenance, think you, will they behold one
another? In the meantime they are happy in their hopes, and
for this also they are beholding to me.
And yet
these kind of people, though they are as it were of another
commonwealth, no man dares despise, especially those begging friars, because
they are privy to all men's secrets
by means of confessions, as they call them. Which yet were no less
than treason to discover, unless, being got drunk, they
have a mind to be pleasant,
and then all comes
out, that is to say by hints
and conjectures but suppressing the names.
But if anyone should anger these wasps, they'll sufficiently revenge
themselves in their public
sermons and so point out
their enemy by circumlocutions
that there's no one but understands whom 'tis they mean,
unless he understand nothing at all; nor will they give
over their barking till you throw the dogs
a bone. And now tell me,
what juggler or mountebank you had rather behold than
hear them rhetorically play the fool in their preachments, and yet most sweetly imitating what
rhetoricians have written touching the art of good
speaking?
Mark
5 CHAPTER FIVE David Young's Book Chaper Five pg 97
Mark 5:35 While he yet
spake, there came from the ruler of the synagogue’s house
certain which said, Thy daughter is dead: why troublest thou
the Master any further?
Everyone was PUT OUT
Mark 5:36 As soon as Jesus heard the word that was spoken,
he saith unto the ruler of the synagogue, Be not afraid,
only believe.
Mark 5:37 And he suffered no man to follow him, save
Peter, and James, and John the brother of James.
Mark 5:38 And he cometh to the house of the ruler of the
synagogue, and seeth the tumult, and them that wept
and wailed greatly.
Mark 5:39 And when he was come in, he saith unto them, Why
make ye this ado, and weep? the damsel is not dead, but
sleepeth.
klaiontas kai alalazontas polla,
Plutarch and others understanding the instrumental fall at
Mount Sinai say that the godly Jews had fled and the same
Levites anticipated that Dionysus or Bacchus would be
their Messiah as he had been worshipped in the
confiscated Temple. Therefore, consistent with Christ
warning about a Covenant with Death and Hell and the Marzeah
defined by Amos and Jeremiah the word probably. When
Jesus called the MEN of Jerusalem children or BOYS (Isaiah
3) who PIPED and their purpose was to cause Jesus to
LAMENT and DANCE to prove that He was one of them.
Alazontas
meant 2. generally, cry, shout aloud,
Pi.l.c., E.El.855;
esp. in orgiastic rites, [WRATN] A.Fr.57; of Bacchus
and Bacchae, E.Ba.593
(in Med.), 1133,
etc.; “ōloluxan
hai
gunaikes,
ēlalaxan
de
hoi
andres”
Paul used the
Word
also
of other sounds than the voice, sound loudly, “psalmos
d'
alalazei”
A.Fr.57; “kumbalon
alalazon”
1 Ep.Cor.13.1.
1Corinthians 13:1
Though I speak with the tongues of men and of
angels,
and have not charity,
I am become as sounding brass, or a tinkling
cymbal.
Paul commands that we SPEAK that which is written
for our learning: Lexis is opposite to ODE and Psallo is a
warfare Word: therefore, Paul said ODE and PSALLO
In (En, Eis) the heart which means SILENT as in 1
Corinthians 14.
THE ANGELS:
Aggelos , of a
loquacious person 2. generally, one that
announces or tells, e.g. of birds of augury,
Il.24.292,296; Mousōn aggelos, of
a poet,
Abaddon or Apollyon is the Leader of the Muses: In
Revelation 18 John calls them sorcerers..
Mousa
A.“Olumpiades
M.,
Dios
aigiokhoio
thugateres”
“kanakhan
[Clanging]. . theias
antiluron
mousas”
S.Tr.643
(lyr.); “Aiakō
moisan
pherein”
Theiazo
be inspired, frenzied, prophesy, II. worship
as divine, Id.59.27;
“Puthagoran
kai
Platōna”
Paul CAST OUT
the Pythian Spirit.
La^l-eō ,Mark of the
Locusts
III. of musical
sounds, “aulō [flute] laleō” Theoc.20.29; of
trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet]
Arist. Aud.801a29; of
Echo, magadin lalein sound the magadis, [double
flute]
Luke 8:49 While he yet spake,
there cometh one from the ruler of the synagogue’s house,
saying to him, Thy daughter is dead; trouble not the Master.
Luke 8:50 But when Jesus heard it, he answered him, saying,
Fear not: believe only, and she shall be made whole.
Luke 8:51 And when he came into the house, he suffered no man
to go in, save Peter, and James, and John,
and the father and the mother of the maiden.
Luke 8:52 And all wept, and bewailed her: but he said, Weep
not; she is not dead, but sleepeth.
klaiō
weep for the dead ; dia
ti
hoi
klaiontes
oxu
phtheggontai;
phtheggomai
; of the battle-cry, X.An. 1.8.18;
of the recitative of the chorus, Id.Oec.8.3;
“ouketi
porrō
dithurambōn
ph.”
3. of inanimate things, of a door, creak, Ar.Pl.1099;
of thunder, X.Cyr. 7.1.3;
of trumpets, Id.An.4.2.7,
5.2.14; of the
flute, Id.Smp.6.3,
Thgn.532; of the lyre, “phormigx
ph.
hiron
melos”
Id.761, cf. Arist. Metaph.1019b15;
of an earthen pot, eite
hugies
eite
sathron
ph.
whether it rings sound or cracked, Pl.Tht.179d;
ph.
palamēsi
to clap with the hands, Nonn.D.5.106,
epos
, 1. song or lay accompanied by music,
8.91,17.519. 4.
word of a deity, oracle, Od.12.266,
Hdt.1.13,
etc.
IV. in pl.,
epic poetry, opp. melē
(lyric poetry), iambeia,
dithuramboi,
etc., “rhaptōn
epeōn
aoidoi”
Pi.N.2.2
Luke 8:53 And they laughed
him to scorn, knowing that she was dead.
Luke 8:54 And HE put them all out, and took her by the
hand, and called, SAYING, Maid, arise.
kra^t-eō
I. abs., rule, hold sway,
3. c. gen., to be lord or master of,
rule over, II. conquer, prevail, get the
upper hand, k.
tēs
diabolēs
get the better of it, 2. c.acc.rei, seize,
win and keep, esp.by force,
And He (on the other hand) Latin tĕnĕo
took command of the girl's hand "with the sole rule over b.
With the accessory idea of firmness, persistence, to
hold fast, occupy; to watch, guard,
defend; to maintain, retain a thing, kept
to his course,
In Mark 4.
ē-ĭcĭo (or ejicio
), jēci, jectum, 3 (eicit, dissyl., Lucr. 3, 877;
4, 1272),
v. a. jacio,
I.to cast, thrust,
or drive out; to ca, expel
B In partic., like ekballein,
re Esp. of players, public speakers, etc., to hiss
or hoot off, Cic. de Or. 3, 50 fin.;
Auct. Her. 4, 47 (with deridere);
ekballō
esp. of banishment, ek
poleōs
e.
drive out of the country drive
out, banish, cast out of the synagogue, Ev.Jo.34
; “ek
tou
tagmatos”
J.BJ2.8.8
; exorcize, cast out evil spirits, Ev.Marc.1.34,
al. ; drive an actor from the
stage, Id.19.337
Mark 1:34 And he healed many that were sick of divers
diseases, and cast out many devils; and suffered not
the devils to speak, because they knew him.
Dem.
19 337 he hopes to overawe you by an exhibition of
histrionic talent. When he tried to represent the woes of the
House of Thyestes, or of the men who fought at Troy,
you drove him from the stage with hisses and cat-calls, and
came near to pelting him with stones, insomuch that in the end
he gave up his profession of actor of small parts
7
CHAPTER SEVEN David Young's Book Chapter 7
the Scribes and Pharisees, Hypocrites
| The Prototype of
Babylon-Tyre Israel. Sodom not spiritual Israel. |
Jesus referenced Isaiah and Ezekiel to
define the national Worship of the Starry
Host--Abaddon |
The End-Time Fulfillment |
For thus saith
the Lord God; Behold, I will bring upon Tyrus
Nebuchadrezzar king of Babylon, a
king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7
They will plunder your wealth
and
loot your merchandise;
they will break down your walls
and demolish your fine houses
and throw your stones, TIMBER
and rubble into the sea. Ezek 26:12
|
Also, thou son of man, the
children of thy people still are talking against
thee by the walls and in the doors of the houses,
and speak one to another,
every one to his brother, saying,
Come, I pray you, and hear
what is the word that cometh forth
from the Lord. Eze 33:30
|
Rev
17:3 So he carried me away in the spirit into the
wilderness: and I saw a woman sit upon a scarlet
coloured beast, full of names of blasphemy, having seven heads
and ten horns.
Rev 17:4 And the woman
was arrayed in purple and scarlet colour, and
decked with gold and precious stones and pearls,
having a golden cup in her hand full of
abominations and filthiness of her fornication:
Rev 17:5 And upon
her forehead was a name written, MYSTERY, BABYLON
THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS
OF THE EARTH.
Rev 17:6 And I saw
the woman drunken with the blood of the saints,
and with the blood of the martyrs of Jesus: and
when I saw her, I wondered with great admiration.
|
I will put
an end [Rest, Repose, to your noisy
songs, and the music [sound] of your harps
will be heard no more. Ezek 26:13
Noisy: Multitudo
Songs: Canticum chorus canticum Insonuit, magic
formula, incantation any
thing that soothes, charms, or allures,
a charm, blandishment, allurement, enticement
"And he shall destroy the
multitude of thy musicians, and the sound
of thy psalteries [cĭthăra]
shall be heard no more." Ezek. 26:13 LXX
|
My
people come to you, as they usually do, and sit before
you to listen to your words,
but they do not put them into practice.
With their mouths they express devotion (Lord, Lord
as amorousness - inordinate love),
but their hearts are greedy for unjust gain (commerce
or trade or attendance). Eze 33:31
|
Rev 18:1 And after
these things I saw another angel come down from
heaven, having great power; and the earth was
lightened with his glory. 2 And he cried
mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird.
And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be
heard no more at all in thee; and no craftsman, of
whatsoever craft he be, shall be found any more in
thee; and the sound of a millstone shall be heard no more at all in
thee; Rev 18:22 |
then
I will bring you down with those who
go down to the pit,
to the people of long ago
I will make you dwell in the earth below,
as in
ancient ruins, with those who go down to the PIT,and you will not return
or take your place in the land of the living. Ezek
26:20
Isaiah
14:11 Thy pomp is brought down to the grave,
and the noise of thy viols: the worm is spread
under thee, and the worms [maggots] cover
thee.
Amos 5:23 Take thou away from me the noise [tŭmultus] of
thy songs [carmen] for I will
not hear the melody [cantĭcum] of
thy viols
|
Indeed,
to them you are NOTHING MORE
than one who sings love songs with a beautiful
voice
and [NOTHING MORE than one who]
plays (make melody on) an instrument well,
for they hear your words
but do not put them into practice. Eze 33
|
Rev 18:23 And the light of a candle shall
shine no more at all in thee;
and the voice of the
bridegroom and of the bride shall be heard no more
at all in thee:
for thy merchants were the great men of the earth;
for by thy
sorceries WERE
all nations deceived.
|
I will
make thee a terror, and thou shalt be no more:
though thou be sought for,
yet shalt thou never be found again, saith the Lord
God. Ezek 26:2
|
When
all of this this comes true--
and it surely will--
then they will know that a prophet has been
among them." Eze 33:33
|
Revelation 19:19 And I saw the beast,
and the kings of the earth, and their armies, gathered
together to make war against him that sat on the
horse, and against his army.
Revelation 19:20 And the beast was
taken, and with him the false prophet that
wrought miracles before him, with which he deceived
them that had received the mark of the beast, and them
that worshipped his image. These both were cast
alive into a lake of fire burning with brimstone. |
THE BEAST THE MOTHER OF HALOTS
RIDES TO USE SORCERY TO TAKE AWAY YOUR
INHERITANCE
da^pa^n-aō
2. consume, use up, “hē phusis d. ton thoron” Arist.GA757a25;
“khronon eis
of persons, to be destroyed, “hupo thēriōn” Ph.2.43;
kathaper hupo puros ib.433;
“pros thēriōn” App. BC5.79;
“en tartarois kai barathrois
puri kai phonō kai sidērō panta dapanēsasthai “en tartarois kai barathrois dapanōmenous”
WASTE THE PUBLIC'S MONEY
thērion , III.
as a term of reproach, beast.
“kolaki, deinō thēriō” Pl.Phdr.240b;
“hē mousikē aei ti kainon thērion tiktei”
Meaning: A new style of music or drama!
Tarta^r-os ,
the nether world generally,
And altogether the ancient philosoj)hy of the
Greeks appears to have been very much addicted to
music; and on this account they judged Apollo
to have been the most musical and the wisest of the
gods, and Orpheus of the demigods.
And they called every one who devoted himself to the
study of this art a sophist, as
Aeschylus does in the verse where he says — And then
the sophist sweetly struck the lyre.
Musae (Mousai). In Greek mythology the Muses
were originally the nymphs of springs, whose waters gave inspiration, such as Hippocrené, Castalia,
etc.; then goddesses
of song in
genera. They are all female and are considered goddesses dwelling in Olympus, who at the
meals of the gods
sing sweetly to the
lyre of Apollo.
They are the
nine daughters of Zeus.
Sophis-tês , ou, ho, master of one's
craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of
musicians, sophistês . . parapaiôn chelun A.Fr.314 , cf. Eup.447, Pl.Com.
140; sophistêi Thrêiki (sc. Thamyris) E.Rh.924,
cf. Ath.14.632c: with mod
II. from late v B.C., a Sophist,
i.e. one who gave lessons in grammar,
rhetoric, politics, mathematics, for money,
such as Prodicus, Gorgias, Protagoras, a quibbler,
cheat, a RHETORICIAN as the primary meaning
of a HYPOCRITE.
hoi s. tōn hierōn melōn” A
sophist, serpent, makes MUSICAL MELODY with a
congregation AS a harp and cannot grasp that IN
THE HEART is a place.
2 Peter 2:12
But these, as natural brute beasts, [Zoon, Zao, Zoe]
made to be
taken and destroyed,
speak evil of
the things that they understand not;
and shall
utterly perish in their own corruption;
Natural: G5446
phusikos foo-see-kos' From G5449 [natural descent]
; “physical”, that is, (by implication)
instinctive:--natural. Compare G5591
Bruit:
G249 alogos [Anti-Logical]
al'-og-os From G1 (as a negative particle) and
G3056 ; irrational:--brute, unreasonable.
Beasts:
G2226 zōon dzo'-on Neuter of a
derivative of G2198 [Zao, Zoe] ; a live
thing, that is, an animal:--beast.
căprīle , is,
n. caper, like equile, ovile, bubile, etc., I. an
enclosure or stall for goats,
Varr. R. R. 2, 3, 8; Col.
7, 6, 6; Plin. 28, 10, 42, § 153;
Vitr. 6, 9.—Adj.:
căprīlis , e, of
or pertaining to the goat: “semen, i. e. capellae,
2 Peter 2:13
And shall receive the reward of
unrighteousness,
as they that count it pleasure to riot in the day time.
Spots they are
and blemishes, sporting themselves
with their own
deceivings [delusions]
while they feast with you;
All musicians and
rhetoricians are equated to parasites.
Entrupo (g1792) en-troo-fah'-o; from 1722
and 5171; to revel in: - sporting selves.
gamêliôi lechei [marriage couch-bed] hêdonais, playing in the wind,
exult over, treat haughtily or contemptuously, made a mock of, tinos sumphorais, III. use or abuse at pleasure
Entru^ph-aō
,
Paison paizô [pais]
4. to play (on an
instrument),
Hhymn. II. to sport, play, jest, joke, Hdt., Xen.,
etc.; p. pros tina to make sport of one, mock him,
APOLLON
LEADER OF THE MUSES
|
Mark 7:5 Then the Pharisees
and scribes asked him, Why walk not thy disciples according
to the tradition of the elders, but eat bread with
unwashen hands?
Mark 7:6 He answered and
said unto them, Well hath Esaias prophesied of you hypocrites,
as it is written, This people honoureth me with their lips,
but their heart is far from me.
Mark 7:7 Howbeit in vain
do they worship me, teaching for doctrines the
commandments of men.
Mark 7:8 For laying
aside the commandment of God, ye hold the tradition of
men, as the washing of pots and cups: and many other such
like things ye do.
Mark 7:9 And he said unto
them, Full well ye reject the commandment of God, that
ye may keep your own tradition.
MALICHI
WITNESS AGAINST THE SORCERERS.
Malachi 3:5 I will come
near to you to judgment;
and I will be a
swift witness against the sorcerers,
and against the adulterers,
and against the perjurers,
and against those
who oppress the hireling in his wages, the
widow, and the fatherless,
and who deprive the
foreigner of justice, and don’t fear me,” says
Yahweh of Hosts.
Mălĕfĭcĭum
, ĭi, n. maleficus,
1. Fraud,
deception, adulteration: “me
maleficio
vinceres?”
Plaut. Truc. 2, 6, 20
Speng.; Quint. 7, 4, 36;
Plin. 12, 25, 54, § 120.—
2. Enchantment, sorcery, Tac. A. 2, 69
Orell. N. cr.; App. M. 9, p.
230, 24; 231, 28;
cf. “magica,”
id. Mag. p. 278, 21; Schol.
Juv. 6, 595.—
Măgĭcus
, a, um, adj., = μαγικός,
I. of
or belonging to magic, magic, magical (poet.
and in post-Aug. prose): “artes,”
Verg. A. 4, 493:
“magicis
auxiliis
uti,”
Tib. 1, 8, 24: “arma
movere,”
Ov. M. 5, 197:
“superstitiones,”
Tac. A. 12, 59:
“vanitates,”
Plin. 30, 1, 1, § 1:
“herbae,”
id. 24, 17, 99, § 156:
“aquae,”
Prop. 4, 1, 102
(5, 1, 106): di magici, that were invoked by incantations
(as Pluto, Hecate, Proserpine), Tib.
1, 2, 62; Luc. 6, 577:
“linguae,”
i. e. hieroglyphics, id. 3, 222;
“but
lingua,”
skilled in incantations, Ov. M. 7, 330;
Luc. 3, 224:
“cantus,”
Juv. 6, 610:
“magicae
resonant
ubi
Memnone
chordae,”
mysterious, id. 15, 5.
Cantus
, ūs, m. id., I. the production of melodious
sound, a musical utterance or expression,
either with voice or instrument; hence, song, singing,
playing, music
2.
With instruments, a playing, music:
“in
nervorum
vocumque
cantibus,”
Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,”
Hor. C. 3, 1, 20:
“horribili
stridebat
tibia
cantu,”
Cat. 64, 264:
“querulae
tibiae,”
Hor. C. 3, 7, 30:
“dulcis
tibia
cantu,”
Tib. 1, 7, 47: “bucinarum,”
Cic. Mur. 9, 22:
“simul
ac
tubarum
est
auditus
cantus,”
Liv. 25, 24, 5:
“lyrae,”
Plin. 34, 8, 19, § 72:
“tibicines,
qui
fidibus
utuntur,
suo
arbitrio
cantus
numerosque
moderantur,”
Cic. Tusc. 5, 36, 104:
“Of
an
actor:
tardiores
tibicinis
modos
et
cantus
remissiores
facere,”
Cic. de Or. 1, 60, 254.—
A. Prophetic
or oracular song: “veridicos
Parcae
coeperunt
edere
cantus,”
Cat. 64, 306;
cf. Tib. 1, 8, 4.—
B. An
incantation, charm, magic
song, etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at
cantu
commotae
Erebi
de
sedibus
imis
Umbrae
ibant,”
Verg. G. 4, 471:
“magici,
Mălĕfĭcus (in MSS.
also mălĭfĭ-cus ), a, um, adj. malefacio,
B. In
partic., magical: “artes,”
Vulg. 2 Par. 33, 6.—As
substt.
1. mălĕfĭcus
, i, m., a magician, enchanter: “de
maleficis
et
mathematicis,”
Cod. Just. 9, 18, 5: “magi
qui
malefici
vulgi
consuetudine
nuncupantur,”
ib. 9, 18, 7; Schol. Juv. 6, 594.—
2. mălĕfĭcum
, i, n., a charm, means of enchantment: “semusti
cineres
aliaque
malefica,
quis
creditur
anima
numinibus
inferis
sacrari,”
Tac. A. 2, 69 fin.—
2 Chronicles 33[6] He also made his children to pass
through the fire in the valley of the son of Hinnom; and
he practiced sorcery, and used enchantments, and practiced
sorcery, and dealt with those who had familiar spirits,
and with wizards: he worked much evil in the sight of
Yahweh, to provoke him to anger.
2 Chronicles 33.6
transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum
ars , artis, f. v. arma,
(a). Rhetorical
: “quam
multa
non
solum
praecepta
in
artibus,
sed
etiam
exempla
in
orationibus
bene
dicendi
reliquerunt!”
Cic. Fin. 4, 3, 5:
“ipsae
rhetorum
artes,
quae
sunt
totae
forenses
atque
populares,”
id. ib. 3, 1, 4: neque eo
dico, quod ejus (Hermagorae) ars mihi mendosissime scripta
videatur; nam satis in eā videtur ex antiquis artibus (from
the ancient works on rhetoric) ingeniose et
diligenter electas res collocāsse, id.
Inv. 1, 6 fin.: “illi
verbis
et
artibus
aluerunt
naturae
principia,
hi
autem
institutis
et
legibus,”
id. Rep. 3, 4, 7:
“artem
scindens
Theodori,”
Juv. 7, 177.—
2. Of
thunder, storm, etc.: “tremendo Juppiter ipse ruens tumultu,” i. e. the roar
of thunder, magis, Extreme Anxiety
A. Disturbance, disquietude,
agitation, tumult of the mind or feelings:
“tumultus Mentis,” Hor. C. 2, 16, 10;
Luc. 7, 183:
“pulsata tumultu pectora, Petr. poët. 123: sceleris tumultus,” Hor. S. 2, 3, 208.—
“Acheron rapitur tumultu ingenti,” Sen. Herc. Fur. 714:
“ “tumultus magis quam proelium fuit,”
A.
Cano
canta pro cantata ponebant; “once canituri,” Vulg. Apoc. 8, 13),
3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn; Engl.
chanticleer; kuknos, ciconice; Sanscr.
kōkas = duck; Engl. cock], orig. v. n., to produce
melodious sounds, whether of men or animals;
B.
Ignis
C.
Sŭb-ĕo ,
Subdue, go under 2. In partic., to come on secretly,
to advance or approach stealthily, to
steal upon, steal into (poet.), Prop. 1, 9, 26;
Ov. Am. 1, 2, 6;
id. A. A. 1, 742.—
“subit ipse meumque Explet opus,” succeeds me,
takes my place, id. ib. 3, 648
1. In
gen., to come in, succeed, take place;
to enter stealthily, come secretly
or by degrees: in quarum locum subierunt
inquilinae impietas, perfidia, impudentia
D.
Tumultus
David.Young.The.Discipling.Dilemma
3.24.16
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