Heb. 4:9 There remaineth therefore a REST to the people of God.
Heb. 4:10 For he that is entered into his REST, he also hath ceased from his own works, as God did from his.
THESE ARE YOUR OWN WORKS: LEGALISTIC.
h2663. katapausis, kat-ap´-ow-sis; from 2664; reposing down, i.e. (by Hebraism) abode: — rest.
Stop the: Melōd-eō ,A. chant, sing, Ar.Av.226, 1381, Th.99:—Pass., to be chanted, “ta rhēthenta ē melōdēthenta” Pl.Lg.655d, cf. Chamael. ap. Ath. 14.620c; to be set to music, Cleanth. ap. Phld.Mus.p.98 K.; ta melōdoumena diastēmata used in music, Plu.2.1019a. II. chant, choral song, melôidias poiêtês, lullaby, generally, musis pauō , Il.19.67, etc. ;
Stop the: lupas ōdais p. E.Med.197 (anap.), etc. ; p. toxon let the bow rest, Od.21.279
Stop the: 2. c. acc. pers. et gen. rei, hinder, keep back, or give one rest, from a thing, p. Hektora makhēs, ponoio Akhilēa, Thamurin aoidēs,Pauo means: Stop worshipping the MUSES
Stop the: 3. c. pres. part., stop a person from leave off doing . . , hoth' hupnos heloi, pausaito te nēpiakheuōn when he stopped playing
Stop the: later paēsomai （ana-) Apoc.14.13
Stop the: of one singing or speaking, 17.359, Hdt.7.8.d : generally, Med. denotes willing, Pass. forced, cessation.
Stop the rhapsōd-os , o(, A. reciter of Epic poems, sts. applied to the bard who recited his own poem, professional reciters, esp. of the poems of Homer, Hdt.5.67, Pl.Ion 530c, etc.: also rh. kuōn, [Catamite] ironically, of the Sphinx who chanted her riddle, S.OT391
(Prob. from rhaptō, aoidē; Hes.Fr. 265 speaks of himself and Homer as en nearois humnois rhapsantes aoidēn, and Pi.N.2.2 calls Epic poets rhaptōn epeōn aoidoi:
Stop the orkheomai , 2. represent by dancing or pantomime,
III. Act. orkheō , make to dance (v. Pl.Cra.407a), is used by Ion Trag.50, ek tōn aelptōn mallon ōrkhēsen phrenas made my heart leap
9.08.20 http://www.pineycom.com/Acts.17.25.God.Not.Worshipped.Mens.Hands.html
Apollo or Apollyon Instrumental-Trinitarian-Perverted PLAY at Mount Sinai and a Babylonian Mother of Harlots (Rev 17) church who uses lusted after fruits (Amos 8) as speakers, singers or instrument players. Jesus had John call them SORCERERS and marks the as being CAST ALIVE INTO THE LAKE OF FIRE. They rejoice in being identified.
ZOE IS LUCIFER THE SINGING AND HARP-PLAYING PROSTITUTE.
God never defined a COLLECTIVE worship ritual in all of Holy Scripture. You cannot ever know the difference between yourself if you do--In a physical sense, anything but---
God provided NO Day of Worship, Worship Rituals or Pay for Play. No one is ever said to WORSHIP God by speaking, listening, singing, playing an instrument, acting or PAY FOR PLAY.
Heb. 12:22 But ye are come unto mount Sion,
and unto the city of the living God,
the heavenly Jerusalem,
and to an innumerable company of angels,
Heb. 12:23 To the general assembly
and church of the firstborn, [Church of Christ]
which are WRITTEN IN HEAVEN
and to God the Judge of all,
and to the SPIRITS of just men made PERFECT,Col. 1:12 Giving thanks unto the Father,
which hath made us meet
to be partakers of the
inheritance of the saints in light:
Col. 1:13 Who hath delivered us from the power of darkness,
and hath TRANSLATED us into the KINGDOM of his dear Son:
Col. 1:14 In whom we have redemption through his blood,
even the FORGIVENESS OF SINS
Luke 17:20 And when he was demanded of the Pharisees,
when the kingdom of God should come,
he answered them and said,
The kingdom of God cometh not with OBSERVATION:
Luke 17:21 Neither shall they say, Lo here! or, lo there! for,
behold, the kingdom of God is within you.
paratēr-ēsis , eōs, hē, observation, dieilēmmenoi eis paratērēsin kept under surveillance, so that it can be observed, Ev. Luc. 17.20 : in bad sense, close observation, to detect faults, ets
2.. observance of rules, pathos [a^, eos, to, （paskhō) poieō ,
empirical observation, Opposite. logismos, so kata historian ē Against Recorded History
Heb. 12:24 And to Jesus the mediator of the new covenant,
and to the blood of sprinkling,
that speaketh better things than that of Abel.
Heb. 12:25 See that ye refuse not him that speaketh.
For if they escaped not who refused him that spake on earth,
much more shall not we escape,
if we turn away from him that SPEAKETH from heaven:
Heb. 12:27 And this WORD, Yet once more, signifieth the removing of those things that are shaken,
as of things that are MADE [composing, singing, playing],
that those things which cannot be shaken may remain.
Heb. 12:28 Wherefore we receiving a KINGDOM
which cannot be MOVEO, let us have grace,
whereby we may SERVE God acceptably
with REVERENCE and godly FEAR:
Heb. 12:29 FOR OUR GOD IS A CONSUMING FIRE. .-mŏvĕo, to move, affect, excite, inspire: charms, to stir up, excite, provoke
to move people FROM their place, to dance, gesticulating
“cantus vocis juvat sociatā nervorum concordiā,” Quint. 5, 10, 124: citharam cum voce,” id. ib. 5, 112: “tympana,” id. H. 4, 48; to disturb: “ d. ib. 5, 112:Kithera along with Voice.
tympana id. H. 4, 48; beaten by the priests of Cybele and Isis Mount Sinai Bacchantine females 1 Cor 13
Emasculated Galatians 5 of witchcraft
to disturb: “novis Helicona cantibus,”
The SPIRITUS guiding Abilene is Apollo or Apollyon the leader of the LOCUSTS or Muses which are his adulterous WorshipTeam.
2Chr. 20:18 And Jehoshaphat
bowed his head with his face to the ground:
and all Judah and the inhabitants of Jerusalem
FELL BEFORE THE LORD
WORSHIPING THE LORD.
1Cor. 14:25 And thus are the secrets of his heart made manifest;
and so FALLING DOWN ON HIS FACE
will WORSHIP God, and report that God is in you of a truth.
Rev. 7:11 And all the angels stood round about the throne,
and about the elders and the four beasts,
and FELL before the throne on their faces,
and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat before God on their seats,
FELL UPON THEIR FACES and WORSHIPPED God,
BRANDON SCOTT OR HIGHLAND IS CHRISTIAN OR A CHURCH OF CHRIST
PROOF ONE: Brandon Scott Thomas and His adulterious team CANNOT BE CHRISTIANS.
John 8:26 I have many things to say and to judge of you:
but he that sent me is true;
and I SPEAK to the world those things which I have HEARD of him.
John 8:27 They understood not that he spake to them of the Father.
John 8:28 Then said Jesus unto them,
When ye have lifted up the Son of man,
then shall ye know that I am he,
and that I do nothing of myself;
but as my Father hath TAUGHT me,
I SPEAK these things.
GOD as masculine never taught Jesus to SING any of His Words.
John 8:29 And he that sent me is with me:
the Father hath not left me alone;
for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
IF ye continue in my WORD, THEN are ye my disciples indeed
Brandon Scott Thomas: Our main hope in the Highland Worship Ministry is that Jesus would be magnified by the things we D0 and that we could infuse our gatherings with creativity and beauty as we honor the Living God.
John 8:38 speak that which I have seen with my Father: and ye DO that which ye have seen with your father.
Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn
Epos joined with muthos, 1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos, historic truth), THE REGULATIVE PRINCIPLE
Devil Do: LATIN: făcĭo , to make in all senses, to do, perform, accomplish, prepare, produce, bring to pass, cause, effect, create, commit, perpetrate, form, fashion, operor Lying Wonder, “poëma,” to compose, id. Pis. 29, 70: “carmina,” Juv. 7, 28: “versus,” id. 7, 38: “sermonem,” Cic. Fam. 9, 8, 1; cf. “litteram,” id. Ac. 2, 2, 6: ludos, to celebrate, exhibit, admirationem alicujus rei alicui,” to excite [the Laded Burden],Hdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth. The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders] that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin. This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1 which he afterwards taught at Corinth.
1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.
Devil Do: carmen
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). note, sound, both vocal and instrumental “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon,” Ov. M. 11, 317; cf. “vocum,” id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis
“barbaricum,” id. M. 11, 163.—With allusion to playing on the cithara: The Moher o Harlots in John 17 “Carminibus Circe socios mutavit Ulixi,
Devil Do: Commercium sermonis,” 7 In mercant. lang., to practise, exercise, follow any trade or profession: 8. In relig. lang., like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice:Brandon Scott Thomas: Our main hope in the Highland Worship Ministry
Devil Do: Mousa II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695
“Kanakhan .Clanging Brass
Theias as many as made them hope by divinations, Madness caused by Ritual
worship as divine, “Puthagoran [Of the Cosmos, the Ecumenical, Kingdom of the Devil."
Antiluron mousas” S.Tr.643 (lyr.); PLAYING THE LYRE
“Aiakō moisan pherein”I. bear or carry a load, A Laded Burden
is that Jesus would be magnified by the things we D0
and that we could infuse our gatherings with CREATIVITY and beauty as we honor the Living God.
John.Mark.Hicks.Mark.10.They.Shall.Mock.Him.With.Music.html
Plut. De Iside and Osiris
perhaps the Eve and Satan story
They say that the Sun, when he became aware
of Rhea's intercourse with Cronus,
invoked a curse upon her that she should not give birth to a child in any month or year;
but Hermes, being enamored of the goddess, consorted with her.
Later, playing at draughts with the moon, he won from her the seventieth part of each of her periods of illumination, and from all the winnings he composed five days, and intercalated them as an addition to the three hundred and sixty days. The Egyptians even now call these five days intercalated and celebrate them as the birthdays of the gods. They relate that on the first of these days Osiris was born, and at the hour of his birth a voice issued forth saying, The Lord of All advances to the light. But some relate that a certain Pamyles, while he was drawing water in Thebes, heard a voice issuing from the shrine of Zeus, which bade him proclaim with a loud voice that a mighty and beneficent king, Osiris, had been born; and for this Cronus entrusted to him the child Osiris, which he brought up. It is in his honor that the festival of Pamylia is celebrated, a festival which resembles the phallic processions.
On the second of these days Arueris was born whom they call Apollo,
and some call him also the elder
Horus. On the third day Typhon was born, but not in due season or manner, but with a blow he broke through his mother's side and leapt forth. On the fourth day Isis was born in the regions that are ever moist; and on the fifth Nephthys, to whom they give the name of Finality and the name of Aphroditê, and some also the name of Victory. There is also a tradition that Osiris and Arueris were sprung from the Sun, Isis from Hermes, and Typhon and Nephthys from Cronus. For this reason the kings considered the third of the intercalated days as inauspicious, and transacted no business on that day, nor did they give any attention to their bodies until nightfall. They relate, moreover, that Nephthys became the wife of Typhon; but Isis and Osiris were enamored of each other and consorted together in the darkness of the womb before their birth. Some say that Arueris came from this union and was called the elder Horus by the Egyptians, but Apollo by the Greeks.Worship Leaders Parasites Sorcerers. God supplied no Lyric Poetry. The Spirit said that those who engage in hypocritical performance rather than SPEAKS the Word "THERE IS NO LIGHT IN THEN." By definition those who STAND in the place of the Spoken Word is claiming to BE God.3 All the Greek and Roman sources for the religion of the Egyptians will be found conveniently collected in Hopfner, Fontes Historiae Religionis Aegyptiacae, Parts I. and II. (Bonn, 1922-1923).
Brandon Scott Thomas: The Holy Spirit is the true worship leader.
Our job as church worship leaders is to
lean completely into His leading.
We cannot force anyone to worship,
all we can do is STAND IN the doorway [holy place] an
invite people into the presence of the Living God.
What an honor! What a joy! What a profound burden!
1Tim. 2:5 For there is ONE GODWHAT UNSPEAKABLE AND UNFORGIVEABLE ARROGANCE!
and one mediator between God and men,
the MAN Christ Jesus;
1Tim. 2:6 Who gave himself a ransom for all,
to be TESTIFIED in due time.
1Tim. 2:7 Whereunto I am ordained a preacher, and an apostle,
(I speak the truth in Christ, and lie not;)
a teacher of the Gentiles in faith and verity.
ANYONE WHO SELLS THEMSELVES TO ENHANCE THE WORD OF GOD CLAIM TO STAND IN THE HOLY PLACE
Rev. 3:19 As many as I love, I rebuke and chasten: be zealous therefore, and repent.
Rev. 3:20 Behold, I stand AT the door, and KNOCK:
if any man hear MY voice, and OPEN the door,
I will come in to him, and will sup with him, and he with me.
Rev. 3:21 To him that overcometh will I grant to sit with me in my throne,
even as I also overcame, and am set down with my Father in his throne.
Rev. 3:22 He that hath an ear, let him HEAR what the SPIRIT saith unto the churches.
God is WORD which is SPIRIT and the only source of LIFE (John 6:63). SPEAK and READ are inclusive and exclusive as a gender qualification. The Holy Spirit (God putting His WORD into the Mouth of Isaiah)
John 6:62 What and if ye shall see the Son of man ascend up where he was before?
John 6:63 It is the SPIRIT that quickeneth;
the flesh [Brandon scott Thomas] profiteth nothing:
the WORDS that I SPEAK unto you, they are SPIRIT, and they are life.
Isa 8:19 And when THEY shall say unto you,
Seek unto them that have familiar spirits,
and unto wizards that peep, and that mutter:
should not a people seek unto their God?
for the LIVING to the DEAD?
H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.To the law and to the testimony:
-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”
if they speak not according to this word,
it is because there is no light in them. Isa 8:20
ALL RELIGIOUS "MUSIC" IS DEFINED AS SORCERY OR WITCHCRAFT. MEN SET THEIR LIED TO MELODIES TO DECEIVE THE SIMPLE MINDED.
BRANDON SCOTT THOMAS STANDING IN THE HOLY PLACE CLAIMING TO BE GOD AS WORD.
John 7:16 Jesus answered them, and said,Jesus died to give US rest (Sabbath-Pauo) from Laded Songs (music and money) and Burden Laders (those who fleece others). PARASITE defines anyone who tries to make a living claiming to AID God. That is the definition of Anathema. Such persons or things cannot be redeemed and MUST BE BURNED.
My doctrine is not mine, but his that sent me.
John 7:17 If any man will do his will,
he shall know of the doctrine,
whether it be of God, or whether I speak of myself.
John 7:18 He that speaketh of himself seeketh his own glory: [and knows it]
but he that seeketh his glory that sent him,
the same is true, and no unrighteousness is in him.
Sabba^t-ismos , ho,A.a keeping of days of rest, Ep. Hebr.4.9, cf. Plu.2.166a (codd., baptismous Bentley).
A Sectarian Cult is anyone who makes you pay to watch parasites perform the most miserable music you can imagine. The PATTERN is to SPEAK or READ the WORD and discuss THAT READ PASSAGE.
Umbra 4. A shade, shady place, that which gives a shade or shadow (as a tree, house, tent, “studia in umbrā educata,” in the closet, study, Tac. A. 14, 53C. Rest, leisure;
Stŭdĭum I. a busying one's self about or application to a thing; assiduity, zeal, eagerness, fondness, inclination, desire, exertion, endeavor, study (b). A place for study, a study, school (late Lat.): “philosophum (se egit) in omnibus studiis, templis, locis,”
doctrīna doctor, I. teaching, instruction (class.; cf.: litterae, artes, disciplina, praecepta, scientia, humanitas).
A. Object., the knowledge imparted by teaching, i. e. science, erudition, learning
B. Subject., the habit produced by instruction, principle: “mala studia malaeque doctrinae,” Cic. Leg. 2, 15 fin.: “neque id fecit naturā solum, sed etiam doctrinā,” Nep. Att. 17, 3.
Parasi_t-os , ho, A.one who eats at the table of another, and repays him with flattery and buffoonery, parasite, ; peri Parasitou,“kenēs p. trapezēs” [Money Changer's Table: collection Plates] metaph., ikhthus ēn p. (v. opson) Luc.Lex.6. II. of priests who had their meals at the public expense,Jesus SPOKE what the Father Put into His MOUTH. This is the meaning of SPIRIT. God did not BREATH or speak WITHOUT MEASURE, Metron or Musical Meter. There is nothing to SING in all of Scripture and those who do NOT SPEAK the Word The Holy Spirit and Jesus MARKED. Your proven Biblically Illiterate NOT APT leaders affirm that Music and Trinity (triple goddesses) are CONFESSED by to be destruction of Patriarchal leadership.
Parasi_t-i^kos , ē, on, A.of a parasitos : hē -kē （tekhnē) the trade of a parasitos, toad-eating,
LEGALISM: tekhn-ē , hē, (tektōn) A. art, skill, cunning of hand of a soothsayer, A.Ag.249 (pl., lyr.), Eu.17, S.OT389, etc.; “tekhnai heterōn heterai” Pi.N.1.25; “ōpase t. pasan” Id.O.7.50.
III. an art or craft, i.e. a set of rules, LAWS system or method of making or doing, whether of the useful arts, or of the fine arts, Pl.Phdr.245a, Arist.Rh.1354a11, EN1140a8; “hoi tas t. tōn logōn suntithentes LAWS of rhetoric, Arist.Rh.1354a12, but rather TRICKS of Rhetoric, in Aeschin. 1.117)
John.T.Willis.and.Jo.Bass.The.Holy.Spirit.htmlTo the law and to the testimony:
ACU-OSBURN.html
Proving that you are PROGRAMMED by an ANTI-Christian Cult:
The ACU Agenda: Trainers use Prophetic roles to Channel and Facilitate the method of subverting the 'hierarchial" views of Jesus and Paul. the end-time subversion is the beginninng-time version which is "Feminist hermeneutics stands over against patriarchal hermeneutics" its goal achieved "by small, often unnoticed acts of SUBVERSION. Numerous such incremental changes, like EROSION, will eventually bring down the FORTRESS "
"The Bible is not so much a 'heaven-sent answer book' as a historical book produced within and for a historical community-- yet it serves as Scripture today because people find themselves accountable to it. That is what make its Scripture" "...but another step must be taken if the text would actually become Scripture and that is to engage the text in dialogue to ask, 'Now that I understand the meaning of this text for today, can I accept this" (p. 47).
Many Churches of Christ have gone underground or gone ONLINE after so many congregations were, as boasted, Infiltrated and Diverted. That's call Robbing widow. I reach about 7,000 a week Free of Charge."Paul's arguments carried weight in his day even though they may not necessarily be convincing by today's standards" (p. 135).
WHY WOULD ANYONE WHO IS A BELIEVER WANT TO BE EXTORTED BY A DOCTOR OF THE LAW: Jesus said that Doctors of the Law Take Away the Key to knowledge. They KEY is receiving A holy spirit when sins are washed away. A holy spirit or A good conscience or Consciousness is REQUIRED before, as in 2 Corinthians 3 one can read BLACK text or HEAR when the text is PREACHED by being READ -- once a week. No staff, just a reader.
Thea with another Subst., “th. mētēr” 1.280; “theai numphai” 24.615; Pallas th. S.Ant.1184; “theoi theai te” A.Th.87(lyr.); “ma theous, ma theas” Pl.Smp.219c; “ma tous theous kai tas theas
mētēr , Dor. matēr , hē: “Gallai mētros oreiēs philothursoi dromades”
gallazō , A.practise cult of Cybele
Mētēr, = Dēmētēr, tē Mētri kai tē Kourē hortēn agousi Hdt.8.65; also of Rhea,
Pi.N.5.6; Aphrodite of the Loves, Id.Fr.122.4; phatis ō mater aiskhunas emas, of a rumour,
Lucretius (98 - c. 55 BC): The Worship of Cybele
- Wherefore great Mother of gods, and Mother of beasts,
- And parent of man hath she alone been named.
- Her hymned the old and learned bards of Greece....
- Do name Idaean , giving her
Escort of Phrygian bands, since first, they say,Rev. 17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
Rev. 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.A living progeny. The Galli come:
- From out those regions 'twas that grain began
- Through all the world. To her do they assign
- The Galli, the emasculate, since thus
- They wish to show that men who violate
- The majesty of the Mother and have proved
- Ingrate to parents are to be adjudged
- Unfit to give unto the shores of light
This Music is Purpose Driven to get you to castrate yourself. Their Feminist Theology WANTS to make you into a FEMALE.When Attis, spurious woman, had thus chanted to her comity, the chorus straightway shrills with trembling tongues, the light tambour booms, the concave cymbals clang, and the troop swiftly hastes with rapid feet to verdurous Ida.
Then raging wildly, breathless, wandering, with brain distraught, hurries Attis with her tambour, their leader through dense woods, like an untamed heifer shunning the burden of the yoke: and the swift Gallae press behind their speedy-footed leader
“resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition), in the fem.: Gallae ,
Rev. 18:14 And the fruits that thy soul lusted after are departed from thee, and all things which were dainty and goodly are departed from thee, and thou shalt find them no more at all.
THUS hath the Lord God shewed unto me: and behold a basket of summer fruit. Amos 8:1
And he said, Amos, what seest thou? And I said, A basket of summer fruit. Then said the Lord unto me, The end is come upon my people of Israel; I will not again pass by them any more. Amos 8:2
Keleb (h3611) keh'leb; from an unused root mean. to yelp, or else to attack; a dog; hence (by euphemism) a male prostitute: - dog.
For dogs have compassed me: the assembly [multitude, swarm] of the wicked have inclosed me: they pierced my hands and my feet. Ps.22:16
The Instrumental-Trinitarian-Pervered worship of the golden calf was a sin beyong redemption: they wandered for 40 years in a church near you
Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests
Gallos II. eunuch, J.AJ4.8.40, PGnom.244, D.L.4.43.
Lucr. 2.581 The Galli come:
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
Resound around to bangings of their hands;
The fierce horns threaten with a raucous bray;
The tubed pipe excites their maddened mindsRev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
- In Phrygian measures; they bear before them knives,
- Wild emblems of their frenzy, which have power
- The rabble's ingrate heads and impious hearts
- To panic with terror of the goddess' might.
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. See Sorcerers above
Heredotus 1 telling Cyrus how to PACIFY the SLAVES you have "converted."
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war, command them to wear tunics under their cloaks, and to put buskins upon their legs,
..........and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
..........and shop-keeping (Hucksterism).So wilt thou soon see them become women instead of men,
and there will be no more fear of their revolting from thee."-[4] Ludoisi de sungnômên echôn tade autoisi epitaxon, hôs mête aposteôsi mête deinoi toi eôsi: apeipe men sphi pempsas hopla arêia mê ektêsthai, keleue de spheas kithônas -[khiton David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapêleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheôs spheas ô basileu gunaikas ant' andrôn opseai gegonotas, hôste ouden deinoi toi esontai mê aposteôsi."
The word kitharizo means to PLAY THE CITHARA and does not include singing.
- -Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo] kitharize Il., Hes.; lurêi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,
-Kithar-isis , eôs, hê, playing on the cithara, Pl.Prt.325e; k. psilê, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulêsis kai k. Phld.Mus.p.23 K.
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508
if they SPEAK not according to this WORD,
it is because there is no LIGHT in them. Isa 8:20
Luke 16:8 And the lord commended the unjust steward,
because he had done wisely:
for the children of this WORLD
are in their generation wiser than the children of LIGHT.
Acts 8:25 And they, when they had testified and preached the WORD of the Lord, returned to Jerusalem,
and preached the GOSPEL in many villages of the Samaritans.
Acts 15:7 And when there had been much disputing, Peter rose up, and said unto them, Men and brethren, ye know how that a good while ago God made choice among us, that the Gentiles by my MOUTH should hear the WORD of the gospel, and BELIEVE [compy].
Acts 8:25 And they, when they had testified and preached the WORD of the Lord, returned to Jerusalem,
and preached the GOSPEL in many villages of the Samaritans.
Acts 15:7 And when there had been much disputing, Peter rose up, and said unto them, Men and brethren, ye know how that a good while ago God made choice among us, that the Gentiles by my MOUTH should hear the WORD of the gospel, and BELIEVE [compy].
Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Opposite Pathos A. that which happens to a person or thing, incident, accident, Moralizing Rhetoric
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; OPPOSITE poiêmata, onomatopoeic word
OPPOSITE emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode:Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
Eph. 1:13 In whom ye also trusted, after that ye heard the WORD of truth,
the gospel of your salvation:
In whom also after that ye believed, [Complied]
ye were sealed with that holy Spirit of promise, [UNholy spirit is made A Holy Spirit-yours
Col. 1:5 For the hope which is laid up for you in heaven, whereof ye heard before in the WORD of the truth of the gospel;
1Th. 1:5 For our gospel came not unto you in WORD only, but also in power,
and in the Holy SPIRIT, and in much assurance;
as ye know what manner of men we were among you for your sake. [Patten of FREE OF CHARGE]
Heb. 4:2 For unto us was the GOSPEL preached, as well as unto them:
but the WORD preached did not profit them, not being mixed with FAITH [complies] in them that heard it.
1Pet. 1:25 But the WORD of the Lord endureth for ever. And this is the WORD which by the gospel is preached unto you.
1Cor. 1:17 For Christ sent me not to baptize, but to PREACH the gospel: [Never to Sing]
NOT with WISDOM [Sophia] of WORDS,
Human composed songs and SERMONS are, says Jesus, Sons (DNA) of the Devil. They are FORE ORDAINED says Jude and their PREDESTINED ROLE as "doctors of the Law" is:
Sophia A.cleverness or skill in music and singing, tekhnē kai s.
tekhn-ē of a soothsayer [Miriam and Levites], A.Ag.249 (pl., lyr.), Eu.17, S.OT389, [Trade: seeing godliness as a means of financial gain.] Poieo of Poets, compose, write, p. dithurambon, epea, of Poets, compose, write, p. dithurambon, epea,
epos 1. song or lay accompanied by music, rhaptōn epeōn aoidoi” 3. enchanter
Eunoukhos A. castrated person, eunuch, employed to take charge of the women. Fruit priests of the Mother Goddess.
Galatians.5.Music.Witchcraft
Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees? ... But if you will not allow this, why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?
For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath BEWITCHED the mind, and made it frantic for pleasure .
lest the cross of Christ should be made of none effect.
John T. Willis and Jo Bass The Holy Spirit
Highland became the Master Mother Tribulater and Sower of Discord: two things god Hates
John.T.Willis.Instrumental.Music.in.Worship.html
John.T.Willis.Women.in.Worship.Highland.Church.of.Christ.html
Paul silenced BOTH male and female "so that we might be SAFE and come to a knowledged of The Truth."
The TRUTH is the Word, Logos or Regulative Principle. It is God made Audible when APT elders READ or teach that which has been written."
Like Brandon Scott Thomas, the WOMEN had always claimed to "hear directly from the gods" when they fell into madness or as prostitutes during the high-priced worship ritual. Contrary to the "scholars" who write books and sell lectures but are God-Determined Unable to read BLACK text on BROWN paper.
1Tim. 2:5 For there is ONE GOD. [all scholars lie and blaspheme]
and one mediator between God and men, [All sermons, singers, instrument players LIE]
the MAN Christ Jesus;
Mark.10.They.Shall.Mock.Him.With.Music.html
Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
and a reed in his right hand: and they bowed the knee before him,
and MOCKED him, saying, Hail, King of the Jews!
Matthew 27:28 And they STRIPPED him, and put on him a scarlet robe.
Matthew 27:31 And after that they had MOCKED him, they took the robe off from him,
and put his own raiment on him, and led him away to crucify him.
Empaizō , fut. to be deluded II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “tō gumnasiō” Luc.Lex.5.
-Prospaizô , 2. abs., sport, jest, 3. laugh at, make fun or sport of, sing to the gods, sing in their praise or honour, 2. banter, tous rhêtoras
2 Peter 3 Marks of the End Time Mockers
2 Peter 3:3 Knowing this first,
that there shall come in the last days SCOFFERS,
walking after their own lusts,
Paizo dance, play a game, 4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230 ; dance and sing, Pi. O.1.16.5. play amorously, prosallêlous X.Smp.9.2 ; metatinosLXX Ge.26.8 ; of mares, Arist.HA572a30.
Isa 8:19And when they shall say unto you,
Seek unto them that have familiar spirits,
and unto wizards that peep, and that mutter:
should not a people seek unto their God?
for the living to the dead?
-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:To the law and to the testimony:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”
if they speak not according to this word,
it is because there is no light in them. Isa 8:20 THAT'S WHY THE MUSICAL WORSHIP TEAMS ARE ARE NEVER BEARABLE FOR A CHRISTIAN: THEY ALL LEFT
Brandon Scott Thomas: We believe that God raises up men and women for specific leadership roles and we want to be a place where peoplecan serve the Lord using their gifts to lead people in worship. We are also always interested in those who have sound or media experience.
Sabbath in Hebrew and PAUO means REST. There is no command, example or remote inferance of a Worship Service where one or two PERFORMED their acts for a collected group.
There is no Command, Example or Remote Inferance of a Group of "musicians" with or without instruments.
There is nothing MUSICAL until long after John Calvin.
Jesus paid the Temple Tax (houses) and demanded that the Children of the King do not own anthing. SPEAKING is for Learning and Comfort. Ode or sing is a SORCERY word and PSALLO speaks of evil persons trying to seduce young males.
in Revelation now unleashed there is no command to SING. The Priesthood of the Mother are called Lusted After Fruits. No normal person needs to PERFORM and self-exhibit. Any religious craftsman or Sophist (speaker, singer, instrument player" are HIDEN from God. All of the singers and instrument players are called SORCERERS and this is in fact CASTING THEMSELVES INTO A LAKE OF FIRE.
PROOF of those whose names are not written in God's Book is that they LIE about passages like Ephesians 5. Paul's command was to SPEAK the Biblical Text or "that which is written for our learning".
Brandon Scott Thomas may be the first to fit the Prophecy of Apollo, Apollyon or Abaddon. He is the father of musical harmony and homosexual worship. Worship leaders claim in the words of Plato, make the Spirit come
Zoe is another name for EVE and also for Venus or Lucifer. Paul said that Eve was Wholly Seduced in the sense that the master gets first shot when his tenant gets married. Therefore, Cain was OF that Wicked One.
Rick.Atchley.Advanced.Homilectics.And.Devil.Worship.htmlIn Origins, Sophia is identified as the Beast and Zoe is identified as the serpent. They forced the minor, mindless jehovahs to form a musical team by which the beast and the serpent would be given the praise due God.
The word NACHASH or "serpent" in Genesis really means a musical enchanter used to get a superior version of truth to fool Eve in the garden. Since Jesus warned that truth had been hidden in parables "from the foundation of the world" (Matt 13) we should not be surprized that the serpent in the garden was a musician and so the king of Tyre as a Lucifer is said to have been in the garden with his/her instruments, the king of Babylon would go into Sheol with his harps and the end-time Babylon Whore will use musicians and commerce.
This figure is identified as the Assyrians as "the tallest trees" in Eden (Ezekiel 31) and in Isaiah 30 God shows Israel how the Assyrians will be destroyed to the beat of musical instruments.
John 8:38 I SPEAK that which I have seen with my Father:
and ye DO that which ye have seen with your father.
SPEAK or READ is the only way to MARK yourself as a found-saved-and hidden from assult you are marked as gender-compromised and the SEED of the Serpent or the Devil. They are the MASSES who are Angels of Light or BLIGHT. They hate the Word and are therefore UNABLE to make merchandise of IT.
NOTE: THERE IS NOTHING MUSICAL IN THE DEVIL-DO SENSE UNTIL AFTER JOHN CALVIN PERMITTED SOME PSALMS-ONLY TO SET TO A FEW-NOTE MELODY AND SUNG IN UNISON. THOSE WHO TRIBULATE YOU ARE PROUD TO BE OUTED.
Devil Do: poiētai 4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn
Epos joined with muthos, 1. song or lay accompanied by music, 8.91,17.519.
2. fiction (opp. logos, historic truth), THE REGULATIVE PRINCIPLEHdt. 1.23 Periander, who disclosed the oracle's answer to Thrasybulus, was the son of Cypselus, and sovereign of Corinth. The Corinthians say (and the Lesbians agree) that the most marvellous thing [Lying Wonders] that happened to him in his life was the landing on Taenarus of Arion of Methymna, brought there by a dolphin. This Arion was a lyre-player second to none in that age; he was the first man whom we know to compose and name the dithyramb1 which he afterwards taught at Corinth.
1 The dithyramb was a kind of dance-music particularly associated with the cult of Dionysus.
http://www.pineycom.com/Charismatic.html
http://www.pineycom.com/VineyardIntimacy.html
Come, ye Bacchae, come, ye Bacchae, bringing down (double entendre) Bromius, (boisterous one) god the child of god, out of the Phrygian mountains into the broad highways of Greece.
Expression then moves to a zenith, a climatic point, not unlike physical lovemaking (doesn't Solomon use the same analogy in the Song of Songs?). We have expressed what is in our hearts and minds and bodies,
and now it is time to wait for God to respond. Stop talking and wait for him to speak, to move. I call this, the fourth phase, visitation: The almighty God visits his people.
"Come Holy Spirit, come, make us truly new creatures in Christ"
Theophilus.Autolycus.II.html This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve. And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.
The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.
"To 'evah" also means "something which is ritually unclean," not something evil in itself, like rape or theft. Eating pork or having sex during menstruation are ritually unclean.
Hes. Th. 1 From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, [5] and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots] Theoc.2.15"[25] the Muses of Olympus, daughters of Zeus who holds the aegis: “
Shepherds of the wilderness, [Singers replacing Elders]
wretched things of shame, mere bellies,
we know how to speak many false things as though they were true;
but we know, when we will, to utter true things.”
and they bade me sing of the race of the blessed gods that are eternally,
but ever to sing of themselves both first and last.
The singers [Muses], instrument players and craftsmen as sorcerers in Revelation 18.
-666 NUMBER IS A BABYLONIAN MAGIC SQUARE FOR SUN WORSHIP (APOLLO WAS SUN GOD) AND SINCE APOLLO IS ANTICHRIST, 666 IS your ACKNOWLEDGEMENT OF ANTICHRIST AS LORD
Rev. 9:10 And they had tails like unto scorpions,
and there were stings in their tails:
and their power was to hurt men five months.
Rev. 9:11 And they had a king over them,
which is the angel of the bottomless pit,
whose name in the Hebrew tongue is Abaddon,
but in the Greek tongue hath his name Apollyon.
Revived?
Rev. 13:11 And I beheld another BEAST
coming up out of the earth;
and he had two horns [hair] like a lamb, and he spake as a dragon.
Rev. 13:18 Here is wisdom. Let him that hath understanding
count the number of the beast:
for it is the number of a man;
and his number is Six hundred threescore and six.
Rev. 17:8 The BEAST that thou sawest was, and is not;
and shall ascend out of the bottomless pit,
and go into perdition:
and they that dwell on the earth shall wonder, [admire]
whose names were not written in the book of life
from the foundation of the world,
when they behold the beast that was,
and is not, and yet is.
-[1.1.4] The Athenians have also another harbor, at Munychia, with a temple of Artemis of Munychia, and yet another at Phalerum, as I have already stated, and near it is a sanctuary of Demeter. Here there is also a temple of Athena Sciras, and one of Zeus some distance away, and altars of the gods named UnknownPausanias Greece Paus. 1.2 But in my time it was devoted to the worship of Dionysus. This Dionysus they call Melpomenus Apollo [Abaddon, Apollyon] Musegetes (Leader of the Muses).
Mousagetēs 1 doric for Mousēgetēs leader of the Muses, Lat. Musagetes, of Apollo, Plat1 Mous-a_getēs, ou, ho
melpō , Il.1.474, celebrate with song and dance, melpontes hekaergon Il.l.c.; Phoibon [Apollo] sing to the lyre or harp, “meta de sphin emelpeto theios aoidos, phormizōn” [Apollo's Lyre]Melpomenos, epith. of Dionysus at Athens
Anathema is any or anything you DEDICATE to Adorn the work of A God (Apollyon god of Locusts or Muses) CANNOT be redeemed and MUST BE BURNED.
-Anathêma (anatithēmi) A. that which is set up: hence, like agalma, votive offering set up in a temple, Hdt.1.14,92, S.Ant.286, etc.; “a. ek leitourgiōn” Lys.26.4.
leitourg-ia , h(, earlier Att. lēt- IG22.1140.14 (386 B.C.):—at Athens, and elsewhere (e.g. Siphnos, Isoc.19.36; Mitylene, Antipho 5.77),2. used by Hom. only in first sense of agalma, delight, ornament, “molpē t' orkhēstus te: ta gar t' anathēmata daitos” Od.1.152, cf. 21.430, IG14.1390; tois tekousin anathēma biotou, of children, E.Fr.518, cf. Pl.Hp.Mi.364b; to help deserving poverty is “basilikou ploutou a. kai kataskeuasma lamprotaton” D.H.19.14.
III. public service of the gods , “hai pros tous theous l.” Arist.Pol.1330a13; “hai tōn theōn therapeiai kai l.” D.S.1.21, cf. UPZ17.17 (ii B.C.), PTeb.302.30 (i A.D.), etc.; the service or ministry of priests, LXX Nu.8.25, Ev.Luc.1.23.
A "Lying Wonder" is also a religious service offered to a god claiming the power to appease or please.
3. of a slave in a temple, a. poleōs devoted to this service by the city, E.Ion310.—Cf. anathema.
-Agalma , atos, to/, acc. to Hsch. pan eph' hō tis agalletai,anathēma , atos, to, (anatithēmi) ek leitourgiōn” Lys.26.4.
2. used by Hom. only in first sense of agalma, delight, ornament, “molpē t' orkhēstus te: ta gar t' anathēmata daitos” Od.1.152, cf. 21.430
molp-ē , hē, (melpō) 2. more freq. song, 1.472; “molpēs te glukerēs kai amumonos orkhēthmoio” 13.637; “molpē t' orkhēstus te” Od.1.152, cf. Hes.Th.69, Sapph.Supp.25.5, Pi.O.10.84,6.97 (pl.), A.Ag.106 molpa klagga” (lyr.), etc.: Com. in lyr., “ Mnesim.4.57 (anap.): metaph., ou m. suriggos ekhōn the note, S.Ph.212
melpō , Il.1.474, sing to the lyre or harp, “meta de sphin emelpeto theios aoidos, phormizōn” Od.4.17, cf. 13.27; “melpeo kai kitharize” h.Merc. 476; Melpomenos, epith. of Dionysus at Athens, Paus.1.2.5; dance and sing, as a chorus, “meta melpomenēsin en khorō
phorm-igx ESPECIALLY as the instrument of Apollo, “phormiggos perikalleos hēn ekh' Apollōn with seven strings
anti-psallō , '''''''''''''
A. glory, delight, honour, Il.4.144, etc.; kephalaisin andrōn agalmata (sc. lophoi) Alc.15; khōras a., of an ode, Pi.N.3.13, cf. 8.16;
2. pleasing gift, esp. for the gods, “a. theōn” Od.8.509, of a bull adorned for sacrifice, ib.3.438; of a tripod, Hdt.5.60, al.; generally, = anathēma, IG1.37312a, etc.; “Kharēs eimi . . a. tou Apollōnos” GDI5507 (Miletus); “anthēken a.” Simon.155; so, Hekatēs a . . . kuōn, because sacred to her, E.Fr.968, = Ar.Fr.594a; a. Aida, of a tombstone, Pi.N.10.67.
-Molp-ē , h(, (melpō)
1Corinthians 16:22 If any man love not the Lord Jesus Christ, let him be Anathema Maranatha.
(from Greek anatithenai: “to set up,” or “to dedicate”), in the Old Testament, a creature or object set apart for sacrificial offering. Its return to profane use was strictly banned, and such objects, destined for destruction, thus became effectively accursed as well as consecrated. Old Testament descriptions of religious wars call both the enemy and their besieged city…
-Anathêma (anatithēmi) A. that which is set up: hence, like agalma, votive offering set up in a temple, Hdt.1.14,92, S.Ant.286, etc.; “a. ek leitourgiōn” Lys.26.4.
leitourg-ia , h(, earlier Att. lēt- IG22.1140.14 (386 B.C.):—at Athens, and elsewhere (e.g. Siphnos, Isoc.19.36; Mitylene, Antipho 5.77),2. used by Hom. only in first sense of agalma, delight, ornament, “molpē t' orkhēstus te: ta gar t' anathēmata daitos” Od.1.152, cf. 21.430, IG14.1390; tois tekousin anathēma biotou, of children, E.Fr.518, cf. Pl.Hp.Mi.364b; to help deserving poverty is “basilikou ploutou a. kai kataskeuasma lamprotaton” D.H.19.14.
III. public service of the gods , “hai pros tous theous l.” Arist.Pol.1330a13; “hai tōn theōn therapeiai kai l.” D.S.1.21, cf. UPZ17.17 (ii B.C.), PTeb.302.30 (i A.D.), etc.; the service or ministry of priests, LXX Nu.8.25, Ev.Luc.1.23.
A "Lying Wonder" is also a religious service offered to a god claiming the power to appease or please.
3. of a slave in a temple, a. poleōs devoted to this service by the city, E.Ion310.—Cf. anathema.
-Agalma , atos, to/, acc. to Hsch. pan eph' hō tis agalletai,anathēma , atos, to, (anatithēmi)
ek leitourgiōn” Lys.26.4.
2. used by Hom. only in first sense of agalma, delight, ornament, “molpē t' orkhēstus te: ta gar t' anathēmata daitos” Od.1.152, cf. 21.430
molp-ē , hē, (melpō) 2. more freq. song, 1.472; “molpēs te glukerēs kai amumonos orkhēthmoio” 13.637; “molpē t' orkhēstus te” Od.1.152, cf. Hes.Th.69, Sapph.Supp.25.5, Pi.O.10.84,6.97 (pl.), A.Ag.106molpa klagga” (lyr.), etc.: Com. in lyr., “ Mnesim.4.57 (anap.): metaph., ou m. suriggos ekhōn the note, S.Ph.212
melpō , Il.1.474, sing to the lyre or harp, “meta de sphin emelpeto theios aoidos, phormizōn” Od.4.17, cf. 13.27; “melpeo kai kitharize” h.Merc. 476; Melpomenos, epith. of Dionysus at Athens, Paus.1.2.5; dance and sing, as a chorus, “meta melpomenēsin en khorō
A. glory, delight, honour, Il.4.144, etc.; kephalaisin andrōn agalmata (sc. lophoi) Alc.15; khōras a., of an ode, Pi.N.3.13, cf. 8.16;
2. pleasing gift, esp. for the gods, “a. theōn” Od.8.509, of a bull adorned for sacrifice, ib.3.438; of a tripod, Hdt.5.60, al.; generally, = anathēma, IG1.37312a, etc.; “Kharēs eimi . . a. tou Apollōnos” GDI5507 (Miletus); “anthēken a.” Simon.155; so, Hekatēs a . . . kuōn, because sacred to her, E.Fr.968, = Ar.Fr.594a; a. Aida, of a tombstone, Pi.N.10.67.
-Molp-ē , h(, (melpō)
General postings of false teachers and false teachers
Doctors of the Law, Universities and Staff the Cycle of Simony
Brandon Scott Thomas invented the ZOE group which used the ACappella term pretending to be vocal only. A cappella identifies the Popes castrated worship team singing FALSETTO or organum meaning after the Pipe Organ. Eve or Zoe was called the Boeast or female instructing principle: her goal was to defeat the LOGOS or the Word of God. She unleashes the Locusts (Muses) led by Apollo, Abaddon or Apollyon who is the Leader of the Muses.
Revelation 17:7 And the angel said unto me, Wherefore didst thou marvel?
I will tell thee the mystery of the woman,
and of the beast that carrieth her, which hath the seven heads and ten horns.
Revelation 17:8 The beast that thou sawest was, and is not;
and shall ascend out of the bottomless pit, and go into perdition:
and they that dwell on the earth shall wonder,
whose names were not written in the book of life from the foundation of the world,
when they behold the beast that was, and is not, and yet is.
The BEAST is an unleashed New Style of Music or Drama: that's so those with A holy spirit able to read BLACK text on BROWN paper can flee Babylon and not look back.
thērion , to (in form Dim. of thēr), A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric dramaWHO ARE THE PROSTITUTES FROM BABYLON ONWARD?
Sikinnis
sikinn-i^s si^, or siki_nis (E.Cyc.37), idos,
A. “Sikinnin” D.H.7.72:—Sicinnis, a dance of Satyrs used in the Satyric drama, S.Fr.772, E. l.c., D.H. l.c., Luc.Salt.22: named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis, a nymph of Cybele, although originally danced in honour of Sabazios, Arr.Fr.106J.— Also written Sikinnon , to/, Suid.; Sikinna ,
Sa^bazios , ho, (Sabos) a Phrygian deity, whose mysteries resembled the teletai of Dionysus, Thphr.Char.27.8 (but Sabadion [acc.] ib.16.4, cf. Dessau Inscr.Lat.Sel.2189), Nymphis 11; hence afterwards taken as a name of Dionysus himself, Ar.V.9, Av.875, Lys.388; A.“theō Sabaziō pagkoiranō” CIG3791 (Bithynia), cf. IG12(5).27 (Sicinus); “Di Sabaziō”Cybele or Kubebes:CII. Kubêbês. The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mêtêr Dindumênê of i. 80. 1. For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G. B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf. iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But here she is regarded as a foreign goddess.She is the facilitator or organon a musical instrument of Rhea (Eve, or Zoe)
Deilos cowardly, vile, worthless, lowborn, mean
Plat. Phaedrus 240b has mingled with most of them some temporary pleasure; so, for instance, a flatterer is a horrid creature and does great harm, yet Nature has combined with him a kind of pleasure that is not without charm, and one might find fault with a courtesan as an injurious thing, and there are many other such creatures and practices which are yet for the time being very pleasant; but a lover is not only harmful to his beloved.
hēdonē , Dor. hadona to speak so as to please another, “dēmēgorein” D.4.38; “ou pros hē. hoi ēn ta aggellomena” Hdt.3.126; 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.
Kolax , [Philippians 3 Dogs or Catamites] A. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; “tukhēs kolakes” ; parasite, D.L.6.4.2. Att. goēs, Moer. p.113 P.II. lisping pronunciation of korax, Ar.V.45.
NEVERamous-os , on, A. without song, of fishes, Emp. 74; but usu. without the Muses, i.e. without taste or refinement, rude, E.Ion526, Ar.V.1074; “a. kai aphilosophos” Pl.Sph.259e; a. hēdonē, hamartēmata, gross pleasure, faults, Pl.Phdr.240b, Lg.863c; a. esti, c. inf., it is incongruous, Ar.Th.159; tōn Leibēthriōn amousoteros, PROVERB. for lowest degree of mental cultivation, Zen.1.79: Sup., “glōtta -otatē” Agath.2.28. Adv. “-ōs” Pl.Hp.Ma.292c.II. of persons, unmusical, Id.Sph.253b, al.Goēs , ētos, ho, A. sorcerer, wizard epōdos Ludias apo khthonos” E.Ba.234“hē mousikē aei ti kainon thērion tiktei”
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g
Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, with modal words added, “hoi s. tōn hierōnmelōn ” [MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]
PHARMAKIA identifies the speakers, singers and instrument players in Revelation 18: John called them sorcerers and says they will be (are) cast alive into the lake of fire.
Sunestiōmenon, of woman Sunesti^-aō , A. help to entertain, AP4.3.24 (Agath.):—Pass., live or feast along with or together, Lys.Fr.53.2, Is.3.70, D.19.190, etc.; [theois] Plu.2.121f; “meta tinōn” IG22.1214mousikê aei ti kainon thêrion tiktei
A. Mousikos, musical, agônes m. kai gumnikoi choroi te kai agônes ta mousika music,II. of persons, skilled in music, kuknos [minstrel] kai alla zôia; peri aulous - professional musicians, mousikos kai melôn poêtês, use with singing, skilled in speaking before a mob. Melody,
B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies, (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother of Rhea one of the zoogonic or vivific principles
2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: “semen, i. e. capellae,”
made to be taken and destroyed,
speak evil of the things that they understand not;
and shall utterly perish in their own corruption;
X.Mem.1.6.13 Xen. Mem. 1.6.13
To this Socrates replied: “Antiphon, it is common opinion among us
in regard to beauty and wisdom
that there is an honourable
and a shameful way of bestowing them.
For to offer one's beauty for money to all comers is called prostitution;
But we think it virtuous to become friendly with
a lover who is known to be a man of honour.
So is it with wisdom. Those who offer it to all comers for money
are known as sophists, prostitutors of wisdom,But we think that he who makes a friend of one whom he knows to be gifted
by nature, and teaches him all the good he can,
fulfils the duty of a citizen and a gentleman.
WHO ARE THE PROSTITUTES ACCCORDING TO PAUL WHO GAVE HIS LIFE AS "KNOWING ONLY CHRIST."Sophis-tēs , ou, o(, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn” [melody in the holy place--a death sentence for any Levite]
Nothing Christian is for sale and nothing for sale is Christian.
HO, every one that thirsteth,
come ye to the waters,
and he that hath no money;
come ye, buy, and eat; yea,
come, buy wine and milk WITHOUT MONEY
and WITHOUT PRICE. Isa 55:12 Cor. 2:17 For we are not as many,
............ which corrupt the word of God:
............ but as of sincerity, but as of God,
............ in the sight of God speak we in Christ.
kapēl-euō, A. to be a retail-dealer, drive a petty trade Hdt. 3.89 ta mathēmata sell learning by retail, hawk it about, Pl. Prt.313d , 2 Cor. 2:17, of prostitutes,HOW THE MASCULINE ARE CONVERTED TO WOMEN: THE ONLY ONES WHO WOULD MARKET THEIIR BODY?Plat. Prot. 313d For among the provisions, you know, in which these men deal, not only are they themselves ignorant what is good or bad for the body, since in selling they commend them all, but the people who buy from them are so too, unless one happens to be a trainer or a doctor. And in the same way, those who take their doctrines the round of our cities, hawking them about to any odd purchaser who desires them, commend everything that they sell, and there may well be some of these too, my good sir, who are ignorant which of their wares is
[313e] good or bad for the soul; and in just the same case are the people who buy from them, unless one happens to have a doctor's knowledge here also, but of the soul. So then, if you are well informed as to what is good or bad among these wares, it will be safe for you to buy doctrines from Protagoras or from anyone else you please: but if not, take care, my dear fellow, that you do not risk your greatest treasure on a toss of the dice.
Cyrus was told how to NEUTER captives to keep them under control. Power grabbing preachers who want to be MASTERS (Authoratative Teachers) have KEEPING THEM UNDER CONTROL is absolutely necessary less they grasp that Jesus died to pry the burden laders off our backs: the Laded Burdens are types of repeating songs which perform the act of WITCHCRAFT with a boiling pot of frog yes.
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war,
Command them to wear tunics under their cloaks,
and to put buskins upon their legs,
and make them bring up their sons to cithern-playing (Kitharizein),
and singing (psallein),
and shop-keeping (Hucksterism). [Corrupting the Word]So wilt thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from thee."Any kind of performing music when Jesus told us to SPEAK that which is written INTENDS to bring glory and more "Authority" to THE Alpah Malel.
-[4] Ludoisi de sungnômên echôn tade autoisi epitaxon, hôs mête aposteôsi mête deinoi toi eôsi: apeipe men sphi pempsas hopla arêia mê ektêsthai, keleue de spheas kithônas -[khiton David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapêleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheôs spheas ô basileu gunaikas ant' andrôn opseai gegonotas, hôste ouden deinoi toi esontai mê aposteôsi."
The word kitharizo means to PLAY THE CITHARA and does not include singing.
- -Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo, Abaddon, Apollyon] kitharize Il., Hes.; lurêi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,
-Kithar-isis , eôs, hê, playing on the cithara, Pl.Prt.325e; k. psilê, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulêsis kai k. Phld.Mus.p.23 K.
The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to mollest you.
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508
Croesus thought the Lydians would even so be better off than if they were sold for slaves, and therefore gave the above advice to Cyrus, knowing that, unless he brought forward some notable suggestion, he would not be able to persuade him to alter his mind. He was likewise afraid lest,after escaping the danger which now pressed, the Lydians at some future time might revolt from the Persians and so bring themselves to ruin.
HIGHLAND SOUGHT TO GET ELDERS TO FORCE THEIR WIDOWS AND WORKING PEOPLE TO PAY FOR THEIR PROGRAM
Highland Church of Christ was one of the "progressive" churches in the early days. In 1971 the final disconnect happened between the Disciples of Christ and the Christian Church denominated the NACC. About that time Leroy Garrett invented the Stone Campbell Movement under the false thesis that churches of Christ sected out of the Christian Church in 1906. In fact, the NACC as a separate denomination began in 1927 after years of abortive efforts to use all of those RACA words against those who would not join the Organ and Society party. Any kind of friendly association ended when it was clear that "unity" always meant WE want YOUR congregation and we will "Infiltrate and Diver and blow your house down."
E. R. Harper was the victim of the thesis promoted by a Jo Bass demoting baptism and promoting the Direct Guidance of the Holy Spirit." As the Standard and the NACC used women as stalking horses to try to "take Tennessee for the organ and society party withing 5 years" the mortal attack against the Living WORD and the WRITTEN Word is always led by a key female.
Paul said to pray that the WOMEN not teach over and the MEN not bring on wrath (defined by Thomas below). The reason for EVERYONE to be silent was so that "all might be saved and come to a knowledge of the truth." The Word of Christ in the Prophets and Apostles is THE TRUTH and both OUTLAW any of the hypocritiic arts and crafts which were left--even for the Church of Christ (the Rock) in the Wilderness as MARKS of the end-time Babylonian Mother of Harlots. She uses "lusted after fruits" same as in Amos 8. John called the speakers, singers and instrument players SORCERERS: that was the same word defining the original Mother of Harlots in Babylon who NEUTERED all of the males and made them play instruments and build temples so that she could TEAR THEM DOWN.
Mike Cope just left Highland and ACU to go go a job on Pepperdine to divert the young preachers into musical idolatry which is the mark of the mother of harlots.
Revelation 18:21 And a mighty angel took up a stone like a great millstone,
and cast it into the sea, saying, Thus with violence shall that great city Babylon be thrown down,
and shall be found no more at all.
Revelation 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters,
shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be,
shall be found any more in thee;
and the sound of a millstone shall be heard no more at all in thee;
Revelation 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.
Revelation 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.
Brandon.Scott.Thomas.Highland.Church.htmlwo
Brandon Scott Thomas: Worship is a verb. It requires action and investment. Worship is one of the greatest ways we have of speaking truth into the spiritual realm and reminding ourselves of those same truths. Worship is adoration. Worship calls for transparency. To be honest, all of life should be a worship offering to our Father.
LITERAL WORSHIP MEANS TO FALL ON YOUR FACE IN REVERENCE AND GODLY FEAR.
Look up Body Worship and you will find the ancient connection between pagan musical rituals and sexuality and homosexuality. Paul in Romans 10 and 1 Corinthians 10 warned about musical idolatry as DEMON WORSHIP at Mount Sinai. In Romans 1 Paul defined the FRUITS which resulted from the instrumental idolatry at Mount Sinai. Even the woman at the Well understood the Purpose Driving the Messiah: He will TELL us all things. Jesus said that worship is NOT in a Temple PLACE but in the SPIRIT or MIND as a PLACE devoted to TRUTH which is the Word of God.
in fact, Jesus said that the Kingdom does not come with observation: that means Religious Observations. What Brandon Scott Thomas is speaking of is LEGALISM when Jesus died to free us FROM the laded burden (arousal songs) and the burden laders: Scribes and Pharisees, hypocrites Christ identified in Ezekiel 33 as speakers, singers and instrument players. These were MARKS of people who had no intention of GIVING HEED TO THE WORD as the only worship concept for the School of Christ.
Religious observations are carefully crafted to take control of all of one's attention. That is the worship concept with is to be directed only to God.
Tendo: In the pagan religions they gave lots of attention to tuning or playing their musical instruments: cornu,” “barbiton,” to tune, “tympana tenta tonant palmis, stretching out their bow strings. To shoot, to hurl.
(b). To exert one's self, to strive, endeavor (mostly poet.
b. n partic., to exert one's self in opposition, to strive, try, endeavor, contend “adversus, etc.,” id. 34, 34, 1: “contra,
Lucr. 6, 1195: “tormento citharāque tensior,” [Tendo]
2. In partic.: “nervum tendere, in mal. part.,” Auct. Priap. 70; cf. Mart. 11, 60, 3.—Hence, tentus, a lecherous man,
Lucr. 6.1195 Signs of death from lack of water:ēlŏquĭum , ii, n. id..I. In Aug. poets, and their imitators among prose writers, for eloquentia, eloquence, * Hor. A. P. 217; * Verg. A. 11, 383; Ov. Tr. 1, 9, 46; id. M. 13, 63; 322 al.; Vell. 2, 68, 1; Plin. 11, 17, 18, § 55.—II. In late Lat., declaration, communication in gen., Diom. p. 413 P.; Mamert. Pan. Maxim. 9: “eloquia pulchritudinis,” fine words, Vulg. Gen. 49, 21; id. Prov. 4, 20 al.
The heralds of old death. And in those months
Was given many another sign of death:
The intellect of mind by sorrow and dread
Deranged, the sad brow, the countenance
Fierce and delirious, the tormented ears
Beset with ringings, the breath quick and short
Chorda II. Catgut, a string (of a musical instrument),
B. A rope, cord, for binding a slave : “tunc tibi actutum chorda tenditur,” Plaut. Most. 3, 2, 55
Ringing: Cĭthăra , ae, f., = kithara, I. the cithara, cithern, guitar, or lute.TRANIO
I will inform you. My master has arrived from abroad.
SIMO
In that case, the cord will be stretched for you; thence to the place where iron fetters clink; after that, straight to the cross.
II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara
Ringing (guitar) I the ear would be equivalent to melody IN the heart.Brandon Scott Thomas: When a large group of people gather to worship there are likely many different perspectives and stories. Only the Holy Spirit can truly guide us in unity as we worship the Father.
In fact the LOGOS word outlawed personal opinions:
THE CHRISTIAN ANTITHESIS:
1Timothy 4:13 Till I come, give attendance [adtende] to reading, to exhortation, to doctrine.
1Timothy 4:14 Neglect not the gift that is in thee,
which was given thee by prophecy, [teaching]
with the laying on of the hands of the presbytery.
1Timothy 4:15 Meditate upon these things; give thyself wholly to them;
that thy profiting may appear to all.
3191. meletao, mel-et-ah´-o; from a presumed derivative of 3199; to take care of, i.e. (by implication) revolve in the mind: — imagine, (pre-)meditate.Because never in recorded history did PSALLO relate in any sense to MUSICAL MELODY Paul intends that we SPEAK the Word of God and sing and meditate on the Word of God.
Melet-aō , “tauta meleta” 1 Ep.Ti.4.15; esp. practise speaking, con over a speech in one's mind, “logaria dustēna meletēsas” D.19.255; “apologian” Id.46.1; also, deliver, declaim (cf. 11.5 b), “logous”1Timothy 4:16 Take heed unto thyself, and unto the doctrine; continue in them: for in doing this thou shalt both save thyself, and them that hear thee.
Logos 2. generally, account, reckoning, mē phunai ton hapanta nika l. excel
Opposite. ek tēs epagōgēs
Opposite. muthos, as history to legend, Ti.26e; “poiein muthous all' ou logous”
Opposite. epilogos,
Opposite. prooimion,
Opposite. phōnē, Arist.Pol.1253a14;
prose, Opposite. poiēsis,
Opposite. emmetra, ib.1450b15 (
l. pezoi, Opposite. poiētikē, D.H.Comp.6; Opposite. poiēmata, ib.15; “koina kai poiēmatōn kai logōn”
lectĭo , ōnis, f. lego.I. A gathering, collecting.
II. A reading, perusal; a reading out, reading aloud.
B. Transf. (abstr. pro contr.), that which is read, reading, text (post-class.)
“juris lectiones,” passages of the laws,
3191. meleta¿w meletao, mel-et-ah´-o; from a presumed derivative of 3199; to take care of, i.e. (by implication) revolve in the mind: — imagine, (pre-)meditate.
Quint. Inst. 10 1.16 But the advantages conferred by reading and listening are not identical. The speaker stimulates us by the animation of his delivery, and kindles the imagination, not by presenting us with an elaborate [p. 13] picture, but by bringing us into actual touch with the things themselves. Then all is life and movement, and we receive the new-born offspring of his imagination with enthusiastic approval. We are moved not merely by the actual issue of the trial, but by all that the orator himself has at stake.
Quint. Inst. 10 1.17 Moreover his voice, the grace of his gestures, the adaptation of his delivery (which is of supreme importance in oratory), and, in a word, all his excellences in combination, have their educative effect.
In reading, on the other hand, the critical faculty is a surer guide, inasmuch as the listener's judgment is often swept away by his preference for a particular speaker, or by the applause of an enthusiastic audience.
rătĭo , ōnis (abl. rationi, Lucr. 6, 66), f. reor, ratus,
Quint. Inst. 10 1.18 For we are ashamed to disagree with them, and an unconscious modesty prevents us from ranking our own opinion above theirs, though all the time the taste of the majority is vicious, and the claque may praise even what does not really deserve approval.
Opposite
plăcĕo , 1. In scenic lang., of players or pieces presented, to please, find favor, give satisfaction
2. Placere sibi, to be pleased or satisfied with one's self, to flatter one's self, to pride or plume one's self
A. plăcens , entis, P. a., pleasing, charming, dear: self-willed, id. 2 Pet. 2, 10.—
Brandon Scott Thomas: The Holy Spirit is the true worship leader.
Our job as church worship leaders is to lean completely into His leading. We cannot force anyone to worship,
all we can do is stand in the doorway and invite people into the presence of the Living God.
What an honor! What a joy! What a profound burden!The command for BOTH males is to sit down and shut up so that "we can be saved and come to a knowledge of the Truth." The WRATH brought on by males is the charismatic music promoted at Highland which intends as BST notes, lead you into some kind of ecstacy.
1Timothy 2:5 For there is one God,
and one mediator between God and men,
the man Christ Jesus;
The Holy Spirit as a continuing Comforter has a name: it is Jesus Christ the Righteous. Christ defined true worship both inclusively ind exclusively in the prophets. Jesus made these prophecies more certain and the Apostles as eye-- and ear-- witnesses left us a MEMORY. Peter says that if you private interpret or further expound then the Scriptures are there to MARK you as a false teacher.
You are watching something of BIBLICAL PROPORTIONS when you see people standing in the Holy Places claiming that they are God in Christ with the magicalpower of leading you into God's presence. Like the ACU teachers who claim the role of Christ, this is defined as the Abomination which makes desolate. COMMERCE was marked by the phallic pillars like Jochin and Boaz which says THE MARKET PLACE IS OPEN FOR FLEECING THE LAMBS.
Brandon Scott Thomas: Our worship ministry participants are challenged to view themselves as worship leaders…
not just back-up singers to the worship leader.
Therefore, we have a tremendous responsibility to come prepared,
to lead with great conviction and feeling,
and to exhibit lives that reflect the glory of the Lord. I’ve always said,
“The best way to be an effective worship leader is to just be a devoted worshipper.”Logos computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
Proof of Anathema to epithumia
A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder, 3. view as spectators
Proof of Anathema Pathos A. that which happens to a person or thing, incident, accident, Moralizing Rhetoric
Proof of Anathema Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e; esp. by music,
Prose, Proof of Anathema -poiêsis, Id.R.390a;
Proof of Anathema -poiêtikê, D.H.Comp.6;
Proof of Anathema poiêmata, onomatopoeic word
Proof of Anathema emmetra Modus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode:Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
Theologians are doomed to call God a liar or INCOMPETENT. If God had wanted any kind of music in the tuneful sense He was INTELLIGIBLE But denied by C. Leonard Allen.
Brandon Scott Thomas: Worship is contagious. When it breaks out, none of us are in the spotlight…there is only one audience and that is God. Our goal is to lift up the name of Jesus…to make ourselves less so that He may increase! Our teams pray for YOU each week, in heartfelt ways, to be drawn by the Spirit into deep worship each time we gather.
That's a lie of course: the object is that you give all of your ATTENDANCE to the hypocritic mockers at feasts. That is Purpose Driven to "make the lambs dumbe beforee the slaughter" and prevent people from worshiping in the PLACE of the spirit as it gives attendance to the Words of Christ in the Prophets and Apostles. That's why Highland USES women and calling Paul a liar.
Entheos , on, in later Prose contr. enthous Ph.2.542, App.Hisp.18, Aen.Gaz.Thphr.p.12 B.:—A.full of the god, inspired, possessed, e. gunaikes, of the Bacchantes, S.Ant.964 (lyr.); e. Arei possessed by him, A.Th.497; “ek Panos” E.Hipp.141; “hupo tou erōtos” X.Smp.1.10: c. gen. rei, “tekhnēs nin Zeus entheon ktisas phrena” A.Eu.17; also e. pros aretēn inspired with a love for it, Pl.Smp.179a: Sup. -ōtatē, phusis, of Homer, Max. Tyr.32.4.II. of divine frenzy, inspired by the god, “tekhnai” A.Ag.1209; “mantikē” Pl.Phdr.244b; “manteiai” Id.Ti.72b; “entheon hē poiēsis” Arist.Rh.1408b19; “e. philia” Plu.2.752c; ta e. frenzied rites, prob.in Herod.8.70. Adv. “entheōs” Men.Mon.229, App.Hisp.26, Jul.Or.7.215b, Iamb.VP32.216.
thuias , ados, hē:—written thuas Tim.Fr.3, A.Th.498 cod. Med.: (thuō):—A.inspired, possessed woman, esp. Bacchante, ll. cc., cf. A.Th. 836, Supp.564 (both lyr.), Plu.2.293f, etc.; cf. foreg.II. fem. Adj., frantic, mad for love,
"The survival of these ideals in a particular late-twentieth-century Southern Baptist culture suggests a complex picture of gender and acceptable ways of being manly or womanly, masculine or feminine.
This complexity of gender relations and the old-fashionedness of the hymns within this cultural community has been ignored,
and perhaps even deliberately concealed, by an official culture that dismisses all sentimental hymnody as vaguely effeminate.
"The notion of music as a tool or technology with a clearly defined purpose is very prevalent in the East. In the West that view is held by some, but others believe that music is entertainment or art and nothing more.
Other methods are: dancing (as used by the Mawlawiyah, or whirling dervishes, a Muslim Sufi sect); the use of sedatives and stimulants (as utilized in some Hellenistic mystery religions); and the use of certain drugs, such as peyote, mescaline, hashish, LSD, and similar products (in certain Islamic sects and modern experimental religious groups).
Most mystics, both in the East and in the West, frown on the use of drugs because no permanent change in the personality (in the mystical sense) has been known to occur.
In certain ancient Israelite prophetic groups, music was used to achieve the ecstatic state, in which the participants, in their accompanying dancing, were believed to have been seized by the hand of Yahweh, the God of Israel, as in the case of Saul, the 11th-century-bc king of Israel.
The Pythia (priestess) of the Greek oracle at Delphi often went into an ecstatic state during which she uttered sounds revealed to her by the python (the snake, the symbol of resurrection), after drinking water from a certain spring.
Her "words" were then interpreted by a priest to help a suppliant find a way to avoid calamities, especially death. In primitive religions, ecstasy was a technique highly developed by shamans, religious personages with healing and psychic-transformation powers, in their "soul," or "spirit," flights. (See Delphic oracle.) "ecstasy" Encyclopædia Britannica Online.<http://members.eb.com/bol/topic?idxref=537658>
Brandon Scott Thomas: If you are interested in participating in this ministry as a praise team singer, choir member, instrumentalist, actor, reader, artist, or in any other creative way, please contact Brandon Scott Thomas at Brandon@highlandchurch.org for ways to get involved.
Ministry is the word DEACON: seems the deacons have been disposed of and women replaced. Paul told Timothy the evangelist to WORK so that he would have the means of sponsoring the Agape which was to FEED the day workers on the way to maybe get some money.
We MINISTERS are to serve others and we do not RIDE ON THE BACKS of widows and honest workers. Especially the religious musicians in the ancient world were called PARASITES. Shame, shame, shame for getting paid to do pretend work when Jesus said to go into your CLOSETS to pray and give ALMS to those who asked and without anyone one watching. The synagogue endorsed by Jesus had a Poor Box which was used for the POOR. We don't have these ROLES and we don't have any DOLE: You have to lie, cheat and steal from honest peoples by the LAW OF GIVING which is a lie.
Israel fell into musical idolatry at Mount Sinai (missed Exodus 32) and he sentenced them beyond Babylon which means "land of no return." The Levites as the PATTERN for music were Jacob-cursed and God-abandoned. They slaughtered 3000 of the brethren because of musical idolatry and the COMMAND was that they stand in ranks and execute any Brandon Scott Thomas who came NEAR or INTO any physical worship place. Missed 1 Corinthians 10?
Moses promised another "prophet" like him as our last warning:
1Corinthians 10:6 Now these things were our examples,
to the intent we should not lust after evil things, as they also lusted.
1Corinthians 10:7 Neither be ye idolaters, as were some of them; as it is written,
The people sat down to eat and drink, and rose up to play.
Paizō
4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16.5. play amorously, “pros allēlous”
"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).Matthew 24:48 But and if that evil servant shall say in his heart, My lord delayeth his coming;
Matthew 24:49 And shall begin to smite his fellowservants, and to eat and drink with the drunken; [new wine]
per-cŭtĭo b. To strike, play a musical instrument (poet.): “lyram,” Ov. Am. 3, 12, 40; Val. Fl. 5, 100.—
1. To smite, strike, visit with calamity of any kind (class.): “percussus calamitate,” Cic. Mur. 24, 49: “percussus fortunae vulnere,” id. Ac. 1, 3, 11: “ruina,” Vulg. Zach. 14, 18: anathemate. id. Mal. 4, 6: “plaga,” id. 1 Macc. 1, 32: “in stuporem,” id. Zach. 12, 4.—2. to strike, shock, make an impression upon, affect deeply, move, astound
Any thing or person who is DEDICATED or WAGED to perform some role in a HOLY PLACE to decorate it or give it more glory CANNOT be REDEEMED: they must be BURNED.
Matthew 24:50 The lord of that servant shall come in a day when he looketh not for him, and in an hour
Matthew 24:51 And shall cut him asunder, and appoint him his portion with the hypocrites:
that he is not aware of,
there shall be weeping and gnashing of teeth.hypocrĭta or -es , ae, m., = hupokritēs.I. A mime who accompanied the delivery of an actor by gestures, Suet. Ner. 24; Quint. 2, 17, 12; 11, 3, 7.—II. In eccl. Lat., a hypocrite, Vulg. Job, 8, 13; id. Matt. 6, 2; id. Luc. 12, 56 al.
hupo-kri^tēs , ou, ho,A. one who answers:II. in Att., one who plays a part on the stage, actor, Ar.V.1279, Pl.R.373b, Chrm. 162d, Smp.194b, X. Mem.2.2.9, etc.2. of an orator, poikilos hu. kai perittos (of Dem.) Phld.Rh.1.197 S.; one who delivers, recites, declaimer, “epōn” Tim.Lex. s.v. rhapsōdoi; rhapsodist, D.S.14.109, 15.7; this sense or sense 11.1 is possible in PCair.Zen.4.44 (iii B. C.).3. metaph., pretender, dissembler, hypocrite, LXX Jb.34.30, 36.13, Ev.Matt.23.13, al.
poikilos many-coloured, spotted, pied, dappled, “pardaleē” Il.10.30; “ophis” Hes.Th.300 codd. (aiolon Sch.); “drakōn” Pi.P.8.46;
2. of Art, p. humnos a song of changeful strain or full of diverse art, Pi.O.6.87; “poikilon kitharizōn” Id.N.4.14; “dedaidalmenoi pseudesi poikilois muthoi” Id.O.1.29; of style, “lexis poiētikōtera kai p.” Isoc.15.47 (Comp.); “skhēmatismoi” D.H.Is.3.
mēkhan-ēmarhapsōd-eō , of the poems, to be recited, Lycurg.102. II. c. acc. pers., sing of one, celebrate, “tous andreious” Ar.Ec. 679.
A musical instrument is a machine for doing hard work mostly in making war or the shock and awe to fool the worshipers and to fleece them.
rhapsōd-os , ho, speaks of himself and Homer as en nearois humnois rhapsantes aoidēn, and Pi.N.2.2 calls Epic poets rhaptōn epeōn aoidoi:
Brandon Scott Thomas: We believe that God raises up men and women for specific leadership roles and we want to be a place where people can serve the Lord using their gifts to lead people in worship. We are also always interested in those who have sound or media experience.
That's True: Jude references the Instrumental-Trinitarian-Perverted Idolatry and says of those who go beyond THAT WHICH HAS ONCE BEEN DELIVERED and engage in mocking or muttering that they were FORE ORDAINED.
"Dionysus is the wine-god, and thus should be a pleasant fellow, a benefactor. But wine has both positive and negative aspects. It makes people drunk, causes them to behave in strange ways. The Greeks were well aware of the dual natures of wine, mirrored by the dual nature of its god.... He betrays a dual nature: being bright, joyous, and vital for life,
while also having a side that is dark, mysterious and deadly.
"The adored wife of the fallen Hector, is taken as a concubine by the authentes, who can command her domestic and sexual services. The word also occurs in a homosexual sense in a speech by Theseus, king of Athens, where love of young boys was considered a virtue rather than a vice." (Charles Trombly, Who Said Women Can't Teach, p. 174)
For we have heard of stags being charmed by the pipe, and seduced by music into the toils, when hunted by the huntsmen. And when mares are being covered, a tune is played on the flute -a nuptial song, as it were.
And every improper sight and sound, to speak in a word, and every shameful sensation of licentiousnes"-which, in truth, is privation of sensation-must by all means be excluded;
and we must be on our guard against whatever pleasure titillates eye and ear, and effeminates. For the various spells of the broken strains and plaintive numbers of the Carian muse corrupt men's morals, drawing to perturbation of mind, by the licentious and mischievous art of music. 101
Brandon Scott Thomas: Our main hope in the Highland Worship Ministry is that Jesus would be magnified by the things we do and that we could infuse our gatherings with creativity and beauty as we honor the Living God.
<img
src="https://hitwebcounter.com/counter/counter.php?page=7675352&style=0024&nbdigits=5&type=ip&initCount=1420"
title="Total Website Hits" alt="Web Hits" border="0"></a>