My God is an Awesome God?

My God is not an AWESOME God but an awful, dreadful God because:
        He who created them
rebels must have meant to mock at them.
Of those
who do not love truth, God has sent strong delusions that they believe their own lies in order to be destroyed.
   
You must be strongly deluded beyond redemption if you believe that God provided any hint that He is worshipped by rhetoric, singing, playing instruments, any performer or PAY TO PLAY.

You have to be Biblically and morally rejected if you do not know that Instruments in connection with worship of God is not mentioned from Genesis to Revelation. Even with a Phd, no one knows any more that what their professors taught them.

SAM SAYS: Our role as worship leaders is to MINISTER  to the heart of God Himself
          our worship is about HIM and Him alone.
        We also serve to BLESS those who gather for worship in OUR services
,
            not so that they can walk away “satisfied” or “FILLED” by the music,   
           
but SO that SPACE is created for THEM to encounter the living God.

Clement.of.Alexandria.Exhortation.to.the.Heathen

Again, the same writer of comedy, expressing his dissatisfaction with the common usages,
tries to expose the impious arrogance of the prevailing error in the drama of the
Priestess, sagely declaring:-

"If a man drags the Deity
Whither he will by the sound of cymbals,
He that does this is greater than the Deity;
But these are the instruments of audacity and means of living
Invented by men."
Luke 11:52 Woe unto you, lawyers!
        for ye have taken away the key of knowledge:
        ye entered not in yourselves,
        and them that were entering in ye hindered
g3551. νόμος nomos, nom´-os; from a primary νέμω nemo (to parcel out, especially food or grazing to animals); law (through the idea of prescriptive usage), genitive case (regulation), specially, (of Moses (including the volume); also of the Gospel), or figuratively (a principle): — law.

Gal. 6:2 Bear ye one another’s burdens, and so fulfil the law of Christ.
New.Hermeneutic.Strong.Deludions.Lying.Wonders

THE DEVIL'S ANGELS ARE MUSICIANS INTENDED TO RAPTURE THE "GRAIN" SO THAT THE "CHAFF" (SONS OF THE DEVIL) CAN BE BURNED.  [Consumed by their own mouth]

răpĭo , drag into open day, Hor. C. 1, 18, 13. — Poet.: “Nasonis carmina rapti,” i. e. torn from his home, borne far away, Ov. P. 4, 16, 1; cf. id. H. 13, 9; Stat. S. 3, 5, 6. —(α). rapta , ae, f., the ravished one, the seduced: “gratus raptae raptor fuit,Ov. A. A. 1, 680; id. H. 5, 97; 13, 55; 16, 339; id. F. 4, 607

gratus
Herophile [PRIESTESS] OF  Phoebo  poetical appellation of APOLLON as the god of light Phœbean, Apollinean: “carmina,C. Phoebas , ădis, f., a priestess of Apollo; hence the inspired one, the prophetess, Luc. 5.128

raptor one who seizes by force, a robber, plunderer, abductor, ravisher
LYING ABOUT TITHES AND OFFERINGS

carmina   an oracular response, a PROPHECY; a form of incantation a tune, song, air, lay, strain, note, sound, both vocal and instrumental. “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon, (sc. Apollinem) concordant carmina nervis,
concordant  concordant modi,”[melody] The LOCUSTS or APOLLON' MUSICIANS are used as his HELPERS to bring everyone's mind or musical mouth into LOCK STEP. Renee Sproles notes that this happens and no one is aware!
THE ONLY VISIBLE-AUDIBLE-GRATUITOUS SPEAKER: AN ABSOLUTE COMMAND
1Pet. 4:11 If any man speak, let him speak as the oracles of God;
        If any man minister, let him do it as of the ability which God giveth:
        that God in all things may be glorified through Jesus Christ,
        to whom be praise and dominion for ever and ever. Amen.

răpĭo ,1. To carry along or away with passion, to transport, ravish, captivate; and with a designation of the limit, to carry or hurry away, to attract strongly to any thing (usually in a bad sense)
(mundus) rapit aetherios per carmina pandere census,
carmina a tune, song, air, lay, strain, note, sound, both vocal and instrumental (also versus, numeri, modi): carmen tuba  per me (sc. Apollinem) concordant carmina


Don't worry about it: of the repeat of the Mount Sinai Instrumental - Trinitarian - Perverted PLAY is by those FOREORDAINED to this JUDGMENT (Jude]


CLICK: EXAMPLE OF A LADED BURDEN INTENDED TO MAKE YOU DUMB BEFORE THE SLAUGHTER.
CLICK
JESUS DIED TO REMOVE THE "LADED BURDEN" WHICH IS ANY BABBLING OVER AND OVER

Shawn.Frazier.Musical.Worship.Minister.html

Claims that he is the OVERSEER of the worship Assembly: Holy Scripture says that APT elders are the OVERSEERS of the School of Christ and His Word. Feeding the meek is with Holy Scripture and making certain that his flock if feed with food.

The ONLY meaning of WORSHIP is to bow down with your face toward the ground or most often FALL ON YOUR FACE is Reverence and Godly Fear.

https://churchleaders.com/worship/405491-worship-wars.html

THE BABYLONIAN MOTHER OF HARLOTS TO RETURN ABOUT THE YEAR 2000
Her priests are "lusted after fruits" same as
Amos Chapter 8 And he said, Amos, what seest thou? And I said, A basket of summer fruit. Then said the Lord unto me, The end is come upon my people of Israel; I will not again pass by them any more. Amos 8:2

The female Goddesses collected baskets full of penis': Required to be their priests

DICAEOPOLIS
Oh, Phales, [god of generation, worshipped in the form of a phallus]  companion of the orgies of Bacchus, [In Rome referenced in Romans 14] night reveller, god of adultery, friend of young men, these past six years I have not been able to invoke thee.

CHORUS
Here is a man truly happy. See how everything succeeds to his wish. Peacefully seated in his market, he will earn his living; ....without being accosted on the public place by any importunate fellow, neither by Cratinus, shaven in the fashion of the debauchees, nor by this musician, who plagues us with his silly improvisations, Artemo, with his arm-pits stinking as foul as a goat, [CAPPELLA] like his father before him. You will not be the butt of the villainous Pauson's jeers, nor of Lysistratus, the disgrace of the Cholargian deme, who is the incarnation of all the vices, and endures cold and hunger more than thirty days in the month.

They rashly assume in this manner, that  whatsoever things have been said and done by all men, (may be made to harmonize) with their own particular mental view, alleging that ALL things become spiritual. Whence likewise they assert, that those exhibiting themselves in theatres,not even these say or do anything without premeditation.

Therefore, he says, when, on the people assembling in the theatres, any one enters clad in a remarkable robe, carrying a harp and playing a tune (upon it, accompanying it) with a song of the great mysteries, he speaks as follows, not knowing what he says:
"Whether (thou art) the race of Saturn (Satans) or happy Jupiter, or mighty Rhea (ZOE, Eve), Hail, Attis, gloomy mutilation of Rhea. Assyrians style thee thrice-longed-for Adonis, and the whole of Egypt (calls thee) Osiris, celestial horn of the moon; [The bull, Apis, at Sinai] Greeks denominate (thee) Wisdom; Samothracians, venerable Adam; Haemonians, Corybas; and them Phrygians (name thee) at one time Papa, at another time Corpse, or God, or Fruitless, or Aipolos, or green Ear of Corn that has been reaped, or whom the very fertile Amygdalus produced-a man, a musician."

DAVID YOUNG SHOCK AND AWE WORSHIP

Praise and Worship Songs and Voodoo

worship leader: Entertaining Simon the Sorcerer

"The early seventies were the beginning of what we now call the “worship wars”. The new youth were clever. They simply put Jesus words to many existing secular songs and now their parents just couldn’t say no. Soon, bands were erupting everywhere, and church platforms morphed into performance stages. Proud moms, pops, aunts and uncles and grandparents would invite people to “come hear our kids band perform” to the new Jesus audience with money to buy concert tickets and stage passes.

The church perfects the insecure teenagers plot from the seventies to trick their parents into using the infinitely superior “New Music”. Now, an entire industry has painted JESUS on all their stationary. Every song is “anointed” with Jesus to prevent complaints from the bleachers.

Would be leaders plan to USE this music, not as a means of corporate worship, rather the propping up of a CCM Money Market that sees its own end. They use people just like the world does.

“I want to amaze the people”

Simon noticed that the Spirit was given only when the apostles placed their hands on the people. So, he brought money and said to Peter and John, “Let me have this power too! Then anyone I place my hands on will also be given the Holy Spirit.”

 Peter said to him, “You and your money will both end up in hell if you think you can buy God’s gift! You don’t have any part in this, and God sees that your heart isn’t right. Get rid of these evil thoughts and ask God to forgive you. I can see that you are jealous and bound by your evil ways.”

Who are your discerning leaders of trust, wisdom and godliness that make these decisions? (Ephesians 4) In many churches these leaders are simply AWOL?

OUT WITH THE “WORSHIP LEADER”.
Worship shall be led by no man.
Worship has never asked for or required a leader. And what is a “Worship Pastor”? Titles such as these only serve to secularize and cloud truth. they demonstrate mans desire to control rather than live in humble submission. A pastor may pastor and shepherd. He may even lead people in and through moments of worship. But he cannot lead or pastor worship unless he is like Simon.

David Young and the elders vision REPUDIATED Holy Scripture and all of the historic practices of Churches of Christ.  The primary OVERSEERS including Women are to MOCK Jesus as the ONLY teacher of His tiny flock in exile.  Repeating songs is universally understood  as for Mind Control and PREVENTING God's Holy Word from being Heard.

Jesus is the ONLY Rabbi or Teacher and ONLY when we "teach that which has been taught." Peter spoke of a recorded MEMORY as a MARKER for anyone who would teach otherwise. Paul in Romans 10 and 1 Cor 10 warns of the PLAY which was musical idolatry of the TRINITY and those with EARS will be able to hear the message and LOOK where Paul points to repudiate the musical paganism at Corinth:

Whose voice then SHOOK the earth: but now he hath promised, saying, Yet ONCE MORE I shake not the earth only, but also heaven. Heb 12:26

And this word, Yet once more, signifieth the REMOVING of those things that are shaken, as of things that are made, that those things which cannot be shaken [a trumpet-like word] may remain. Heb 12:27

Wherefore we RECEIVING a KINGDOM which cannot be moved, let us have GRACE,
whereby we may SERVE God acceptably with REVERENCE and godly fear: Heb 12:28

For our God is a consuming fire. Heb 12:29

G2124 eulabeia yoo-lab'-i-ah From G2126 ; properly caution, that is, (religiously) reverence (piety); by implication dread (concretely):--fear (-ed

G2126 eulabïs yoo-lab-ace' From G2095 and G2983 ; taking well (carefully), that is, circumspect (religiously, pious): devout.

Deuteronomy 7 [21]RSV You shall not be scared of them; for Yahweh your God is in the midst of you, a great and awesome God.

However, the Latin agree with the KJV
Deut 7:[21] non timebis eos quia Dominus Deus tuus in medio tui est Deus magnus et terribilis [

AWESOME MEANS TERRIBLE AND YOU ARE IN A LOT OF TROUBLE: JUDE SAYS FOREORDAINED TO THIS JUDGMENT'
terrĭbĭlis , e, adj. terreo,
I.  frightful, dreadful, terrible (class.; syn.: dirus, horribilis, torvus).
II. Transf., demanding reverence, venerable (late Lat.): “scripturae,Cod. Just. 3, 1, 13.—Sup. seems not to occur.—Adv.: terrĭbĭlĭter , fearfully, dreadfully, terribly (late Lat.): “sonus caeli terribiliter concrepantis,Arn. 2, 57: “admonere,Aug. Conf. 12, 25: Vulg. Psa. 138, 14.—Comp. and sup. seem not to occur.
Deut. 7:21 Thou shalt not be affrighted at them: for the LORD thy God is among you, a mighty God and terrible.
[22] Yahweh your God will cast out those nations before you by little and little: you may not consume them at once, lest the animals of the field increase on you.
[23] But Yahweh your God will deliver them up before you, and will confuse them with a great confusion, until they be destroyed
Deut. 7:25 The graven images of their gods shall ye burn with fire: thou shalt not desire the silver or gold that is on them, nor take it unto thee, lest thou be snared therein: for it is an abomination to the LORD thy God.
Deut. 7:26 Neither shalt thou bring an abomination into thine house,
        lest thou be a cursed thing like it: but thou shalt utterly detest it,
        and thou shalt utterly abhor it; for it is a cursed thing

IF YOU SET YOURSELF UP AS A "WORSHIP MINISTER" CLAIMING TO ENHANCE OR GLORIFY GOD,  YOU ARE 'ABOMINABLE' AND DEFACTO ANATHEMA: YOU CANNOT BE REDEEMED AND MUST BE BURNED.
anathēma , atos, to, (anatithēmi)
A.that which is set up: hence, like agalma, votive offering set up in a temple, Hdt.1.14,92, S.Ant.286, etc.; “a. ek leitourgiōnLys.26.4.
2. used by Hom. only in first sense of agalma, delight, ornament,molpē t' orkhēstus te: ta gar t' anathēmata daitosOd.1.152, cf. 21.430,

ănăthēmă , ătis, n., = anathēma,
I.   an offering, a gift, Prud. Psych. 540: “in anathema oblivionis,Vulg. Judith, 16, 23.
ănăthĕmă , ătis, n., = anathema, a later form of anathēma, used in mal. part. (eccl. Lat.), pr.
I.  an offering not to be redeemed; and of a living thing, to be put to death, doomed; hence, an accursed thing, a curse.
I.  Concr., of things: “vocavit nomen loci illius Horma, id est anathema,Vulg. Num. 21, 3; ib. Jud. 1, 17; ib. Deut. 13, 16.—
II. [select] A curse of excommunication, anathema: “anathematis injuria,Aug. Ep. 75.—

EXAMPLE OF A LADED BURDEN INTENDED TO MAKE YOU DUMB BEFORE THE SLAUGHTER.

When He rolls up His sleeves
He ain't just putting on the ritz
There's thunder in His footsteps
And lightning in His fists
The Lord wasn't joking
When He kicked 'em out of Eden
It wasn't for no reason
That He shed His blood
His return is very close
And so you better be believing that
    Our God is an AWESOME GOD

Our God is an AWESOME GOD
He reigns from heaven above
With wisdom, power, and love
Our God is an AWESOME GOD
And when the sky was starless
In the void of the night
        (God is an AWESOME GOD)
He spoke into the darkness
And created the light
        (God is an AWESOME GOD )
Judgement and wrath He poured out on Sodom
Mercy and grace He gave us at the cross
I hope that we have not
Too quickly forgotten that
     Our God is an AWESOME GOD
Our God is an AWESOME GOD
He reigns from heaven above
With wisdom, power, and love
Our God is an AWESOME GOD
 
Our God is an AWESOME GOD
He reigns from heaven above
With wisdom, power, and love
Our God is an AWESOME GOD
Our God is an AWESOME GOD
        (Our God is an AWESOME GOD)
He reigns from heaven above
With wisdom, power, and love
        Our God is an AWESOME GOD

Our God is an AWESOME GOD
        (Our God is an AWESOME GOD )
He reigns from heaven above (He reigns)
With wisdom, power, and love (With wisdom and power)
        God is an AWESOME GOD
Our God is an AWESOME GOD
Our God is an AWESOME GOD

Pastor Mike wrote: "My God is NOT an awesome God - He is an aweful God. Get out a dictionary and use the words correctly. God is Full of Awe - not just some. Modern bible version mentality in Christianity prevails nowadays and like Rev 3 says, God wants to spue it out!"

The song leader is "awesome." The words are awesome. In the highschool chat room everything is "awesome." "This song is an awsome song. I just sang it with our youth choir and loved it" "I love this song it is so pretty i could listen to it all day long!"

The leader is awesome: the leader is stand in for God.

JESUS DIED TO REMOVE THE "LADED BURDEN" WHICH IS ANY BABBLING OVER AND OVER

Jer. 23:32 Behold, I am against them that prophesy false dreams, saith the LORD,
        and do tell them, and cause my people to err by their lies,
        and by their lightness;
        yet I sent them not, nor commanded them: 
        therefore they shall not profit this people at all, saith the LORD.
Jer. 23:33And when this people, or the prophet, or a priest, shall ask thee, saying,
        What is the burden of the LORD? thou shalt then say unto them,
        What burden? I will even forsake you, saith the LORD.
Cyclopaedia p 133
In music, the burden is an archaic term[1] for the drone or base in some musical instruments, and the pipe or part that plays it, such as a bagpipe or pedal point in an organ. Burden also refers to a part of a song that is repeated at the end of each stanza, i.e. the chorus or refrain. The term comes from the French bourdon, a staff; or a pipe made in the form of a staff, imitating the gross murmurs of bees or drones. This is what was anciently called proslambanomenos.

Refrains are found in the ancient Egyptian Book of the Dead and are common in primitive tribal chants. They appear in literature as varied as ancient Hebrew, Greek, and Latin verse, popular ballads, and Renaissance and Romantic lyrics. Three common refrains are the chorus, recited by more than one person; the burden, in which a whole stanza is repeated; and the repetend, in which the words are repeated erratically throughout the poem

4853. מַשָּׂא massaʾ, mas-saw´; from 5375; a burden; specifically, tribute, or (abstractly) porterage; figuratively, an utterance, chiefly a doom, especially singing; mental, desire:—burden, carry away, prophecy, x they set, song, tribute.

THERE IS NO LAW OF TITHING OR LAYING BY "AT CHURCH." AS A RESULT, YOU HAVE TO LIE, CHEAT AND STEAL FROM HONEST WORKERS TO DO ANYTHING BEYOND SPEAKING OR READING THAT WHICH IS WRITTEN FOR OUR LEARNING.

ŏnus
  A.   A burden, in respect of property, i. e. a tax or an expense

epici carminis onera lyrā
sustinere
Quint. Inst. 10 1.62 The greatness of the genius of Stesichorus is shown by his choice of subject: for he sings of the greatest wars and the most glorious of chieftains, and the music of his lyre is equal to the weighty themes of epic poetry. For both in speech and action he invests his characters with the dignity which is their due,
căno , cĕcĭni, cantum (ancient I.imp. cante = canite canta pro cantata ponebant; “once canituri,Vulg. Apoc. 8, 13), 3, Ter. Phorm. 4, 4, 27.— “In the lang. of the Pythagoreans, of the heavenly bodies (considered as living beings),the music of the spheres, Cic. N. D. 3, 11, 27.— (Eccl. Lat.) The burden of a prophecy, the woes predicted against any one: “Babylonis,Vulg. Isa. 13, 1: “Tyri,

Rev. 8:13 And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!

Jer. 23:34 And as for the prophet, and the priest, and the people,
        that shall say, The burden of the LORD,
        I will even punish that man and his house.
Jer. 23:36 And the burden of the LORD shall ye mention no more: 
        for every man’s word shall be his burden;
        for ye have perverted the words of the living God,
        of the LORD of hosts our God.
Heb. 13:15 By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to his name.

AND GOD PROVIDES ALL OF THE FRUIT.

Is. 57:19 I create the fruit of the lips;
        Peace, peace to him that is far off, and to him that is near,
        saith the LORD; and I will heal him
Is. 57:20 But the wicked are like the troubled sea,
        when it cannot rest,
        whose waters cast up mire and dirt.

quiescere 4.   To make a pause in speaking: quiescere, id est, hēsukhazein

quiesce hanc rem modo petere,2.  Act., to cause to cease, render quiet, stop, etc.: “laudes,
laudes, to praise, laud, commend, honor, extol, eulogize, approve

1 Corinthians 11.17  But in giving you this command,
        I DON'T PRAISE YOU
        that you come together not for the better but for the worse.
1Cor. 14:34 Let your women keep silence in the churches:
        for it is not permitted unto them to speak;
        but they are commanded to be under obedience,
        as also saith the law.
Epainos , ê, on, only in fem. epainê, A. awesome, epith. of Persephoneia in Il.9.457, Od.10.491, al., Hes.Th.[768]; of Hecate, Luc.Nec.9; of Demeter, prob. in AP11.42 (Crin.).
Persephoneia : Persephone (Proserpina), daughter of Zeus and Demēter, wife of Hades and queen of the nether world, often termed epainē 
Heb. 12:27 And this word, Yet once more,
        signifieth the removing of those things that are shaken,
        as of things that are made, that those things which cannot be shaken may remain
Heb. 12:28 Wherefore we receiving a kingdom which cannot be moved,
         let us have grace, whereby we may SERVE [worship] God acceptably
        with reverence and godly fear:
Heb. 12:29 For our God is a consuming fire.

--Hor. Carm. 2.16  For ease the Mede, with quiver gay:
For ease rude Thrace, in battle cruel:
Can purple buy it, Grosphus? Nay,
Nor gold, nor jewel.

 No pomp, no lictor clears the way
'Mid rabble-routs of troublous feelings,
Nor quells the cares that sport and play
Round gilded ceilings.

-mŏvĕo, to move, affect, excite, inspire: charms, to stir up, excite, provoke


to move people FROM their place, to dance, gesticulating

cantus vocis juvat sociatā nervorum concordiā,Quint. 5, 10, 124: citharam cum voce,id. ib. 5, 112: “tympana,id. H. 4, 48; to disturb: “ d. ib. 5, 112:Kithera along with Voice.

tympana id. H. 4, 48; beaten by the priests of Cybele and Isis Mount Sinai Bacchantine females 1 Cor 13

Emasculated Galatians 5 of witchcraft
to disturb: “novis Helicona cantibus,
Always evil: always violent: Identical to Psallo

pulso I. inf. parag. pulsarier, Lucr. 4, 931), 1, v. freq. a. id., to push, strike, beat (cf.: tundo, ferio, pello).

Of musical instruments:chordas digitis et pectine eburno,to strike, play upon, Verg. A. 6, 647: “chelyn,” (harpVal. Fl. 1, 139: “pectine nervos,Sil. 5, 463: “cymbala,Juv. 9, 62.
A. In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet:
C. To drive away, remove, put out of the way

Psalmus , i, m., = psalmos, i. q. psalma,

I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,Sall. C. 25, 2

Sal. Cat. 25 she was skilled in Greek and Roman literature; she could sing, play, and dance,2 with greater elegance [elegantius] than became a woman of virtue, and possessed many other accomplishments that tend to excite the passions
   2 Sing, play, and dance] “Psallere, saltare.

Elego I. to convey away (from the family) by bequest, to bequeath away, Petr. 43, 5; Gai. Inst. 2, 215.

TO RECRUCIFY CHRIST:

Anastatoo (g387) an-as-tat-o'-o; from a der. of 450 (in the sense of removal); prop. to drive out of home, i.e. (by impl.) to disturb (lit. or fig.): - trouble, turn upside down, make an uproar, to stir up, excite, unsettle to excite tumults and seditions in the state to upset, unsettle, minds by disseminating religious error.

To understand the new a cappella thrust in a theatrical performance sense you must see what your guys are trying to do to Catullus.

Jesus said that worship is in THE NEW PLACE of the human SPIRIT which is the human MIND. Worship happens IN TRUTH according to Paul when we Teach that which has been taught or give heed to the inspired Word.

ALL external worship is PAGAN and Perverted.

A Cappella Worship Leader

Aquinas, Thomas Praise Singing.
Praise Songs as Christian Voodoo
Ancient Pagan Praise Leader
Music as Brainwashing
Latter Rain, praise teams, praise singing, charismatic
Praise Worship Ploughs the Ground Hosea 10:ll
Rubel Shelly Praise and Thanksgiving
Rubel Shelly Psalm 106
See how CHARISMATIC music was born of sodomy preferably in the form of Pederasty.
See that ZOE is Eos or Helios or Aphrodite or Lucifer: the singing and harp-playing prostitute.
See how it works out when the "children and effeminate rule over you." YOU ARE HERE
See more notes on a cappella.
See Edward Fudge on A Cappella

When you try to explain why the majority of a congregation fled "into the wilderness" allowing their church homes and "church houses of widows" to be stolen by those wanting to make church into a "theater for holy entertainment" you cannot imagine the wrath poured out on your head accusing you of beng senile, perverted and spending too much time in pornography.

From cover to cover, the Bible speaks in symbolic terms to refute false, superstition and define the spiritual. The dove was the symbol of the MOTHER OF THE GODS endorsing her DAUGHTERS. The dove at the baptism of Jesus is the FATHER endorsing the SON and a masculine discipline based on the WORD as opposed to a feminine and effeminate religion based on symbol, music and the "pleasure gardens of Eden."

Now, if you want to understand the Bible you need to understand the Egyptian-Babylonian-Canaanite religion which Moses wrote the Law to prepare them for when the LOST The Book of the Covenant as a result of music and perversion at Mount Sinai.

And if you want to understand the end-time Babylon Harlot worship you need to understand the meaning in the Bible AND in the ancient texts.

When God began to speak The Book of the Covenant at Mount Sinai, the people were TOO CARNAL to listen and demanded that Moses mediate.  The TRUMPET sound was a warning and NOT music. Nevertheless the people went on to fall into Musical Idolaty and God SHUT their ears and eyes.  Paul said that they COULD NOT read black text on white paper until the converted to Christ (mening baptized).  God ABANDONED them to the musical worship of the starry host (Acts 7).  However, God is sounding another TRUMPET heard round the wold by STOLEN churches to be turned into "theaters for holy entertainment."  Paul knew this and warned:

See that ye refuse not him that speaketh. For if they escaped not who refused him that spake on earth, much more shall not we escape, if we turn away from him that speaketh from heaven: Heb 12:25

Jesus is the ONLY Rabbi or Teacher and ONLY when we "teach that which has been taught." Peter spoke of a recorded MEMORY as a MARKER for anyone who would teach otherwise. Paul in Romans 10 and 1 Cor 10 warns of the PLAY which was musical idolatry of the TRINITY and those with EARS will be able to hear the message and LOOK where Paul points to repudiate the musical paganism at Corinth:

Whose voice then SHOOK the earth: but now he hath promised, saying, Yet ONCE MORE I shake not the earth only, but also heaven. Heb 12:26

And this word, Yet once more, signifieth the REMOVING of those things that are shaken, as of things that are made, that those things which cannot be shaken [a trumpet-like word] may remain. Heb 12:27

Wherefore we RECEIVING a KINGDOM which cannot be moved, let us have GRACE,
whereby we may SERVE God acceptably with REVERENCE and godly fear: Heb 12:28

For our God is a consuming fire. Heb 12:29

G2124 eulabeia yoo-lab'-i-ah From G2126 ; properly caution, that is, (religiously) reverence (piety); by implication dread (concretely):--fear (-ed

G2126 eulabïs yoo-lab-ace' From G2095 and G2983 ; taking well (carefully), that is, circumspect (religiously, pious): devout.

I won't post the song but you can read it here:

I think that it says: "My God is an awesome God" 18 times. There may be childish "awesome" but there is no awe nor dread of a Spirit God when you sing:

When He rolls up His sleeves
He ain't just putting on the ritz
There's thunder in His footsteps
And lightning in His fists

This is the meaning of the scattering of words in the musical worship in Israel condemned by Amos. What is the logic between putting on the ritz and rolling up His "sleeves"? Nothing, just rimes.

Too deep for now, but music caused them to be kicked out:

The Lord wasn't joking
When He kicked 'em out of Eden

Pastor Mike wrote: "My God is NOT an awesome God - He is an aweful God. Get out a dictionary and use the words correctly. God is Full of Awe - not just some. Modern bible version mentality in Christianity prevails nowadays and like Rev 3 says, God wants to spue it out!"

The song leader is "awesome." The words are awesome. In the highschool chat room everything is "awesome." "This song is an awsome song. I just sang it with our youth choir and loved it" "I love this song it is so pretty i could listen to it all day long!"

The leader is awesome: the leader is stand in for God.

But then God kicked 'em out of Eden because the serpent or Nachash was a MUSICAL ENCHANTER. He is the same Ophis enchanter in the book of Revelation. One of his forms is the sOPHISt or charismatic preacher who composes his own songs and sermons. In the garden of Eden Paul claims that Eve was WHOLLY SEDUCED in the same way that a virgin bride is TAKEN by the "serf's" MASTER before the husband gets her. This is why CAIN (a musical note or MARK). That is why CAIN was "of that wicked one." His family brought us polygamy, murder and Jubal "handling" musical instruments meaning WITHOUT AUTHORITY. Therefore, God kicked 'em out for being SEDUCED by Lucifer the "harp playing and singing prostitute."

Praise Ishtar (Easter) the goddess, the most awesome of the goddesses

Praise the goddess, the most awesome of the goddesses.
Let one revere the mistress of the peoples, the greatest of the Igigi.
Praise Ishtar, the most awesome of the goddesses.
Let us revere the queen of women, the greatest of the Igigi.

She is clothed in pleasure and love.
She is laden with
vitality, charm, and voluptuousness.
Ishtar is clothed in
pleasure and love.
She is laden with vitality, charm, and voluptuousness.

The Britannica notes of charisma: Or Click Here

Charisma: attribute of astonishing power and capacity ascribed to the person and personality of extraordinarily magnetic leaders. Such leaders may be political and secular as well as religious. They challenge the traditional order, for either good or ill.

The word derives from the Greek charis ("grace") and charizesthai ("to show favour"), connoting a talent or grace granted by the divine. The term came into scholarly usage primarily through the works of the German sociologist Max Weber (1864--1920), especially his On Law in Economy and Society (1921),

in which he postulated that charismatic authority was a form of authority distinct from those of tradition and law.

The process whereby charismatic authority becomes transformed, or changed, to any of the other forms of authority (such as bureaucracy) is referred to by Weber as the "routinization of charisma."

Typically, the charismatic leader can demand and receive complete devotion from his or her followers. The foundation of charismatic authority is emotional, not rational: it rests on trust and faith, both of which can be blind and uncritical. Unrestrained by custom, rules, or precedent, the charismatic leader can demand and receive unlimited power.

In the original sense of the word, only such phenomenal personages as Jesus or Napoleon would merit the description charismatic, but in current usage, the term is applied more broadly to popular political leaders and cult organizers alike: John F. Kennedy, Eva Perón, and cult leader Charles Manson--all have been labeled charismatic.

Many times we consider a leader as AWESOME because he gives us freedom to practice "the holiness of sin."

There is no spiritual use of the word "music" in the Bible. Rather, music has always been proof of idolatry:

"The word music itself is of Greek origin and was in myth-like fashion originally considered an art which was directly inspired by and descended from a Muse [Muses were nine Greek goddesses who presided over the arts and sciences]....

"Pre-Homeric [9th century B.C.] legend has it that Orpheus the sweet singer and bard servant of Apollo (Apollyon, Abaddon), was himself the son of a Muse.

The music quality of his voice could heal the sick and engender religious devotion at the temple rites.
Minstrels were the earthly intermediaries who made the will of the gods known to man.

Through music, man, in turn, could implore the gods for deliverance from sickness and pestilence. Homer told, and Plutarch centuries later retold, how the Grecians stopped the fury of a pestilence through the power and charm of music to appease the wrath of the gods

"With sacred hymns and songs that sweetly please". (The Philosopher and Music, Julius Portnoy; The Humanities Press: NY; 1954, pp.4,5)

"This close association of music with religion in all cultures is no doubt due to the deep effects music has upon us, touching our souls and spirits. This alone should make us cautious about what kind of effect the music we receive and use may have upon us spiritually. It's not that we are in danger of falling under the influence of ancient Greek gods and goddesses in any of our music, but we may be subjecting ourselves to modern and more subtle forms of idolatry.

The people who make the music--musicians, singers, and entertainers--obviously are idolized by their fans, and often the music itself is an idol. From Life Lines

See that human hymns are idols.

By 1991 southern gospel music had been almost entirely displaced, first by "contemporary" gospel sounds and then hard rock. As I noted last month, rock music has made its way into many otherwise more or less conservative churches,

first for youth outreach and now into worship service choruses.

Quintilian (35 A.D.), a contemporary of Seneca's, bears him out on the Roman intellectual's concern over the music of his time. "...the music I desire to see taught is not our modern music, which has been emasculated by the lascivious melodies of our effeminate stage and has to no small extent destroyed such manly vigour as we still possessed.

The history of rock and roll is a history of infamy, a parade of perversion--illicit sex, drugs, rebellion against authority, and violence--in both the purveyors and consumers of it.

Are religious hymns actually idols?

With all respect, it simply is not possible to be in a performing position without being considered awesome:

Tom Haddon: 12. (Uncomfortable about being insincere or humorous about the Lord's Supper.)

Look around I'm goin' to tell you I have to be transparent to you.

There's a song that Keith sings.
..........And, and I want you to know where I'm comin' from,
there's a song that Keith sings
..........that I absolutely love. ---
I shoulda had a glass of water before I tried this.

I told somebody Wednesday night in Bixler she was sitting beside me and I looked over there and I said

"oh, I feel sorry for you" and she said "I'm glad I'm sitting by you" and I said "oh, I sing loud and I sing off key you know. I just feel sorry for you."

Here is what is so awesome to some and so awful to others:

But uh, the song he sings, you know, have you heard it? - "My Life is in You." I love that song. My life, and every time we sing it. (Tom claps, people clap) My life (clap) is (clap) in you (clap) Lord (clap), my strength (clap) is in (clap) you (clap) Lord.

DANGER, WILL ROBINSON, DANGER, DANGER!

Now, that is truly AWESOME. Especially during Lord's Supper. The bottom line is that singing from the feelings does not accomplish the teaching to make it part of Christian worship. And the theme of putting God in the position of a pal or even lover is what distinguishes the new form of "praise songs."

It is PHYSICALLY IMPOSSIBLE to give heed to the talented singing or leading and GIVE HEED to Christ by giving heed to His Word.

What Tom is describing is not the Spirit of Christ but the Spirit of Voodoo.

Please be aware that worship IN SPIRIT is worship in the human mind or spirit as it GIVES HEED to the Words of Christ which are spirit and life (John 6:63; Eph 5; Col 3).

"Spirited" means enthusiastic and that word was coined by Philo. It meant Enthus O Mania. It meant a charismatic breakdown or the MADNESS Paul warned Corinth against.

Therefore, "spirited" has always been warned against because often "the wrong spirit steals through."

And we sang songs most of them didn't they involved spirited singing but that was about it. And then you know we added songs in there. Keith did.

A few people started clapping and others did. And it was a thing that just come about and
..........it came little by little but you know what,
.......... in the meantime this class grew.

No, it didn't just come about: it was induced. This is the ecstatic frenzy the ancient pagans always believed was the "gods" inside. History also knows that music is as effective as drugs in bringing about this mental breakdown.

"The religious ecstasy induced by music expressed itself either in an outburst of emotions, thus giving rise to religious catharsis,
..........or in a transfer to the state of prophecy. In this way music became an important factor in divination. In the mysteries of the Magna Mater this relationship between music and divination is particularly clear.
..........Through the din of tambourines, cymbals and flutes.

In short, it has been noted that only females and the effeminate fall into this state.

And you know how many people we kept on board because we kept weeks and weeks and 5 months of talking about it and we introduced things slowly. And we had a purpose.

And there was something behind what we were doin' and we taught about it. And I go back to teach and teach and teach and teach

and you know for those of us who constantly like new things and are pushing the edge, there are things I need to remember and this is where I want to close.

NOW TO THE BIBLICAL MEANING OF AWESOME

Now, David was not singing a giddy praise song to force others into some kind of spiritual feeling. When David sings it is most often "on my bed" and David is never seen as leading the "worship" with singing and playing instruments because the introduction was added later:

HEAR me when I call, O God of my righteousness: thou hast enlarged me when I was in distress; have mercy upon me, and hear my prayer. Psalm 4:1

O ye sons of men, how long will ye turn my glory into shame? how long will ye love vanity, and seek after leasing (lying)? Selah. Psalm 4: 2

Jesus identified the Devil as a liar because: "He speaks on his own."

But know that the Lord hath set apart him that is godly for himself: the Lord will hear when I call unto him. Psalm 4: 3
Stand in
awe, and sin not: commune with your own heart upon your bed, and be still. Selah. Psalm 4: 4

The meaning of "awe" is:

Ragaz (h7264) raw-gaz'; a prim. root; to quiver (with any violent emotion, espec. anger or fear): - be afraid, stand in awe, disquiet, fall out, fret, move, provoke, quake, rage, shake, tremble, trouble, be wroth.

Now, decide if that gives you the urge to throw your arms around and sing a love-making song to God.

Princes have persecuted me without a cause: but my heart standeth in awe of thy word. Psalm 119:161

Pachad (h6342) paw-kkad'; a prim. root; to be startled (by a sudden alarm); hence to fear in general: - be afraid, stand in awe, (be in) fear, make to shake.

Does that make you want to tokenize and misquote the Word of God to make your own songs to VIOLATE the direct command of Paul to Teach the Word of Christ or Spirit?

I prayed to the LORD my God and confessed:

"O Lord, the great and awesome God, who keeps his covenant of love with all who love him and obey his commands, Daniel 9:4NIV

we have sinned and done wrong. We have been wicked and have rebelled; we have turned away from your commands and laws. Daniel 9:5

We have not listened to your servants the prophets, who spoke in your name to our kings, our princes and our fathers, and to all the people of the land. Daniel 9:6

You had better stand in reverence and DREAD if you are making up your own prophetic words because the words of the prophets were the words of the Spirit of Christ and Paul said that this is the only resource for teaching.

Searching what, or what manner of time the Spirit of Christ which was in them did signify, when it testified beforehand the sufferings of Christ, and the glory that should follow. 1 Peter 1:11

Daniel was not "leading singing" but praying to God:

Palal (h6419) paw-lal'; a prim. root; to judge (officially or mentally); by extens. to intercede, pray: - intreat, judge (-ment), (make) pray (-er, -ing), make supplication.

The word is not awesome in the sense of childern's babble but dreadful:

Yare (h3372) yaw-ray'; a prim. root; to fear; mor. to revere; caus. to frighten: - affright, be (make) afraid, dread (- ful), (put in) fear (- ful, -fully, -ing), (be had in) reverence (-end), * see, terrible (act, - ness, thing).

Awesome like worship means to be reverent. It is not to sing a children's song as if making love to Him.

God is awesome. Get the point? No?

By Biblical and medical certainty when you are singing "awesome" songs and having a MOUNTAINTOP you cannot possibly come away with a better appreciation of God. As a medical certainty you are in charismatic ecstasy and your rational (spiritual) half of your person which is controled by spirit or mind is shut down! Shut down! Shut down! And you confuse what I feel with being spiritual because God is supposed in the Vineyard New Style Songs to be reaching the PEAK when you hit the PEAK.

All praise songs are boomer or self-directed. That means erotic. We talk TO God instead of ABOUT God. I feel awesome, she feels sad. I am going to have to radically reconstruct her life-long view of "worship" and the only way we can do it is just teach, teach, teach. But where can one find "body drumming" taught as a way to worship God other than in a sensual sense:

Tom Haddon: And what I ignored, or maybe not intentionally ignored but forgot was that my wonderful mountaintop was her tragic conclusion to something.

And without the teaching, teaching, teaching, teaching, teaching,
it's
not their fault. It's not. And you know we need to go back and we need to say and look at her and grieve the fact you know.

But, old lady, you gotta go so we can sing, clap and uh and ah over the worship leader. And the entire trauma of driving away of thousands is just so we can "sing (clap) sing (clap) sing (clap).

"It is one of the elements of the power known as mantrikasakti. Music was represented as one of four divisions of mathematics, the others being arithmetic, astronomy, and geometry.

The music of sound arouses in us a power which needs to be controlled,
..........as it can carry us to heights
..........from which we may fall.

If regarded as a sensual indulgence, even though a refined one, its true import is not realized. (Britannica)

Sorry my peak of the week worshiping the awesome leader singing the awesome song and having a mountain top experience stabbed you in the heart. But, we gonna teach, teach, teach until my mountain top experience is more important to "worship" than your stab in the chest. Greek melody does speak of "MY" twanging my bowstring to send a "singing" arrow into your heart. Sorry about the blood old lady but I gonna teach, teach, teach that you are the problem.

Speaking of the mountains upon which the high places were located the Britannica notes that:

"In proceeding to and from a holy place, a worshipper generally proceeds according to certain symbolic patterns: rectilineal, circular, and vertical. Rectilineal movement to and from a holy place is intended to gradually prepare the worshipper for the spatial encounter with the holy and after the encounter to remove him from the sacred sphere. Special streets for processions often are marked off or built to a temple or holy place, such as in ancient Egypt, Mesopotamia, and China. The great procession from Athens to Eleusis for participants in the mysteries possessed a symbolic meaning. Worshippers not only enter a holy place but may also walk around it. Rectilineal and circular movement thus complement each other. Movement to and from a holy place may also be vertical as well as horizontal, as to and from a holy place on top of a mountain or pyramid. All these various types of movement give expression to the symbolism of the holy way or path.

The sacred dance combines rectilineal and circular movements and may also include hopping, jumping, and hand movements.

Stroking, thrusting, striking, pushing, waving, and hand clapping also can be symbolical gestures. By raising his hands in prayer, the worshipper approaches the realm of the heavenly gods; by kneeling, the realm of the underworld. This apparently was the original meaning of kneeling before it became an expression of humility.

Music, like the word, also may have symbolic meaning. The basic elements out of which musical symbolism is built are sounds, tones, melodies, harmonies, and the various musical instruments, among which is the human voice. Sound effects can have a numinous (spiritual) character and may be used to bring about contact with the realm of the holy. A specific tone may call one to an awareness of the holy, make the holy present, and produce an experience of the holy. This may be done by means of drums, gongs, bells, or other instruments. The ritual instruments can, through their shape or the materials from which they are made, have symbolic meaning. The Uitoto in Colombia, for example, believe that all the souls of their ancestors are contained in the ritual drums. Britanica Members

The NIV is written for casual reading: for the reader who wants the "story" without the facts. However, the NIV word "awesome" in the felt, climactic sense is not in the text. No. No. No. Teach all you wish but you are false, false, false.

REMEMBERING that God spoke to the PROPHETS through the Spirit OF CHRIST: the prophets univerally associated MUSIC as the MARK of the PRIESTLY CLASS who were stealing your tithes and starving you for LACK of the Water of the Word.  They knew that the PRIESTLY-KINGLY leaders had ben abandoned to WORSHIP THE STARRY HOST (Acts 7):

And they took strong cities, and a fat land, and possessed houses full of all goods, wells digged, vineyards, and oliveyards, and fruit trees in abundance: so they did eat, and were filled, and became fat, and delighted themselves in thy great goodness. Neh 9:25

But they were disobedient and rebelled against you;
..........they put your law behind their backs.
..........They killed your prophets,
..........who had admonished them in order to turn them back to you;
..........they committed awful (hostile) blasphemies. Neh 9:26

It is pretty sure that the AWESOME leaders and self-composed clap-clap songs during the Lord's Supper is committing an AWEFUL act of blasphemy!

Killing the prophets or quenching the Spirit is refusing to listen to God who admonishes you that your climactic experience is hostility to a Holy God.

Here is that passage about the awesome God in the NIV:

and confessed my sins and those of my people. "O Lord," I prayed, "you are a great and awesome God;
you always
fulfill your promises of mercy to those who love you and keep your laws. Daniel 9:4NIV

Here it is in the King James Version:

And I prayed (mentally) unto the Lord my God, and made my confession, and said, O Lord, the great and dreadful God,
keeping the covenant and mercy to them that love him, and
to them that keep his commandments; Daniel 9:4KJV

Did you remember that when the Babylonians worshiped their "idol" which was probably of the king on top of a pillar or phallic symbol, Daniel and friends refused to bow (worship) when the loud music was played?

If you don't care about the truth you will see the "music" as God's eternal sign or MARK that you are oppressing people and it is, in the Bible, always a sin without redemption: ignorance of the Word is no excuse.

Yare (h3372) yaw-ray'; a prim. root; to fear; mor. to revere; caus. to frighten: - affright, be (make) afraid, dread (- ful), (put in) fear (- ful, -fully, -ing), (be had in) reverence (-end), * see, terrible (act, - ness, thing).

The lion hath roared, who will not fear? the Lord God hath spoken, who can but prophesy (teach)? Am.3:8

See Romans 3 to understand the Hostile Takeover by the theatrical people in whom is no fear.

Songs are the most conservative part of everyone's lives: I can feel the log cabin at age 5 when I recovered the victrola and can listen to the Jubilee Quartet singing the same: "Little David Play on Yo harp." To deliberately change the musical routine is to deliberately "offend people" so you can sing erotic praise songs TO God instead of ABOUT God.

Rather than providing comfort to the older generation you are deliberately stimulating DISCOMFORT in order to make them over in your image.

And you say, "old broad, it is Corban. You don't understand what I am doing: I am dedicating it to God."

That makes us worse than infidels and it will never be forgiven.

Plato warned that you shouldn't worry about "the new songs that people sing" but you should worry that they are deliberately changing the laws and morality of people. Music has destroyed our nation's fabric: why should we believe that the ancient superstition about music can "regenerate the human soul through external means?"

Before God always takes control over revolutionaries, the last Horn of the Armageddon (Means: "Polemic battle with self-exalters."). Is it prophetic?

And the ten horns out of this kingdom are ten kings that shall arise: and another shall rise after them; and he shall be diverse from the first, and he shall subdue three kings. Daniel 7:24

And he shall speak (poetically) great (as the embodiment of the adversary) words against the most High,
..........and shall wear out the saints of the most High,
..........and think to change times and laws:
..........and they shall be given into his hand until a time and times and the dividing of time. (3 1/2 years) Daniel 7:25

All failures in the Old Testament are created because the people hungered and thirsted for the word of God but could not find it? Why? In the case of the worship which God imposed when HE TURNED THEM OVER TO WORSHIP THE STARRY HOST was worship involving singing their own songs, clapping, dancing, playing instruments and engaging in perverted sexuality as their way to move into the presence of the gods who were, UNIVERSALLY, at times evil and almost always sexual perverts: real people personified as gods.

Paul commanded that we TEACH or PREACH with the inspired songs of God.

Therefore, singing this silly, sentimental song is wrong because it violates the direct command of God, shows ignorance of the Word of God and repeats the shameful "worship" of a Spirit God with their own bodies.

In describing why the priestly class rebuked Jesus and would crucify Him all over again, Dostoyevsky warned the "teams."

He is weak and vile. What though he is everywhere now rebelling against our power, and proud of his rebellion?
..........It is the pride of a child and a schoolboy. They are little children rioting and barring out the teacher at school.
..........But their childish delight will end; it will cost them dear. They will cast down temples and drench the earth with blood. But they will see at last, the foolish children, that,
..........though they are rebels, they are impotent rebels, unable to keep up their own rebellion.
..........Bathed in their foolish tears, they recognise at last that He who created them rebels must have meant to mock at them.

The message is universal in the Bible: when you deliberately silence the Word of Christ, the Spirit or the Mind of Christ and replace it with musical performance,

> is that you have known the Word and its power,

> Your have turned away from the word and crucified Christ all over again with the "mocking" music.

> And you have fallen and you are not going to ever get up unless YOU are the exception.

The priests were Khana-Baals. The end-time restoration of the Babylonian religion explains why the clergy are CONSUMING THEIR OWN flock as God pours out His wrath. They try to destroy the SEED OF CHRIST and SOW THE SEED OF THE SERPENT.

The history of S.U.N. worship now being urged to replace S.O.N. is the MARK and all of those "agents" were marked as sexually confused.

"For who can rule men if not he who holds their conscience and their bread in his hands.
..........We have taken the sword of Caesar, and in taking it, of course, have rejected Thee and followed him.
..........Oh, ages are yet to come of the confusion of free thought, of their science and cannibalism.
..........For having begun to build their tower of Babel without us, they will end, of course, with cannibalism.
"And until men know that, they will be unhappy. Who is most to blame for their not knowing it, speak?
..........Who scattered the flock and sent it astray on unknown paths?
..........But the flock will come together again and will submit once more, and then it will be once for all. Then we shall give them the quiet humble happiness of weak creatures such as they are by nature.
..........Oh, we shall persuade them at last not to be proud, for Thou didst lift them up and thereby taught them to be proud.
..........We shall show them that they are weak, that they are only pitiful children,
..........but that childlike happiness is the sweetest of all.
..........They will become timid and will look to us and huddle close to us in fear, as chicks to the hen.

They will marvel at us and will be awe stricken before us, and

will be proud at our being so powerful and clever, that we have been able to subdue such a turbulent flock of thousands of millions.

They will tremble impotently before our wrath, their minds will grow fearful, they will be quick to shed tears like women and children,

but they will be just as ready at a sign from us to pass to laughter and rejoicing, to happy mirth and childish song.

Yes, we shall set them to work, but in their leisure hours we shall make their life like a child's game, with children's songs and innocent dance.

Oh, we shall allow them even sin, they are weak and helpless, and they will love us like children because we allow them to sin.
..........'We shall tell them that every sin will be expiated, if it is done with our permission,
         that
we allow them to sin
.........because we love them, and the punishment for these sins we take upon ourselves.

My God is an AWEFUL God or a DREADFUL God for those who treat Him like an effeminate child who must be appeased by childhood games.

The meaning of WRATH is that God makes the performers into clowns or buffons.

Worship means reverence and those who sing (clap) are driving the nails (the meaning of clap) into the hands of Jesus. Yes, you pretend to be priestly musicians stumbling into the holy place (church) and you DO take their sins upon your own head. But God will destroy you spiritually because you even claim to be able to LEAD THEM INTO THE MOST HOLY PLACE: Into the presence of God.

MUSICAL WORSHIP INDEX

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