Bobby Harrington Renew.Org 2026

new 9.23.25 to RED LINE
https://www.pineycom.com/David.Young.The.Discipling.Dilemma.html

https://www.pineycom.com/The.Discipling.Dilemma.Again.html

David.Young.Discipling.Dilemma.Denies.Holy.Scripture.as.SUFFICIENT.html

Chris Seidman and Farmer's Branch Church of Christ and Instrumets: The Purpose Of This Consideration

"The purpose of this presentation is to set forth what the leadership believes the Lord's will to be for the Farmers Branch Church concerning vocal and instrumental musical expression. The intent of this effort is not to test one's relationship with the Lord, or to define a belief system required for membership in this church, or to despise or judge anyone who does not agree with this position.

CHRIS SEIDMAN is, perhaps, UNABLE TO READ THE BIBLE FROM THE SERPENT IN THE GARDEN OF EDEN TO THE MUSICAL ENCANTER/ENCHANTERESS IN THE BABYLON MOTHER OF HARLOTS IN REVELATION.

DAVID FAUST DISCIPLING MEANS SUBVERTING CHURCHES OF CHRIST AND DEMAND APPROVING INSTRUMENTAL SORCERY

David Faust in the Temple: David Faust insists: I . In the Old Testament the Lord didn't merely "permit" the use of musical instruments as aids to worship. He commanded their use. 

FALSE: God never commanded The Temple

https://www.pineycom.com/Jeremiah.7.Silence.html

Dogma is: -Poi-êtikos A.capable of making, creative, productive Opposite to praktikos or useful. Strong, vigorous. hēdonōn” p. kai mousikoiId.Lg.802bII. poetical,lexisIsoc.15.47
II. of persons, skilled in music, musical, melody, used to speak before a mob, elegant, delicate, effeminate. Hedone

Dogma is: -Hedone A. enjoyment, pleasure, first in Simon.71, S.l.c., Hdt.1.24, al.; prop. of sensual pleasures, desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.

21. Put ... burnt offerings unto ... sacrifices ... eat flesh--Add the former (which the law required to be wholly burnt) to the latter (which were burnt only in part), and "eat flesh" even off the holocausts or burnt offerings. As far as I am concerned, saith Jehovah, you may do with one and the other alike. I will have neither (Isa 1:11 Ho 8:13 Am 5:21,22).

http://www.pineycom.com/David.Faust.Temple.html

          Acts.7.Temple.Not.Commanded.html

            Isaiah 1

Homily VII: Stephen Against the Temple "Still No Temple"
John Chrysostom, Homily I, Theatrical Worship of Satan
         Worship of the beast

http://www.pineycom.com/David.Faust.FHU.html

https://www.pineycom.com/David.Faust.Jesus.html

http://www.pineycom.com/Faust.Music.Prophecy.html

https://www.pineycom.com/Lucado.Oak.Hills.Instrumental.Music.Worship.html

Oak Hills Church of Christ under Max Lucado with Lynn Anderson's input uses Farmers Branch Church of Christ's totally perverted view of music in Scripture. Notes from Oak Hills and Instrumental Music.  Max Lucado got his vision from the Farmer's Branch paper also used by Rick Atchley and Mark Henderson. This is turn has been hand fed from the NACC by men such as Knowles, Johnson and David Faust masking under the theme of UNITY.

Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..

The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention,
since it sets him on the watch for the recurrence of such and such a cadence..

According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.


Rev. 18:20 Rejoice over her, thou heaven, and ye holy apostles and prophets;
        for God hath avenged you on her.
Rev. 18:21 And a mighty angel took up a stone like a great millstone, and cast it into the sea, saying,
        Thus with violence shall that great city Babylon be thrown down, and shall be found no more at all.
Rev. 18:22 And the VOICE of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee;
        and no craftsman, of whatsoever craft he be, shall be found any more in thee;
        and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee;
        and the voice of the bridegroom and of the bride shall be heard no more at all in thee:
        for thy merchants were the great men of the earth;
        for by thy SORCERIES were all nations deceived

Matt. 11:27 All things are delivered unto me of my Father:
        and no man knoweth the Son, but the Father;
        neither knoweth any man the Father, save the Son,
        and he to whomsoever the Son will reveal him.

1Cor. 1:26 For ye see your calling, brethren,
        how that not many wise men after the flesh,
        not many mighty, not many noble, are called:
Luke 10:21 In that hour Jesus rejoiced in spirit, and said, I thank thee,
        O Father, Lord of heaven and earth, tha
t thou hast hid these things from the WISE and prudent,
        and hast revealed them unto babes: even so, Father; for so it seemed good in thy sight.

Sophos , ē, on, A.  skilled in any handicraft or art, clever, harmatēlatas s. Pi.P.5.115, cf. N.7.17; “kubernētēsA.Supp.770; “mantis” [of APOLLON] Id.Th.382; “oiōnothetasS.OT484 (lyr.); of a sculptor, E.Fr.372; even of hedgers and ditchers, Margites Fr.2; but in this sense mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.), cf. Ar.Ra.896 (lyr.), etc.

Pi.O.1.9, en kithara s. E.IT1238 

"Water is best, and gold, like a blazing fire in the night, stands out supreme of all lordly wealth. But if, my heart, you wish to sing of contests, [5] look no further for any star warmer than the sun, shining by day through the lonely sky, and let us not proclaim any contest greater than Olympia.

From there glorious song enfolds the wisdom of poets, so that they loudly sing [10] the son of Cronus, when they arrive at the rich and blessed hearth of Hieron, who wields the scepter of law in Sicily of many flocks, reaping every excellence at its peak, and is glorified [15] by the choicest music, which we men often play around his hospitable table.

Come, take the Dorian lyre down from its peg, if the splendor of Pisa and of Pherenicus
        placed your mind under the influence of sweetest thoughts...[Sorcery]

Yes, there are many marvels, and
        yet I suppose the speech of mortals beyond the true account can be deceptive,
        Stories adorned with embroidered lies;

[30] and Grace, who fashions all gentle things for men,
        confers esteem and often contrives to make believable the unbelievable.
        But the days to come are the wisest witnesses.

OUTLAWED: Sophos
A. skilled in any handicraft or art, clever, mantis Id.Th.382 ;   Margites Fr.2; but in this sense mostly of poets and musicians, en kitharai

Mantikê [mainomai] ) madness, sphodra hêdonê katechousa  
II.
enthusiasm, inspired frenzy, m. Dionusou para E.Ba.305 ; apo Mousôn katokôchê te kai m. Pl.Phdr. 245a ; theia m.,
https://www.pineycom.com/2.Peter.2.Instrumental.Music.Marks.Corruption.html

2 Peter 2:12 But these, as natural [instinctive]
brute [Anti-Logical] brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not; [through lack of knowledge]
          and shall utterly perish in their own corruption;
Corruption: G5356 phthora fthor-ah' From G5351 ; decay, that is, ruin (spontaneous or inflicted, literally or figuratively):--plague take thee! away with thee, corruption, destroy, perish. deprave
Phtheiro
 b. with a Prep., luroidou, phtheiresthai pros tous plousious, of hangers-on and flatterers,
Luroidou akouō se lurōdou gunaikos eran kai eis ekeinēs phtheiromenon pasan tēn ephēmeron agran katatithesthai
        lur-aoidos
        A.one who sings to the lyre, harmonia meaning: In music, stringing, of bows and lyres,
        musical scale, generally music: rhythm, acting, dancing.
       
hudr-aulês one who plays the water organ

       
Corruption Hebrew: H2490  châlal khaw-lal' figuratively to profane..
        denominatively (from H2485) to play (the flute), take inheritance, pipe, player on instruments, pollute,
        (cast as) profane  [of Lucifer](self), prostitute
They are ANTI MIND: G3539 noieō noy-eh'-o From G3563 ; to exercise the mind (observe), that is, (figuratively) to comprehend, heed:  consider, perceive, think, understand.

This is the Amos and Isaiah 5 etc., story our preachers are lying about.

Corruption Hebrew: H2490  châlal khaw-lal' figuratively to profane.. denominatively (from H2485 ) to play (the flute),
        take inheritance, pipe, player on instruments, pollute, (cast as) profane (self),
prostitute

The Lord does not describe one person said to worship Him by preaching, listening, singing, playing an instrument, acting or PAY TO PLAY

The command to SPEAK "that which is written for our LEARNING" out laws audible singing.

No one dared introduce congregational singing until about ad 1500 with a lot of discord.

http://www.pineycom.com/Memphis.School.of.Preaching.Seminar.html

Secondly, since SINGING in Latin grew up without divine instruction and apostolic example and custom, without producing good or edifying, it will still [93] less edify in German and will create a faith consisting in mere outward seeming.

Thirdly, Paul even clearly forbids SINGING in Eph. 5, and Col. 3, since he says and teaches
        that they are to SPEAK TO ONE ANOTHER
        and TEACH one another WITH psalms and spiritual songs,
              AND if anyone would SING, he should SING and give thanks IN his heart.

THE BIBLE PATTERN OF RENEWAL REPUDIATES NEW.ORG CLICK BELOW.

 ETHOS CLAIMING TO BE AN ASSEMBLY OF CHRIST IS GOD MARKING BEASTS.CLICK BELOW:

MUSIC IS OUTLAWED AND IS THE MARK OF THE BEAST.  YOU LEARN LITTLE IN A THEOLOGY SCHOOL. PLEASE CONSIDER WHAT ANXIETY {LADED BURDEN} WHICH ALL RELIGIOUS OBSERVATIONS PRODUCE. Here is the commanded and Christ observed pattern unchanged from the Church in the Wilderness:

ADD 9.22.25

Acts 13:5 And when they were at Salamis,
        they preached the WORD of God in the synagogues of the Jews:
        and they had also John to their minister.
Acts 13:6 And when they had GONE through the isle unto Paphos, t
        hey found a certain sorcerer, a false prophet, a Jew, whose name was Bar-jesus:
Magos [a^, ou, ho, Magian, one of a Median tribe, Hdt.1.101, Str. 15.3.1: hence, as belonging to this tribe,
2. one of the priests and wise men in Persia who interpreted dreams, Hdt.7.37, al., Arist.Fr. 36, Phoen.1.5, Ev.Matt.2.1.
3. enchanter, wizard, esp. in bad sense, impostor, charlatan, Heraclit.14, S.OT387, E.Or.1498 (lyr.), Pl.R.572e, Act.Ap.13.6, Vett. Val.74.17: also fem., Luc.Asin.4, AP 5.15 (Marc. Arg.).
II. magos, on, as Adj., magical, “magps tekhnē prattein tiPhilostr.VA1.2; “kestou phōneusa magōteraAP5.120 (Phld.). (Opers. maguš 'Magian'.)

phōn-eō , (phōnē)  A.produce a sound or tone4. of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12. of a singer, “aoidos . . aiola phōneōnTheoc.16.44:—
OF SIMON THE SORCERER
Acts 8:11 And to him they had regard, because that of long time he had bewitched them with sorceries.
Acts 8:10 To whom they all gave heed, from the least to the greatest, saying, This man is the great power of God.
Acts 8:11 And to him they had regard, because that of long time he had bewitched them with SORCERIES.
You can purchase an advanced degree in Spiritual Formation or performing the roles of Simon Magnus
Măgus , “artes, carmen,Sen. Herc. Oet. 467
carmen  tune, song; poem, verse; an oracular response, a prophecy; a form of incantation a tune, song, air, lay, strain, note, sound, both vocal and instrumental
carmine vocali clarus citharāque [singing with guitar, harp an instrument of enchantment] lyrae carmen,barbaricum,
APOLLYON OR ABADDON AS LEADER OF THE MUSES Apollinem concordant carmina
 
II. In the fem., a female magician, enchantress: cantusque artesque magarum, v. l. Ov. M. 7, 195 (al. leg. magorum): Circe maga famosissima, Aug. Civ. Dei, 18,

also versus, numeri, modi): mŏdus
GOD IS SMART: IF HE EVER WANTED TO SPEAK OF MUSICAL MELODY HE WOULD USE
mŏdus    2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici,Quint. 1, 10, 14: “lyrici,Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,


Worship.Androgyny.The.Pagan.Sexual.Ideal.html

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the voices of the prophets
        which are READ every sabbath [REST] day, [Greek REST is PAUO
        they have fulfilled them in condemning him

Acts 15:21 For Moses of old time hath in every city them that PREACH him, being READ in the synagogues every sabbath day.

Luke 4:16 And he came to Nazareth, where he had been brought up:  kenneth Sublett


       and, as his custom was, he went into the synagogue on the sabbath day, a
nd stood up for to READ.

HOLY SCRIPTURE IS ONLY TO BE READ

Eph. 2:19 Now therefore ye are no more strangers and foreigners,
        but fellowcitizens with the saints, and of the household of God;
Eph. 2:20 And are BUILT UPON the foundation of the apostles and prophets,
        Jesus Christ himself being the chief corner stone;
Eph. 2:21 In whom all the building fitly framed together groweth unto AN HOLY TEMPLE IN THE LORD.

Eph. 3:4 Whereby, when ye READ, ye may understand my knowledge in the mystery of Christ)
Col. 4:16 And when this epistle is
READ among you, cause that it be READ also in the church of the Laodiceans; and that ye likewise  READ the epistle from Laodicea.
1Th. 5:27 I charge you by the Lord that this epistle be 
READ unto all the holy brethren.

THAT OUTLAWS PREACHING YOUR OWN SERMONS OR SINGING YOUR OWN SONGS!
ekklēsia 3. = psēphisma, anagignōskomenēs e. Philostr.VS2.1.11.
THE ONLY PATTERN anagignōskō , later anagi_nōskō :  of written characters, know them again, and so, read, first in Pi.O.10(11).1, cf. Ar.Eq.118, 1065, Th.3.49, And.1.47, etc. (never in Trag.); anagnōsetai (sc. ho grammateus)
hoi anagignōskontes students, Plu.Alex. 1, ta biblia ta anegnōsmena books read aloud, hence, published, OPPOSITE. ta anekdota, [
unpublished]
"The word that is employed for this "anaginosko, anagnosis)
       is the technical term for the cultic READING ALOUD of the Old Testament in the synagogue.
By applying this terminology to the reading of his own epistles
      he not only ascribes the same authority to the apostolic word as to the Old Testament writings...
he also combines a quotation from the Old Testament with a word of Jesus and introduces the whole with the familiar formula:
        'for the Scripture says.'" (Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo., Eerdmans)
1 TIMOTHY 2 SILENCES BOTH FEMALE BECAUSE READING AND LEARNING THE WORD IS THE ONLY PATTERN
PRAY 1Tim. 2:2 For kings, and for all that are in authority;
        that we may lead a QUIET and PEACEABLE life in all godliness and honesty
QUIET g2263. ἤρεμος eremos, ay´-rem-os; perhaps by transposition from 2048 (through the idea of stillness); tranquil: — quiet.

PEACEABLE: 2272. ἡσύχιος hesuchios, hay-soo´-khee-os; a prolonged form of a compound probably of a derivative of the base of 1476 and perhaps 2192; properly, keeping one’s seat (sedentary), i.e. (by implication) still (undisturbed, undisturbing): — peaceable, quiet.
WORSHIP TEAMS CLAIM TO BE MEDIATORS: ABLE TO DRAG GOD INTO YOUR PRESENCE

https://www.pineycom.com/Jeff.Nelson.Highland.Melody.Deceives.html

SAM SOUDER: Our role as worship leaders is to MINISTER  to the heart of God Himself
         our worship is about HIM and Him alone.
        We also serve to BLESS those who gather for worship in OUR services,
        not so that they can walk away “satisfied” or “FILLED” by the music,   
       
but so that SPACE is created for THEM to encounter the living God.

But you, worship leader—you know (or at least you ought to know) where you are LEADING them. Ours is not a role of “forcing worship” upon OUR people.
        It is merely PROMPTING them out of the sheep pen [Church of Christ]
        and into a space where the kingdom of God does its transformative work within them.
   .
1Tim. 2:4 Who will have all men to be saved, and to come unto the knowledge of the TRUTH.

Logos, verbal noun of lego
        Opposite kata pathos
        Opposite music, poetry or rhetoric
        Opposite human reasoning
        Opposite Epagoge bringint in to one's aid, introductionAlurement, enticement, incantation, spell

Opposite Pathos  A. that which happens to a person or thing, incide4.speech,
delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE ôidê
-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a26
1Tim. 2:5 For there is one God, and one mediator between God and men, THE MAN CHRIST JESUS

Psa. 11:4 The LORD is in his holy temple,
        the LORD’S throne is in heaven: his eyes behold,
        his eyelids try, the children of men
Col. 1:13 Who hath delivered us from the power of darkness, and hath translated us into the kingdom of his dear Son:
Heb. 12:23 To the general assembly and church of the firstborn,  [CHURCH OF CHRIST]
        which are written in heaven, and to God the Judge of all,
        and to the spirits of just men made perfect,
LOUD ABUSIVE MUSIC CALLING GOD A LIAR CANNOT TOUCH DISCIPLES OF CHRIST.
Hab. 2:19 Woe unto him that saith to the wood, Awake; to the dumb stone,
        Arise, it shall teach! Behold, it is laid over with gold and silver,
         and there is no breath at all in the midst of it.
Hab. 2:20 But the LORD is in his holy temple:
        LET ALL THE EARTH KEEP SILENCE BEFORE HIM
https://www.pineycom.com/1.Timothy.4.13.Public.Reading.of.Scriptures.html
Isaiah 28.16 therefore thus says the Lord Yahweh, Behold, I lay in Zion for a foundation a stone, a tried stone, a precious corner -[stone] of sure foundation: he who believes shall not be in haste

Eph. 2:20 And are built upon  [EDUCATED IN THE SYNAGOGUE]the foundation of the apostles and prophets, Jesus Christ himself being the chief corner stone;

g1137. γωνία gonia, go-nee´-ah; probably akin to 1119; an angle: — corner, quarter
 
gōnia , ,
2. metaph., corner, secluded spot,en gōnia psithurizeinPl.Grg.485d; “en g. pepragmenonAct.Ap.26.26.
IV. of persons, leader, chief, LXX 1 Ki.14.38. (Akin to gonu.

Angŭlus
 
Called assemblies: of the schools or places of private discussion,
Assemble Selves: in contrast with public, practical life:, non  oratione perfectio,id. Rep. 1, 2;
Contemptuously, of the SCHOOLS or places of PRIVATE DISCUSSION discussion, in CONTRAST  with public, practical life

SILENCE AND REVERENCE IF YOU UNDERSTAND GOD

Psithurizein2.WHISPER  what one dares not speak out,  allēlōn   of one another, to one another, one another; hence, mutually, reciprocally, used of all three persons,     en allēloisi among one another

A CHOIR OR "WORSHIP TEAM IS ABSOLUTELY FORBIDDEN
Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,
        [but] singing and making melody in your heart to the Lord;
Col. 3:16 Let the word of Christ dwell in you richly in all wisdom;
        TEACHING and admonishing ONE ANOTHER in psalms and hymns and spiritual songs,
        singing with grace in your hearts to the Lord.

-LOGOS THE REGULATIVE PRINCIPLE
speech, delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE ôidê
      prose OPPOSITE -poiêsis, Id.R.390a;
       OPPOSITE -poiêtikê, D.H.Comp.6; opp. poiêmata, onomatopoeic word
        4.
text of an author, opp. exegesis
Because
     
ōdē , , contr. for aoidē, of dirges ō. thrēnēsei [used against Jesus]
     
epōdos, magic song, spell, Longus 2.7.
      OPPOSITE . lexis, en ōdais kai muthois kai logois i

A Myth or muthos , ho, “muthoisin skolioisHes.Op.194 [Crooked Race Singing]
2. fiction (OPPOSITE. logos, historic truth), plot of a comedy or tragedy

NO GROUP OR IN HOLY SCRIPTURE OR UNTIL AFTER THE REFORMATION DARED ENGAGE IN CONGREGATIONAL SINGING: EVEN THEN THE HAD NOTHING TO SING AND HAD TO COMPOSE THEIR OWN.

DON'T RENEW WITH A LOUD, ABUSIVE, UNSCRIPTURAL AND CONDEMNED MUSICAL AND SCENIC PERFORMANCE

https://www.pineycom.com/Romans.15.Unison.Scripture.html

RECORDED HISTORY KNOWS THAT RHETORIC, MUSICAL OR SCENIC PERFORMANCES INTEND TO DECEIVE

https://www.pineycom.com/Jeff.Nelson.Highland.Melody.Deceives.html


The.Mark.of.The.Beastia.html
Gen. 3:1 Now the SERPENT was more SUBTIL than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?

Serpo , of things, to move slowly or imperceptibly, to creep along, proceed gradually,
Of disease, etc.: “si ulcus latius atque altius serpit,gradually spreads,serpentes quasdam (bestias), quasdam esse gradientes,”  “chamaeleon, Fire: “exsistit sacer ignis et urit corpore serpens,slowly spreading,  canam, qui leniter (cf.:sermones Repentes per humum,”A creeping LOUSE
       
căno , cĕcĭni, cantum (ancient I.imp. cante = canite, Of instruments or a piece of music, to sound, resound, be played: canentes tibiae: tubae Liberum et Musas,
once canituri,Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
     tibicen  cithara, crowing of a cock: “galli victi silere solent, canere victores,to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.
    Mousa   kanakhan [CLANGING BRASS]. . theias antiluron mousasS.Tr.643 (lyr.); “Aiakō moisan pherein” “adein adokimon m.adein adokimon m.3. disreputable, “lakismat' adokim' olbiois ekheinE.Tr.497; mousaPl.Lg.829d, cf. D. 25.36,Ep.Rom.1.28
Kyle.Idleman.NACC.Killing.The.Two.Witnesses.html

Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
        and a reed in his right hand: and they bowed the knee before him,
        and MOCKED him, saying, Hail, King of the Jews!
Matthew 27:28 And they STRIPPED him, and put on him a scarlet robe.
Matthew 27:31 And after that they had MOCKED him, they took the robe off from him,
        and put his own raiment on him, and led him away to crucify him.
Empaizō , fut. to be deluded  II. sport in or on, “hōs nebros khloerais e. leimakos hēdonaisE.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “ gumnasiōLuc.Lex.5.
-Prospaizô2. abs., sport, jest3. laugh at, make fun or sport ofsing to the gods, sing in their praise or honour, 2. banter, tous rhêtoras II. c. acc., θεοὺς π. sing to the gods, sing in their praise or honour
Erōta sang a hymn in praise of Eros, Id.Phdr.265c. and I, Phaedrus, think the divinities [LOCUSTS] of the place are the cause thereof; and perhaps too, the prophets of the Muses, who are singing above our heads, may have granted this boon to us by inspiration; at any rate, I possess no art of speaking.

-Aristoph. Thes.[947] Let us now devote ourselves to the SPORTS which the women are accustomed to celebrate here, when time has again brought round the mighty Mysteries of the GREAT GODDESSES sacred days which Pauson himself honours by fasting and would wish feast to succeed feast, that he might keep them all holy.        
        Spring
forward with a light step, whirling in mazy circles; let your hands interlace,
            let the eager and rapid dancers sway to the MUSIC  and glance on every side as they move. - 

Great Goddesses:

Paizo dance, play a game,  4. PLAY ON A MUSICAL INSTRUMENT h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230 ; dance and sing, Pi. O.1.16.5. play amorously, prosallêlous X.Smp.9.2 ; metatinosLXX Ge.26.8 ; of mares, Arist.HA572a30.
https://www.pineycom.com/John.Mark.Hicks.Mark.10.They.Shall.Mock.Him.With.Music.html
Don.McLaughlin.Mock.Jesus.Full.size.jpg


2 Peter 3 Marks of the End Time Mocker

OF POPULAR BLACK WORSHIP LEADERS:

The Jazz History Tree
In much of Africa, certain drums symbolize and protect royalty and are often housed in sacred dwellings
During the early years of slavery in America, drums were used to provide rhythm, but they were banned by the early 1700s on most plantations because of the fear that Africans would use them to communicate in a rebellion. Nevertheless, Africans managed to generate percussion and percussive sounds, using other instruments or their own bodies. The drum remains an essential element of the music to this day. As James Brown would say, “Give the drummer some!”

Heb. 12:26 Whose voice then shook the earth: but now he hath promised, saying,
        Yet once more I shake not the earth only, but also heaven.
Heb. 12:27 And this word, Yet once more,
        signifieth the removing of those things that are shaken, as of things that are made, t
        hat those things which cannot be shaken may remain.
Heb. 12:28 Wherefore we receiving a kingdom which CANNOT be moved,
        let us have grace, whereby we may serve God acceptably with reverence and godly fear:

Heb. 12:29 For our God is a consuming fire.

        -mŏvĕo
, to move, affect, excite, inspire: charms, to stir up, excite, provoke
        to move people FROM their place
,
to dance, gesticulating
        “cantus vocis juvat sociatā nervorum concordiā,Quint. 5, 10, 124: citharam cum voce,
         id. ib. 5, 112: “tympana,id. H. 4, 48; to disturb: “ d. ib. 5, 112:Kithera along with Voice       
tympana id. H. 4, 48; beaten by the priests of Cybele and Isis Mount Sinai Bacchantine females 1 Cor 13

Emasculated Galatians 5 of witchcraft
to disturb: “novis Helicona cantibus,
Babylonian Musical Worship Team  Encomiast

Praise and worship music from VOODOO

Hymns.Voodoo.gif

https://www.pineycom.com/Memphis.School.of.Preaching.Seminar.html

David young rewrites Ephesians to subvert everyone.'
SINGING YOUR OWN WORDS RATHER THAN SPEAKING GOD'S WORD IS A UNIVERSAL MARK

https://www.pineycom.com/Elders.Are.The.Only.Gratuitous.Teachers.in.A.Church.of.Christ.html
Eph. 5:18dmy And Dont get drunk on alcohol which leads to decadence; instead
be FILLED
WITH THE SPIRIT
Eph. 5:18 And be not drunk with wine, wherein is excess;
 but be
FILLED WITH THE SPIRIT
       Col. 3:16 Let the WORD OF CHRIST
DWELL in you richly in
all wisdom; teaching and admonishing one anothe
dmy BY SPEAKING to one another with psalms, hymns and spiritual songs
Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs, 
dmy singing and MAKING MUSIC
singing and MAKING MELODY [psallo never meant "Make Music. It means "pluck with your [harp string, bow string, pubic hair]  SILENT
dmy WITH your heart to the Lord
IN your heart to the Lord; [a place]

Theology.Logos.Mythos.Word.Versus.Music.html

Logos,
verbal noun of lego

        Opposite kata pathos
        Opposite music, poetry or rhetoric
        Opposite human reasoning
        Opposite Epagoge bringint in to one's aid, introductionAlurement, enticement, incantation, spell

Opposite Pathos  A. that which happens to a person or thing, incide4.speech,
delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE ôidê
-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a26

17. Pi.N.7.81 Pindar, Nemean Odes 7
The rich man and the poor man alike travel together to the boundary of death. [20] And I expect that the story of Odysseus came to exceed his experiences,
        through the sweet songs of Homer
[22] since there is a certain solemnity in his lies and winged artfulness,
        and poetic skill deceives, seducing us with stories,
        and the heart of the mass of men is blind.
For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms,
        would never have planted in his chest the smooth sword—
       Aias, who was the most powerful in battle,

EVERYONE LIES WITH THE PURPOSE OF DECEIVING GOD'S CHILDREN


Sixteenth-century hymnodists were fully aware of the importance of biblically based texts if their hymns were to fulfil their kerygmatic purpose. The title page of the first Lutheran hymn book, Das Achtliederbuch (1524), attests to this as it states: "Some Christian hymns, canticles, and Psalms, made according to the pure Word of God, from Holy Scriptures, by several very learned men, to sing in church as it is in part already practiced in Wittenber

The letter of Conrad Grebel ad his friends at Zurich to Thomas Miinzer,

"Thomas Müntzer (Muentzer, Muntzer) was perhaps the most controversial figure of the period of the German Reformation, a man who has been called at various times the "beginner of the great Anabaptist movement," the forerunner of modern socialism, the beginner of the mystical-spiritualistic movement in Germany, a religious socialist, the leader in the Peasants' War 1525,   

We understand and have seen that thou hast translated the mass into German and hast introduced new German hymns.
        That cannot be well, for we find nothing taught in the New Testament about SINGING, no example of it.

Paul scolds the learned Corinthians more than he praises them, because they mumbled in meeting as if they sang, just as the Jews and the Italians chant their words song- fashion.

Secondly, since SINGING in Latin grew up without divine instruction and apostolic example and custom, without producing good or edifying, it will still [93] less edify in German and will create a faith consisting in mere outward seeming.

Thirdly, Paul even clearly forbids SINGING in Eph. 5, and Col. 3, since he says and teaches
        that they are to SPEAK TO ONE ANOTHER
        and TEACH one another WITH psalms and spiritual songs,
              AND if anyone would SING, he should SING and give thanks IN his heart.

"Fourthly, whatever we are not taught by clear passages or examples must be regarded as forbidden,
        just as if it were written: "This do not; SING not."




THE ONLY WAY TO MAKE DISCIPLES:

Renew.org collects false teachers to DISCUSS AND IGNORE
Matt. 28:19 Go ye therefore, and teach all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Ghost:
Matt. 28:20 Teaching them to observe all things whatsoever I have commanded you:
        and, lo, I am with you alway, even unto the end of the world. Amen.

Rom. 10:14 How then shall they call on him in whom they have not believed?
        and how shall they believe in him of whom they have not heard? and how shall they hear without a preacher?

RENEW.ORG SAYS HECK NO, WE WONT GO!
Rom. 10:15 And how shall they preach, except they be sent? as it is written,
        How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things!
Rom. 10:16 But they have not all obeyed the gospel.
        For Esaias saith, Lord, who hath believed our report?
Rom. 10:17 So then faith cometh by hearing, and hearing by the word of God.

COMMERCIAL GRADE CLERGY REFUSE TO FOLLOW JESUS!
Matt. 11:1 And it came to pass, when Jesus had made an end of commanding his twelve disciples,
        he departed thence to teach and to preach in their cities.

THEY HAVE NOT HEARD BECAUSE RENEW.ORG IS BUSY BUILDING "WORSHIP CENTERS."
Rom. 10:18 But I say, Have they not heard? Yes verily, their sound went into all the earth, and their words unto the ends of the world.

Renew.org: "Our era is a time of tribalistic ethics, tech anxiety, class envy, and “owning” the opposition as if they were trophies.

THE ASSEMBLY OF CHRIST IS A SCHOOL OF POOR STUDENTS: THEY ARE NEVER COMMANDED GO "GO PREACH"

Eph. 3:10 To the intent that now unto the principalities and powers in heavenly places might be known by the church the manifold wisdom of God,

https://www.pineycom.com/David.Young.Minister.html

http://www.pineycom.com/Calvin-Necessity-Reform.html
For where can I exert myself to better purpose or more honestly, where, too, in a matter at this time more necessary, than in attempting, according to my ability, to aid the Church of Christ, whose claims it is unlawful in any instance to deny, and which is now in grievous distress, and in extreme danger?

But there is no occasion for a long preface concerning myself. Receive what I say as you would do if it were pronounced by the united voice

of all those who either have already taken care to restore the Church,
or are desirous that it should be restored to true order.

http://www.pineycom.com/Calvin-Reform-4.html
"These are Paul's words. Let them, then, show us that they are
ministers of the gospel, and I will have no difficulty in conceding their right to stipend.

"The ox must not be muzzled that treadeth out the corn [1 Cor. 9:9]. But is it not altogether at variance with reason that the ploughing oxen should starve, and THE LAZY ASSES BE FED?


THE BIBLE PATTERN OF RENEWAL REPUDIATES NEW.ORG

https://www.pineycom.com/Romans.12.This.Is.Your.Spiritual.Act.of.Worship.html

Romans 12:1I beseech you therefore, brethren, by the mercies of God, that
        YE present your bodies a living sacrifice, holy, acceptable unto God,
        which is your reasonable service.  
        ēn logikēn latreian humōn:
                Darby: [which is] your intelligent service.

Latin: Romans 12.1 obsecro itaque vos fratres per misericordiam Dei ut exhibeatis corpora vestra hostiamviventemsanctam Deo placentem rationabile obsequium vestrum
Rătĭōnābĭlis , e, adj. ratio (post-Aug.; = rationalis, which is in better use), I. reasonable, rational: he pure milk of reason, id. 1 Pet. 2, 2: “sententia vera et rationabilis,
Sententĭa , ae, f. for sentientia, from sentio,
I. a way of thinking, opinion, judgment, sentiment; a purpose, determination, decision, will, etc.
I. Transf., of words, discourse, etc., sense, meaning, signification, idea, notion, etc.
1. In gen., a thought expressed in words; a sentence, period: dum de singulis sententiis breviter disputo

Greek rational worship demands:

logi^k-os , ē, on, (logos) A. of or for speaking or speech, merē l. the organs of speech, Plu.Cor.38:
logikē, , speech, Opposite. mousikē, Opposite phantasia expressed in speech,
II. possessed of reason, intellectual, “merosTi.Locr.99e, al.; “to l. zōon 
akroaseis l. kai organika
 

        dianoētikai, Mind Opposite. ēthikai, Arist.EN1108b9.
        And:
        Ethi^k-os , A. ēthos11) moral, Opposite. dianoētikos, Arist.EN1103a5,
        al.; ta ēthika a treatise on morals,
hēs to kitharizein kai to adein
mousikēn moi dokeis legein
dokeis think, suppose, imagine, (opp. phroneō

akroaseis l. kai organika of musicians, practical, 0PP0SITE. logiko
2. dialectical, argumentative, hoi l. dialogoi
    logical, l. sullogismoi, Opposite. rhētorikoi, Rh.1355a13.
peri logikōn title of work, Opposite to phusikon, to ēthikon,
Rom. 12:2 And be not conformed to this world:
        but be ye TRANSFORMED by the RENEWING of your mind,
        that ye may prove what is that good, and acceptable, and perfect, will of God.

ETHOS CLAIMING TO BE AN ASSEMBLY OF CHRIST IS GOD MARKING BEASTS.

https://www.pineycom.com/Dave.Clayton.Ethos.Church.of.Christ.Pepperdine.2013.html

ēthos , eos, to (cf. ethos), A.an accustomed place: hence, in pl., haunts or abodes of animals, Hes.Op.167, 525
II. custom, usage: in pl., manners, customs, as the result of habit, “to pan ē. dia ethos” “ē. anthrōpō daimōn
  psukhēs, pl., traits, characteristics, Pl.R.402d, 2. of things, habitual, customary, usual, ethos,

Greek Music: The prevailing doctrine of ethos, as explained by ancient Greek philosophers such as Plato and Aristotle, was based on the belief that music has a direct effect upon the soul and actions of mankind. As a result, the Greek political and social systems were intertwined with music, which had a primary role in the dramas of Aeschylus, Sophocles, Euripides, and Aristophanes.And the Grecian educational system was focused upon musica and gymnastica, the former referring to all cultural and intellectual studies, as distinguished from those related to physical training. (See ethos, dramatic literature.)

3. Mythical sound events

In Greek mythology, there are some eighty such mythological characters connected with some kind of "mythical sound event" (Restani 1995). These events tend to gravitate around a few pivotal figures (like the Muses and Apollo) and the euretai, inventors of musical instruments: Athena (aulos), Hermes (lyra and syrinx), Pan (syrinx), Cybele (tympana), Tyrrhenian (salpinx). The events emphasize also two main themes. The first is the teaching, conservation, control and transmission of the mousike, prohibitions and transgressions included; the second concerns the effects of sound on the performer and the audience, like, for instance, oblivion (Sirens), delight and sorrow (Phoemius and Demodox), bewitchment (Orpheus), calm (Achilles), attraction (Amphion), trance (Dionysus).

Pl.R.402d Far the fairest.” “And surely the fairest is the most lovable.” “Of course.” “The true musician, then, would love by preference persons of this sort; but if there were disharmony he would not love this.” “No,” he said, “not if there was a defect in the soul; but if it were in the body he would bear with it and still be willing to bestow his love.”
        2 Music and beauty lead to the philosophy of love, more fully set forth in the Phaedrus and Symposium, and here dismissed in a page

https://www.pineycom.com/DocPlaPhaedrus.html

The third kind is the madness of those who are possessed by the Muses (Musicians of Rev 18);

which taking hold of a delicate and virgin soul,
and there inspiring frenzy
,
awakens lyrical
and all other numbers;
with these adorning the myriad actions of ancient heroes for the instruction of posterity (prophecy
)

But he who, having no touch of the Muses' madness in his soul,

comes to the door and thinks that he will get into the temple by the help of art-
he, I say, and his poetry
are not admitted; the sane man disappears and is nowhere when he enters into rivalry with the madman. But those who are the followers of Here seek a royal love, and when they have found him they do just the same with him; and in like manner the followers of APOLLYON, and of every other god walking in the ways of their god,

Strabo in Geography 9.3 notes

"By "melody he means to celebrate the contest between APOLLON and the dragon, setting forth the prelude as anakrousis, the first onset of the contest as ampeira, the contest itself as katakeleusmos, the triumph following the victory as iambus and dactylus, the rhythms being in two measures, one of which, the dactyl, is appropriate to hymns of praise, whereas the other, the iamb, is suited to reproaches (compare the word "iambize"), and the expiration of the dragon as syringes, since with syringes (reed or brass pipes related to the serpent) 4 players imitated the dragon as breathing its last in hissings. 5  (Strabo Geography 9.3.10)

ClickThe Mark of The Beast.

Thērion , III. as a term of reproach, beast, creature, “ō deilotaton su thērionAr.Pl.439, cf. Eq.273; “kolaki, deinō thēriōPl.Phdr.240b; “Krētes, kaka th.Epimenid.1; dusnouthetēton th., of poverty, Men. Georg.78; “ mousikē aei ti kainon thērion tikteiAnaxil.27, cf. Eup.132; ti de, ei autou tou thēriou ēkousate; said by Aeschines of Demosthenes, Plin.Ep.2.3.10; th. sunestiōmenon, of woman

Surigx , iggos, ,
A.
shepherd's pipe, Panspipe, “aulōn suriggōn t' enopēIl.10.13; “nomēes terpomenoi surigxi18.526; “suriggōn enopēh.Merc.512; “hupo ligurōn suriggōn hiesan audēnHes.Sc.278; “ou molpan suriggos ekhōnS.Ph.213 (lyr.); kalaminē s. Ar.Fr.719; “kat' agrous tois nomeusi surigx an tis eiēPl.R.399d.

2. cat-call, whistle, hiss, as in theatres, Id.Lg.700c; cf. “surizō11.2, surigmos:—the last part of the nomos Puthikos was called surigges, prob. because it imitated the dying hisses of the serpent Pytho, Str.9.3.10.
3. mouthpiece of the aulos, Plu.2.1138a,1096b.

Greek Music: The prevailing doctrine of ethos, as explained by ancient Greek philosophers such as Plato and Aristotle,

was based on the belief that music has a direct effect upon the soul and actions of mankind.
As a result, the Greek political and social systems were intertwined with music, which had a primary role in the dramas of Aeschylus, Sophocles, Euripides, and Aristophanes.
And the Grecian educational system was focused upon musica and gymnastica,

the former referring to all cultural and intellectual studies, as distinguished from those related to physical training. (See ethos, dramatic literature.)

3. Mythical sound events

In Greek mythology, there are some eighty such mythological characters connected with some kind of "mythical sound event" (Restani 1995). These events tend to gravitate around a few pivotal figures (like the Muses and Apollo Abaddon, apollyon) and the euretai, inventors of musical instruments: Athena (aulos), Hermes (lyra and syrinx), Pan (syrinx), Cybele (tympana), Tyrrhenian (salpinx). The events emphasize also two main themes.
LEGALISM:
The first is the teaching, conservation, control and transmission of the mousike,
        prohibitions and transgressions included;
the second concerns the effects of sound on the performer and the audience, like, for instance, oblivion (Sirens), delight and sorrow (Phoemius and Demodox), bewitchment (Orpheus), calm (Achilles), attraction (Amphion), trance (Dionysus)

Luke 17:20 And when he was demanded of the Pharisees,  [speakers, singers, instrument players in Ezekiel 33]
        when the kingdom of God should come,
        he answered them and said, The kingdom of God cometh not with observation:
Luke 17:21 Neither shall they say, Lo here! or, lo there!
        for, behold, the kingdom of God is within you.
Luke 17:22 And he said unto the disciples,
        The days will come, when ye shall desire to see one of the days of the Son of man, and ye shall not see it.
Luke 17:23 And they shall say to you, See here; or, see there:
        go not after them, nor follow them. 

Observātiō ōnis, observo, a watching, observance, investigation:
observationi operam dare,
observationes animadvertebant, your searches for evidence: siderum.— Circumspection, care, exactness: summa in bello movendo.
An office, duty, service (eccl. Lat.): “Dei sui et expiationis   “sermonis antiqui,
religionibus suam observationem reddere,Val. Max. 1, 1, 8: “Christianitatis, Cod. Th. 12, 1, 112: divina,
E. Display, outward show (eccl. Lat.): “non venit regnum Dei cum observatione,Vulg. Luc. 17, 20.—

Eph. 3:10 To the intent that now unto the principalities and powers in heavenly places might be known by the church the manifold wisdom of God,

ETHICS synonyms: moral code, morals, morality, moral stand, moral principles, moral values, rights and wrongs, principles, ideals, creed, credo, ethos, rules of conduct, standards (of behavior), virtues, dictates of conscience

Aristot. Nic. Eth. 1175b.1

But things that are akin to things of different kinds must themselves differ in kind.
        [3] A still clearer proof may be drawn
        from the hindrance that activities
        receive from the pleasure derived from other activities.

For instance, persons fond of the flute
        cannot give their attention to a philosophical discussion [The LOGOS or Regulative Principle]
        when they overhear someone playing the flute,
        because they enjoy music more than the activity in which they are engaged;
                therefore the pleasure afforded by the music of the flute
                impairs the activity of stud

Aristot. Nic. Eth. 1094a

Aristotle, Nicomachean Ethics

(It is true that a certain variety is to be observed among the ends at which the arts and sciences aim: in some cases the activity of practising the art is itself the end,1 whereas in others the end is some product over and above the mere exercise of the art;

1 Aristotle gives flute-playing as an instance of an art the practice of which is an end in itself, in contrast with the art of building, the end of which is the house built Aristot. Gtr. Mor. 1211b 27 ff.

hippikōn organōn eisin

 polemika hopla te kai organa signal for battle
3.
musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho men di' organōn ekēlei anthrōpous, of Marsyas, Pl.Smp.215c

; aneu organōn psilois logois ibid., cf. Plt.268b ; “o. polukhordaId.R.399c, al.; “met' ōdēs kai tinōn organōnPhld.Mus.p.98K.; of the pipe, Melanipp.2, Telest.1.2.

 Pl.Smp.215c   215c] Why, yes, and a far more marvellous one than the satyr. His lips indeed had power to entrance mankind by means of instruments; a thing still possible today for anyone who can pipe his tunes: for the music of Olympus' flute belonged, I may tell you, to Marsyas his teacher. So that if anyone, whether a fine flute-player or paltry flute-girl, can but flute his tunes, they have no equal for exciting a ravishment, and will indicate by the divinity that is in them who are apt recipients of the deities and their sanctifications. You differ from him in one point only—that you produce the same effect with simple prose unaided by instruments

Aristot. Nic. Eth. 1175b.1

Aristot. Nic. Eth. 1175b.1

But things that are akin to things of different kinds must themselves differ in kind.
        [3] A still clearer proof may be drawn
        from the hindrance that activities
        receive from the pleasure derived from other activities.

For instance, persons fond of the flute
        cannot give their attention to a philosophical discussion [The LOGOS or Regulative Principle]
        when they overhear someone playing the flute,
        because they enjoy music more than the activity in which they are engaged;
                therefore the pleasure afforded by the music of the flute
                impairs the activity of study.

[4] The same thing occurs in other cases when a man tries to do two things at once; the pleasanter activity drives out the other, the more so if it is much more pleasant, until the other activity ceases altogether.

Hence, when we enjoy something very much, we can hardly do anything else; and when we find a thing only mildly agreeable, we turn to some other occupation; for instance, people who eat sweets at the theater do so especially when the acting is bad.

[ 5] And since our activities [of the flute] are sharpened, prolonged and improved by their own pleasure, and impaired by the pleasures of other activities, it is clear that pleasures differ widely from each other. In fact alien pleasures have almost the same effect on the activities as their own pains; since,
        when an activity causes pain, this pain destroys it,
        for instance, if a person finds writing or doing sums unpleasant and irksome;
        for he stops writing or doing sums, because the activity is painful.





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