euphrainō
II.
Pass., make merry, enjoy oneself, “euphrainesthai hekēlon”
Pind. I.
1 My mother, Thebe of the golden shield,
I shall place your interests above my lack of
leisure.
agōnio
without angle
2.
“agōniō skhola”
(Corner silent for LEARNING only)
askhol-ia
OPPOSITE hēsukhia, required to
LEAR IN SILENCE: a female probllem
euphrainō
Pl.Lg.796b ,Nor
should we omit such mimic dances as are fitting for
use by our choirs,—for instance, the
sword-dance of the Curetes here in Crete,
and that of the Dioscori in Lacedaemon;
and at Athens,
too, our Virgin-Lady gladdened by the pastime
of the dance deemed it not seemly to SPORT
with empty hands
SPORT. Rise up to PLAY paizō
5. play
amorously, “pros allēlous” X.Smp.9.2
4. play on a musical instrument, h.Ap.206:
c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230;
dance and sing, Pi. O.1.16.
Xen. Sym. 9.2
After he had withdrawn, a chair of state, first of
all, was set down in the room, and then the
Syracusan came in with the announcement: “Gentlemen,
Ariadne will now enter the chamber set apart for her
and Dionysus; after that, Dionysus, a little flushed
with wine drunk at a banquet of the gods, will come
to join her; and then they will disport
themselves together.”
John.T.Willis.Amos.5.and.INSTRUMENTAL.MUSIC.WORSHIP
Therefore, you worship the BEAST if you pay for Rhetoric, Singing, Playing an instrument, hearing opinion, hear experiences or PAY TO PLAY. The Babylon Mother of Harlots uses lusted after clergy as singers, instrument players, any religious craftsperson clearly defined as a PARASITE. The first BEAST depended on lying about and slandering the Biblical Regulative Principle. When so few congregations could be seduced, music and the effeminate was called to the trenches;
REASONABLE OR RATIONAL WORSHIP IS A SCHOOL OF THE WORD OR SPIRIT; Your Church is not Christian because it does not CONTINUE IN HIS WORD.
Jesus said that He and His Disciples were FROM ABOVE: The Jewish Clergy were from BENEATH or Tartarus.
Terra or dust " tera natives of the soil, aborigines, autochthones" The Earth as goddess used by feminists: Personified, Terra, the Earth, as a goddess; “usu. called Tellus, Magna Mater, Ceres, Cybele, etc
The infernal regions, Prop. 3, 5
Jeanene.P.Reese.Theology.of.Women.Teachers
Jeanene.Reese.LGBT.MUST.be.Included.html
The BEAST from the EARTH exerciseth all the POWER of the first BEAST before him,
and causeth the earth and them which dwell therein
to worship the first BEAST, whose deadly wound was healed. Rev. 13:12
1Cor. 15:45 And so it is written,
The first man Adam was made a living soul;
the last Adam was made a QUICKENING SPIRIT
but that which is natural;
and afterward that which is spiritual.
1Cor. 15:47 The first man is OF the EARTH, earthy:
the second man is the Lord from heaven.
1Cor. 15:50 Now this I say, brethren,
that flesh and blood cannot inherit the kingdom of God;
neither doth corruption inherit incorruption.
POWER of the BEAST: exous-ia Power to win praise.
Strab. 1.2.17 If any thing does not correspond, [To Customs or Laws]
it should be attributed to change,
or to misconception,
or to poetical licence,
which is made up of [a] history, [b] rhetoric, and [c] fiction.
and Truth is the aim of the historical portion,..
A lively interest is the end ,
[b] the rhetorical as when he points to us the combat;
[c] and of the fiction, pleasure and astonishment...
HE bids us not to judge poems by the standard of intellect,
nor yet look to them for history.
Poi-ētikos “p. kai mousikoi the art of poetry mousi^kos , ē, on, Dor. mōsikos , ta mousika music, II. of persons, skilled in music, musical, X.l.c., etc.; “poiētikoi. andres” Pl.Lg.802b; “kuknos kai alla zōa m.” Id.R.620a; “peri aulous -ōtatoi” Ath.4.176e; LYRIC poet, OPPOSITE. EPIC, Pl.Phdr.243a “mousikos kai melōn poētēsCONTRARY AND ANTITHETICAL to the worship of God, THE WORSHIP OF THE BEAST is--
mole melōn There is no music or lyric material in Scripture.God is not ignorant, as Theologians claim. If He had intended musical melody He would not have used PSALLO
B. esp. musical member, phrase: hence, song, strain, en melei poieein to write in lyric strain
2. music to which a song is set, tune, Arist.Po.1450a14
kat-auleô A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina Alciphr.2.1: metaph., se . . -êsô phobôi I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros chelônidos psophon to be played to on the flute with lyre accompaniment, Posidon.10 J., cf. Call.Fr.10.3 P., Phld.Mus.p.49 K.
Thera^p-euō II. do service to the gods, athanatous, theous th., Hes.Op.135, Hdt.2.37, X.Mem.1.4.13, etc.; “daimona” Pi.P.3.109; Dionuson, Mousas, E.Ba.82 (lyr.), IT1105(lyr.); th. Phoibou [“Apollon”] naous serve them, Id.Ion111 (anap.): abs., worship, Lys.6.51; do service or honour to one's parents, E.Ion183 (lyr.), Pl.R.467a, Men.91a; serve, wait upon a master, Id.Euthphr.13d, cf. Ar.Eq.59, 1261, etc.; th. tas thēkas reverence men's graves, Pl.R.469a.
APOLLYON- Phoebus , i, m., = Phoibos (the radiant), I. a poetical appellation of Apollon as the god of light: “quae mihi Phoebus Apollon, Val. Fl. 1, 228: “Circe,” [CHURCH AS WORSHIP CENTER] daughter of Sol, Petr. 135.—John.York.Lipscomb.University.Austin.Graduate.School.of.Theology.htmlAbilene Christian University 1988 Instrumental Idolatry
http://www.pineycom.com/Amos-Five.html
THE JOHN T WILLIS GREAT RED DRAGON NOTES.
ANYONE WHO CLAIMS THAT GOD PROVIDED ANY MUSICAL WORSHIP INCLUDING INSTRUMENTS, NOTES PAUL IN EPHESIANS 4 IS LYING IN WAIT TO DECEIVE. NOW IS THE RIGHT TIME.
CLICK BELOW FOR NOTES ON AMOS 5 AS PATTERN FOR YOUR WORSHIP
John T. Lewis defends Amos and the music-in-worship pattern for the Christian Assembly. He and about everyone unwittingly approves the Levites "make the lambs and infants dumb before the slaughter by being burned" IF they practice social justice.
In a lecture at ACU in 1988 John T. Willis uses the word WORSHIP 32 times in connection with musical instruments.
All Hebrew, Greek or Latin words for worship demanded a reverent bowing with face toward the ground. Most often people worshipped by FALLING ON THEIR FACE in reverence and godly fear.
In connection with the not-commanded Civil-Military-Clergy complex abandoned to worship the starry host, the Jacob-cursed and god-abandoned Levites stood in ranks with instrument and sword. When they made a SOUND it was not worship but a warning that those present must bow or fall on their face or get hurt.
One out of Seven days for rest from work was to protect the people against exploiters: it protected workers from land owners and it protected the godly Jews from the Babylonian-inherited Seventh Day and Tithe. The Sabbath-Day Journey quarantined everyone to the very isolated settlements.
Sabbath never meant a day of WORSHIP. When the tribal representatives and warriors held festivals, often a HOLY CONVOCATION was held on the First and Eighth days. In time, the Church of the Rock could assemble each SABBATH day when they were free from work and had a vocational elder to READ the Word. Most people could LEARN IN SILENCE without interrupting the pattern of SPEAK or READ.
| The one-piece PATTERN for the non
Civil-Military-Clergy |
The OFT-Repeated PATTERN |
 |
Acts
15:21 For Moses of old time hath in every
city them that preach
him, being read in the
synagogues every sabbath day. Acts 13:27 For they that dwell at Jerusalem, and their RULERS, because they knew him not, nor yet the VOICES of the PROPHETS which are READ every sabbath day, they have fulfilled them in condemning him Eph. 2:19 Now therefore ye are no more strangers and foreigners, but fellowcitizens with the saints, and of the household of God; Eph. 2:20 And are BUILT UPON the foundation of the apostles and prophets, Jesus Christ himself being the chief corner stone; Col. 2:7 Rooted and built up in him, and stablished in the faith, as ye HAVE BEEN TAUGHT, abounding therein with thanksgiving. |
Is. 23:15 And it shall come to pass in that day,
that Tyre shall be forgotten seventy years, according to the days of one king:
after the end of seventy years shall Tyre sing as an harlot.
WHAT IS THE SONG OF THE HARLOT?
meretrix D. In gen., she that is first, a leader, directress, mistress (mostly poet.): “silvestris regina chori,” i. e. the leader, She who earns moncy; hence, a prostitute, harlot, courtesan: “ita sunt hic meretrices omnes elecebrae argentariae,
Is. 23:16 Take an [1] harp,chŏrus , i, m., = khoros [cf. Lidd. and Scott under khoros]. a troop or band of dancers and singers, a chorus, choir: “saltatores, citharistas,
cŭpĭdĭtas;' 'lĭbīdo
'cŭpĭdĭtas Agitators: b. Carnal desire, lust, Plin. 36, 5, 4, § 21; “of animals,” Col. 6, 27, 4.—
go about the city, thou harlot that hast been forgotten;
make sweet [2] melody,
sing many [2] songs, that thou mayest be remembered.
The singers and instrument players and THEIR talent ALWAYS wants to be remembered
The One-Piece Pattern for the assembly is that the WORDS of Christ be REMEMBERED for our learning. If the wife didn't catch on, she should ask her husband at home
1Cor. 11:25 After the same manner also he took the cup, when he had supped,
saying, This cup is the new testament in my blood:
this do ye, as oft as ye drink it, in REMEMBRANCE OF ME
PAUL WANTS MALE AND FEMALE TO BE SILENCE BEYOND LEARNING THE TRUTH OR THE WORD.
1Tim. 2:4 Who will have all men to be saved,
and to come unto the knowledge of THE TRUTH.
JESUS IS THE ONLY TEACHER OF THOSE HE HAS ADDED TO HIS SCHOOL BY REQUEST AT BAPTISM.
1Tim. 2:5 For there is ONE GOD,
and one mediator between God and men,
the man Christ Jesus;
The Lord's Supper again proves to those with eyes and ears the singular PATTERN for Disciples who are Students of Christ and do not DO human performances to prove to GOD that we know better.
1Tim. 2:6 Who gave HIMSELF a ransom for all,
to be TESTIFIED in due time.
1Pet. 1:11 Searching what, or what manner of timeThe separation of the GODLY CIVILIANS from the Civil-Military-Clergy is understood by any Bible Student happened when Aaron permitted the people to revert to the Egyptian (Apollo-Apollyon) Instrumental-Trinitarian-Perverted "play" to break out. The connection between religious "worship" and sexual or homosexual outbreak.
the SPIRIT of Christ [defining the assembly both Inclusively and Exclusively]
which was in them did signify,
when it TESTIFIED beforehand the sufferings of Christ, and the glory that should follow.
Rev. 19:10 And I FELL AT HIS FEED TO WORSHIP HIM..
And he said unto me, See thou do it not: I am thy fellowservant,
and of thy brethren that have the TESTIMONY of Jesus:
worship God:
for the TESTIMONY of Jesus is the SPIRIT of prophecy.
Rev. 12:11 And they overcame him by the BLOOD of the Lamb,
and by the WORD of their TESTIMONY;
and they loved not their lives unto the death.
Rev. 12:17 And the dragon was wroth with the woman,
and went to make war with the remnant of her seed,
which keep the commandments of God,
and have the TESTIMONY of Jesus Christ.
Carol Wimber and the Fuller Pattern
This is an appropriate response to God if the church is on that crest.
It is inappropriate if it is whipped up or if the focal point is on the dance rather than on true jubilation in the Lord.Expression then moves to a zenith, a climatic point, not unlike physical lovemaking (doesn't Solomon use the same analogy in the Song of Songs?). We have expressed what is in our hearts and minds and bodies,
and now it is time to wait for God to respond. Stop talking and wait for him to speak, to move. I call this, the fourth phase, visitation: The almighty God visits his people.
"And Euripides does likewise, in his Bacchae, citing the Lydian usages at the same time with those of Phrygia, because of their similarity:
But ye who left Mt. Tmolus (Sardis was on this mt.), fortress of Lydia, revel-band of mine, women whom I brought from the land of barbarians as my assistants and travelling companions,
There are, it may be, so many kinds of voices in the world, and none of them is without signification. 1 Corinthians 14:10
Therefore if I know not the meaning of the voice, I shall be unto him that speaketh a barbarian, and he that speaketh shall be a barbarian unto me. 1 Corinthians 14:11
uplift the tambourines native to Phrygian cities, inventions of mine and mother Rhea.
And again, happy he who, blest man, initiated in the mystic rites, is pure in his life, . . . who, preserving the righteous orgies of the great mother Cybele, and brandishing the thyrsus on high, and wreathed with ivy, doth worship Dionysus.
Come, ye Bacchae, come, ye Bacchae, bringing down (double entendre) Bromius, (boisterous one) god the child of god, out of the Phrygian mountains into the broad highways of Greece.
"Come Holy Spirit, come, make us truly new creatures in Christ"
Who changed the
truth of God into a lie,
and worshipped and
served the creature more than the Creator, who is blessed for
ever. Amen. Rom 1:25
For this cause
God gave
them up unto vile affections:
for even their women
did change the natural use into that which is against
nature: Rom 1:26
And
likewise also the men, leaving the natural use of the
woman,
burned in their lust
one toward another; men with men working that which is
unseemly, and receiving in themselves that recompence of
their error which was meet. Rom 1:27
History proves that MELODY as TUNEFUL "belongs to the 19th century." A one-note melody was back-up even to speaking in the style of cantillation
Cantillation: the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points.
In connection with the not-commanded Civil-Military-Clergy complex abandoned to worship the starry host, the Jacob-cursed and god-abandoned Levites stood in ranks with instrument and sword. When they made a SOUND it was not worship but a warning that those present must bow or fall on their face or get hurt.
Exodus.32.Worship.of.Golden.Calf
Exod 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings;
and the people sat down to eat and to drink, and rose up to pla
See 2 Peter 2 for Peter's warning
2 Peter 2:13 And shall receive the reward of unrighteousness,\
as they that count it pleasure [Hedonism: sensual pleasure,
LUST. Outlawed Rom 15]
to riot in the day time.
Spots they are and blemishes,
sporting themselves Rising up to PLAY
with their own deceivings
while they feast with you
Truph-ē softness, delicacy, daintiness, 2 Ep.Pet.2.13; II. luxuriousness, wantonness, “tōn gunaikōn hē t.” Ar.Lys.387; t. kai akolasia, t. kai malthakia,THEY CLAIM THAT GOD IS IGNORANT: IF HE WANTED TO SPEAK OF "TUNEFULL" MELODY HE WOULD HAV USED
Paison paizô [pais] 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2; “meta tinos” LXX Ge.26.8; of mares
kalamophthogga paizōn:
prosepiterpetai d' ho phormiktas Apollōn,
melos limb
NOTES ON AMOS 5 AS PATTERN FOR YOUR WORSHIP
Melos defines dismembering the text into syllables which allows IF God ever commanded SINGING, would be the Hebrew cantillation. You can "sing" all of Scripture with a one or two note meloyd.
1. music to which a song is set which is OPPOSITE to
rhuthmos, metron
Jesus SPOKE what God's Spirit put into His MOUTH without metron or any METER
2. OPPOSITE rhuthmos, rhēma,
3. melody of an instrument, “phormigx d' au phtheggoith' hieron m. ēde kai aulos”
HH 4 502 When Hermes had said this, he held out the lyre: and Phoebus APOLLYON took it, and readily put his shining whip in Hermes' hand, and ordained him keeper of herds. The son of Maia received it joyfully, [500] while the glorious son of Leto, the lord far-working APOLLYON, took the lyre upon his left arm and tried each string with the key [psallo]. Awesomely it sounded at the touch of the god, while he sang sweetly to its note.
Afterwards they two, the all-glorious sons of Zeus turned the cows back towards the sacred meadow, [505] but themselves hastened back to snowy Olympus, delighting in the lyre. Then wise Zeus was glad and made them both friends. And Hermes loved the son of Leto continually, even as he does now, when he had given the lyre as token to the Far-shooter, [510] who played it skilfully, holding it upon his arm. But for himself Hermes found out another cunning art and made himself the pipes whose sound is heard afar.
NOTES ON AMOS 5 AS PATTERN FOR YOUR WORSHIP
Melos defines dismembering the text into syllables which allows IF God ever commanded SINGING, would be the Hebrew cantillation. You can "sing" all of Scripture with a one or two note meloyd.
Amos 5:16 Therefore the LORD, the God of hosts, the Lord, saith thus;
Wailing shall be in all streets; and they shall say in all the highways,
Alas! alas! and they shall call the husbandman to mourning,
and such as are skilful of lamentation to wailing.
Amos 5:17 And in all vineyards shall be wailing:
for I will pass through thee, saith the LORD.
Amos 5:18 Woe unto you that desire the day of the LORD! to what end is it for you?
the day of the LORD is darkness, and not light.
Amos 5:19 As if a man did flee from a lion, and a bear met him; or went into the house,
and leaned his hand on the wall, and a serpent bit him.
Amos 5:20 Shall not the day of the LORD be darkness, and not light?
even very dark, and no brightness in it?
God didn't command the slaughter of innocent animals so the clergy could feast without working. However, God said "If I were hungry I would not ask you.
Jeremiah.7.Silence.html
> For
I spake NOT unto your fathers, nor commanded
them
in the day that I
brought them out of the land of Egypt,
concerning burnt offerings or
sacrifices: Jeremiah 7:22
> But this
thing
commanded I them, saying,
Obey my voice, and I will be your God, and ye
shall be my people:
and walk ye in all the
ways that I have commanded you,
that it may be well
unto you. Jeremiah 7:23
but walked in the counsels and in the imagination of their evil heart,
and went backward, and not forward. Jeremiah 7:24
Amos 5:21 I hate, I despise your feast days,
and I will not smell in your solemn assemblies.
Amos 5:22 Though ye offer me burnt offerings and your meat offerings,
I will not accept them: neither will I regard the peace offerings of your fat beasts.
Amos 5:23 Take thou away from me the noise of thy songs;
for I will not hear the melody of thy viols.
Amos 5:[23] aufer a me tumultum carminum tuorum et cantica lyrae tuae non audiam [24]2172 zimrah, zim-raw´; from 2167; a musical piece or song
to be accompanied by an instrument:—melody, psalm.
1. of instrumental music ו Amos 5:23 ).
Zimrah (h2172) zim-raw'; from 2167; a musical piece or song to be accompanied by an instrument: - melody, psalm.
tŭmultus , “canunt ignes subitosque tumultus,” “tumultu armorum et cantuum
carmen , a tune, song, air, lay, strain, note, sound, both vocal and instrumental “carmine vocali clarus citharāque
Two concluding observations seem appropriate.
First, the playing of instruments is often connected with
“singing” in the Hebrew Bible
After quoting all of the Old Testament passage where only 2 or
three are defined as MELODY John T. Willis
(adofortheHebrewshir-“sing,”and
psallo for the Hebrew zamar= “make melody”),
and the use of these same two
Greek words in Ephesians 5:19 demonstrate that Paul borrowed
these terms from the LXX Hebrew Bible. The word zarnar, “to
make melody,” “refers exclusively to joyful singing of
praises to God, often accompanied by stringed instruments of
various types”6 in the Hebrew
Bible. Accordingly, Paul’s admonition to the Ephesians
is to sing joyful praises to the Lord.
Eph.
5:19 SPEAKING to
yourselves in psalms and hymns and spiritual songs,
2167. זָמַר zamar, zaw-mar´; a primitive root (perhaps ident. with 2168 through the idea of striking with the fingers); properly, to touch the strings or parts of a musical instrument, i.e. play upon it; to make music, accompanied by the voice; hence to celebrate in song and music:—give praise, sing forth praises, psalms.
