2Pet. 2:1 But there were false prophets also among the people,
        even as there shall be false teachers among you,
        who privily shall bring in damnable heresies,
        even denying the Lord that bought them, and bring upon themselves swift destruction.

2Pet. 2:2 And many shall follow their pernicious ways;
        by reason of whom the WAY of truth shall be evil spoken of.

THAT WAY
HODOS


2.a way of doing, speaking, etc., têsd'aph'hodoudizêsios Parm.1.33 , cf. 8.18 ; triphasiasallasho. logônways of telling the story, Hdt.1.95, cf. 2.20,22 ; but triphasiasho. trepetai turns into three forms,Id.6.119 ; adikonho. ienaiTh.3.64 ; ho. hêntin'iôn by what course of action,Ar.Pl.506, cf. Nu.75 ; ênechomenho. logônId.Pax733 ; mialeipetai . . ho. Pl.Smp.184b .

3
.  method, system, hodōmethodically, systematically ,Pl.R.533b, Stoic.2.39, etc. ; so “kath' hodonPl.R.435a ; “tēn dia tou stoikheiou ho. ekhōn egraphenId.Tht.208b (cf. “diexodon208a). 4.  of the Christian Faith and its followers, Act.Ap.9.2, 22.4, 24.14.


4.
of the Christian Faith and its followers, Act.Ap.9.2, 22.4, 24.14. (Root sed- 'go', in Skt. sad-, ā-sad- 'come to', 'reach', OSlav. choditi 'go'.)

Plat. Theaet. 208b Socrates Yes, but with his opinion he has rational explanation; for he wrote with the method in terms of letters in his mind, and we agreed that that was rational explanation.

There is, then, my friend, a combination of right opinion with rational [logon] explanation, which cannot as yet properly be called knowledge?

THE ONLY PURPOSE
Method-os , , (meta, hodos)  Pattern II. pursuit of knowledge, investigation, Pl.Sph.218d, 235c, al.; m. poieisthai to pursue one's inquiry, ib.243d; “en prōtē m.Arist.Pol.1289a26: hence, treatise, Dam.Pr.451.
2. mode of prosecuting such inquiry, method, system, Pl.Phdr.270c, Arist.EN1129a6, Pol.1252a18, etc.; “ dialektikē m.Pl.R.533c,

2Pet. 2:3 And through covetousness shall they with feigned words make merchandise of you:
        whose judgment now of a long time lingereth not, and their damnation slumbereth not.

This is anyone who fabricates sermons or songs when Jesus did all of the expounding free of charge.
Empor-euomai, 2. to be a merchant, traffic, Th.7.13, X.Vect.3.3, etc.; “logoisinCom.Adesp.269: c. acc., trade in, “gēnLXX Ge.34.21.
b. metaph., diaitan hēntin' emporeuetai what manner of lite he leads, E.Fr.812.6; e. tēn philosophian to make a trade of it
Philosoph-ia
A. love of knowledge, pursuit there of, speculation, Isoc.12.209, Pl.Phd.61a, Grg. 484c, al.; “ ph. ktēsis epistēmēsId.Euthd.288d; defined as askēsis epitēdeiou tekhnēs, Stoic. in Placit. 1 Prooem.2.
2. systematic, methodical treatment of a subject, “empeiria metithi kai philosophiaIsoc.2.35; peri tas eridas ph. scientific treatment of argumentation, Id.10.6; peri tous logous ph. the study of oratory, Id.4.10: pl., “hoi en tais ph. polun khronon diatripsantesPl.Tht.172c; “tekhnai kai ph.Isoc.10.67. when an Adj. or some qualifying word is added to “ theia ph.Pl.Phdr.239b;
Thei-azō , (theios A)
A. to be inspired, frenzied, hoposoi autous theiasantes epēlpisan as many as made them hope by divinations, Th.8.1; th. kai theophoreitai is divinely inspired, Ph.1.479; hoposoi teletais etheiazon obtained inspiration through ritual, Philostr.Her.5.3.
2. prophesy, “hoti stratopedeusoitoD.C.Fr.57.48:—Pass., [“logos epi teleutē tou Alexandrou etheiasthēArr.An.7.18.6; “logion hupo tou homilou theiasthenD.C.62.18.
II. worship as divine, Id.59.27; “Puthagoran kai PlatōnaDam.Isid.36:—Pass., Max.Tyr.8.9.

2Pet. 2:17 These are wells without water,
        clouds that are carried with a tempest;
        to whom the mist of darkness is reserved for ever.
2Pet. 2:18 For when they speak great swelling words of vanity,
        they allure through the lusts of the flesh,
        through much wantonness,
        those that were clean escaped from them who live in error.
2Pet. 2:19 While they promise them liberty,
        they themselves are the servants of corruption:
        for of whom a man is overcome, of the same is he brought in bondage.
2Pet. 2:20 For if after they have escaped the pollutions of the world
        through the knowledge of the Lord and Saviour Jesus Christ,
        they are again entangled therein, and overcome,
        the latter end is worse with them than the beginning.
2Pet. 2:21 For it had been better for them not to have known the way of righteousness,
         than, after they have known it, to turn from the holy commandment delivered unto them.
2Pet. 2:22 But it is happened unto them according to the true proverb,
        The dog is turned to his own vomit again; and the sow that was washed to her wallowing in the mire.

In fact, Revelation is parallel to Amos 8: when you HEAR the self-speakers, Muses and Instrument players it is the sound of God removing the "lamps" or the seven spirits OF Christ.

do--In a physical sense, anything but---

2Chr. 20:18 And Jehoshaphat bowed his head with his face to the ground:
        and all Judah and the inhabitants of Jerusalem FELL BEFORE THE LORD
         WORSHIPING THE LORD.

1Cor. 14:25 And thus are the secrets of his heart made manifest;
        and so FALLING DOWN ON HIS FACE
        will WORSHIP God, and report that God is in you of a truth.

Rev. 7:11 And all the angels stood round about the throne,
        and about the elders and the four beasts,
        and FELL before the throne on their faces,
        and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat before God on their seats,
        FELL UPON THEIR FACES and WORSHIPPED God,

BRANDON SCOTT OR HIGHLAND IS CHRISTIAN OR A CHURCH OF CHRIST


PROOF ONE: WHY RICK ATCHLEY AND THE POST-BIBLICAL THEOLOGIANS CANNOT BE CHRISTIANS.

John 8:26 I have many things to say and to judge of you:
        but he that sent me is true;
        and I SPEAK to the world those things which I have HEARD of him.
John 8:27 They understood not that he spake to them of the Father.
John 8:28 Then said Jesus unto them,
        When ye have lifted up the Son of man,
        then shall ye know that I am he,
        and that I do nothing of myself;
                but as my Father hath TAUGHT me,
                I SPEAK these things.

GOD as masculine never taught Jesus to SING any of His Words.

John 8:29 And he that sent me is with me:
        the Father hath not left me alone;
         for I DO always those things that PLEASE him.
John 8:30 As he spake these WORDS, many believed on him.
John 8:31 Then said Jesus to those Jews which believed on him,
        IF ye continue in my WORD, THEN are ye my disciples indeed


Distinct from other groups in the Restoration Movement, mainline Churches of Christ have been known for years for their stand against the use of instruments in accompaniment to spiritual songs. Historically, this position has not been held as a matter of preference or judgment. It has been a stated doctrinal position, and most of the leaders for nearly a century who stated it made it a test of fellowship −a matter of heaven and hell! However, this century-old position is fading fast in this group of churches, but it is not yielding easily.

The TEST of fellowship was made when Instrumentalists took the MARK well defined in Scripture. This happened when men trashed Holy Scripture and claimed that A spirit was now leading them. That is a fact: SPIRITUS marks Apollyon the bisexual Introducer of Musical Melody. His Muses or LOCUSTS are his musical worship team. Their task is to drive the godly out.

Stark.Warlick.Debate.God.Authorizes.Instruments.Music.html

Stark p11 As Paul indorses the Scriptures of the Old Testament to Timothy, so Peter indorses the prophets as proclaiming the same things sent preached by the evangels of the gospel with the Holy Spirit sent down from heaven.
        That I am right in this is evident from the testimony of the other side.  Those who reject the Old Scriptures on the music question cannot preach a sermon or write a book or an essay against organs without going to the Old Testament continually.

I have never known a man who rejected the Old that was not narrow and bigoted and domineering in his teachings of the New.  By the prophets was the character of god made known, and the principles he would develop in men were ty them set forth.  Peter connectes the prophets of the Old and the evangelso of the New under the guiding of the same Spirit whe he, speaking of the great salvation of their souls.
Stark  In the Stark Warlick Debate,  thought of worship as the emotion of the soul and that it might "produce singing, shouting, praising, leaping, dancing, hand clapping, or thanksgiving and such should not be suppressed by man made rules."

hese commands of men are the creed of their division of God's people.  Like Paul's '"man of sin," they have taken their place in the temple of God and assume to speak as God.  God put it into his sanctuary by command; and if he has not taken it out, it remains there, unless some one claiming superior authority to God shall as God put it out of the temple of God. That character Paul calls "the man of sin who opposseth and exalteth himself above all that is called God: The Doom of such is HELL I need no authority for using it; for where there is no law, there is no transgression. [p.15]

Lexis.Ode.gif

SPIRIT is never a person: it means that God put His WORD into the MOUTH of the PROPHETS and Jesus of Nazareth for the LAST TIME.

And they shall make a spoil of thy riches, and make a prey of thy merchandise: and they shall break down thy walls, and destroy thy pleasant houses: and they shall lay thy stones and thy timber and thy dust in the midst of the water. Ezek 26:12
 

And I will cause the NOISE of thy songs to cease; and the SOUND of thy harps shall be no more heard. Ezek 26:13
 

And I will make thee like the top of a rock: thou shalt be a place to spread nets uponthou shalt be built no more: for I the Lord have spoken it, saith the Lord God. Ezek 26:14

Thus saith the Lord God to Tyrus; Shall not the isles shake at the sound of thy fall,  when the wounded cry, when the slaughter is made in the midst of thee? Ezek 26:15

Then all the princes of the sea shall come down from their thrones, they shall clothe themselves with trembling; they shall sit upon the ground,  and shall tremble at every moment, and be astonished at thee. Ezek 26:16
 
Harps.Bowls.gif
Rev. 19:4 And the four and twenty elders and the four beasts fell down and worshipped God that sat on the throne, saying, Amen; Alleluia.
Rev. 19:19 And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.
Rev. 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.
Ezek. 33:4 Then whosoever heareth the sound of the trumpet, and taketh not warning; if the sword come, and take him away, his blood shall be upon his own head.

Ezek. 33:30 Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses, and speak one to another, every one to his brother, saying, Come, I pray you, and hear what is the word that cometh forth from the Lord.

Ezek. 33:31 And they come unto thee AS the people cometh,
      and they sit before thee
AS my people,
      and they hear thy WORDS,
           but they will not do them:
for with their MOUTH they shew much love,
          BUT their heart goeth after their covetousness.

WHICH IS COMPARED TO SOMETHING ELSE HYPOCRITICAL
Ezek. 33:32 And, lo, thou art UNTO them
         as a very lovely SONG
         of one that hath a pleasant VOICE,
         and can PLAY WELL on an INSTRUMENT:
                 for they hear thy words,
               but they do them not.


THE BEAST THE MOTHER OF HALOTS RIDES TO USE SORCERY TO TAKE AWAY YOUR INHERITANCE

da^pa^n-aō  2. consume, use up, phusis d. ton thoronArist.GA757a25; “khronon eis of persons, to be destroyed,

thērion , III. as a term of reproach, beast.
kolaki, deinō thēriōPl.Phdr.240b;
mousikē aei ti kainon thērion tiktei

Meaning: A new style of music or drama!

Tarta^r-os , the nether world generally,

And altogether the ancient philosoj)hy of the Greeks appears to have been very much addicted to music; and on this account they judged Apollo to have been the most musical and the wisest of the gods, and Orpheus of the demigods. And they called every one who devoted himself to the study of this art a sophist, as
Aeschylus does in the verse where he says — And then the sophist sweetly struck the lyre.

Musae (Mousai). In Greek mythology the Muses were originally the nymphs of springs, whose waters gave inspiration, such as Hippocrené, Castalia, etc.; then goddesses of song in genera. They are all female and are considered goddesses dwelling in Olympus, who at the meals of the gods sing sweetly to the lyre of Apollo. They are the nine daughters of Zeus. 

Sophis-tês , ou, ho, master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun A.Fr.314 , cf. Eup.447, Pl.Com. 140; sophistêi Thrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with mod


There can be no question that the younger generations in the Mainline Church of Christ are rejecting the prohibitions of using instrumental music in WORSHIP.

http://www.pineycom.com/Rick.Atchley.Chris.Seidman.Instrumental.Music.Delusion.html

Rick Atchley: The era of the progressive Church of Christ is over.

Back in the 80’s you could go to any major city, especially in the South,
        and you could find a progressive Church of Christ —
        and if they would preach grace,
        and if they would put words on a screen,
        and if they would let divorced people place membership, they would grow.

The generation of Boomers has enough denominational loyalty that they’re going to find the least legalistic Church of Christ they can find, and that’s where they’re going to attend.

Well, we discipled the children of those progressive churches for a whole generation to grow past us Boomers.
They never heard the sermons we heard.
They never heard the rationale for a cappella music.
We sent them to youth rallies and Church of Christ events with some of the finest Christian bands in the world.
We discipled our children to leave our Movement!”

They’re not leaving the kingdom of God, and I’m not saying that — so please hear me say,
        I’m not placing the health of the Movement above the kingdom of God — 
        I want my kids to love Jesus, but I do think that Churches need to understand.
        If you look at most of the “progressive Churches of Christ” across the country,
        they’re plateaued. In fact, they are in decline.

They are older and smaller, and their kids are gone. Their kids have fond memories of growing up in that church. The church taught them about Jesus, but now they are somewhere else.

You know, when I hear some of those old arguments about music, because of my history, even though I disagree, at least I can connect the dots and see how you got there. My children don’t even have the graph paper!
“An Afternoon with Rick Atchley and Chris Seidman, Part 4” (New Wineskins, September – December 2010)

COUNT THE WORSHIP WORDS! Lucifer (Apollyon) was Cast out of Heaven as the Singing and Harp-playing prostitute.

Jeanene.P.Reese.Theology.of.Women.Teachers

Paul defines that as a STRONG DELUSION or "claiming to replace God."

It is a STRONG DELUSION that God ever commanded a DAY for worship.
It is a STRONG DELUSION that God ever commanded any action by the hands of men as worship.
It is a STRONG DELUSION to claim that Jesus died in vain unable to "supply all that applies to life and godliness."
It is a STRONG DELUSION that God ever authorized ANY FUNDING for any funded STAFF to ride on the backs of widows
It is a STRONG DELUSION to claim that God commanded SINGING with or without a Mechanical Device.
It is a STRONG DELUSION and a LIE that there is a Law of Tithing or a Law of Giving

It is the DEFINITION of a CULT to operate a center of SANCTITY with command authority, controlling the member's life several days during the week.

THE CHRISTIAN ASSEMBLY IS A SCHOOL OF CHRIST AND SPIRITUAL OR RATIONAL WORSHIP IS READING AND UNDERSTAND A "LECTION" MADE BY "THE DIVINE."

For God is my witness,
        whom I serve WITH my SPIRIT [place]
        in the GOSPEL of his Son,  [Truth, Word or Logos as Regulative Principle]
        that without ceasing
        I make mention of you always in my prayers;

g4352. proskuneo, pros-koo-neh´-o; from 4314 and a probable derivative of 2965 (meaning to kiss, like a dog licking his master’s hand); to fawn or crouch to, i.e. (literally or figuratively) prostrate oneself in homage (do reverence to, adore): — worship.

John 4:23
But the hour cometh, and now is,
        when the true worshippers shall
        worship the Father IN 
SPIRIT [place]
        and IN TRUTH:     
[Truth, Word or Logos as Regulative Principle]
        for the Father seeketh such to worship him…
John 4:24 God is a
SPIRIT
         and they that worship him must worship him in SPIRIT and in
TRUTH
John 4:25 The woman saith unto him, I know that Messias cometh,
        which is called Christ: when he is come, HE WILL TELL US ALL THINGS

Phil. 3:2 Beware of dogs, [homosexuals]
        beware of evil workers, beware of the concision.
Phil. 3:3 For WE are the circumcision,
        which worship God IN the
SPIRIT [place]
        and rejoice in Christ Jesus,
        and have no confidence
N the FLESH [place]

THE ONE-PIECE PATTERN FROM THE WILDERNESS ONWARD.

Acts 15:21 For Moses of old time hath in every city them that preach him, being read in the synagogues every sabbath day.

 h4744.Miqra.gif

INCLUDING EVERETT FERGUSON WHO COULDN'T STAND THE FEMINIST HEAT.

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the voices of the prophets
        which are read every sabbath day,
        they have fulfilled them in condemning him

THE APPROVED EXAMPLE OF JESUS.

Luke 4:16 And he came to Nazareth,
        where he had been brought up:
         and, as his custom [PATTERN] was,
         he went into the synagogue on the sabbath day,
        and stood up for to READ.
Acts 13:15 And after the reading of the law and the prophets the rulers of the synagogue sent unto them, saying, Ye men and brethren, if ye have any word of exhortation for the people, say on.

Many in the older generation claim that the younger ones are becoming liberal and are little concerned with the authority of Scripture. Although some among their younger generation likely are becoming less concerned with biblical authority, the reasons for change are not that simplistic.

For example, when I changed my position on this issue,
        I had not become less concerned
        with the place of biblical authority
        and I was definitely not a member of the younger generation.

Yet, I became unconvinced by the doctrinal arguments made against the use of instrumental music in WORSHIP,
        although I had made them myself for many years when a part of that group.
        It is not a matter of indifference when declaring such issues to be matters of absolute faith rather than personal opinions and preferences.

How can there be any connection to historic Christianity as A School of the Word, leave a movement but TAKE THE property of Widows and HONEST wage earners who were NEVER forced to tithe.

Naga.The.Serpent.Instrumental.Musician.html

Genesis 3:13 And the LORD God said unto the woman, What is this that thou hast done? And the woman said, The serpent beguiled me, and I did eat.

Serpo   B.Transf., of things, to move slowly or imperceptibly, to creep along, proceed gradually,
II.Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
per agmina murmur,(bestiascanam,

murmur , dulcedo orationis  Of wind-instruments: “cornuum,the sound, Hor. C. 2, 1, 17: inflati buxi, of the tibia, Ov. M. 14, 537: “aurium,a singing in the ears,
Canam, exsistit sacer ignis et urit corpore serpens,slowly spreading fire, bring to destruction, reduce to ruin, destroy

Agmĕna  crowded into a compact mass, Of a snake winding onwards Eap. of a company of persons, a multitude, troop, crowd, number, band
1. An army, troop, band, multitude: clāmor  —Of things, noise, sound, din căvus , “tibia,id. 2, 620:
bucina = A. A war-trumpet  b. = inanis, vain, empty: “gloria,
Tībĭa , a pipe, flute (orig. made of bone; curva choros indixit tibia Bacchi,modulate canentes tibiae,
Bestĭa , 2. As a term of reproach (cf. belua and our beast): “mala tu es bestia,Plaut. Bacch. 1, 1, 21; id. Poen. 5, 5, 13.—And, humorously, of the odor of the armpits (cf. ala and caper), Cat. 69, 8.—
căno , cĕcĭni, cantum (ancient I.imp. cante = canite,
once canituri,Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
tibicen  cithara, crowing of a cock: “galli victi silere solent, canere victores,to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.

"Kenite" is a rendition of Hebrew According to Gesenius, the name is derived from the name Cain (קַיִן Qayin).[5] According to A. H. Sayce, the name `Kenite', Qéní, is identical an Aramaic word meaning `a smith', which in its turn is a cognate of Hebrew Quayin, with the meaning `a lance'.

H7014 qayin kah'-yin The same as H7013 (with a play upon the affinity to H7069 ); Kajin, the name of the first child, also of a place in Palestine, and of an Oriental tribe:--Cain, Kenite (-s).
H7013
qayin kah'-yin From H6969 in the original sense of fixity; a lance (as striking fast): spear.

H6969 qun koon A primitive root; to strike a musical note, that is, chant or wail (at a funeral): lament, mourning woman.

Worship of God is to FALL ON YOUR FACE.  There is no Scripture with anyone WORSHIPING by Preaching, Listening, singing, playing instruments, acting or Pay for Play

"in PRIMITIVE religion any violent or abnormal emotional state was attributed to the gods and regarded as mystical. Both in the Bible and in Homer there are examples of misleading and catastrophic inspiritation. When Jehovah wished King Ahab to be killed in battle, he put a 'lying spirit' in the mouths of his prophets in order that they might encourage the king to go to war (I Kings, xxii, 22)." (Parkes, p. 33)

"What primative men... wanted from the gods was health and strength, riches and long life, and they hoped to attain these things chiefly by ritual and sacrifice rather than by good conduct. The methods of early religion always remained largely magical, and its motivations thoroughly materialistic." (Parkes, p. 36).

Drak-izō ,  A.play the buffoon, Gloss.
dra^keis , drakēnai , drakon , A.v. derkomai:—but draken: energei, prassei, is prob. f. l. for dedraken, Hsch.
geloi-astēs , ou, ho, A. jester, buffoon, Ptol. Megalop.2, LXX Jb.31.5, Poll.5.128, prob. in Luc.Merc.Cond. 4.
Job 31.5 "If I have walked with falsehood, And my foot has hurried to deceit

Elelizô ( ēlelizonHsch., poet. “elelizonMaiist.42, Nonn.D. 2.525: mostly in aor. (v. infr.):—Pass., impf.h.Hom.28.9: Ep.aor. “eleliktoIl.13.558: pf. “eleligmaiCerc.6.18:—whirl round, peri skhediēn elelixe to kuma] Od.5.314; d' elelikhthē nēus] 12.416.

--2. Med. and Pass., move in coils or spires, of a SERPENT, “tēn d' elelixamenos pterugos labenIl.2.316; ep' autou (sc. telamōnos)“ elelikto drakōn11.39, cf. A.R.4.143; “speiras opheōn elelizomenēAr.Fr. 500. Rev 13
G1404 drakōn drak'-own Probably from an alternate form of δέρκομαι derkomai (to look); a fabulous kind of serpent (perhaps as supposed to fascinate):—dragon.
drakōn A.dragon, serpent, Il.11.39, al.; interchangeable with ophis, 12.202, 208, cf. Hes. Th.322, 825, Pi.N.1.40, A.Th.292
IV. = kērukeion, prob. a wand with a serpent coiled round it, S.Fr.700 (cf. 701).

-kēruk-eion   A.herald's wand, Hdt.9.100, Th.1.53,

II. in Il. of an army, cause it to turn and face the enemy, rally it, spheas ôk' elelixen Aias 17.278 :--in Pass., hoi d' elelichthêsan 5.497 , 6.106; cf. helissô 11.1 .

III. cause to vibrate, megan d' elelixen Olumpon, of Zeus, ib.1.530, cf. 8.199; ; phormigga e. make its strings quiver, Pi.O.9.13;; asteropan elelixais Id.N.9.19 :--Med., hippon . . agôniôi elelizomenos podi mimeo Simon.29 :--Pass., quake, tremble, quiver, elelichthê guia Il.22.448 ; elelikto, of a brandished spear, 13.558; amphi de peplos elelizeto possin h.Cer.183 ; megas d' elelizet' Olumpos h.Hom. l.c.; phorminx elelizomena Pi.P.1.4 . (In Hom. elel- may have been substituted for eWel- (WeWel- in elelikto); cf. helissô.)

phorm-inx , ingos, hê, lyre, freq. in Hom., esp. as the instrument of Apollo, phormingos perikalleos hên ech' Apollôn Il.1.603 , cf. 24.63, Od.17.270, Hes.Sc.203; of Achilles, phrena terpomenon phormingi ligeiêi kalêi daidaleêi Il.9.186 ; with seven strings (after Terpander's time), heptaktupos, heptaglôssos, Pi.P.2.71, N.5.24; antipsallôn elephantodeton ph. Ar.Av.219 (anap.).

anti-psallô , play a stringed instrument in accompaniment of song, a. elegois phorminga Ar.Av.218 .

2. ph. achordos, metaph. for a bow, Arist.Rh.1413a1


John.T.Willis.Feminists.Roots.of.Apostasy.html

See Malachi chapter 4
Malachi 4:1 For, behold, the day cometh, that shall burn as an oven; and all the proud, yea, and all that do wickedly,
         shall be stubble: and the day that cometh shall burn them up,
         saith the LORD of hosts, that it shall leave them neither root nor branch.

cămīnus A furnace, incesssant labor, ov Vulcan, C. Prov.: “oleum addere camino,to pour oil upon the fire, to aggravate an evil, Hor. S. 2, 3, 321. ignis , Charis A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: “exarsere ignes animo,Verg. A. 2, 575: “saevos irarum concipit ignes,Val. Fl. 1, 748
quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,”  (Dido) caeco carpitur igni,the secret fire of love, Verg. A. 4, 2

Understanding the religion of the PHARISEES should help us grasp the sobering fact that binding what God did not bind is just a great a sin as loosing what God did not loose. Legalism and liberalism are both very dangerous ends of the spectrum of using the Bible in wrong ways. Christian freedom extends into many practical areas of the spiritual life, and music in WORSHIP is one such area in my studied opinion and subsequent conviction.


Isaiah 9:14 Therefore the Lord will cut off from Israel head and tail, branch and rush, in one day.
Isaiah 9:15
The ancient and honourable, he is the head;
        and the prophet that teacheth lies, he is the tail.

Isaiah 9:16
For the leaders of this people cause them to err;
        and they that are
led of them are destroyed.

Isaiah 9:17
Therefore the Lord shall have no joy in their young men,
        neither shall have mercy on their fatherless and widows:

        for every one is an
hypocrite and an evildoer,

hypocrĭta
or -es , ae, m., = hupokritēs.
I. A mime who accompanied the delivery of an actor by gestures, Suet. Ner. 24; Quint. 2, 17, 12; 11, 3, 7.—
II. In eccl. Lat., a hypocrite, Vulg. Job, 8, 13; id. Matt. 6, 2; id. Luc. 12, 56 al.

Matthew 6.2Therefore when you do merciful deeds, don't sound a trumpet before yourself, as the hypocrites do in the synagogues and in the streets, that they may get glory from men. Most assuredly I tell you, they have received their reward.

salp-izō , fut. sound the trumpet, salpigxi rhuthmous s. X.An.7.3.32: c

Hupokritikos 2.suited for speaking or delivery, actor's art, acting a part, pretending to. Hupokrites 2. of an orator, poikilos  rhapsodist, pretender, dissembler, hypocrite , interpreter, expounder l Epos

A hypocrite is: A. A. Poikilos 2. of Art, p. humnos a song of changeful strain or full of diverse art, Pi.O.6.87; “poikilon kitharizōnId.N.4.14; “dedaidalmenoi pseudesi poikilois muthoiId.O.1.29; of style, “lexis poiētikōtera kai p.Isoc.15.47skhēmatismoiD.H.Is.3.

A hypocrite is: B.Epos A. vácas 'word', 'hymn', cf. eipon):
1.  song or lay accompanied by music, 8.91,17.519.
IV. in pl., epic poetry, opp. melē (lyric poetry), iambeia, dithuramboi, etc., “rhaptōn epeōn aoidoiPi.N.2.2 ; “ta Kupria epeaHdt.2.117, cf. Th.1.3, X.Mem.1.4.3, Pl.R.379a, etc. ; “epea te poiein pros luran t' aeideinTheoc.Ep.21.6 ; “nikēsas eposIG3.1020 ; poētēs epōn ib.7.3197.9 (Orchom. Boeot.), cf. OGI51.37 (Egypt, iii B.C.).
   
The Nicolaitans were always the pagan musical clergy who TRIUMPHED over the Laity.
nikaō , Ion. nikeō Democr.249, Herod.1.51, also GDI1413.16 (Aetol.), SIG265.4 (Delph., iv B.C.), v.l. in Apoc.2.7; Aeol. nikēmi Theoc.7.40, AP7.743 (Antip.); also in impf. nikē cj. in Pi.N.5.5, cf. Theoc.6.46: Ep. impf. 1pl.
2. prevail, be superior, muthoisin, egkhei, Il.18.252; “doloisiOd.3.121; kallei enika (sc. krētēr) Il.23.742; “pasan aretēn nenikēkōsPl.Lg.964c: c. part., “euergetōn n.X.Ages.9.7.
4. c. inf., succeed in . . , “enikēse skorpisaiPsalm.Solom.4.13.


Hebrews 12:25 See that ye refuse not him that speaketh.
        For if they escaped not who refused him that spake on earth,
        much more shall not we escape, if we turn away from him that speaketh from heaven:
Hebrews 12:26 Whose voice then shook the earth: but now he hath promised, saying,
        Yet once more I shake not the earth only, but also heaven.
Hebrews 12:27 And this word, Yet once more,
        signifieth the removing of those things that are shaken,
        as of things that are made, that those things which cannot be shaken may remain.

Hebrews 12:28 Wherefore we receiving a kingdom which cannot be moved,
        let us have grace, whereby we may serve God acceptably
        with reverence and godly fear:

Hebrews 12:29
For our God is a consuming fire.

That TRUMPET sound at Mount Sinai:
Asaleutos
[sa^, on, A. unmoved, unshaken,a. Arist.Mu.392b34; of Delos, AP9.100 (Alph.); “estai asaleuton pro ophthalmōnLXXEx. 13.16, al.; “prōraAct.Ap.27.41; of the sea, prob. in Plu.2.982f: metaph. of the mind, E.Ba.391 (lyr.); “a. hēsukhiaPl.Ax.370d; pistis Polystr.p.10 W.; “basileiaEp.Hebr.12.28; “stala a. Hymn. Is.4; “nikēIG9(1).270 (Atalante); a. menein, of ordinances,
Eur. Ba. 391 Misfortune is the result of unbridled mouths and lawless folly; but the life of quiet [390] and wisdom remain unshaken and hold houses together. Though they dwell far off in the heavens the gods see the deeds of mortals. [395]
        But cleverness is not wisdom, nor is thinking on things unfit for mortals.
        Life is short, and on this account the one who pursues great things
        does not achieve that which is present. In my opinion,
        [400] these are the ways of mad and ill-advised men.
REVERENCE
Eulab-eia  2. c. gen., caution or discretion in a thing, “pollē eu. toutōn poiēteaAntipho 3.3.11;
Caution to prevent, avoid,  hēulabeia tōn poioumenōnS.OC116
learning is the safe course of our course

GODLY FEAR
DEOS fear, alarm

http://www.pineycom.com/Instrumental.Music.as.Religious.Sorcery.html


Danny Dodd and Royce Ogle Legalism

Having said that, it is only right to share why my past views of the subject changed. Providing some background of the interpretive viewpoints of the non-instrumental folks is the logical starting place.

The key argument against the use of instruments has been the argument on the basis of “silence” in the NT. Only the word “sing” is found there, and no reference is made to “playing.” Therefore, say those using this interpretation, instrumental music is strictly forbidden, and to use it is to go beyond the Scriptures (1 Corinthians 4:6).


Another way to describe the reasoning behind forbidding instrumental music involves the alleged principle that a general command or example allows the choice of any specific, while a specific command or example rules out other specifics. One of the oldest and most simple illustrations is one drawn from God’s command to Noah about building the ark prior to the great flood. According to Genesis 6:14, God commanded that the ark be built from gopher wood (cypress in the NIV). Thus, to use any other type of wood in the construction instead of, or in addition to, this type would be going beyond what God said and thus would constitute disobedience. Had he said simply to build the ark from wood, any type or types of wood could have been chosen by Noah, but once a specific was given, that ruled out anything but the type specified.

So goes the argument regarding music in WORSHIP. Had God simply said to “make music,” any type of music could be chosen, but since God specified singing (vocal music), this rules out other types of music instead of, or along with, vocal music. If the argument is valid, the use of instrumental music is divinely forbidden. But is this simplistic argument the end of the matter? Does the Bible shed more light on the subject, light that would allow more latitude in the WORSHIP of God? Important questions, those.

Although we are not under the Mosaic covenant, the OT setting can teach us some valuable lessons. Read the following passages to get a feel for the approved use of the instruments in that period of time:

David told the leaders of the Levites to appoint their brothers as singers to sing joyful songs, accompanied by musical instruments: lyres, harps and cymbals (1 Chronicles 15:16).

When David was old and full of years, he made his son Solomon king over Israel. He also gathered together all the leaders of Israel, as well as the priests and Levites. The Levites thirty years old or more were counted, and the total number of men was thirty-eight thousand. David said, ‘Of these, twenty-four thousand are to supervise the work of the temple of the LORD and six thousand are to be officials and judges. Four thousand are to be gatekeepers and four thousand are to praise the LORD with the musical instruments I have provided for that purpose’” (1 Chronicles 23:1-5).

At the dedication of the wall of Jerusalem, the Levites were sought out from where they lived and were brought to Jerusalem to celebrate joyfully the dedication with songs of thanksgiving and with the music of cymbals, harps and lyres (Nehemiah 12:27).

The most notable thing to realize from these settings is that the use of instruments was not a part of the Law of Moses (the original Law given at Mount Sinai). They were actually introduced by David, as the non-instrumentalists correctly affirm. Yet, 2 Chronicles 29:25 states that God commanded their use! “He stationed the Levites in the temple of the LORD with cymbals, harps and lyres in the way prescribed by David and Gad the king’s seer and Nathan the prophet; this was commanded by the LORD through his prophets.” To say the least, God allowed the OT people a fair amount of latitude in deciding how to WORSHIP (even under a system which tended much more in the direction of a legal exactness).

As previously stated, the traditional Church of Christ interpretation asserts that the mention of “sing” rules out “play.” But in the OT setting, this distinction is not proved but rather contradicted. The use of the word “sing” did not preclude the use of instruments. 1 Samuel 21:11 says, “But the servants of Achish said to him, ‘Isn’t this David, the king of the land? Isn’t he the one they sing about in their dances: Saul has slain his thousands, and David his tens of thousands’?” Note that only “sing” is mentioned in this context. However, in 1 Samuel 18:6-7, a parallel passage, we read: “When the men were returning home after David had killed the Philistine, the women came out from all the towns of Israel to meet King Saul with singing and dancing, with joyful songs and with tambourines and lutes. As they danced, they sang: ‘Saul has slain his thousands, and David his tens of thousands’.”

Another very important consideration concerns the original church described in Acts, which was totally Jewish for a number of years.


From the establishment of the church in Acts 2 until Ephesians 5:19 (with its specific command to “sing”), over 20 years had passed. How did those Jews, who were quite accustomed to WORSHIPping with an instrument, know that “sing” ruled out the use of instruments? Other Jewish practices continued for quite some time, with at least God’s tacit approval. For example, Paul took a vow and shaved his head as a part of that vow (Acts 18:18). At James’s insistence, Paul entered the temple with four brothers who had taken vows and were observing the rites of purification (Acts 21:20-24). For a fairly lengthy period (at least up to AD 70 at the destruction of the temple), Jewish Christians practiced many aspects of Judaism as a matter of custom.  Are we to conclude that these early disciples with Jewish backgrounds could, for at least this period of time, observe these Jewish ordinances as a matter of custom, and yet be guilty of sin if they continued to use instrumental music in WORSHIP? To me, that seems like a huge hermeneutical leap.

What are the key principles of hermeneutics (interpretation) which can help to determine the truth on this subject? Although the OT was much more a code of specific commands than is the NT, even then men added some far reaching practices which were never disapproved of by God. The entire synagogue system was introduced by men during the captivity period. Yet, Jesus went into the synagogue every Sabbath as was his custom (Luke 4:16). The Feast of Purim was added during the time of Esther, and became a regular feast of the Jews. Yet, neither of these practices was mentioned in the Law itself.

In most discussions of the subject of instrumental music, pro or con, much is made of the exact words in the NT words for singing. Ephesians 5:19 and Colossians 3:16 are the focal point of such discussions. They read as follows: “Speak to one another with psalms, hymns and spiritual songs. Sing and make music in your heart to the Lord” (Ephesians 5:19). “Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God” (Colossians 3:16).

The Greek word for sing, “Psalmos” (from “Psallo”), is the word which is often discussed most in this connection. The evolution of the meaning of this word is a matter on importance. In ancient Greek, the word meant “to pluck” or something similar. It did not originally imply plucking a stringed instrument, but with the passage of time and the development of the Greek language, it did come to imply the use of a musical instrument. As the language further evolved, the idea of plucking an instrument was no longer inherent in the word itself. In modern Greek, “psallo” means “to sing” and carries no idea of playing an instrument.




Vocal or Instrumental Psallo is NOT Psallō IN THE HEART or SILENT.  The Key factor in the Christian Assembly is that both male and female remain silent "so that we might all come to a knowledge of THE TRUTH or the Word of God.
Lexis.Ode.gif
Religious Music was performed by WOMEN or EFFEMINATE Males.  They both thought that their condition and public persona proved that they spoke for the "gods."  Paul then rebuffs all mediators in song and sermon but the READER because:

1Tim. 2:5 For there is ONE GOD
        and one mediator between God and men,
        the MAN Christ Jesus;

Paul prevents and outbreak of WRATH or an ORGY

The Evil Psallo  I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,Sall. C. 25, 2  canituri,”  SING and cantare marked as SORCERY.    saltare et cantare; Cic. Catil. 2.10.23   Suet. Tit. 3

Saltatio   Dancing was originally closely connected with religion. Plato thought all dancing should be based on religion, as it was, he says, among the Egyptians. It has been shown under Chorus that the chorus in the oldest times consisted of the whole population of a city, who met in a public place to offer up thanksgivings to the god of their country by singing hymns and performing dances. These dances, which, like all others, were accompanied by music, 

In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.

Rhetoric was forever at pains to disentangle itself from unwanted associations with female deception and histrionic art, because it was viewed as the art of socially weak women and slaves,and rhetoricians of all ages have assiduously fought against any trace of bodily and vocal practice associated with these groups.

However, from the examples that I have just used, it is evident, I believe, which art of music I consider appropriate in the training of the orator and to what extent.

Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed.

I refer rather to the music of old with which people used to sing the praises of brave men and which the brave themselves used to sing. 

But this fact does not justify degeneration into sing-song or the effeminate modulations now in vogue. There is an excellent saying on this point attributed to Gaius Caesar while he was still a boy:

"If you are singing, you sing badly; if you are reading, you sing."

The Evil Psallo psallere saltare   ēlĕgans   I. In the ante-class. period in a bad sense, luxurious, effeminate, fastidious, nice: elegans homo non dicebatur cum laude “mulier (Phrynewith formo

saltātor , ōris, m. salto,
I.a dancer (generally among the Romans with an accessory contemptuous signif.), Cic. Off. 1, 42, 150; id. Mur. 6, 13; id. Deiot. 10, 28; id. Fin. 3, 7, 24; Quint. 1, 12, 14; 11, 3, 89; Suet. Calig. 54; id. Ner. 6; Macr. S. 2, 10 al.

--saltātĭo , ōnis, f. id.,
I. a dancing; concr., a dance, Quint. 1, 11, 18 sq.; 2, 18, 1; Scipio Afric. ap. Macr. S. 2, 10: “multarum deliciarum comes est extrema saltatio,Cic. Mur. 6, 13; id. Brut. 62, 225; id. Fin. 3, 7, 24; Quint. 11, 3, 128; Suet. Tit. 7 al.Plur., Plaut. Stich. 5, 2, 11.
--dēlĭcĭae , ārum, f. (sing. dēlĭcĭa , ae, f.; [delicio; that which allures, flatters the senses], delight, pleasure, charm, allurement; deliciousness, luxuriousness, voluptuousness, curiosities of art; sport, frolics, etc. (freq. and class.; for syn. cf.: voluptas, libido, delectatio, oblectatio, delectamentum, oblectamentum).
E-lēgo , āvi, 1, v. a.,
I.to convey away (from the family) by bequest, to bequeath away, Petr. 43, 5; Gai. Inst. 2, 215.
Girardian Reflections on the Lectionary:
5.4.2
Behind the anthropological predilections against the victim's perspective, there is a very practical, quasi-historical reason: namely, the victim is shunned and often killed. In the ancient world, the role of music during ritual sacrifice was often to drown out any cries from the victim. (45) It is crucial that the victim not be heard. The practical mechanics of making victims means that it is unusual for the victim's perspective to survive. In the world of ancient ritual it was probably impossible.


45. The Greek verb myo means to close the mouth or shut the eyes. There is debate about whether myo plays a crucial role in the etymology of other significant words such as myth, mystery, and even music. These etymologies make sense within the Girardian hypotheses.
          Myth means to close ourselves to the victim
                and tell the tale according to the perpetrator's perspective;
          mystery cults are based on the silence of the victims; music derives from drowning out
          the voice of the victim

5.5 In general, then, the survival of the victim's perspective is highly unusual as a historical phenomenon -- until more recent history, that is, when the victim's perspective has finally established a beachhead in Western culture, namely, the cultures most often in closest contact with the Gospel (more on this below). (And it must be emphasized that the close contact is in the category of being an accident of history and not by any meritorious claims for Western culture. In short, the perspective of the victim has established a place in Western culture not because of any inherent merit in Western culture but because of the historical accident of being in close proximity to the Gospel over a long period of time.)

mŭlĭer , II. Transf., as a term of reproach, a woman, i. e. a coward, poltroon: “non me arbitratur militem, sed mulierem,Plaut. Bacch. 4, 8, 4.

Cic. Catil. 2.10.23 In these bands are all the gamblers,
        all the adulterers, all the unclean and shameless citizens.
        These boys, so witty and delicate,
        have learnt not only to love and to be loved,
            not only to sing and to dance,
            but also to brandish daggers and to administer poisons;
       and unless they are driven out,
       unless they die, even should Catiline die, 
       I warn you that the school of Catiline would exist in the republic.
But what do those wretches want? Are they going to take their wives with them to the camp? how can they do without them, especially in these nights? and how will they endure the Apennines, and these frosts, and this snow?
      unless they think that they will bear the winter more easily
      because they have been in the habit of dancing naked at their feasts. O
war much to be dreaded, when Catiline is going to have his bodyguard of prostitutes!

Suet. Tit. 3 While yet a boy, he was remarkable for his noble endowments both of body and mind; and as he advanced in years, they became still more conspicuous.
        He had a fine person, combining an equal mixture of majesty and grace;
        was very strong, though not tall, and somewhat corpulent.
Gifted with an excellent memory, and a capacity for all the arts of peace and war; he was a perfect master of the use of arms and riding; very ready in the Latin and Greek tongues,
        both in verse and prose; and such was the facility he possessed in both,
        that he would harangue and VERSIFY extempore.
        Nor was he unacquainted with MUSIC,
                but could both SING and PLAY upon the HARP sweetly and scientifically.
        I have likewise been informed by many persons,
                that he was remarkably quick in writing short-hand,
                would in merriment and jest engage with his secretaries
                in the imitation of any hand-writing he saw, and often say, "
                that he was admirably qualified for forgery."

The Evil Psallo includes: Phrȳ , ēs, f., = Phrunē.
I. A celebrated hetœra in Athens, so wealthy that she offered to rebuild the city of Thebes after it had been destroyed by Alexander: “nec quae deletas potuit componere Thebas Phryne,Prop. 2, 6, 6; cf. Quint. 2, 15, 9; Val. Max. 4, 3, ext. 3.—
II. A Roman courtesan, Hor. Epod. 14, 16.—
Quint. Inst. 2 15.9 So also according to general opinion Phryne was saved not by the eloquence of Hyperides, admirable as it was, but by the sight of her exquisite body, which she further revealed by drawing aside her tunic. And if all these have power to persuade, the end of oratory, which we are discussing, cannot adequately be defined as persuasion.

componere   Plin. praef. § 25: carmen,Cic. Mur. 12, 26: “carmina,Tac. Or. 12; id. A. 3, 49: “epistulasblanditias tremulā voce,T

2. In a bad sense, soft, effeminate, unmanly, weak (syn. effeminatus): “philosophus tam mollis, tam languidus, tam enervatus,Cic. de Or. 1, 52, 226: “Sabaei,Verg. G. 1, 57: “viri molles, i. e. pathici,Liv. 33, 28; Sen. Ep. 87: “disciplina,effeminate,
III. A procuress, Tib. 2, 6, 45.

The Evil Psallo includes:  căno , cĕcĭni, cantum (ancient I.imp. cante = canite, “once canituri,Vulg. Apoc. 8, 13), 3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn; Engl. chanticleer; kuknos, ciconice; Sanscr. kōkas = DUCK; A. With carmen, cantilenam, versus, verba, etc., to sing, play, rehearse, recite
Rev. 8:12 And the fourth angel sounded,
        and the third part of the sun was smitten,
        and the third part of the moon,
        and the third part of the stars;
        so as the third part of them was darkened,
        and the day shone not for a third part of it, and the night likewise.
Rev. 8:13 And I beheld, and heard an angel flying through the midst of heaven,
        saying with a loud voice, Woe, woe, woe,
        to the inhabiters of the earth by reason of
        the other voices of the trumpet of the three angels,
        which are yet to sound!
ka^na^kh-ē , Dor. -Kha, , (kanassō) Od.6.82; odontōn men k. pele gnashing of teeth, Il.19.365, Hes.Sc.164:
k. aulōn sound of flutes, Pi.P.10.39 (pl.), B.2.12, cf. S.Tr.642 (lyr.); of the lyre, h.Ap.185.
ka^na^kh-eō , a Verb expressing various sounds, kanakhēse de Khalkos
A.r ang, clashed, Od.19.469; kanakhousi pēgai plash, Cratin.186; kanakhōn holophōnos alektōr crowing, ., k. melos to let a song ring loud, A.R.4.907.

CLANGING BRASS
khalkos    “sidēros de kai kh. polemōn organaPl.Lg.956a  SUITABLE FOR OFFERINGS IN TEMPLES OR ANATHEMA
organon , to, (ergon, erdō) A.instrument, implement, tool, for making or doing a thing,
3. musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho men di' organōn ekēlei anthrōpous, of Marsyas, Pl.Smp.215c ; aneu organōn psilois logois ibid., cf. Plt.268b ; “o. polukhordaId.R.399c, al.; “met' ōdēs kai tinōn organōnPhld.Mus.p.98K.; of the pipe, Melanipp.2, Telest.1.2.
Sal. Cat. 25 In the number of those ladies was Sempronia, a woman who had committed many crimes with the spirit of a man. In birth and beauty, in her husband and her children, she was extremely fortunate;
        she was skilled in Greek and Roman literature;
        she could sing, play, and dance, *
        with greater elegance than became a woman of virtue,
and possessed many other accomplishments that tend to excite the passions. But nothing was ever less valued by her than honor or chastity. Whether she was more prodigal of her money or her reputation, it would have been difficult to decide. Her desires were so ardent that she oftener made advances to the other sex than waited for solicitation. She had frequently, before this period, forfeited her word, forsworn debts, been privy to murder, and hurried into the utmost excesses by her extravagance and poverty. But her abilities were by no means despicable; she could compose verses, jest, and join in conversation either modest, tender, or licentious. In a word, she was distinguished by much refinement of wit, and much grace of expression.

* Sing, play, and dance] “Psallere, saltare.” As psallo signifies both to play on a musical instrument,  
  and to sing to it while playing, I have thought it necessary to give both senses in the translation.

However  Psallō.   used in Scripture does NOT include plucking a harp to make music.

Even the Vocal or Instrumental Psallo  II. In partic., in ecclestiacal Latin, to sing the Psalms of David, Hier. Ep. 107, 10; Aug. in Psa. 46; 65; Vulg. 1 Cor. 14, 15

Everyone in Corinth wanted to speak their own sermons and sing their own songs. They wanted to speak in their own tongue or MINOR DIALECT while most in Corinth could understand Koine Greek. Unless there was someone to translate they should keep silent.

1Cor. 14:15 What is it then?
        I will pray WITH the spirit,
        and I will pray WITH the understanding also:
        I will sing WITH the spirit,
        and I will sing WITH the understanding also.

SPEAKING connected to TONGUES includes Playing Musical Instrument.
 

The question at hand is just where this evolution of the term was at the time when the NT was written (during the Koine Greek period). Actually, different writers come out on both sides of the coin in their study of authorities on this matter. In reading the writings of these men, and the sources which they quote as their authorities, I am not convinced either way. I do not believe that the Greek either demands an instrument or excludes it. The focus in the NT passages is that we are to sing thankfully and sincerely from the heart. Whether we do this type of singing with instrumental accompaniment or without it seems not to be the focus of God. If he intended to make the use of instrumental music an incidental issue, as I think he did, how could he have done it any better than the way he had the NT actually worded?

The whole issue likely is a very simple one.
        Singing is the vital aspect of WORSHIP that God wanted us to employ and enjoy,
        but instrumental music is a matter of expediency
it is a choice. If God had commanded the use of instrumental music,
        WORSHIP
would have been much less flexible as far as the physical setting was concerned.

Jesus said that the place of WORSHIP was to be unimportant in the church (John 4:21-24). In other words, WORSHIPping in the outdoors or in a cave during a time of persecution would be a simple, convenient matter. If instrumental music had been bound, then the place of assembling would have been more important and more difficult to arrange.


For God is my witness,
        whom I serve WITH my SPIRIT [place]
        in the GOSPEL of his Son,  [Truth, Word or Logos as Regulative Principle]
        that without ceasing
        I make mention of you always in my prayers;

g4352. proskuneo, pros-koo-neh´-o; from 4314 and a probable derivative of 2965 (meaning to kiss, like a dog licking his master’s hand); to fawn or crouch to, i.e. (literally or figuratively) prostrate oneself in homage (do reverence to, adore): — worship.

John 4:23
But the hour cometh, and now is,
        when the true worshippers shall
        worship the Father IN 
SPIRIT [place]
        and IN TRUTH:     
[Truth, Word or Logos as Regulative Principle]
        for the Father seeketh such to worship him…
John 4:24 God is a
SPIRIT
         and they that worship him must worship him in SPIRIT and in
TRUTH
John 4:25 The woman saith unto him, I know that Messias cometh,
        which is called Christ: when he is come, HE WILL TELL US ALL THINGS

Phil. 3:2 Beware of dogs, [homosexuals]
        beware of evil workers, beware of the concision.
Phil. 3:3 For WE are the circumcision,
        which worship God IN the
SPIRIT [place]
        and rejoice in Christ Jesus,
        and have no confidence
N the FLESH [place]


2Chr. 20:18 And Jehoshaphat bowed his head with his face to the ground:
        and all Judah and the inhabitants of Jerusalem FELL BEFORE THE LORD
         WORSHIPING THE LORD.

1Cor. 14:25 And thus are the secrets of his heart made manifest;
        and so FALLING DOWN ON HIS FACE
        will WORSHIP God, and report that God is in you of a truth.

Rev. 7:11 And all the angels stood round about the throne,
        and about the elders and the four beasts,
        and FELL before the throne on their faces,
        and WORSHIPPED God,
Rev. 11:16 And the four and twenty elders, which sat before God on their seats,

        FELL UPON THEIR FACES and WORSHIPPED God,

Abram FELL on his face, and God talked with him, saying, Leviticus 9:24    

Then fire came out from before the Lord and consumed the burnt offering
        and the portions of fat on the altar; and when all the people saw it,
        they shouted and
FELL on their faces. Numbers 24:4    

The oracle of him who hears the words of God,
        Who sees the vision of the Almighty, FALLING down, yet having his eyes uncovered, 1 Samuel 5:3    

When all the people saw it, they FELL on their faces; and they said, “The Lord, He is God; the Lord, He is God.” Nehemiah 8:6   

God evidently did not have the NT writers mention the use of instruments in WORSHIP
        in order to make sure that we did not bind their use.

To say that the lack of mention forbids their use is another thing entirely. It would seem that the use of instruments is simply a matter of expediency or choice. God is far more concerned about our hearts in WORSHIP than about the physical trappings one way or another. As one who WORSHIPped without the use of instruments for the first 45 years of his life, and who has WORSHIPped with the use of instruments since that time, I can say without hesitation that my heart has been affected spiritually in a positive way more with than without instrumental music. My personal experience cannot be used to displace the authority of Scripture, to be sure, but the truth of God tends to become rather self-evident with the passage of time. Biblically and practically, I would put instrumental music in WORSHIP in the realm of Christian freedom and preferences. In time, it will be left there by virtually everyone in the mainstream membership of restoration churches, just as many other similar issues of opinion have been.

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