Rick Atchley-Chris Seidman Instrumental Music Delusion

Standing in the Holy Place Claiming to be God. Willing to sow massive discord without following the Last Will and Testament of Jesus. Such wills defined by all of Holy Scripture uses the Gender-Trap of SPEAK or READ. Don't let anyone deprive of your Perfect Law of Liberty given to HEIRS only.

Jesus now exists as the ONLY RABBI in the STATE of HOLY SPIRIT.
SPIRIT is a parable of FIGURATIVE always recorded as God only puts His WORD into the MOUTH of Moses, Elijah (prophets) and for the LAST TIME, the Man Jesus of Nazareth.  Jesus spoke ONLY what He had been revealed by the Father (teacher).  To guard against those who want you to drink their KoolAid, recorded Scripture debunks them:

Matt. 11:27 ALL things are delivered unto me of my Father:
        and no man knoweth the Son, but the Father;
        neither knoweth any man the Father, save the Son,
        HE he to whomsoever the Son will reveal him.
John 14:21 He that hath my commandments, and keepeth them,
        he it is that loveth me:
        and he that loveth me shall be loved of my Father,
        and I will love him, and will manifest myself to him.
John 14:24 He that loveth me not keepeth not my sayings:
        and the word which ye hear is not mine,
        but the Father’s which sent me.

The god of Musical Worship and Effeminate drama (the beast) is the SPIRITUS which leads men into using instruments as Sorcery id Apollyon: the locusts or MUSES are his worship team of adulterers become SHEPHERDESS.

John 6:63 It is the SPIRIT that quickeneth;
        the flesh profiteth nothing:
        the WORDS that I SPEAK unto you,
        they are SPIRIT, and they are LIFE

1Cor. 15:45 And so it is written, The first man Adam was made a living soul; the last Adam was made a quickening spirit.

WHEN RICK ATCHLEY HEARD A SPIRIT THIS WAS THE RESULT BEYOND REDEMPTION.

Mark.10.They.Shall.Mock.Him.With.Music

There no Holy Scripture example of anyone said to worship God by Preaching, Listening, Singing, Playing an Instrument, Acting or Pay to Play.

No education at once-Christian universities will be based on false teachings of people who REJECT Holy Scripture and just make up their sermons for sale.  Anyone who thinks that the Synagogue or Church consisted of anything beyond SPEAKING or READING that which is written FOR OUR LEARNING.

Rick.Atchley.Yes.The.Bible.Is.The.Blueprint.html

Rick.Atchley.Anathema.and.Musical.Worship.html

Christian.Standard.Interview.With.Rich.Atchley.html

Rick.Atchley.Acts.17.25.God.Not.Worshipped.Mens.Hand.html

Rick.Atchley.Denies.Christ.html

--Rick.Atchley.2013.Revelation.19.html

Rick.Atchley.and.The.Fifth.Trumpet.html

Rick.Atchley.Apostate.Teachings.html

Acts.8.Preaching.for.Pay.and.Simony.html

Rick.Atchley.Law.of.Silence.html

http://www.pineycom.com/Rick-Atchley-Old.html

Miller.Atchley.1.html

-- The.Both.And.Church.Rick.Atchley.html
    contains list of papers check

DeaconessIndex.html

Rick.Atchley.Advanced.Homilectics.And.Devil.Worship.html

Truitt.Adair.Rick.Atchley.Instruments.html

The.Both.And.Church.Rick.Atchley.html

Rick.Atchley.What.Jesus.Hates.html

Rick.Atchley.The.Spirit.of.Truth.and.Power.html

Rick.Atchley.The.Kingdom.of.God.html

Rick.Atchley.The.Deal.About.Baptism.html

Rick.Atchley.Pepperdine.2013.Revelation.The.Seven.Churches.html

Rick.Atchley.Musical.Mocking.Jesus.to.the.Cross.html

Rick.Atchley.Hearing.From.God.html

--Rick.Atchley.Chris.Seidman.Instrumental.Music.Delusion.html

Rick.Atchley.and.The.Fifth.Trumpet.html

Rick.Atchley.ACU.Sowing.Discord.Among.Brethren.html

Rick.Atchley.2013.Revelation.19.html

Rick.Atchley.2013.Revelation.19-20.html

Rick.Atchley.2013.NACC.Revelation.21.html

NACC.Victorius.Revelation.Rick.Atchley.html

Psalm.75.Rick.Atchley.Chris.Seidman.html

Jay.Guin.Reflections.Rick.Atchley.Chris.Seidman.html

Christian.Standard.Interview.With.Rick.Atchley.html

Rick-Atchley-Music.html

DeaconessElders.html

Rick Atchley Defends Instrumental

--http://www.pineycom.com/Rick-Atchley-Old.html






Home Page One
Home Page Two
Forum at Tapatalk Mark of the Beast
Forum at Tapatalk Max Lucado Blasphemy
Jesus defined Holy Scripture as the Prophets and other Prophecies "concerning Me."  Ephesians 2:20 a church, by definition, will be built upon or educated by the Prophets and Apostles: that is the absolute one-piece pattern from the wilderness onward.  1 Peter 1:20 outlawed "private interpretation" or "Further expounding." False prophets and false preachers "go beyond that which is written for our LEARNING. Peter and the Spirit speaking throuth Isaiah 55 says that those who do anything else proves that they are false teachers.  Isaiah 55 equates Spirit and Word and shows that any kind of performance (rhetoric or music) proves that "There is no Light In Them."

This is a quick look at Psalm 75, which like Numbers 10 defines the synagogue or Church of Christ in the wilderness which EXCLUDED vocal or instrumental rejoicing.  NO ONE PLAYS A Harp in the WORSHIP SENSE in all of Scripture and most Church History.  Worship means to FALL ON YOUR FACE.  Worship otherwise is of Apollyon, Beast, 666 and his female-effeminate "fruits" in Revelation 18 called SORCERERS who will be or ARE being CAST ALIVE INTO THE LAKE OF FIRE.

John Mark Hicks: While Revelation 4 focused on the worth of the Creator who sits on the throne,
        Revelation 5 turns our attention to the dramatic investiture
        of the one who is worthy to break the seals and unroll the scroll.
Revelation 4 portrays the reality of the heavenly throne room where the sovereign God,
        sitting on the throne, receives worship as the great benefactor of the cosmos–the one by whom all creation exists and to whom belong all creation’s gratitude. Revelation 5 portrays the story of redemption as the one who is worthy to open the book is worshipped because that one has redeemed creation from the powers of evil that enslave it. In essence we move from creation to redemption, from the sovereign enthroned one who invests another with redemptive authority, honor and power.

 

John Mark Hicks, Chris Seidman handled by David Faust to transistion to instrumental Idolatry.
If we had any doubt whom the twenty-four elders represented, what they hold in their hands removes it.
        Enthroned around the throne, they hold harps (kithara)  and bowls of incense. 

They perpetually worshipped the one who sits on the throne,
        and their worship includes musical praise (symbolized by the instruments) and prayer.

The kitharas and bowls of incense remind us of temple worship in Israel as they were part of the liturgical cultus (cf. Psalms 33:2-3; 141:2; 147:7; 150:3-5), and this worship continues in the heavenlies. The twenty-f0ur elders are gathered in the Holy of Holies to worship God. They embody Israel’s temple worship in which the twenty-four (both Israel and the church) participate.

Plutarch Marcus Antonius:  Antonius living merrily and quietly abroad), he easily fell again to his old LICENTIOUS life.
For straight, one Anaxenor, a player of the cithern  ,
        
       Strab. 14.1 Magodi;⁸⁴ Cleomachus the pugilist, who was enamoured of a certain cinædus, and a female servant, who was maintained by the cinædus, imitated the sort of dialect and the manners of the cinædi.The theatres had raised the reputation of Anaxenor, the player on the cithara, but Antony elevated him as high as possible, by appointing him receiver of the tribute from four cities, and by giving him a guard of soldiers for the protection of his person

Xoutus, a player of the flute,
Metrodorus a tumbler, and such
a rabble of minstrels and fit ministers for the pleasures of Asia
(who in fineness and flattery passed all the other PLAGUES he brought with him out of Italy), all these flocked in his court, and bare the whole sway: and after that all went awry.  For every one gave themselves to riot and excess, when they saw he delighted in it: and all Asia was like to the city Sophocles speaketh of in one of his tragedies:

Was full of sweet perfumes and pleasant songs,
With woeful weeping mingled there-amongs.

For in the city of Ephesus, women, attired as they go in the feasts and sacrifice of Bacchus, came out to meet him with such solemnities and ceremonies as are then used:
        with men and children disguised like fauns and satyrs.
        Moreover, the city was full of ivy, and darts wreathed about with ivy,
        psalterions   flutes, and howboyes;

The melodious noyse of trumpets and howboyes;
The musicall instruments of schalmes, howboyes and sicklyk;

and in their songs they called him Bacchus, father of mirth,
        courteous and gentle: and so was he unto some,
        but to the most part of men cruel and extreme.

For he robbed noblemen and gentlemen of their goods,
        to give it unto vile flatterers: who oftentimes begged living men's goods, as though they had been dead,
        and would enter their houses by force.
        As he gave a citizen's house of Magnesia unto a cook, because (as it is reported) he dressed him a fine supper.
        In the end he doubled the taxation, and imposed a second upon Asia

Aristotle, P:olitics: -[1339b] Instead of learning to enjoy it rightly and be able to judge it when they hear others performing, as the Spartans do? for the Spartans although they do not learn to perform can nevertheless judge good and bad music correctly, so it is said.

And the same argument applies also if music is to be employed for refined enjoyment and entertainment; why need people learn to perform themselves instead of enjoying music played by others?
And we may consider the conception that we have about the gods: Zeus does not sing and harp to the poets himself.

But professional musicians we speak of as vulgar people,
and indeed we think it not manly to perform music,
except when drunk or for fun.

But perhaps these points will have to be considered afterwards; our first inquiry is whether music ought not or ought to be included in education, and what is its efficacy among the three uses of it that have been discussed--does it serve for education or amusement or entertainment?

It is reasonable to reckon it under all of these heads, and it appears to participate in them all.
Amusement is for the sake of relaxation, and relaxation must necessarily be pleasant, for it is a way of curing the pain due to laborious work;

also entertainment ought admittedly to be not only honorable but also pleasant, for happiness is derived from both honor and pleasure; but we all pronounce music to be one of the pleasantest things, whether instrumental or instrumental and vocal music together, at least

Musaeus says, 'Song is man's sweetest joy,' and that is why people with good reason introduce it at parties and entertainments, for its exhilarating effect, so that for this reason also one might suppose that the younger men ought to be educated in music.

For all harmless pleasures are not only suitable for the ultimate object but also for relaxation; and as it but rarely happens for men to reach their ultimate object, whereas they often relax and pursue amusement
 not so much with some ulterior object but because of the pleasure of it,

it would be serviceable to let them relax at intervals in the pleasures derived from music. But it has come about that men make amusements an end;

for the end also perhaps contains a certain pleasure, but not any ordinary pleasure,
and seeking this they take the other as being this because it has a certain
resemblance to the achievement of the end of their undertakings. There was never a church at Cenchrea: The Ekklesia was a Civil assembly which PUT LAWS FROM A HIGHER AUTHORITY IN EFFECT. Phoebe was the lady who made certain that traveling preachers claiming to speak for god be escorted to the next sheep leaving port. Greek civilized society did not tolerate speakers, singers, instrument players or actors who tried to SELL their parasitic trade: they escorted him across "County Line."

JESUS SAID THAT RICK ATCHLEY NOR ANY MEGA PERSONS ARE NOT DISCIPLES OF CHRIST OR CHRISTIANS.




THEOLOGY IS THE MARK OF APOLLYON, LEADER OF THE LOCUSTS OR HIS MUSICAL WORSHIP TEAM

Theolog-eō ,    A.discourse on the gods and cosmology, Arist. Metaph.983b29; “peri tinōn”c.; Dia auton ton Phaethonta [Jupiter, son of Apollon]

Theolog-os A.one who discourses of the gods, of poets such as Hesiod and Orpheus [one of the sects silenced in Rome] Arist.Metaph.1000a9, cosmologists“theologoi kai poiētai” [poet, singers you make yourself] of diviners and prophets, “th. kai manties” Philol.14; hoi Delphōn [APOLLYONS ORACLE]

MANTIES were the Mad Women of Corinth: manti^s  female witchcraft of Spiritual Formation. ho mantis mantin ekpraxas eme, of Apollo and Cassandra,“ho Thrēxi m.” E.Hec.1267 (of Dionysus), That Thracian or Threskia as IMPURE religion. 2. metaph., presager, foreboder,
II. a kind of grasshopper, the praying mantis, Mantis religiosa, Theoc.10.18,

THEOLOGIANS BUILDING COMMERCIAL "WORSHIPING" PERFORMERS ARE THE LEGALIST.

Matt. 22:35 Then one of them, which was a lawyer, asked him a question, tempting him, and saying,

Nom-ikos  after the manner of law, i.e. in a broad, general way,
forensic agōnes, Opposite logikoi, ēthikoi,  learned in the law,

Titus 3.9 but shun foolish questionings, genealogies, strife, and disputes about the law; for they are unprofitable and vain.

agōn gathering, assembl, exō agōnos assembly met to see games. out of the lists or course, i.e. beside the mark,
II. assembly of the Greeks at the national games, contest for a prize at the games, a. gumnikos, hippikos, mousikos,
4. speech delivered in court or before an assembly or ruler, 6. mental struggle, anxiety, b. of speakers, vehemence, power,

GOD IS HIS WORD OR LOGOS, IN THE SAME CLASS  AS HE IS SPIRIT, LIGHT, LIFE, WISDOM.
SPIRIT IS FIGURATIVE OR A PARABLE MEANING "GOD PUTS HIS WORD INTO THE MOUTH OF JESUS OF NAZARETH FOR THE LAST TIME.

Jesus said that God HIDES from the wise or Sophists: Preachers beyond the WORD, Singers, instrument players, actors or any self-exhibition always a gender problem.

logi^k-os , ē, on, (logos) A.of or for speaking or speech, merē l. the organs of speech,
speech, OPPOSITE. mousikē,   sullogismoi, OPPOSITE. rhētorikoi

mousi^kē (sc. tekhnē), hē, A.any art over which the Muses presided, esp. poetry sung to music,  [Defined as PARASITES] Pi.O.1.15, Hdt.6.129; “mousikēs agōn” Th.3.104, pros aulon ē luron sing to LYRE  “hup' aulois  FLUTE tis hē tekhnē, hēs to kitharizein kai to adein kai to embainein orthōs; “mousikēn moi dokeis legein”II. generally, art or letters, “mousikē kai pasē philosophia proskhrōmenos”

PROOF ONE: WHY RICK ATCHLEY AND THE POST-BIBLICAL THEOLOGIANS CANNOT BE CHRISTIANS.

John 8:28 Then said Jesus unto them,
        When ye have lifted up the SON OF MAN
        then shall ye know that I am he,
        and that I do NOTHING of MYSELF;
but as my Father hath TAUGHT me,
        I speak these things.

John 6:63 It is the SPIRIT that quickeneth;
        the FLESH profiteth nothing:
        Rick Atchley-Chris Seidman rhetoric, listening, singing, playing intsruments,
            acting, PAY FOR PLAY is ANTICHRISTIAN JESUS command
            example, or remote inference.
 
John 5:24 Verily, verily, I say unto you,
        He that heareth my WORD,
        and believeth on him that sent me,
        hath everlasting life, and shall not come into condemnation;
        but is passed from death unto life
Acts 2:41 Then they that gladly received his WORD were baptized:
        and the same day there were added unto them
        about three thousand souls.

the WORDS that I SPEAK [never sung] unto you,
        they are SPIRIT,  [Rick Atchleys's words are FLESH]
        and they are LIFE.

John 6:64 But there are some of you that believe not.
        For Jesus knew from the beginning
        who they were that believed not,
        and who should betray him.

John 8:29 And he that sent me is with me:
        the Father hath not left me alone;
        for I do always those things that please him.

Rick Atchley MOCKS Him

John 8:30 As he spake these words, many believed on him.
John 8:31 Then said Jesus to those Jews which BELIEVED on him,
        IF ye continue in my WORD,
        THEN are ye my DISCIPLES indeed;

pist-euō  2. COMPLY, hōs oukh hupeixōn oude pisteusōn legeis; S.OT625, cf. 646 ; opp. apisteō, Id.Tr.1228.
hupeik-ō , Ep. hupoeikō , with impf. hupoeikon, Il.16.305: WITHDRAW, let Jesus get the first word
yield, give way, comply, ib.211; “theoisin hupeixeai athanatoisi

PROOF WHY RICK ATCHLEY AND THE WHOLE SPAWN OF LATTER-DAY THEOLOGIANS ARE NOT CHRISTIANS.

Acts.17.25.God.Not.Worshipped.Mens.Hands.html

Acts 17:23 For as I passed by, and beheld your devotions, I found an altar with this inscription,
        TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
Acts 17:24 God that made the world and all things therein,
        seeing that he is Lord of heaven and earth,
        dwelleth not in temples made with hands;

Acts 17:25 Neither is WORSHIPPED with MEN'S HANDS hands,
        as though he NEEDED any thing, seeing he giveth to all life, and breath, and all things;

g2323. THERAPEUO, ther-ap-yoo´-o; from the same as 2324; to wait upon menially, i.e. (figuratively) to adore (God), or (specially) to relieve (of disease): — cure, heal, worship.

-therap-ōn  henchman, attendant “Mousaōn therapontes” music, song stu^ger-os , Muses (Rev 18) as Apollon's Worshiip Team were known as hated prostitutes, 2. gen. hadou [ein' Aidao domoisi in the nether world, with nouns in adjectival sense, devilish, “thuousan ha. mēter'”  Erōs Aphroditēs th

thera^p-euō   to be an attendant, do service,  Dionuson, Mousas, E.Ba.82     “daimona , etc.; “daimona” Pi.P.3.109;  , IT1105(lyr.); th. Phoibou naous serve them, Id.Ion111 (anap.): abs., worship,

Mousa  II. mousa, as Appellat., music, song, “m. stugera” A.Eu.308 (anap.); “euphamos” Id.Supp.695 (lyr.); “kanakhan . . theias antiluron mousas
Dios aigiokhoio thugateres  [Daughters of Zeus whatever the sex]

2. service done to gain favour, paying court,   worshipper, “Apollōnos” Pi.O. 3.16, cf. Pl.Phd.85a 
“Mousaōn “kanakhan [clanging brass, gnashing of teeth, . . theias antiluron mousas”   aulōn sound of flutes, of the lyre,
theias  etheiazon obtained inspiration through ritual A.to be inspired, frenzied

Apollō, Apollon was the god of MELODY: he carried the LYRE to seduce male or female. He carried the Bow to make the strings TWANG to send a SINGING arrow into male or female who did not submit.  He is the only personified SPIRITUS and He was, from Egypt onward, the Leader of the Muses.  His musical worship team were known as LOCUSTS and dirty adulteresses.

PARASITE is a Greek Word for Sacrificial Systems which had been debunked: they still ATE without WORKING. Pastor of a Religious Institution is a PARASITE and CULT leader if the group is anythinb but an Ekklesia or Synagoge neither of which had a HIRED STAFF.  Preacher or Kurux is a HERALD and does not have an OFFICE: he gets paid on the SENDING end, cannot open the gospel or "good news" to an official.

http://www.piney.com/Acts.8.Preaching.for.Pay.and.Simony.html

http://www.pineycom.com/Rick.Atchley.Law.of.Silence.html

http://www.pineycom.com/Rick-Atchley-Old.html

http://www.pineycom.com/Miller.Atchley.1.html

http://pineycom.com/The.Both.And.Church.Rick.Atchley.html

http://www.pineycom.com/DeaconessIndex.html

http://www.pineycom.com/Rick.Atchley.Advanced.Homilectics.And.Devil.Worship.html

http://www.pineycom.com/Truitt.Adair.Rick.Atchley.Instruments.html

http://www.pineycom.com/The.Both.And.Church.Rick.Atchley.html

http://www.pineycom.com/Rick.Atchley.What.Jesus.Hates.html

http://www.pineycom.com/Rick.Atchley.The.Spirit.of.Truth.and.Power.html

http://www.pineycom.com/Rick.Atchley.The.Kingdom.of.God.html

http://www.pineycom.com/Rick.Atchley.The.Deal.About.Baptism.html

http://www.pineycom.com/Rick.Atchley.Pepperdine.2013.Revelation.The.Seven.Churches.html

http://www.pineycom.com/Rick.Atchley.Musical.Mocking.Jesus.to.the.Cross.html

http://www.pineycom.com/Rick.Atchley.Law.of.Silence.html

http://www.pineycom.com/Rick.Atchley.Hearing.From.God.html

http://www.pineycom.com/Rick.Atchley.Chris.Seidman.Instrumental.Music.Delusion.html

http://www.pineycom.com/Rick.Atchley.and.The.Fifth.Trumpet.html

http://www.pineycom.com/Rick.Atchley.Advanced.Homilectics.And.Devil.Worship.html

http://www.pineycom.com/Rick.Atchley.ACU.Sowing.Discord.Among.Brethren.html

http://www.pineycom.com/Rick.Atchley.2013.Revelation.19.html

http://www.pineycom.com/Rick.Atchley.2013.Revelation.19-20.html

http://www.pineycom.com/Rick.Atchley.2013.NACC.Revelation.21.html

http://www.pineycom.com/Psalm.75.Rick.Atchley.Chris.Seidman.html

http://www.pineycom.com/NACC.Victorius.Revelation.Rick.Atchley.html

http://www.pineycom.com/Jay.Guin.Reflections.Rick.Atchley.Chris.Seidman.html

http://www.pineycom.com/Christian.Standard.Interview.With.Rick.Atchley.html

http://www.pineycom.com/Rick-Atchley-Music.html

http://www.pineycom.com/DeaconessElders.html

Rick Atchley Defends Instrumental Praise Based on the Jacob-cursed and God-Abandoned infant burning Levites.

12.03.15 Instrumental and Trinitarian idolatry at Mount Sinai was a sin beyond redemption because the people ascribed to The Book of The Covenant but rose up in PLAY.  Acts 7, Romans 10 and 1 Corinthians 10 is the EXAMPLE or PATTERN against the worship of Demons. Apis the golden calf was the symbol of the Egyptian and other trinities repudiated by all of Scripture

God saw this Musical Worship Team and abandoned them to Babylonianism at the temple God did not command

Below: God say this just BEFORE and just AFTER Hezekiah's Plague Stopping Exorcism. This is recorded in 2 Chronicles 29: it is the PATTERN a "spirit" commanded Rick Atchley etal to impose "instrumental praise".  Spiritus in Latin defines the personified spirit as that of Apollon or Abbadon. He is the ruler of the locusts to readers is defined as the leader of the Muses or the adulterous musicians. In Revelation 18 they are defined as sorcerers who HAD deceived the wholeworld.

The practice in the wilderness, tyre and Jerusalem

Mark.10.They.Shall.Mock.Him.With.Music

Judas  was a thief: his bag or box was
always attached to the spotted flute case.
                 He is defined as the familiar friend of Jesus in Psalm 41. He would try to ALARM or TRIUMPH over Jesus: this is a MARK. It was outlawed in the Church of Christ in the Wilderness as vocal or instrumental rejoicing or any speaking beyond the Word

And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

Drums or Percussion instruments such as the TABRET has the same root as TOPHETH

Jay Guin Ephesians 5:19 and Psalms
When people lie TO God and ABOUT God He sends strong delusions that you believe your own lies. Lying wonders are religious observations (to which the Kingdom does not come). None of the Purpose Driven to Discord can grasp that God turned the Jews over to worship the starry hosts and they had "a covenant with death and hell".  Jesus died to give us rest FROM the laded burdens and the BURDEN LADERS.  For instance PARASITE speaks of religious craftsmen who claim some special skill (Scribes and Pharisees): especially the Jacob-Cursed and God-Abandoned Levites as an old Egyptian Infant-burning sect.

Paul and the rest of the New Testament is ANTITHETICAL to the Jews and modern sowers of discord "Covenant with Death and with Hell."

The Spirit OF Christ warned about the Lying Pen of the Scribes and Jesus called the Scribes and Pharasees, hypocrites: in Ezekiel 33 version He named speakers for hire (HIRELINGS), singers and instrument players.  The MARK was of neither preacher nor fleeced audience had any intention of obeying the Word of God. Word or Logos is God's REGULATIVE PRINCIPLE about which all of the Scribes and Pharisees or "doctors of the law lie" because Paul in Ephesians 4 says that the cunning craftsmen or SOPHISTS (speakers, singers, instrument players) were LYING IN WAIT TO DECEIVE.  They are predestinated because they are OF the World for which Jesus doesn't pray. In Revelation 18 as "lusted after fruits" they are called sorcerers who HAD DECEIVED THE WHOLE WORLD.

The Ghebers of Hebron 2 Hoaea, xii. 4 derives the name Israel from Sarah to contend, to fight, and El = God of Fire. — Gen. xxxii. '28. Asarians, Asriel, Israel, a name of the War god {Exodus, xiii. 21, 22, xiv. 25), Saturn and the Sun. The Fire-god Azar was the God of war, and M'irs was the Sun. — Macrob. I. xvii. OS

Exodus 13:21 And the LORD went before them by day in a pillar of a cloud, to lead them the way; and by night in a pillar of fire, to give them light; to go by day and night: 
Exodus 13:22 He took not away the pillar of the cloud by day, nor the pillar of fire by night, from before the people.

The Ghebers of Hebron The Jews blew the trumpet on the newmoon, poured out libations and offered burnt sacrifices. And for this duty the Lobii, Luim  or Levites were assigned to do just what the Brahmans did in India. They ministered to la'hoh, Lord of Life, according to Exodus, iii. 14 ; xxxviii. 21; xl. 15; Jeremiah, xxxiii. 18. Hence the Jews were the Brahmaus of Palestine, as Josephus said, worshipping Brahma, whom, for their own political purposes, they chose to regard as Ab (Father) Ram (Most High) which title is not unsuitable to the Most High of the Hindu Gods. King states that the words brahrna and abrahm have the same numerical value.

The Spirit OF Christ in Isaiah 30 defined the Jews going in musical processions to Jerusalem to engage in the Assyrian form of infant slaughter. Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX

Paul CORRECTED the Jewish and Abilene Kingdom folly by proving that the ONLY Spiritual Covenant made by God in Christ was made to ABRAHAM

2 Maccabees 1

1 - The Jewish brethren in Jerusalem and those in the land of Judea, To their Jewish brethren in Egypt, Greeting, and good peace.
2 - May God do good to you, and may he remember his covenant with Abraham and Isaac and Jacob, his faithful servants.
3 - May he give you all a heart to worship him and to do his will with a strong heart and a willing spirit

Psalms 105:9 Which covenant he made with Abraham, and his oath unto Isaac;
Acts 3:25 Ye are the children of the prophets,
        and of the covenant which God made with our fathers,
        saying unto Abraham, And in thy seed shall all the kindreds of the earth be blessed.

Acts 3:25 Ye are the children of the prophets,
        and of the covenant which God made with our fathers,
         saying unto Abraham, And in thy seed shall all the kindreds of the earth be blessed.

Rick Atchley probably from father John T. Willis says that 2 Chronicles 29 as Hezekiah's Plague Stopping Exorcism to cast out the "instruments" of the Assyrians substituted BURNT GOATS (which God did not command) with the Loud Noise to warn any godly person that they would be executed if they came near.  They burned infants just before Hezekiah substituted the Cappellas and resumed just after Hezekiah died.

General postings of false teachers and false teachers
Doctors of the Law, Universities and Staff the Cycle of Simony

See our look at Rick Atchley's Seven Churches in Revelation.  Rick does not build on the foundation or the text and therefore misses the point that sowing discord with musical instruments--called sorcery in Revelation 18--is exactly what John warned us to mark and avoid

1. If you say that Churches of Christ which did not use INSTRUMENTS during the School of the Word from the Wilderness onwwars was just and evil tradition.
2. And from Genesis to Revelation musical machines are said to have been brought by Lucifer (ZOE) into the garden of Eden and resulted in some sexual hanky panky to REVELATION when the Babylon mother of harlot rises again and ALL of her religious STAFF are called sorcerers and will be cast alive into the Lake of Fire.
3. Then Christ in Jeremiah 23 says that you despise the Word and the Latin word is BLASPHEME

THE SPIRIT OF CHRIST DEFINED THE END-TIME EFFEMINATE RELIGIONISM

Isaiah 3:4 And I will give children to be their princes, and babes shall rule over them.

Isaiah 3:4 et dabo pueros principes eorum et effeminati dominabuntur eis

        dominabuntur Ruler,  MARK Women or the Effeminate as  oratio,
        MARK Women or effeminate who are consilium the person who forms the purpose, 
        MARK Women or the effeminate who Teach Over  aedĭfĭco  in a religious sense, to build up, instruct, edify.

Isaiah 3:12 As for my people, children are their oppressors, and women rule over them.
        O my people, they that lead thee cause thee to err, and destroy the way of thy paths.

Mŭlĭer as a term of reproach, a woman, i. e. a coward, poltroon: arbĭtror to make a decision, give judgment or sentence: OR mŭlĭĕro, to make womanish, render effeminate

Boys: -Effemino 

II. Trop., to make womanish, effeminate, to enervate: “fortitudinis praecepta
“illa elocutio res ipsas effeminat,” Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,” Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato,  “furialis illa vox, religiosis altaribus effeminata,” Cic. Planc. 35, 86 —B. In mal. part., that submits to unnatural lust: “pathicus,” Suet. Aug. 68;

Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice,
        rendered insane by its infamous debaucheries,
        made effeminate by its attendance on holy altars,
                 kept crying out [carmen] in a most ferocious manner
                 that both these men
                 and the consuls were acting in concert with him.
Needy men were armed against the rich, abandoned men against the good, slaves against their masters.

--rĕlĭgĭōsus Eccl. Lat., of or belonging to the clergy, clerical (opp. saecularis)

--per-sŏno    A. To sound through and through, to resound: “cum domus cantu et cymbalis personaret,” Cic. Pis. 10, 22: “ut cotidiano cantu vocum et nervorum et tibiarum nocturnisque conviviis tota vicinitas personet,”
A.  To fill with sound or noise, to make resound
B.  To make a sound on a musical instrument, to sound, play: “citharā Iopas Personat,” Verg. A. 1, 741: “cymbalis,” Vulg. 1 Par. 16, 5: “buccinis,” id. Jos. 6, 13.—
C. To sound or blow upon an instrument (post-class.): “personavit classicum,” gave the signal for attack,

        Histrio, stage-player, actor, mimus, II. Transf., a boaster:
                “histrionis est parvam rem attollere,”
                ragoediarum histrionis,  Hilarus comoediarum histrio,
        Scaena, 1. Of a place like a scene of a theatre Verg. A. 1, 164.—, display of eloquence.

FULFILLING PROPHECY FOR THE FIRST AND LAST ADVENT

Luke 18:32 For he shall be delivered unto the Gentiles,
        and shall be mocked, and spitefully entreated, and spitted on:

Paizo dance, play a game,  4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed] Ar.Ra.230 ; dance and sing, Pi. O.1.16.

5. play amorously, prosallêlous X.Smp.9.2 

Xen. Sym. 9.2 “Gentlemen, Ariadne will now enter the chamber set apart for her and Dionysus; after that, Dionysus, a little flushed with wine drunk at a banquet of the gods, will come to join her; and then they will disport themselves together.”

herpeton   II. creeping thing, reptile, esp. snake, kinad-os , eos, hence, cunning rogue, dog, catamite.
 epi-triptos    thērion, psōmo-kolax , a^kos, ho, A.flatterer for morsels of bread, parasite
        2. hē nun e. kai kateaguia mousikē the disreputable and effeminate music of to-day, oulomenos
                II. ruined, lost: hence, unhappy, wretched: pharmakon preachers, singers,
                instrument players SORCERERS to be cast alive int the lake of fire.
thērion The Beast is a new style of music or drama including satyric dramas. THE MARK of the  beast is to PLAY or mock Jesus

The Serpent in the Garden of Eden was a Musical Enchanter(ess) since real men don't do that. Christ defined the Kings of Babylon and Tyre (ditto Jerusalem) as "a singing and harp-playing prostitute."

Serpo  II. Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail (a favorite trope of Cic.): occulto
Of a low, grovelling poetic style: “(poëta) Serpit humi tutus,” crawls along the earth, Hor. A. P. 28 (cf.: “sermones Repentes per humum,”
“sapor,” Verg. G. 3, 397: b. Of persons, close, reserved, secret, not opendissembling his hate,

Canam, qui leniter ... placidis per vada serpis aquis,” creepest, windest along,
occŭlo (obc- ) In partic., to cover up, hide, conceal
puncta argumentorum,” Cic. de Or. 2, 41, 77: “narratum ab iis,” to keep secret, conceal, Tac. A. 3, 16:
“occulta conjurationis retexere,” id. ib. 15, 74: “occulta cordis,” Vulg. 1 Cor. 14, 25:
Săpor , 1. Of style: “vernaculus,” i.e. taste, elegance, Cic. Brut. 46, 172; Arn. 3, p. 108: “Atticus,” Quint. 12, 10, 75; cf. id. 6, 4, 107: “sermo non publici saporis,” of uncommon elegance, Petr. 3, 1

PAUL SILENCES THE DIVERSITY SO THERE CAN BE UNITY

People may fall beyond redemption when they grasp that God sends strong delusions to anyone who does not obey the singular pattern: to PREACH the WORD by READING the Word for Comfort and doctrine.  Jesus said that God HIDES from the wise or Sophists: sophists are preaching beyond the Word for hire, singing, playing instruments, acting or massing a STAFF defined in all religions as PARASITES.  Since you can fool most of the people most of the time these false teachers just laugh when you tell them that the "kings have no clothes."

Ephesians 4:14 That we henceforth be no more children,
        tossed to and fro, and carried about with every wind of doctrine,
        by the sleight of men, and cunning craftiness, whereby they lie in wait to deceive;

Panourgia (g3834) pan-oorg-ee'-ah; from 3835; adroitness, i.e. (in a bad sense) trickery or sophistry: - (cunning) craftiness, subtilty.

-Panourg-êma  A. knavish trick, villainy, S.El.1387 (lyr.), LXX Si.1.6 (v.l.); sophistry, Gal.5.251; cf. panourgeuma.

Cunning craftiness has the same meaning as SOPHOS:

1Cor. 3:18 Let no man deceive himself. If any man among you
        seemeth to be wise [sophos] in this world,
        let him become a fool, that he may be wise.
1Cor. 3:19 For the wisdom of this world is foolishness with God.
        For it is written,
        He taketh the wise  sophia
        in their own craftiness. pa^nourg-ia

Luke 10:21 In that hour Jesus rejoiced in spirit, and said, I thank thee, O Father, Lord of heaven and earth, that thou hast hid these things from the wise and prudent, and hast revealed them unto babes: even so, Father; for so it seemed good in thy sight.

1Cor. 3:20 And again,
        The Lord knoweth the thoughts of the wise, sophōn
        that they are vain. matai-os 
   
-Sophia A. cleverness or skill in handicraft and art, as in carpentry, tektonos, hos rha te pasēs eu eidē s. Il.15.412; of the Telchines, Pi.O.7.53; hē entekhnos s., of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus and Palamedes, X.Mem.4.2.33, cf. 1.4.2; in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117

1Cor. 3:18 Let no man deceive himself. If any man among you
        seemeth to be wise [sophos] in this world,
        let him become a fool, that he may be wise.
1Cor. 3:19 For the wisdom of this world is foolishness with God.
        For it is written,
        He taketh the wise  sophia
        in their own craftiness. pa^nourg-ia
1Cor. 3:20 And again,
        The Lord knoweth the thoughts of the wise, sophōn
        that they are vain. matai-os 

THIS PAPER WILL HELP YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument players and ALL religious craftsmen who were called PARASITES.

LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30

"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL

TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------

THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE

THE COMMAND: SPEAK THAT WHICH IS WRITTEN.  NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL

ANATHEMA is to be ACCURSED for preaching a GOSPEL of Rhetoric, Singing, Playing Instruments, Acting or DECORATING a place as a WORSHIP CENTER

ISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA

ROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE CERTAIN FOR OUR EXAMPLE

ISAIAH 8  WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER

CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.

ISAIAH 14  CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"

A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.

PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.

NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING:  Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10

DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?

THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.

ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST

The role of PREACHER as SENT Evangelist

ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.

THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.

The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
 
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD

Keith Brenton New Wineskins Magazine series promoting Instrumental music: Jay Guin's interview with Rick Atchley and Chris Seidman Confess the calculated conspiracy to strip all truth about instruments from sermons and Youth Gatherings. This Purpose Driven Church deliberately rejects the truth of the Word and church history but MARKS itself as the end-time agents of the Babylon mother of harlots using lusted after fruits. John calls them sorcerers and marks them to be delivered alive (now) into the lak of fire. That fits the prophecy of Christ throughout Scripture but especially Isaiah 30.

Read the added lower notes that proves that this is rank paganism. Rick and David Faust have Mark Henderson at Quail Springs doing catch up with a lot of sowing of discord.

Rick Atchley and Chris Seidman manifesting Strong Delusions

See Mike Cope on A Cappella Music defending his friend Rick Atchley

See Mike Cope promoting women worship leaders

See Mike Cope using Rick Atchley at the Pepperdine 2012 lectureship  A New Beginning in Revelation 21 LEAVES BEHIND the Abominable and Sorcerers (speakers, singers, instrument players)

Rick Atchley: The era of the progressive Church of Christ is over.

Back in the 80’s you could go to any major city, especially in the South, and you could find a progressive Church of Christ — and if they would preach grace, and if they would put words on a screen, and if they would let divorced people place membership, they would grow.

The generation of Boomers has enough denominational loyalty that they’re going to find the least legalistic

Well, we discipled the children of those progressive churches
        for a whole generation to grow past us Boomers.
        They never heard the sermons we heard.
        They never heard the rationale for a cappella music.

We sent them to youth rallies and Church of Christ events
        with some of the finest Christian bands in the world.
        We discipled our children to leave our Movement!

8.07.12 The Spirit OF Christ denied that God commanded king, kingdom, Temple, priests, animal sacrifices or Levites who were SOOTHSAYERS with instrumental noise (never music).

God's true command was that the Levites "stand in ranks" ready to execute any civillian or any Levite who came near any "holy" thing or into any "holy" place.  They were under the Kings and Commanders of the Army.

If you say that God commanded something He did not command The Spirit OF Christ in Jeremiah He calls it despising or Blasphemy.

The word "psallo" upon which instrumental churches are built and ANTI-non instrumental people sow discord means PLUCK: primarily a bow string.  The word never in recorded history meant to Play a Harp much less Play a Melody upon a Harp.

To lead people into trying to silence the mouth of the "victim" based on the PLUCKING word with the same root as SOP further insists that The Spirit of Christ, the inspired writers and recorded history prior to the Disciples were TERMINALLY IGNORANT.

A literate Holy Spirit or Paul or anyone worthy of being a disciple of Christ given A holy spirit or A good conscience to be able to read BLACK text on BROWN paper would know two sets of facts:

First, since psallo never at any time or place in recorded history MEANT more than pluck or smite a string with your FINGERS and never with a PLECTRUM they would know that pluck had and has absolutely no "musical" content.  That is why there is no recorded Bible or literary example of being able to instruct someone to pluck a string with one word. If you tell someone PLUCK there is no telling what would happen to you.  The same is true in English and all languages.

Second, if you want to tell someone to PLUCK an INSTRUMENT there are compound words for all named instruments and STYLES of plucking.

Third, you blaspheme the Spirit of Christ by saying that:

1. He was too ignorant not to use TWO words such as PSALLO Plus A Harp.
2. He was too ignorant not to use one compound word which meant play a harp
3. He just wanted to throw in stumble words for those who have not been washed with water INTO the Word or school of Christ or
   
4. He intentionally wanted to sow massive discord since singing as an ACT was first imposed in the hear 373.

Even if "psallo" meant play a harp it could NEVER be used to justify a guitar pick, a flute or drums

Playing the part of those deliberately sowing discord and blaspheming, let's assume that the Spirit of Christ or Paul or anyone prior to 1878 was too illiterate to know about all of the compound words.  For instance.

Anti-psallô, A.play a stringed instrument in accompaniment of song, a. elegois phorminga  {Apollo, Abaddon, Apollyon's instrument]
 

Epi-psallō, A. play the lyre, S.Fr.60, Poll.4.58（Pass.); “melesi kai rhuthmois” 

                    SING, “tous humnous” LXX 2 Ma.1.30: Then the priests sang the hymns.

Melos  A. limb, in early writers always in pl.is corrupt for kata meros
        2. metaphor., “esmen . . allēlōn melē” Ep.Rom.12.5, cf. 1 Ep.Cor.6.15.
        meros ,  A. share, portion, 2. with Preps., ana meros in turn, successively,
        III. the part one takes in a thing
B. Especially musical member, phrase: hence, song, strain, first in h.Hom.19.16
        lyric poetry, choral songs, Opposite Epic or Dramatic verse

HH 19 To Pan:1 Muse, tell me about Pan, the dear son of Hermes, with his goat's feet and two horns —a lover of merry noise. Through wooded glades he wanders with dancing nymphs who foot it on some sheer cliff's edge, [5] calling upon Pan, the shepherd-god, long-haired, unkempt.... Often he courses through the glistening high mountains, and often on the shouldered hills he speeds along slaying wild beasts, this keen-eyed god. Only at evening, [15] as he returns from the chase,
        he sounds his note,
        playing sweet and low on his pipes of reed:
        not even she could excel him in melody —
      that bird who in flower-laden spring pouring forth her lament utters honey-voiced song amid the leaves....
Then all the immortals were glad in heart and Bacchic Dionysus in especial; and they called the boy Pan because he delighted all their hearts.

2. music to which a song is set, tune, Arist.Po.1450a14;
        Melos is Opposite. rhuthmos, metron, Pl.Grg. 502c;
                Melos is Opposite metron , II. metre, Ar.Nu.638, 641, etc.;

Aristoph. Cl. 638 Soc.
In the first place, to be clever at an entertainment, understanding what rhythm is for the war-dance, and what, again, according to the dactyle.

Again "meter" is the opposite of melos or melody and rhythm.

                   Opposite melos (music) and rhuthmos (time), Pl.Grg.502c

         Melos is Opposite. rhuthmos, rhēma, Id.Lg.656c;
                 Melos is Opposite rhēma  (erō) A. that which is said or spoken, word, saying,
                                    Ero I. I will say or speak, II. I will tell, proclaim, 2. to be specified, agreed, promised
                                                II.2. to be specified, agreed, promised

sullegō  II. of persons, collect, get together, “stasiōtas” Hdt.1.59; “egkhōrious” E.IT303; “khoron” Antipho 6.11; “ekklēsian”
—Pass., come together, assemble, “rhēmata kai logous”
mustered, Gathered

1Corinthians 14:23 If therefore the whole church be come together into one place, and all speak with tongues, and there come in those that are unlearned, or unbelievers, will they not say that ye are mad?

1 Cor 14: 23 Ean oun sunelthē hē ekklēsia holē epi to auto kai pantes lalōsin glōssais, eiselthōsin de idiōtai ē apistoi, ouk erousin hoti mainesthe;
 
Sunerkhomai II. come together, assemble, meet “sunelthe pros Theōna”

La^l-eō ,Mark of the Locusts

II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, 

III.  of musical sounds, “aulō [flute] laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echo,  magadin lalein sound the magadis,  [double flute]

                        3. subject of speech, matter, Hebraism cf. rhētos
                                rhēt-os on stated terms, on certain conditions, according to covenant
                                IV. to rh. the precise, literal contents of a document, the letter of the law,
                                      expressly, distinctly, Plb.3.23.5,
                                      rhētos literal, Opposite. allegorical, Ph.1.69, al.

Opposite Allēgor-eō , (agoreuō)  2. abs., speak figuratively or metaphorically,
4. allēgor-ētēs , ou, ho, allegorical expounder,
agoreuō agora  1. to speak in the assembly, harangue, speak
of the kērux in the Ecclesia, tis agoreuein bouletai; who wishes to address the people?

Since melos or melody is the opposite of rhema or speaking about the covenant and law, it is impossible to both sing AND make melody at the same time with or without an instrument. The "logos" forms of speech are also the opposite of poetry or music.

YES, CHRIST IN THE PROPHETS WARNED US SO ALMOST ALL CONGREGATIONS HAVE REPUDIATED THE NACC hostile takeover working with ONCE Christian colleges.

Isaiah 28:14 Wherefore hear the word of the LORD,
        ye scornful men, that rule this people which is in Jerusalem.
Isaiah 28:15 Because ye have said,
        We have made a covenant [cutting, smiting]with death,
        and with hell  are we at agreement;
        when the overflowing scourge shall pass through,
        it shall not come unto us: 
        for we have made lies [mendacium myths, fable, poetry] our refuge,
        and under falsehood have we hid ourselves:

Isaiah 28.15 dixistis enim percussimus foedus cum morte et cum inferno fecimus pactum flagelluminundans cum transierit non veniet super nos quia posuimus mendacium spem nostram et mendacioprotecti sumus

All "playing" or "plucking" a musical instrument words are derived from and often used to pluck or smite a person.  The Levites musically mocked Jesus as He was crucified:

Percutio1. (With the notion of the per predominating.) To strike through and through,
        to thrust or pierce through (syn.: percello, transfigo). a vein is opened, blood is let
b. To strike, play a musical instrument (poet.): “lyram,” Ov. Am. 3, 12, 40; Val. Fl. 5, 100.—

1. To smite, strike, visit with calamity of any kind (class.): “percussus calamitate,” Cic. Mur. 24, 49: “percussus fortunae vulnere,” id. Ac. 1, 3, 11: “ruina,” Vulg. Zach. 14, 18: anathemate. id. Mal. 4, 6: “plaga,” id. 1 Macc. 1, 32: “in stuporem,” id. Zach. 12, 4.—

2. To strike, shock, make an impression upon, affect deeply, move, astound (class.): “percussisti me de oratione prolatā,”

Muthos , o(,  7. talk of men, rumour, “aggelian . . tan ho megas m. aexei” S.Aj.226 (lyr.), cf. 188 (lyr., pl.), E.IA72; report, message, S.Tr.67 (pl.), E.Ion 1340.
2. fiction (Opposite logos, historic truth), Pi.O.1.29 (pl.), N.7.23 (pl.), Pl.Phd.61b, Prt.320c, 324d, etc. epos , words, speeches, 1. song or lay accompanied by music, 8.91,17.519.

Opposite Epagoge 2. bringing in to one's aid, introduction

4. allurement, enticement, “tais elpisi kai tais e.” D.19.322.

b. incantation, spell, in pl., Pl.R.364c, Lg.933d; Hekatēs phaskōn epagōgēn gegonena ispell, Thphr.Char.16.7.
7. leading away into captivity, captivity, LXX Is.14.17: generally, distress, misery,Si.23.14 Hsch. saying that Hecate had put it under a ib.

Isaiah 4:3 And it shall come to pass, that he that is left in Zion, and he that remaineth in Jerusalem,
        shall be called holy, even every one that is written among the living in Jerusalem:
Isaiah 4:4 When the Lord shall have washed away the filth of the daughters of Zion,

Jesus cast out the musical minstrels "more or less violently, like dung."

And the Lord will again wait, that he may pity you, and will therefore be exalted that he may have mercy upon vou because the Lord your God is a judge blessed are they that stay themselves upon him. Isaiah 30:l8 LXX

For the holy people shall dwell in Sion and whereas Jerusalem has wept bitterly saying, Pity me; he shall pity thee when he perceived the voice of thy cry he hearkened to thee. Isaiah 30:19 LXX

And though the Lord shall give you the bread of affliction and sent water,
        yet they that cause thee to err shall no more at all draw nigh to thee,
        for thine eyes shall see those that cause thee to err Isaiah 30:20 LXX

and thine ears shall hear the words of them that went after thee to lead thee astray,
who say, This is the way, let us walk in it, whether to the right or to the left. Isaiah 30:21 LXX

And thou shalt pollute the plated idols, 
        and thou shalt grind to powder (like "melody" in Greek) the gilt ones,
        and shalt scatter them as the water of a removed woman,
        and thou shalt thrust them forth as dung. Isaiah 30:22 LXX

        and shall have purged the blood of Jerusalem
        from the midst thereof by the spirit of judgment, and by the spirit of burning.

Isaiah 4:6 And there shall be a tabernacle for a shadow in the daytime from the heat,
        and for a place of refuge,
        and for a covert from storm and from rain.

[6] et tabernaculum erit in umbraculum diei ab aestu et in securitatem et absconsionem a turbine et a pluvia

Here Christ promises REST: the Greek Paul means STOP all religious observations thinking that you can make the kingdom come

Aestus , an undulating, boiling, waving, tossing; a waving, heaving, billowy motion.
B. The undulating, heaving motion of the sea, the swell, surge: fervet aestu pelagus, Pac. ap. Cic. de
A. The passionate ferment or commotion of the mind, the fire, glow, Or. 3, 39; hence, meton. for the sea in agitation, waves, billows: has stirred up from their very bottom the waves of discord,

Canicula Dogs, catamites, insana, Diogenes, CAPELLA
Cyrenaica pleasure is the only good. Good in a pleasing agitation of the mind or in active enjoyment. hedone. Nothing is just or unjust by nature, but by custom and law.

Cynĭcus , i, m., = κυνικός (doglike). I. Subst., a Cynic philosopher, a Cynic, Cic. de Or. 3, 17, 62; id. Fin. 3, 20, 68; Hor. Ep. 1, 17, 18; Juv. 13, 121: “nudi dolia,” i. e. of Diogenes, id. 14, 309.—Hence, adj.: Cynĭcus , a, um, Cynic: “institutio,” Tac. A. 16, 34: “cena,” Petr. 14; and in * adv.: Cynĭcē , after the manner of the Cynics, Plaut. Stich. 5, 4, 22.—

HERE IS THE WAY TABERNACLE ROBBERS TAKE OVER YOURS

Perturbātĭo , ōnis, f. perturbo,

I. confusion, disorder, disturbance.

Perturbatione magis

Măgus , a, um, adj. 1. magus, . magic, magical (poet.): “artes,” Ov. Am. 1, 8, 5: “manus, id. Med. fac. 36: carmen,” Sen. Herc. Oet. 467.

Ars , artis, f. v. arma, I. skill in joining something manner of thinking, so far as it is made known by external actions (syn.: doctrina, sollertia, calliditas, prudentia, virtus, industria, ratio, via, dolus).
1. With the idea extended, any physical or mental activity, so far as it is practically exhibited; a profession, art (music, poetry, medicine, etc.) rhetorical and, at a later period, for grammatical treatises. (a). Rhetorical:
musicam, litterarum cognitionem et poëtarum,  PROFESSION

Carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. çasto declaim, praise; cf.: camilla, censeo], “citharae liquidum carmen,” “lyrae carmen,” Prop. 2, 1, 9

Playing on the guitar with liquidus  A. Flowing, continuing without interruption: sinnging “genus sermoni

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"Our" Movement in these papers means the ones who PAID me to be loyal to their views. It is the historic Church of Christ which--from the Church of Christ in the wilderness onward--never engaged in congregational singing with instrumental accompaniment.  Rick being informed by the NACC thinks that Hezekiah's Burnt Goat to try to appease Israel--the defected instrumental sect.  Hezekiah used the goats (on the left) to try to stop the Burnt Offering of infants faciliated by the Levites from Egypt onward and in 2 Chronicles 28. 

Romans 2:21 thou therefore that teachest another, teachest thou not thyself?
        thou that preachest a man should not steal, dost thou steal?
Romans 2:22 thou that sayest a man should not commit adultery, dost thou commit adultery?
        thou that abhorrest idols, dost thou rob temples?

-Aristotle Poetics [941b] if convicted. Theft of property is uncivilized,
        open robbery is shameless: neither of these has any of the sons of Zeus practiced,
        through delight in fraud or force.
        Let no man, therefore, be deluded concerning this or persuaded
        either by poets or by any perverse myth-mongers into the belief that,
        when he thieves or forcibly robs (churches), he is doing nothing shameful,
        but just what the gods themselves do.1
                That is both unlikely and untrue;
                and whoever acts thus unlawfully is neither a god at all nor a child of gods;
1 Cp.Plat. Rep 378 ff., Plat. Rep. 388 ff. Hermes is specially in mind, as notorious for his thefts and frauds; cp. Homer Iliad 5. 390; 24. 395, etc. [Hermes is the mark of the New Hermeneutic: based on lies]

Corrupting the Word means "selling learning at retail" and also means adultery: From the wilderness onward the direct command is to teach the Word of God "as it as been taught" and those who refuse are called false teachers.Beside all of the words which point to musical idolatry, Rick Atchley has no command, example or inference that Jesus engaged in or commanded rhetoric, performance singing or instruments: in fact quoting Ezekiel he names the HYPOCRITES.

THE PROPHETIC TYPE REPEATED IN REVELATION 17-18 AND A CHURCH NEAR YOU

Psalm 41 gives the ALARM or triumph over (vocal or instrumental rejoicing, rhetoric) as the MARK of Judas: the Judas Bag was that of a thief for carrying the mouthpieces of wind instruments. Revelation 17-18 still leaves performance music as the MARK of Sorcerers who with the dogs and liars will be (have been) cast alive into the lake of fire.

The Thanksgiving Hymns (1QH) from the Dead Sea Scrolls interprets Psalm 41:

They come to inquire of Thee

from the mouth of lying prophets deceived by error

Who speak with strange lips to Thy people,

and an alien tongue,

That they may cunningly turn

all their work to folly.

For Thou, O God, hast sheltered me

from the children of men

And hast hidden Thy Law within me

against the time when Thou shoudst

reveal Thy salvation to me.

All who have eaten my bread

have lifted their heel against me (cf John 13:18)

And all those joined to my Council

have mocked me with wicked lips.

Thy members of my Covenant have rebelled

and have murmured round about me;

They have gone as talebearers

before the children of mischief

concerning the mystery which Thou hast hidden in me...

They have overtaken me in a narrow pass without escape

And there is no rest for me in my trial.

They sound my censure upon a harp

and their murmuring and storming upon a zither."

Anguish seizes me

like the pangs of a woman in travail,

and my heart is troubled within me.

I am clothed in blackness

and my tongue cleaves to the roof of my mouth. (Vermes, 

However, in victory it is said of Messiah:

I will groan with the zither of lamentation

in all grief-stricken mourning and bitter complaint

until iniquity and wickedness are consumed

and the disease-bringing scourge is no more.

An evil disease, say they, cleaveth fast unto him: and now that he lieth he shall rise up no more. Ps.41:8

Then will I play on the zither of deliverance

and harp of joy,

on the tabors of prayer and the pipe of praise

without end.

DSS: And at the beginning of their weeks

for the season of Jubilee.

All my life the engraved Precept shall be on my tongue

as the fruit of praise

and the portion of my lips.

 

I will sing with knowledge and all my music

shall be for the glory of God.

(My) lyre (and) my harp shall sound

for His holy order

and I will tune the pipe of my lips

to His right measure.

Mark 10:34 And they shall mock him,

Latin Illudo  as a female: Applied as a term of reproach, effeminate men, eloquence, rhētor but with idea of contempt, caneret,”
A. Of men: “si absurde canat, of the crooked race, a reed pipe, a guitar, crowing of a hen tibiae, tubae,  Gallus , i, m., = Gallos Strab., A. Galli , the priests of Cybele, on account of their emasculated condition) Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.  “resupinati cessantia tympana Galli,”

See Paul in Galatians connect the emasculated "troublers" to witchcraft.

Tac. Ann. 14.52 Of Nero:  They further alleged against him that he claimed for himself alone the honours of eloquence, and composed poetry more assiduously, as soon as a passion for it had seized on Nero. "Openly inimical to the prince's amusements, he disparaged his ability in driving horses, and ridiculed his voice whenever he sang

Verg. A. 9.634
Of such loud insolence and words of shame
Ascanius brooked no more, but laid a shaft
athwart his bowstring, and with arms stretched wide
took aim, first offering suppliant vow to Jove:

The Father heard, and from a cloudless sky
thundered to leftward, while the deadly bow
resounded and the arrow's fearful song
hissed from the string; it struck unswervingly
the head of Remulus and clove its way
deep in the hollows of his brow. “Begone!
Proud mocker at the brave!

In-tŏno ,  . Pregn., to bring down with a thundering sound:
Sŏno ,  Neutr., to make a noise, to sound, resound: aes sonit, the trumpet sounds,
II. Act., to sound, utter, give utterance to, speak, call, cry out, sing, pour forth (syn.: “edo, eloquor, cano): homines inconditis vocibus inchoatum quiddam et confusum sonantes,
“furem sonuere juvenci,” i. e. they betrayed him by their lowings, Prop. 4 (5), 9, 13. “Pythius in longā carmina veste sonat,” sings, pours forth, accompanies on the lyre, id. 2, 31 (3, 29), 16; cf.: “sonante mixtum tibiis carmen lyra,” Hor. Epod. 9, 5: “te sonantem ... dura fugae mala,” id. C. 2, 13, 26: te carmina nostra sonabunt, shall sing of, i. e. shall celebrate, praise, extol,

Paizo, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2

Prospaizō, prospaizousa tois ōmois komē playing over, II. c. acc., theous p. sing to the gods, sing in their praise or honour, Pl.Epin.980b: c. dupl. acc., humnon prosepaisamen . . ton . . Erōta sang a hymn in praise of Eros, Id.Phdr.265c. 2. banter , “tous rhētoras” Id.Mx.235c, cf. Euthd.285a; p. ton kuna, ton arkton, , humnon pr. ton Erōt

and shall scourge him, and shall spit upon him, and shall kill him:
        and the third day he shall rise again 

Mark 14:65 And some began to spit [blasphemi] on him, and to cover his face,

        and to buffet him, and to say unto him, Prophesy: (sing, lament, dance)
        and the servants did strike him with the palms of their hands.

Percutio1. (With the notion of the per predominating.) To strike through and through,
        to thrust or pierce through (syn.: percello, transfigo). a vein is opened, blood is let
b. To strike, play a musical instrument (poet.): “lyram,” Ov. Am. 3, 12, 40; Val. Fl. 5, 100.—

1. To smite, strike, visit with calamity of any kind (class.): “percussus calamitate,” Cic. Mur. 24, 49: “percussus fortunae vulnere,” id. Ac. 1, 3, 11: “ruina,” Vulg. Zach. 14, 18: anathemate. id. Mal. 4, 6: “plaga,” id. 1 Macc. 1, 32: “in stuporem,” id. Zach. 12, 4.—

2. To strike, shock, make an impression upon, affect deeply, move, astound (class.): “percussisti me de oratione prolatā,”

ALL MUSICAL INSTRUMENTS ARE DERIVED FROM REAL OR SEXUAL VIOLENCE.

Alăpa , ae, f. akin to -cello, to smite, as if calapa; cf. kolaphos,

I. a stroke or blow upon the cheek with the open hand, a box on the ear: “ducere gravem alapam alicui,” to give, Phaedr. 5, 3: “ministri eum alipis caedebant,” Vulg. Marc. 14, 65; ib. Joan. 18, 22; 19, 3; esp. among actors, for the purpose of exciting a laugh among their auditors, * Juv. 8, 192; * Mart. 5, 61, 11.—When a slave was emancipated, his master gave him an alapa; hence, poet.: “multo majoris alapae mecum veneunt,” i. e. with me freedom is much more dearly purchased, Phaedr. 2, 5, 25.

ălăpus , i, m. alapa, I. a parasite, who submitted to the box on the ear for gold,

PRUDENTIUS 40

Domus Caiphae

Inpia blasphemi cecidit domus ecce Caiphae,
in qua pulsata est alapis facies sacra Christi,
hic peccatores manet exitus, obruta quorum 160
vita ruinosis tumulis sine fine iacebit.

The universal root:   Pulso , I. inf. parag. pulsarier, Lucr. 4, 931), 1, v. freq. a. id., to push, strike, beat (cf.: tundo, ferio, pello).
Of all musical instruments: Of musical instruments: “chordas digitis et pectine eburno,” to strike, play upon, Verg. A. 6, 647: “chelyn,” Val. Fl. 1, 139: “pectine nervos,” Sil. 5, 463: “cymbala,” Juv. 9, 62.—Of things: “pulsant arva ligones,” Ov. Am. 3, 10, 31; id. M. 11, 529: “nervo pulsante sagittae,” Verg. G. 4, 313.—

Caedo , 1. To cut, hew, lop, cut down, fell, cut off, cut to pieces: caesa abiegna trabes,
2. In gen., to strike upon something, to knock at, to beat, strike, cudgel, etc.: “ut lapidem ferro quom caedimus evolat ignis,
II. Trop.: caedere sermones, a Grecism, acc. to Prisc. 18, p. 1118 P., = koptein ta rhēmata, to chop words, chat, talk, converse, Ter. Heaut. 2, 3, 1;

hărundo F. A reed pipe, shepherd's pipe, Pan-pipes, = surigx (an instrument made of several reeds, fastened together with wax, each successive reed somewhat shorter than the preceding): “junctisque canendo vincere arundinibus servantia lumina temptat,” Ov. M. 1, 684; cf. id. ib. 1, 707 sq.; “11, 154: agrestem tenui meditabor harundine Musam,” Verg. E. 6, 8; cf.: “compacta solitum modulatur harundine carmen,” id. Cul. 100: “nec crepuit fissa me propter harundine custos,” Prop. 4 (5), 7, 25.—

God won't let such people read or hear His Words: strong delusions results in religious services focused on rhetoric, singing and instruments. Christ identified these as the hypocritic arts and crafts of the Scribes and Pharisees.

Therefore they missed that because they volunteered to EXECUTE 3,000 of their brethren who engaged in musical idolatry of the Egyptian (etal) trinity at Mount Sinai.

Hezekiah knew that what God commanded was that the Levites STAND IN RANKS at the cursed slaughter of the innocents to execute any godly person who came near.

By using the Levites as the patternism for instrumental music people have doomed themselves to be executed spiritually because that's what God commanded.

Only for the BURNT OFFERING does reading 101a show that the Levites under the king and commanders of the army made instrumental noise.  History and Christ in the prophets knows that God never commanded sacrifices or burnt offerings: only a select priesthood made burnt offerings and these were to DEMONS.

This must be deception of Biblical proportions especially since it is based on violating all Biblical and Historical evidence. It is not possible to be so misinformed.

The Serpent Deceiver is defined as a Musical Enchanter(ess). Christ calls Tyre. Lucifer "the singing and harp-playing prostitute in the garden of Eden." "According to the system which Nimrod was the grand instrument in introducing, men were led to believe that a real spiritual change of heart was unnecessary, and that so far as change was needful, they could be regenerated by mere external means. "Looking at the subject in the light of the Bacchanalian orgies (Read Ephesus and Corinth), which, as the reader has seen, commemorated the history of Nimrod, it is evident that          he led mankind to seek their chief good in sensual enjoyment, and showed them how they might enjoy the pleasures of sin, without any fear of the wrath of a holy God.  "In his various expeditions he was always accompanied by troops of women; and by music and song, and games (ritual drama) and revelries, and everything that could please the natural hearts, he commended himself to the good graces of mankind." (Hislop, Alexander, The Two Babylons, p. 55, Loizeaux Brothers) Rome: Therefore it was brought in secretly, and by little and little, one corruption being introduced after another, as apostacy proceeded, and the backsliding Church became prepared to tolerate it, till it has reached the gigantic height we now see, when in almost every particular the system of the Papacy is the very antipodes of the system of the primitive Church. Of the gradual introduction of all that is now most characteristic of Rome, through the working of the "Mystery of iniquity.         Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors.. The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks persuasiveness, for it appears artificial, and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence.. According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more. -347d such is their lack of education—put a premium on flute-girls          by hiring the extraneous voice of the flute at a high price,          and carry on their intercourse by means of its utterance. But where the party consists of thorough gentlemen who have had a proper education,         you will see neither flute-girls nor dancing-girls nor harp-girls,         but only the company contenting themselves with their own conversation,         and none of these fooleries and frolics—         each speaking and listening decently in his turn, Pind. N. 7 Skillful men know the wind that will come on the day after tomorrow,        and they do not suffer loss through the love of gain.       The rich man and the poor man alike travel together to the boundary of death. [20] And I expect that the story of Odysseus came to exceed his experiences,         through the sweet songs of Homer,         since there is a certain solemnity in his lies and winged artfulness,         and poetic skill deceives, seducing us with stories,         and the heart of the mass of men is blind. For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms, would never have planted in his chest the smooth sword—Aias, who was the most powerful in battle, According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.

Rick Atchley: They’re not leaving the kingdom of God, and I’m not saying that — so please hear me say, I’m not placing the health of the Movement above the kingdom of God — I want my kids to love Jesus, but I do think that Churches need to understand.

The use of musicians and music as well as rhetoricians is the MARK that the kingdom has not come to that lost congregation. When a church turns to what John calls Sorcery with Instrumental Accompaniment, that body and the Lamps have been removed from the Kingdom of Christ.

Jesus said the kingdom of God does not come to "Religious Observations" or worship services: Jesus commanded the ekklesia or synagogue as A School of Christ (only). Too bad. When God sends strong delusions the Lying Wonders are religious observations using rhetoric, singing and instruments SAYING that they are doing God's Will.

Rick Atchley: They are older and smaller, and their kids are gone. Their kids have fond memories of growing up in that church. The church taught them about Jesus, but now they are somewhere else.

You know, when I hear some of those old arguments about music, because of my history, even though I disagree, at least I can connect the dots and see how you got there. My children don’t even have the graph paper!

The doctors of the law--who take away the key to knowledge--and the scholars cannot grasp that at no time or place in the entire Bible did the godly people ever assemble to engage in congregational singing with instrumental accompaniment.  The Levites--the patternism of the NACC--engaged in Soothsaying with instrumental accompaniment. That was to warn any godly person not already abandoned that they would be executed if they came near.

Clement: Recount to us also the useless oracles of that other kind of divination, or rather madness, the Clarian, the Pythian, the Didymaean, that of Amphiaraus, of Apollo, of Amphilochus; and if you will, couple ("deprive of their holiness," "no longer count holy." Eusebius reads: "unholy interpreters." )

Apollo is the Biblical Abaddon or Apollyon.

with them the expounders of prodigies, the augurs, and the interpreters of dreams. And bring and place beside the Pythian those that divine by flour, and those that divine by barley,

and the ventriloquists still held in honour by many. Let the secret shrines of the Egyptians and the necromancies of the Etruscans be consigned to darkness.

Insane devices truly are they all of unbelieving men.
Goats, too, have been confederates in this art of soothsaying, trained to divination; and crows taught by men to give oracular responses to men.

Assume that you are aware that because of musical idolatry God turned Israel over to worship the starry host: that was the same planetary and fire worship practiced by the Jews who were now Egyptians.And Amos, Acts 7 and others give the NAMES to whom God abandoned Israel and they have names associated with the sun, moon and the known wandering stars and planets and not the Jehovah God of Abraham.

"Hathor and Aphis, the cow and bull gods of Egypt, were representatives of sun worship. Their worship was just one stage in the long Egyptian history of solar veneration. The golden calf at Mount Sinai is more than sufficient evidence to prove that the feast proclaimed was related to sun worship.

The event at Mount Sinai was just one episode in the Satanic apostasy which began at the tower of Babel. The celebration of December 25th, originally proclaimed in honor of the birth of the sun god Mithra, can only be one of the final events in the long continuing saga of Satanic sun worship." Richard Rives, Too Long in the Sun, Partakers Pub., 1996, pp. 129-30.

        According to Jeremiah, vii. 21, 22, blood offerings were not divinely commanded.
        According to the Samaveda, says Jacolliot,7 it is murder to shed blood except as an offering.
        In comparing the Jewish religion with the Hindu, Leviticus, xvii. 3, 4, offers a positive testimony.
        The verses show that the Hebrews were under the sway of this chief brahman doctrine.

Porphyry The Iamblichus

"As Manetho related, they were used in archaic times to burn living men in the city of Ilithyia styling them Typhonian." Ashmes, who expelled the Hyk-sos rulers, put an end to the custom. It existed in Asiatic countries, where Semitic worships existed, and even the Hebrews seem not to have been an exception

yry and others of the philosophers of that period
        declared distinctly that the sacrifices of living creatures
        were not for the gods at all,
        but for daemons and the lower orders of spiritual essences.

   Plutarch denounced this practice,
        and declared his belief that there was never a god that required it,
        but it was only intended to avert and appease the malice and rancor of evil spirits.

And you pick as LEGALISTIC PATTERNISM one of the isolated slaughter of God's animals with loud noise called exorcism for which Hezekiah had to look back almost 300 years from its authority for "stopping a plague."And Christ in the prophets calls these Civil-Military-Clergy people who had rejected God's rule, robbers and parasites.

And you say that this is the pattern for the ekklesia or synagogue or Church of Christ which outlawed "vocal or instrumental rejoicing" including rhetoric.We can assume that such a person is selling himself as a brain surgeon when he doesn't know where to cut.

None of the Bible is metrical and cannot be sung tunefully even if they knew how, and congregational singing of radically rewritten Psalms (only) to be sung in unison (only) never happened until after the Reformation. We can assume that anyone who can even hallucinate congregational singing with instrumental accompaniment is SEEING THE UNSEEN as LU suggests that you use your imagination which God  says is only evil continually.

It is not possible that anyone who knows that only baptized disciples are Christiains can define the word "disciple" and still impose by violent means a "musical worship team" to fabricate their own text. By refusing to comply with "teaching that which has been taught" or "that which is written for our learning" one is violating direct commands and lying that God has the right to command, example or infer.

My thesis is that Rick has never read Christ's views about instrumental music.  He is reading off the NACC white paper but does not grasp that "vocal or instrumental rejoicing" or elevated forms of speech was OUTLAWED for the Church of Christ in the wilderness.

Chris Seidman: Let me say this, I don’t think whether our churches become “hybrids” with a cappella and instrumental services will be the difference-maker in whether the younger generations stay with the Movement. I think there are bigger fish to fry in their minds. But I do think that music is a variable in their decision.

Not only is the instrumental genre a part of the culture,
but they are growing up with it being used in their children’s and youth ministries.

Yes, we knew that this was going on and it is called "boiling the frogs" to disciple the NEXT generation to be disloyal to the Word of God.

The kingdom of God does not come with religious observation or with INSTRUMENTAL SERVICES: the Kingdom of God is withing a believer.  That is the only place where one can worship in Paul's UNIQUE sense of "giving heed to the Word of God." Paul said that they worshipped IN THE SPIRIT as opposed to IN THE FLESH specificially to keep the dogs, catamites or old style praise singers called Cynics from attacking from within.

We always understood this to be the method of deliberately altering the minds of the youth so they would finance people with no Biblical role and no dole.

Chris Seidman: When they get to adulthood and begin functioning within a local church in our heritage, they will notice its absence. And I think that in the long run, they won’t engage in a discussion because,

as Rick said, they don’t even have the graph paper to connect the dots.
They’ll be more likely just to quietly transition to another part of Christendom.

This is happening right now. Between our concern for the younger generations in the Movement and our desire to reach those who have disengaged or never connected with Jesus in our culture, we think it’s worth addressing the matter.

That is whistling in the cemetary by those whose hostile takeover has had almost no effect.  In fact, as they mature they will be disgusted by rhetorical (effeminate) preaching and the wimpy-burger praise singers.

CLAIMING TO BE A TEACHER BUT NOT KNOWING THAT THE CHURCH OF CHRIST IS BUILT ON THE PROPHETS AND APOSTLES IS DANGEROUS.  That is why most preachers and "scholars" cannot read BLACK text on BROWN  paper where Christ REPUDIATES you and puts you beyond redemption:

Isa 57:3 But draw near hither, ye sons of the sorceress, the seed of the adulterer and the whore.

Augŭrātrix , īcis, f. id.,I. a female soothsayer or diviner (post-class.), Vulg. Isa. 57, 3 (as transl. of the Heb. ; but in Paul. ex Fest. p. 117, the correct reading is argutatrix; v. Müll. ad h. l.

Clement: Recount to us also the useless oracles of that other kind of divination, or rather madness, the Clarian, the Pythian, the Didymaean, that of Amphiaraus, of Apollo, of Amphilochus; and if you will, couple ("deprive of their holiness," "no longer count holy." Eusebius reads: "unholy interpreters." )

Apollo is the Biblical Abaddon or Apollyon.

with them the expounders of prodigies, the augurs, and the interpreters of dreams. And bring and place beside the Pythian those that divine by flour, and those that divine by barley,

and the ventriloquists still held in honour by many. Let the secret shrines of the Egyptians and the necromancies of the Etruscans be consigned to darkness.

Insane devices truly are they all of unbelieving men.
Goats, too, have been confederates in this art of soothsaying, trained to divination; and crows taught by men to give oracular responses to men.

Soothsayers: Anan (h6049) aw-nan'; a prim. root; to cover; used only as denom. from 6051, to cloud over; fig. to act covertly, i. e. practise magic: - * bring, enchanter, Meonemin, observe (-r of) times, soothsayer, sorcerer.

Anag (h6026) aw-nag'; a prim. root; to be soft or pliable, i. e. (fig.) effeminate or luxurious: - delicate (-ness), (have) delight (self), sport self.

Empaizô , fut. - mock at, mock, tini 3. Pass., to be deluded, Ev.Matt.2.16, AP10.56.2 (Pall.), Vett.Val.16.14; to be defrauded, of the revenues, Cod.Just.1.34.2.  II. sport in or on, hôs nebros chloerais e. leimakos hêdonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the dance, Ar.Th.975; tôi gumnasiôi Luc.Lex.5 .

Paig-ma , atos, to,

A. play, sport, lōtos hotan . . paigmata bremē whene'er the pipe sounds its sportive strains, E.Ba.161(lyr.); “Ludia p. luras” Lyr.Alex.Adesp.37.15.

II. 'child's play', to toiouto p. tōn logōn

Hêdonê A. enjoyment, pleasure, first in Simon.71, S.l.c., Hdt.1.24, al.; prop. of sensual pleasures,

JUST AFTER RICK ATCHLEY'S FODDER FROM THE NACC

2Chr 33:6 And he caused his children to pass through the fire in the valley of the son of Hinnom:
        also he observed times, and used enchantments, and used witchcraft,
        and dealt with a familiar spirit, and with wizards: he wrought much evil in the sight of the LORD,
        to provoke him to anger.

[6] transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum

ignis , Charis A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: “exarsere ignes animo,” Verg. A. 2, 575: “saevos irarum concipit ignes,” Val. Fl. 1, 748
“quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,”  “(Dido) caeco carpitur igni,” the secret fire of love, Verg. A. 4, 2

Carmen  1. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental sc. Apollinem [Apollo, Abaddon] concordant carmina nervis, “barbaricum, 

B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,

Ars , artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!” Cic. Fin. 4, 3, 5: “ipsae rhetorum artes, quae sunt totae forenses atque populares,” id. ib. 3, 1, 4: neque eo dico, quod ejus (Hermagorae) ars mihi mendosissime scripta videatur; nam satis in eā videtur ex antiquis artibus (from the ancient works on rhetoric) ingeniose et diligenter electas res collocāsse, id. Inv. 1, 6 fin.: “illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,” id. Rep. 3, 4, 7: “artem scindens Theodori,” Juv. 7, 177.—  

Isa 57:4 Against whom do ye sport yourselves? against whom make ye a wide mouth, and draw out the tongue? are ye not children of transgression, a seed of falsehood,

This is defined--then and now--as rising up to Play including playing instruments and playing one with another  (Romans 1). This was a sin WITHOUT REDEMPTION.

Lūdo , ” Verg. E. 6, 1.—Esp., to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10:
“quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,” Verg. G. 2, 386: “carmina pastorum,”

Musa I. a muse, one of the goddesses of poetry, music, and the other liberal arts.
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37: “pedestris,” a style of poetry bordering on prose, id. S. 2, 6, 17.—

Canto: . Neutr., to produce melodious sounds (by the voice or an instrument), to sound, sing, play (class. in prose and poetry; rare in Cic.).
C. Transf., of instruments, to sound, resound: “pastoris bucina cantat,” Pro

C. Transf., of instruments, to sound, resound: “pastoris bucina cantat,” ProI. Lit., to play, play at a game of some kind:
C. Ludere aliquem or aliquid, to play, mock, imitate, mimic a person or thing (only in mockery; cf.: partes agere, etc.): civem bonum ludit, Cael. ap. Cic. Fam. 8, 9, 1; cf.: “ludere opus,” to imitate work, make believe work,

Sport: Anag (h6026) aw-nag'; a prim. root; to be soft or pliable, i. e. (fig.) effeminate or luxurious: - delicate (-ness), (have) delight (self), sport self.Empaizô , fut. - mock at, mock, tini 3. Pass., to be deluded, Ev.Matt.2.16, AP10.56.2 (Pall.), Vett.Val.16.14; to be defrauded, of the revenues, 

II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “tō gumnasiō” Luc.Lex.5.

Prophetic:

Isa 57:18 I have seen his ways, and will heal him: 
        I will lead him also, and restore comforts unto him and to his mourners.

Isa 57:19 I create the fruit of the lips; 
        Peace, peace to him that is far off, and to him that is near, saith the Lord; and I will heal him.

Heb 13:14 For here have we no continuing city, but we seek one to come.

Heb 13:15 By him therefore let us offer the sacrifice to God continually,
        that is, the fruit of our lips
        giving thanks to his name.

Amos and John warn about the "Lips of the Fruits."

All recorded history proves that religious services with singing and instruments is the mark of The Lips of the Fruits.

The Levites: Acted as Soothsayers with Instrumental Accompaniment. They were commanded to stand guard (God's command in 2 Chronicles 29) and make a loud crashing sound. This was not "worship" but to warn any godly non-Levite who came near that they would be EXECUTED. Moses ordained them to bear the burden of THEIR OWN INIQUITY and to guard the not-commanded sacrificial system from non-Levi tribes.  The Levites failed when they took the sacrifices out from behind closed gates and walls in Jerusalem where the horrors of slaughtering and burning God's creatures and the lambs of the poor was exposed for what it was. Christ says that it was NOT commanded.  If you say that it WAS commanded then Christ in Jeremiah 23 says that you have blasphemed the Holy Spirit of Christ

When you have been deluded you must boast! Rick Atchley speaks of the "progressive Church of Christ" which we know to date from the census of the Disciples of Christ in 1971 which recognized the beginning of the Christian Church / Churches of Christ as a separate denomination regulated by the NACC: first setting up new turf in 1927.  Men began to "progress" people by gradual introduction of "acts" which they understood to be "discording" but which would in time bear fruits.  Having made that divisive, discording leap, the next Purpose Driven Step was to "go all of the way" and become what any Bible-honoring disciple understands to be SECTARIAN or HERETICAL which means "to steal other people's property by induced dissociation by "a New Style of Music or Drama" which is exactly the meaning of the BEAST in the book of Revelation. 

You should understand that the Grace-Centered cult used grace to mean "we gonna violate the principles of Christ but grace gonna give us cover."  Grace is another designator of Christ Who came as Word to teach us to DENY what the Post-Progressives actively promote:

John 1:14 And the Word was made flesh, and dwelt among us,
        (and we beheld his glory,
        the glory as of the only begotten of the Father,) 
        full of grace and truth.

John 1:15 John bare witness of him, and cried, saying,
        This was he of whom I spake, He that cometh after me is preferred before me:
        for he was before me.
John 1:16 And of his fulness have all we received, and grace for grace.
John 1:17 For the law was given by Moses,
        but grace and truth came by Jesus Christ.

Titus 2:11 For the grace of God that bringeth salvation hath appeared to all men,
Titus 2:12 Teaching us that,
        denying ungodliness and worldly lusts,
        we should live soberly, righteously, and godly, in this present world;
Titus 2:13 Looking for that blessed hope,
        and the glorious appearing of the great God and our Saviour Jesus Christ;
Titus 2:14 Who gave himself for us,
        that he might redeem us from all iniquity,
        and purify unto himself a peculiar people, zealous of good works.
Titus 2:15 These things speak, and exhort, and rebuke with all authority. Let no man despise thee.

Universal Thesis: Study to shew thyself approved unto God, a workman that needeth not to be ashamed, rightly dividing the word of truth. 2Tim. 2:15

Dividing means to teach logon as it has been delivered
Word or Logos: Opposite to rhetoric, singing, playing, preacher's tales.
Christ in Isaiah 58 forbids "speaking your own words or seeking your own pleasure."
Looks like the NACC has snookered these men into violating ALL of the direct commands not availabile to the "doctors of the Law."

Universal AntiThesis: But shun profane and vain babblings: for they will increase unto more ungodliness. 2Tim. 2:16

And their word will eat as doth a canker: of whom is Hymenaeus and Philetus; 2Tim. 2:17

Vain includes any of the WORKS of human hands or human rhetoric or human music.

Kenophōn-ia   agraph-os, unwritten wills, speak without the book, law of nature, religious traditions, not weighed or tested, teaching clandestinely.

Hebrews 9:16 For where a testament is, there must also of necessity
         be the death of the testator.
Hebrews 9:17 For a testament is of force after men are dead:
        otherwise it is of no strength at all while the testator liveth.

vānus I.  that contains nothing, empty, void. vacant.
B.  Transf., of persons, false, lying, deceptive, delusive, untrustworthy:
“orationi vanae crediderunt,” idle, delusive, Cic. Rosc. Am. 40, 117:
“voti vanus,” i. e. deceived, Sil. 12, 261: “turba vana sanctitudinis,”
      Turba  “festaque confusā resonabat regia turbā 

You cannot even hallucinate a role for rhetoric or other hypocritic arts WITHOUT repudiating the Last Will and Testament of Jesus Christ revealed in the Prophets and Apostles.

The Jews profaned the Sabbath at Mount Sinai by musical idolatry of the Egyptian (etal) trinity.

Bebêl-oô ,  A.profane, to sabbaton LXX Ex. 31.14 , Ev.Matt.12.5; ta anthrôpina 
2.pollute, defile, tina LXX Le.21.9 , Hld.2.25

To defile the sabbath is:

Chalal (h2490) khaw-lal';  to profane (a person, place or thing), to break (one's word), to begin (as if by an "opening wedge"); denom. (from 2485) to play (the flute): --- take inheritance, pipe, player on instruments, pollute, (cast as) profane (self), prostitute, slay (slain), sorrow, stain, wound.

Profane:
952.  bebelos, beb´-ay-los; from the base of 939 and belos (a threshold); accessible (as by crossing the door-way), i.e. (by implication, of Jewish notions) heathenish, wicked:  profane (person). The Levites Soothsayed with Instrumental accompaniment

953.  bebeloo, beb-ay-lo´-o; from 952; to desecrate:  profane.
954.  Beelzeboul, beh-el-zeb-ool´; of Chaldee origin (by parody on H1176); dung-god; Beelzebul, a name of Satan:  Beelzebub.

-Symoisuyn [218b] a Pausanias, an Aristodemus, and an Aristophanes--I need not mention Socrates himself--and all the rest of them; every one of you has had his share of philosophic frenzy and transport, so all of you shall hear. You shall stand up alike for what then was done and for what now is spoken. But the domestics, and all else profane and clownish, must clap the heaviest of doors upon their ears.“Well, gentlemen, when the lamp had been put out

-Bebēlos. Cp. Schol. Aristid. III. p. 471 esti de kērugma mustikon to “thuras... bebēloi,” hōs pou kai Orpheus dēloi “phthegxomai hois themis esti: thuras d' epithesthe bebēloi”: Tim. bebēloi: amuētoi. Alcib.'s language, like Diotima's, is suggestive of mystery-lore: cp. Theaet. 155 E; Eur. Bacch. 70 ff., 472; Horace's “odi profanum volgus et arceo.”

You Profane by: -Phthenxomai of the battle-cry, X.An. 1.8.18; of the recitative of the chorus, Id.Oec.8.3; “ouketi porrō dithurambōn ph.” Pl.Phdr.238d
3. of inanimate things, of a door, creak, Ar.Pl.1099; of thunder, X.Cyr. 7.1.3; of trumpets, Id.An.4.2.7, 5.2.14; of the flute, Id.Smp.6.3, Thgn.532; of the lyre, “phormigx ph. hiron melos” Id.761, cf. Arist. Metaph.1019b15; of an earthen pot, eite hugies eite sathron ph. whether it rings sound or cracked, Pl.Tht.179d; ph. palamēsi to clap with the hands, Nonn.D.5.106,

The phormix is proof of "Apollyon making melody in a holy place."

Universal Thesis	Universal Thesis
1 Tim 1:3 As I besought thee to abide still at Ephesus, when I went into Macedonia, that thou mightest charge some that they teach no other doctrine, Mat 28:20 Teaching them to observe all things whatsoever I have commanded you: and, lo, I am with you alway, even unto the end of the world. Amen.	2Timothy 4:2 Preach the word; be instant in season,         out of season; reprove, rebuke,         exhort with all longsuffering         and doctrine. 2Timothy 4:3 For the time will come when they will not endure sound doctrine;
Universal AntiThesis	Universal AntiThesis
1 Tim 1:4 Neither give heed to fables and endless genealogies, which minister questions,       rather than godly edifying [teaching]       which is in faith: so do. Col 1:25 according to the stewardship of God which was given me toward you, to fulfill the word of God,	2Timothy 4:3 but after their own lusts shall they heap to themselves teachers, having itching ears; [eager for combat, pleasure, to be wanton, get one's sores scratched. Helkos the festering bite of a serpent, plague] 2Timothy 4:4 And they shall turn away their ears         from the truth,
Alēth-eia truth, opposite lie or mere appearance, mim-ēma anything imitated, counterfeit, 2. artistic representation, Pl.Lg.669e,  autophues m. luras, of the akris, [Locusts] The MARK of the Locusts (Muses) is Imitating the Lyre or Harp. A. Self-Grown B. lura A. lyre, a stringed instrument with a sounding-board formed of the shell of a tortoise l. kai kithara Plat. Laws 669e without words, and using the bare sound of harp or flute, wherein it is almost impossible to understand what is intended by this wordless rhythm and harmony,          or what noteworthy original it represents.         Such methods, as one ought to realize, are clownish in the extreme         in so far as they exhibit an excessive craving for speed, mechanical accuracy,         and the imitation of animals' sounds, and consequently employ the pipe and the harp         without the accompaniment of dance and song; Therefore, the instrument adds NOTHING to the command to teach that which has been taught.
Muthos talk of men, rumour,  tale, story, narrative, logos, without distinction of true or false, either of a story which never comes to an end, 2.  fiction (opp. logos, historic truth), generally fiction,	and shall be turned unto fables Logos is the opposite of poetry or music or anything that happens in your life.
Pind. O. 1 From there glorious song enfolds the wisdom of poets, so that they loudly sing [10] the son of Cronus, when they arrive at the rich and blessed hearth of Hieron, who wields the scepter of law in Sicily of many flocks, reaping every excellence at its peak, and is glorified [15] by the choicest music, which we men often play around his hospitable table. Come, take the Dorian lyre down from its peg, if the splendor of Pisa and of Pherenicus placed your mind under the influence of sweetest thoughts Yes, there are many marvels,         and yet I suppose the speech of mortals         beyond the true account can be deceptive,         stories adorned with embroidered lies; [30] and Grace, who fashions all gentle things for men, confers esteem and often contrives to make believable the unbelievable. But the days to come are the wisest witness

Rubel Shelly, Rick Atchley etal say that "we should be as much LIKE the World to win the World." The sacrificial system and their 'patternism' for noise makers under the "King set over us" and his new Levite who were not musical worship ministers but chief executioners under the king and commanders of the army.

Jesus Christ says:

And now, O Father, glorify thou me with thine own self with the glory which I had with thee before the world was. John 17:5

I have manifested thy name unto the men
        which thou gavest me OUT of the world:
        thine they were, and thou gavest them me;
        and they have kept thy word. John 17:6

Now they have known that all things whatsoever thou hast given me are of thee. John 17:7

For I have given unto them the words which thou gavest me; [CENI]
        and they have received them,
        and have known surely that I came out from thee,
        and they have believed that thou didst send me. John 17:8

I pray for them: I pray NOT for the world,
[the kingdom does not come with religious observations]
        but for them which thou hast given me; for they are thine. John 17:9

Neither pray I for these alone,
        but for them also which shall believe on ME
        through THEIR WORD; John 17:20

If you fabricate your own songs and sermons then Jesus says that the Father has not given you to the Son.
If you fabricate your own songs and sermons they will believe in YOU and your words.
Facts prove that people fabricate because they KNOW that teaching the truth would not make them rich and famous and they would have to suffer.

Instruments are the MARKS that God has removed the speakers, singers and instrument players from the kingdom at the same time that the LAMPS are removed (Revelation 18) because all of these arts are named hypocrites by Jesus and sorcerers by John: the sorcerers are already cast alive into the Lake of Fire and that is why they cannot stay still or quiet.

JESUS DOES NOT PRAY FOR THOSE OF THE WORLD WHO HAVE NO INHERITANCE IN A SPIRITUAL KINGDOM.

Kosmos ,  metaph., of ornaments of speech, such as epithets, Id.9.9 (pl.), Arist.Rh.1408a14, Po.1457b2, 1458a33; hadumelē k. keladein to sing sweet songs of praise, Pi.O.11 (10).13 (s.v.l.).

Pind. O. 11 My tongue wants to foster such themes; [10] but it is by the gift of a god that a man flourishes with a skillful mind, as with anything else. For the present rest assured, Hagesidamus son of Archestratus: for the sake of your boxing victory,

        I shall loudly sing a sweet song, an adornment for your garland of golden olive,
        [15] while I honor the race of the Western Locrians.
There, Muses, join in the victory-song; I shall pledge my word to you that we will find there a race that does not repel the stranger, or is inexperienced in fine deeds, but one that is wise and warlike too.

Kosmo-krator epith. of ouranos, Orph.H.4.3; “Zeus Mitras Hēlios k. Dam.Pr.131; hoi k. tou skotous toutou the cosmic rulers of this sinful world, Ep.Eph.6.12; “hoi k. hoi ta hupo selēnēn stoikheia dioikountes”

Ephesians 6.[12] For our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world's rulers of the darkness of this age, and against the spiritual hosts of wickedness in the heavenly places.

G3823 palē pal'-ay From πάλλω pallō (to vibrate; another form for G906 ); wrestling:—+ wrestle.

Why would false teachers use the weapons/instruments of the World which Jacob warned about to wrestle with the evil powers in high places (podiums) when THESE are the instruments of the Devil--there is no other recorded history.

Pallô, poise, sway a missile before it is thrown, sway, brandish, she drove it furiously, tripped on the shield-rim, quiver, leap, esp. in fear, II. Pass., swing, dash oneself, Pi.N.5.21; vibrate, of strings, Pl.Phd.94c (psalloito ap. Stob.);  leap, bound, quiver, quake, phrena deimati pallôn S.OT153 (lyr.); dash along, of horses, E.El.477 (lyr.). 

God the One Father in Heaven made Jesus of Nazareth to be both Lord and Christ. God breathed (spirit) His thoughts on Jesus who articulated the very Words of God.  Jesus the Son of God delievered these words to the Apostles. The Apostles in turn left us a "memory" of their eye and ear witness of the Rising Lord. Peter says that those who do not speak what was revealed through the Prophets and Apostles IS A FALSE TEACHER.

Christ in Isaiah 55 gave us the "free water of the Word" and in Isaiah 58 commanded us NOT to seek our own pleasure or even speak our own words. Paul being Prophet-literate commanded the same thing in Romans 15 where all of the hypocritic (Scribes and Pharisees) arts and crafts are FORBIDDEN.

Even Simple Simons know not to arouse the people's lust of the eyes and ears when Jesus comes to be our teacher when the elders "teach that which has been taught." Rick Atchley got his "spiritual" message from the WORLD and therefore Jesus will not even pray for him.

WHAT RICK DOESN'T GRASP IS THAT THE NACC AGENTS WERE BUSY CUCKOLDING THE LATTER DAY PROPHETS. 

See David Faust's insisting on Instrumental Music while PRETENDING to be preaching 'unity.'

Rick just told you how "WE" deliberately REMOVED the graph paper: by musical performance the minds of the kids weree also altered based on all recorded history where "people set their lies to music to deceive the simple."

By believing all of the lies on the NACC white paper, Rick was also deprived of the graph paper which had all of the dots removed.  He was carefully handled

If Rick had become a Disciple of Christ he would have found not a single instance of God's righteous people ever goint to synagogue where the elders violated the direct commands of Christ for the Qahal, synagogue or church of Christ in the wilderness.  You have to be strongly delusioned to impose music where the Campbells understood the Bible and taught:

Church is A school of Christ
Worship is reading and musing the Word of God.

That's what all of the writers wrote but delusioned people cannot read BLACK text on BROWN PAPER.

1. Rick Atchley, Chris Seidman and band follow the NACC credo that God commanded instrumental music for worship under the Monarchy.
2. If God did not command musical instruments at any time and place.
3. The Christ in Jeremish 23 says that all of this band of men have blasphemed the Holy Spirit of Christ in the prophets.

• If God turned Israel over to worship the starry host listed in Amos and Acts 7.
• And Rick Atchley, Chris Seidman etal use that as a "patternism" and demand that you participate.
• Then God has abandoned you to captivity and death in neo-Babylon. That is marked in Revelation 18 by lusted after fruits as rhetoricians, singers and instrument players: they will be (have been) cast alive into the Lake of Fire being consumed by their own lips.

1. Rick Atchley, Chris Seidman, the once-Christian colleges say that the Levites are the patternists for instrumental music.
2. Moses elevated the Levites to their role because they volunteered to slaughter 3,000 of their "brethren" for engaging in musical idolatry at Mount Sinai.           Christ in the Prophets makes it certain.
   
3. The command of God was to STAND IN RANKS to slaughter any non-cursed civillian from coming near any holy thing or place during the burnt offering.
   
4. The Musical Worship Team boasts of standing in the holy place and they will NOT tolerate any one not of their race to perform music in the neo-worship of the starry host.    
   

• God did not command the king, kingdom, temple, animal slaughter or the "music" used to make the lambs dumb before the slaughter.  See Second Samuel Eight for MARKS that God may have already Abandoned you.
  
• Christ instead ordained the Qahal, synagogue or Church of Christ in the wilderness for instructions only and "vocal or instrumental rejoicing" including rhetorical sissy speaking was forbidden.
• The Church is built upon the foundation of the prophets and apostles: the command is to PREACH the Word by READING the Word or "that which is written for our learning."
• Therefore, the musical bandits deliberately REJECT obeying the direct command for resource and method of presentation.
• Therefore, they have terminally repudiated Jesus Christ.
• Bandit preachers used the Set A King Over Use because they want to use people for their own profit.
  

1. The Levites were cursed by father Jacob as murderous people. He told us NOT to enter their covenant or assemblies
2. The Levites volunteered to slaughter 3,000 of the brethren who engaged in musical idolatry on the rest day.
3. The Role of the Levites commanded by God was to stand guard and execute anyone who came into their assemblies.
4. The Role commanded by the King and Commanders was to make loud "instrumental noise" to warn people to be "outside the camp" or if authorized bowing or on their face.

See the nature of the Levites (Musical Worship Team) the Kings set over you have imposed proving the "strong delusion" marked by all of the religious services using any performing art: Jesus called them hypocrites (speakers, singers, players)

DISCUSS THIS HERE

Chris Seidman thinks that the word Psallo and the Harps in Revelation gives him authority to sow massive discord. Reading off the NACC white paper will get you into deep trouble.

7.04.11 Some People will never get it:

THIS IS THE DIRECT COMMAND

2Timothy 4:2 Preach the word; be instant in season,
        out of season; reprove, rebuke,
        exhort with all longsuffering and doctrine.
2Timothy 4:3 For the time will come when they will not endure sound doctrine;
        but after their own lusts shall they heap to themselves teachers,
        having itching ears; [eager for combat, pleasure, to be wanton]

HERE IS PROOF THAT YOU WILL NOT ENDURE SOUND DOCTRINE:

2Timothy 4:4 And they shall turn away their ears from the truth,
        and shall be turned unto fables.

FABLES TO FOOL: Fābŭla , ae, f. fari,

B.  Of particular kinds of poetry.

1.  Most freq., a dramatic poem, drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,” Amm. 28, 1, 4; “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita,”fabulam, quae versatur in tragoediis atque carminibus non a veritate modo

FABLES TO FOOL:  Cantus , ūs, m. id., I. the production of melodious sound, a musical utterance or expression, either with voice or instrument; hence, song, singing, playing,
1. With the voice, a singing, song; in full, cantus vocum, Cic. Rosc. Am. 46, 134: cantibus 
2. With instruments, a playing, music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,  “lyrae,” Plin. 34, 8, 19, § 72: “tibicine

What Paul outlawed in Romans 15 before teaching "that which is written for our learning" can be taught.

FABLES TO FOOL:   Scaenĭcus (scen- ),  skēnikos, I. of or belonging to the stage, scenic, dramatic, theatrical stage-plays, theatrical representations, “fabula,” a drama,  “organa,” Suet. Ner. 44: “coronae,” id. ib. 53: “habitus,” id. ib. 38: “gestus,” Cic. de Or. 3, 59, 220: “modulatio,” Quint. 11, 3, 57:

1. scaē-nĭcus , i, m., a player, actor, Cic. Off. 1, 31, 114: ---“orator plurimum aberit a scaenico 2. scaenĭca , ae, f., a female player, an actress,

THE MOST POWERFUL WEAPON TO FOOL:

Orgănum , i, n., = organon, Of musical instruments, a pipe, Quint. 11, 3, 20; 9, 4, 10; Juv. 6, 3, 80; Vulg. Gen. 4, 21; id. 2 Par. 34, 12 et saep. an organ, water-organ: “organa hydraulica,” Suet. Ner. 41: aquatica, Mythogr. Lat. 3, 12.—Of a church-organ, Cass. Expos. in Psa. 150; Aug. Enarr. in Psa. 150, n. 7.—  B. Transf.: organum oris, the tongue of a man, Prud. steph

Jubal "Handled" musical instruments "without authority."

2Timothy 4:5 But watch (sober: drink no wine) thou in all things, 
        endure afflictions,
        do the work of an evangelist,
        make full proof of thy ministry. [Servant]

Ergon Work Opposite Epos 1. song or lay accompanied by music, 8.91,17.519.

Hom. Od. 8.83 [90] But as often as he began again, and the nobles of the Phaeacians bade him sing, because they took pleasure in his lay, Odysseus would again cover his head and moan. Now from all the rest he concealed the tears that he shed, but Alcinous alone marked him and took heed,

Hom. Od. 17.505 [515] Three nights I had him by me, and three days I kept him in my hut, for to me first he came when he fled by stealth from a ship, but he had not yet ended the tale of his sufferings. Even as when a man gazes upon a minstrel who sings to mortals songs of longing that the gods have taught him, [520] and their desire to hear him has no end, whensoever he sings, even so he charmed me as he sat in my hall...

[530] But as for these men, let them make sport as they sit in the doorway or here in the house, since their hearts are merry. For their own possessions lie untouched in their homes, bread and sweet wine, and on these do their servants feed.
        But themselves throng our house day after day,
        [535] slaying our oxen, and sheep, and fat goats,
        and keep revel and drink the flaming wine recklessly,
        and havoc is made of all this wealth,

Make "sport" hepsi-aomai , Amuse oneself Od.17.530; “hepsiaasthai molpē kai phormiggi” [Apollo's Harp] 21.429 epsioōnto, as if from epos,

Hom. Od. 21.401 But now it is time that supper too be made ready for the Achaeans, while yet there is light, and thereafter must yet other sport be made [430] with song and with the lyre; for these things are the accompaniments of a feast.

YOU CANNOT BUILD A RELIGIOUS INSTITUTE AND BE AND EVANGELIST.

Euaggel-istēs , ou, ho,

A. bringer of good tidings: hence, evangelist, preacher of the gospel, Act.Ap.21.8.

II.  proclaimer of oracular messages
Euaggel-os , on, (aggellō) A. bringing good news, “pur” A.Ag.21; elpides ib. 262, etc.; sōtēriōn pragmatōn eu. ib.646; Phēmē eu. IG14.1120; “rhinos”

SACRIFICIAL INSTRUMENT PLAYERS WERE CALLED "PARASITES"

Corrupting the Word: selling learning (just fabricated) at retail. Sermonizing for pay.

1. Should Christian teaching be regarded as a profession? It is so now: men are brought up to it, trained for it, and live by it, as architects, lawyers, doctors.

Surely preaching the gospel should no more be regarded as a profession than the talk of loving parents to children.

Surely official preaching has no authority, either in Scripture, reason, or experience, and it must come to an end sooner or later." (Pulpit Commentary, 1 Cor. p. 464).

See John Calvin on the need for a Restoration Movement excluding professional preachers.

"For what duties do they perform in return? In the same way as anciently, under the laws, those who served at the altar lived by the altar, "even so hath the Lord ordained, that they which preach the gospel should live of the gospel" (1 Cor. 9:14). [daily dole of food while on duty]

These are Paul's words. Let them, then, show us that they are ministers of the gospel, and I will have no difficulty in conceding their right to stipend.

The ox must not be muzzled that treadeth out the corn [1 Cor. 9:9]. But is it not altogether at variance with reason that the ploughing oxen should starve, and the lazy asses be fed?

They will say, however, that they serve at the altar. I answer, that the priests under the law deserved maintenance, by ministering at an altar;

but that, as Paul declares, the case under the New Testament is different. And what are those altar services, for which they allege that maintenance is due to them?

Forsooth, that they may perform their masses and chant in churches, for example, partly labor to no purpose, and partly perpetrate sacrilege, thereby provoking the anger of God. See for what it is that they are alimented at the public expense!

Humn-eō , Ep. humneiō Hes.Op.2; Ep.3pl. II. Tell over and over again, harp upon, repeat, recite,; humnousi ; ton nomon humnein recite the form of the law, Id.Lg.871a:

Rick Atchley: “If you’ve got people who still feel that their relationship with God depends on how we do things at church, then this is not going to fly — and you can’t get there because you did a series on grace.”  “An Afternoon with Rick Atchley and Chris Seidman, Part 3” (New Wineskins, September – December 2010

Then why radically change "how we do things at church" and say that God commanded instrumental praise and we should not be disobedient. The NACC led dogma is that instruments are COMMANDED, therefore, "you cannot DO church without instruments." Why else would one drive out the owners?

Christ identified the Qahal, synagogue or Church of Christ in the wilderness it was:

INCLUSIVE of Reading, Rest and Rehearsing the Word of God (only)
EXCLUSIVE of vocal or instrumental rejoicing including elevated styles of speaking.

That is defined as the ONLY time and place the godly people asssembled and only for instruction.

Rick Atchley, Chris Seitman, Jay Guin etal all use the BURNT OFFERING of the goats trying to appease the nation of Israel to get them to return to protect Hezekiah as their PATTERNISM.  These great pretenders and truth benders do not want you to know that it was because of musical idolatry that God turned them over to worship the starry host.  That created the Civil-Military-Clergy Sect which Christ in the prophets calls robbers and parasites.

John 9:39 And Jesus said,
        For judgment I am come into this world,
        that they which see not might see;
        and that they which see might be made blind.
John 9:40 And some of the Pharisees which were with him heard these words,
        and said unto him, Are we blind also?
John 9:41 Jesus said unto them, If ye were blind, ye should have no sin:
        but now ye say, We see; therefore your sin remaineth.