Michael
Asbel, Ken Bowman, Damon Cathey, Brad Fisher, Tom
Lasley, Rob McRay, Mark Phillips, Glyn Riddle, Paul
Smith, Roger Wiemers.
North.Boulevard.Church.Women.Rule.Over.You.html
TO SEE THAT FROM CLAY
TABLETS ONWARD.
Stu^ger-os
musicians are hated, ABOMINATED,
loathed, or hateful, ABOMINABLE
loathsome,
That is why God provided not one
example of anyone said to worship (meaning fall
on your face) by rhetoric, singing, playing an
instrument or PAY TO PLAY.
The BEAST from the EARTH
exerciseth all the POWER
of the first BEAST
before him,
and causeth
the earth and them which dwell therein
to worship the first BEAST,
whose deadly wound was healed. Rev. 13:12
Last January, we, as your
shepherds,
made a
commitment to prayerfully consider
the INTERSECTION
of WORSHIP, mission and HERITAGE
.
WORSHIP means to Fall on your faith in
reverence and Godly fear. The Mission is to GO
PREACH, Heratage is a RACA word indending to
Deceive. That is the mark of the SERPENT in
the garden. Jude says that is the Mark of those men
who were FOREORDAINED to this Judgement.
Revelation says that is the mark of the Babylonian
Mother of Harlot (mother goddess can be male) who
uses lusted after FRUITS [Same as in Amos 8 as the
mark that God had been there and would not pass by
again. The priest of the Babylon Mother are singers,
instrument players called SORCERERS. Craftsmen are
anyone living off the widow's mite claiming to
enhance God's work: these are called parasites and
their final assignment is ANATHEMA. Anathema is
anyone who is dedicated to enhance the church.
Anathema means that they cannot be redeemed and must
be burned.
ANY ONE WHO IMPOSES MUSICAL INSTRUMENTS
knows that they, like rhetoric, are intended to
"make the lambs dumb before the slaughter."
Aristotle:
Melody Deceives: "Poets also make use of
this in inventing words, as a melody "without
strings" or "without the lyre"; for they employ
epithets from negations, a course which is approved
in proportional metaphors..
- The form of diction should be neither metrical nor without rhythm. If it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the same time it distracts the
hearer's attention,
- since it sets
him on the watch for the recurrence of such and such a cadence..
According to
Philo, the gods of the pagans exploit this weakness
of men. For the sake of a better effect, and with the intention
of more easily cheating their devotes, that they have set
their lies to melodies, rhythms and meters.." Click
for more.
We want to say that the cunning sophists
(from whom God hides) are just ignorant by
imposing rhetoric, singing, instruments or anything
beyond READ and SPEAK that which is written for our
LEARNING. However, Ephesians 4 says that THEY ARE LYING
TO DECEIVE.
Can they be just ignorant in the FIRST assualt againt
God in Genesis?
Gen. 3:1 Now the SERPENT was more SUBTIL
than any beast of the field which the LORD God had made.
And he said unto the woman, Yea, hath God said, Ye shall
not eat of every tree of the garden?
The.Mark.of.The.Beastia.html
When
Nahash (the name must be an Israelite
caricature: it means “snake”), the king of the
Ammonites, agreed to spare the Israelites of
Jabesh-Gilead only if the Israelites allowed Nahash to gouge
out the right eye of every man by the soon-to-be
king of the Israelites, King
Nachash was no snake. He was, perhaps, a smelter
of copper (or an importer of copper from the lands to
the south of Ammon), perhaps a soothsayer or diviner,
perhaps simply a smart man.
Serpo
, of things, to
move slowly or imperceptibly,
to creep along, proceed gradually,
Of disease, etc.: “si
ulcus
latius
atque
altius
serpit,”
gradually spreads, “serpentes
quasdam
(bestias), quasdam
esse
gradientes,”
“chamaeleon, Fire:
“exsistit
sacer
ignis
et
urit
corpore
serpens,”
slowly spreading, canam, qui
leniter
(cf.: “sermones Repentes
per humum,”A
creeping LOUSE
căno , cĕcĭni,
cantum (ancient I.imp. cante = canite,
Of instruments or a piece of music, to sound,
resound, be played: canentes
tibiae:
tubae
Liberum et Musas,
“once
canituri,”
Vulg. Apoc. 8, 13
to utter melodious notes, to sing,
sound, play.
tibicen “cithara,”
crowing of a cock: “galli
victi
silere
solent,
canere
victores,”
to crow,
to practice magic, to charm,
Galli is a word for a Catamite: priest of the
Mother Godesses.
Mousa
“kanakhan [CLANGING BRASS].
. theias antiluron mousas” S.Tr.643
(lyr.); “Aiakō moisan pherein” “adein adokimon m.”
“adein
adokimon m.” 3.
disreputable, “lakismat' adokim' olbiois ekhein” E.Tr.497; “mousa” Pl.Lg.829d,
cf. D. 25.36,Ep.Rom.1.28
4. of persons, Pl.R.618b;
discredited, reprobate,
Rom. 1:26 For this cause God gave them up
unto vile affections:
for even
their women did change the natural use
into that
which is against nature:
Rom. 1:27 And likewise also the men,
leaving
the natural use of the woman,
burned in
their lust one toward another;
men
with men working that which is unseemly,
and
receiving in themselves that recompence of their
error which was meet.
Rom. 1:28 And even as they did not like to
retain God in their knowledge,
God
gave them over to a reprobate mind,
to do
those things which are not convenient
SUBTIL Callĭdus , a, um,
adj. calleo, I.that is taught wisdom by
experience and practice, shrewd, expert,
experienced, adroit, skilful:
“in disputando,” Quint. 12, 2, 14
In reference to art, excelling in art, skilful,
Hor. S. 2, 3, 23
— rĕ-sŏno
callida Musa, Calliope Hor. Od.
1.10
tuque
testudo
resonare
septem
Callida
nervis,”
id. ib. 3, 11, 4; Pers. 1, 118.—
Lucr.
6.93
And think divinities are working there.
Do thou, Calliope, ingenious Muse,
Solace of mortals and delight of gods,
Point out the course before me, as I race
On to the white line of the utmost goal,
That I may get with signal praise the crown,
With thee my guide!
Now Calliope
bore to Oeagrus or, nominally, to Apollo, |
HH
31 1 1] And now, O Muse Calliope,
daughter of Zeus, begin to sing of glowing
Helios whom mild-eyed Euryphaessa, the
far-shining one, bare to the Son of Earth and
starry Heaven
[“Hēlios
doulous eleutherous poiei” Artem.2.36;
identified with Apollo,
poiei
4. after Hom.,
of Poets, compose, write, p. dithurambon, epea, Hdt.1.23,
4.14;
“p. theogoniēn Hellēsi” Id.2.53;
p. Phaidran, Saturous, Ar.Th.153,
157;
p. kōmōdian, tragōdian, c.
describe in verse,
|
O Mercury, whose wit could tame
Man's savage youth by power of song
And plastic game!
Thee sing I, herald of the sky,
Who gav'st the lyre its music sweet,
Hiding whate'er might please thine eye
In frolic cheat.
See, threatening thee, poor guileless child,
APOLLON claims, in angry tone,
His cattle;—all at once he smiled,
His quiver gone.
te canam, magni Iovis et deorum
nuntium curvaeque lyrae parentem,
callidum, quidquid placuit, iocoso
condere furto. |
Sing căno
to produce melodious sounds, whether of
men or animals; later, with a designation of the
subject-matter of the melody quemadmodum tibicen sine tibiis canere non possit,” Cic. de Or. 2,
83, 338; cf.: “tibia canentum,
cithara,
Tac.
Ann. 14.14
He had long had a fancy for driving a four-horse
chariot, and a no less degrading taste for
singing to the harp, in a theatrical fashion,
when he was at dinner.
This he would remind people was a royal custom,
and had been the practice of ancient chiefs; it
was celebrated too in the praises of poets and
was meant to show honour to the gods.
Songs indeed, he said, were sacred to APOLLON,
[cantus Apollini sacros]
and it was in the dress of a singer that that
great and prophetic deity was seen in
Roman temples as well as in Greek cities
studium cithara ludicrum in modum canere.
|
THAT DIDN'T STOP YOUR SHEPHERDS. NOR IS IT INTENDED TO
STOP THOSE FOREORDAINED TO THIS JUDGMENT.
Last
January, we, as your shepherds,
made a
commitment to prayerfully consider
the INTERSECTION
of WORSHIP, mission and HERITAGE .
Before you
can confiscate people's property you have to, as they
boast, "dissociate" the owners and make them too
fearful to ever defend the Biblical absolute pattern.
Heritage means that YOU just inherited false
teachings from your godly but ignorant ancestors.
Because this is the boasted assault method. They are not
Disciples of Christ;
John 8:28 Then
said Jesus unto them,
When ye have
lifted up the Son of man,
then shall ye
know that I am he,
and that I
do nothing of myself;
but as my
Father hath taught me,
I speak
these things.
John 8:29 And he that sent me is with me:
the Father hath
not left me alone;
for I do always
those things that please him.
John 8:30 As he spake these words, many believed on
him.
John 8:31 Then said Jesus to those Jews which believed
on him,
IF ye continue in my
word,
THEN are ye my
disciples indeed;
John 8:32 And ye shall know the truth,
and the truth
shall make you free.
All of the
AUTHORITY adduced for the use of any kind of music is
based on HUMAN IMAGINATION which has a hidden agenda
before the pretend to ask God or Scripture. No one is
fooled about this Salvation Issue and the Mark in all
of SCRIPTURE of
BURNING. Jude says that they were
foreordained to this judgment.
IF they were Christians, Disciples or Students of
Christ-Alone, they would understand that Holy
Scripture has not one person said to WORSHIP by
preaching, listening, singing, playing instruments,
acting or PAY TO PLAY. 1 Corinthians 10, Hebrews 12
and Jude speaks of the
Instrumental-Trinitarian-Perverted "Playing
instruments and playing with one another (Romans 1).
Heb. 12:25 See that ye refuse
not him that speaketh.
For if they escaped not who refused him that spake
on earth,
much more shall not we escape,
if we turn away from him that speaketh from
heaven
Whose voice then SHOOK the earth: but now he hath
promised, saying,
Yet ONCE
MORE I shake not
the earth only, but also heaven. Heb 12:26
And this word,
Yet once more, signifieth the REMOVING of those
things that are shaken,
as of things that are made,
that those
things which cannot be shaken [a trumpet-like word] may remain.
Heb 12:27
Wherefore we
RECEIVING a KINGDOM which cannot be moved, let us have GRACE
WHEREBY, we may SERVE God
acceptably with REVERENCE and godly
fear: Heb 12:28
For our God is a consuming
fire. Heb 12:29
--Hor.
Carm. 2.16 For ease the Mede,
with quiver gay:
For ease rude Thrace,
in battle cruel:
Can purple buy it, Grosphus? Nay,
Nor gold, nor jewel.
No pomp, no lictor clears the way
'Mid rabble-routs of troublous
feelings,
Nor quells the cares that sport and play
Round gilded ceilings.
-mŏvĕo,
to move, affect, excite, inspire: charms, to
stir up, excite, provoke to
move people FROM their place, to
dance, gesticulating
“cantus vocis juvat sociatā nervorum concordiā,” Quint. 5, 10, 124:
citharam
cum
voce,”
id. ib. 5, 112:
“tympana,”
id. H. 4, 48;
to disturb: “ d. ib. 5, 112:Kithera
along with Voice.
citharam
guitar
Verg. A.
12.394
Phoebus, upon whom the god bestowed
his own wise craft and power, Iove-impelled.
The gifts of augury were given, and song,
with arrows of swift wing
Hor. S.
2.3.104 Which is the greater madman of
these two? An example is nothing to the purpose,
that decides one controversy by creating another.
If any person were to buy LYRES,
and [when he
had bought them]
to stow them
in one place,
though neither
addicted to the lyre nor to any one MUSE
whatsoever:
Lucr.
4.981
And to whate'er pursuit
A man most clings absorbed, or what the
affairs
On which we theretofore have tarried much,
And mind hath strained upon the more, we seem
In sleep not rarely to go at the same.
They think they view the dancers moving round
Their supple limbs, and catch with both the ears
The liquid song of harp and speaking chords,
And view the same assembly on the seats,
And manifold bright glories of the stage-
So great the influence of pursuit and zest,
And of the affairs wherein 'thas been the wont
Of men to be engaged-nor only men,
Tac.
Ann. 14.14
He had long had a fancy for driving a four-horse
chariot, and a no less degrading taste for
singing to the harp, in a theatrical fashion, when
he was at dinner.
This he would remind people was a royal custom, and
had been the practice of ancient chiefs; it was
celebrated too in the praises of poets and was meant
to show honour to the gods. Songs indeed, he
said, were sacred to APOLLON, [cantus Apollini sacros] and it was in the
dress of a singer that that great and prophetic
deity was seen in Roman temples as well as in Greek
cities
studium cithara ludicrum in modum canere.
tympana id. H. 4, 48;
beaten by the priests of Cybele and Isis
Mount Sinai Bacchantine females 1 Cor 13
Emasculated
Galatians 5 of witchcraft
to disturb: “novis Helicona cantibus,”
Leonard Allen The Kithera [citharam]
Mysteries or MARK
If you set up a committee of "purpose-driven" to
conclude that you can honor God with "Instrumental"
grating singers, you have been abandoned without
redemption.
THE BIBLE PATTERN AFTER THE EXILES AT MOUNT SINAI FELL
INTO INSTRUMENTAL-TRINITARIAN PERVERTED PLAY.
HOMOSEXUALITY [real or virtual] WAS WHAT HAPPENS WHEN
GOD ABANDONS YOU. ROMANS 1
This is the persona which causes godly people to
flee.
Worship.Androgyny.The.Pagan.Sexual.Ideal.html
THIS IS
THE ABSOLUTE PATTERN WHICH NEVER CHANGED: NO ROLE-NO
DOLE.
Musical
Worship Teams Effeminate Worship
Delitzsch on
Psalms: Moreover, we must take into
consideration the facts that the compass of the
tenor extends even into the soprano,
that the singers were of different ages down to
twenty years of age, and that Oriental, and more
particularly even Jewish, song is fond of
falsetto singing. We therefore adopt
Perret- Gentil's rendering, chant avec voix de
femmes, and still more readily Armand de
Mestral's, en soprano; whereas Melissus'
rendering, "upon musical instruments called
Alamoth (the Germans would say, upon the
virginal)," has nothing to commend it.
"Hebrew music... was used in the
luxurious times of the later monarchy the effeminate gallants of
israel, reeking with perfumes, and stretched
upon their couches of ivory, were wont at their
banquets to accompany the song with the tinkling of the
psaltery or guitar (Am. v1. 4-6), and amused
themselves with devising musical instruments while their
nation was perishing... music was the
legitimate expression of mirth and gladness, and the
indication of peace and prosperity." (Smith's Bible
Dictionary, Music, p. 590).
"Jingling,
banging, and rattling accompanied heathen cults, and the frenzying shawms of a dozen ecstatic
cries intoxicated
the masses. Amid this euphoric farewell feast
of a dying
civilization, the voices of nonconformists were
emerging from places of Jewish and early Christian
worship ..." (Encyclopaedia Judaica, 1971 ed., s.v.
"Music")
But you say, "We
are not really effeminate deep down inside of our
spiritual nature." However, click on this link to
see the Classical
understanding that
to destroy
the male leadershipyou first get them
to "act" effeminate in musical style, hand
clapping and "raising unholy hands."
Sara.Barton.Pepperdine.The.Ministry.of.Preaching.html
Sara.Barton.The.Song.of.Solomon.html
"It is symptomatic
of structures that have lost their elasticity, becoming too rigid to
accommodate further development, to intensify the
semantics of self-reference as a sort of final act of
self-reassurance.
The patterns of
self-reference by drama to drama as we see them in
The Bacchae
of Euripides reflect a crisis in the very genre of
tragedy, in the context of drastic changes in Athenian society
toward the end of the fifth century; the prospect
is one of abrupt
confrontation and loss." -- Nagy, Pindar's Homer p. 388
Rubel.Shelly.New.Wineskins.Effeminate.Worship.html
http://www.pineycom.com/Shelly-Women-Homosexual.html
Rubel Shelly and John York: Rubel: Let me give you an example to work with in relation to the
question you've raised: homosexuality and the ordination of practicing homosexuals to
ministry.
Why don't we at least entertain the
possibility that the Bible simply reflects an ANCIENT TABOO or homophobic prejudice in a few people like
Paul -- a taboo and
prejudice we need to outgrow?
Talmud,
Tractate Sanhedrin
"54a-54b),
although opinions varied whether it was punishable by death. Deuteronomy 23:17-18
must be read in conjunction with 1 Kings 14:24;
15:12; 22:46, and 2 Kings 23:7, all of which allude
to the presence of cultic prostitution,
including male prostitution, in Jerusalem in the
ninth, eighth, and seventh centuries B.C. These
texts, along with 1 Kings 15:13, suggest that the queen mother maintained a fertility cult to the goddess Asherah in the Jerusalem temple (see S. Ackerman, "The
Queen Mother and the Cult of Ancient Israel,"
This practice
grew into, not only forms of pagan worship, but also a means of supplying
money for the temple. Catamites, boys and men who were exclusively used
for passive anal sex, began to serve the
temples.
One must wonder
whether boys were sometimes forced into this kind
of sexual contact due to economic circumstances,
much like their female counterparts. Women often
survived only by prostitution since they were
allowed no inheritance.
Orphan boys
may often have found themselves in the same
predicament. Regardless, it was very early in
human history that both male and female
prostitutes were used in temple worship in
order to raise funds for the temple, as well
as support themselves."
The
sissification of the church: Dr. Roger R. Chambers,
Christian Church
From the Synagogue or Church in the
Wilderness and never changed, the Sons FROM God are
identified as the ANTITHESIS of the worship of
those OF this world, the Kosmos, the kingdom of Satan
making war against the kingdom of God. It is ecumenical
and marked with sexual or homosexual practices.
Acts
15:21 For Moses of old time
hath in every
city
them that PREACH
him,
being READ
in the synagogues every sabbath day.
This was the
pattern endorsed by Jesus:
Luke 4:16 And he came
to Nazareth,
where he had
been brought up: [educated]
and, as his
custom was, [Pattern]
he went into the
synagogue on the sabbath
day, [A Day of REST: not
ceremonial worship]
and stood up
for to READ.
This is the only
pattern of Paul:
Acts 13:15 And after
the READING
of the law and the prophets
the rulers of
the synagogue sent unto them,
saying, Ye men
and brethren,
if ye have any
word of exhortation [COMFORT]
for the people, say on.
Why the "rulers"
were Enemies of Christ both then
and now.
Acts 13:27 For they
that dwell at Jerusalem,
and their RULERS,
because
they knew him not,
nor
yet the VOICES
of the PROPHETS
which
are READ
every sabbath day,
they
have fulfilled them in condemning
him
The ABSOLUTE
SINGULAR Pattern and purpose:
Eph. 2:19 Now therefore ye are no more strangers and
foreigners,
but fellowcitizens
with the saints,
and of the
household of God;
Eph. 2:20 And are built upon [Educated in the
Ekklesia]
the foundation of
the apostles and prophets,
Jesus Christ
himself being the chief corner stone;
Eph. 3:2 If ye have heard of the dispensation of the
grace of God which is given me to you-ward:
Eph. 3:3 How that by revelation
he made known unto
me the mystery; (as I wrote afore in few words,
Eph. 3:4 Whereby, when ye READ,
ye may UNDERSTAND my knowledge in the mystery of
Christ)
Eph. 3:5 Which in other ages was not made known unto the
sons of men,
as it is now
revealed unto his holy apostles and prophets by the
Spirit;
Rick.Atchley.Acts.17.25.God.Not.Worshipped.Mens.Hand.html
Thera^p-euō
II.
do service to
the gods, athanatous,
theous th.,
Hes.Op.135,
Hdt.2.37, X.Mem.1.4.13,
etc.; “daimona”
Pi.P.3.109;
Dionuson,
Mousas,
E.Ba.82
(lyr.), IT1105(lyr.);
th. Phoibou
naous
serve them, Id.Ion111
(anap.): abs., worship, Lys.6.51;
do service or honour to
one's parents, E.Ion183
(lyr.), Pl.R.467a,
Men.91a;
serve, wait upon a
master, Id.Euthphr.13d,
cf. Ar.Eq.59,
1261,
etc.; th. tas thēkas
reverence men's graves, Pl.R.469a.
APOLLYON-
Phoebus , i, m., = Phoibos
(the radiant), I. a
poetical appellation of Apollon as
the god of light: “quae mihi Phoebus Apollon, Val. Fl. 1, 228:
“Circe,” [CHURCH
AS WORSHIP CENTER] daughter of Sol,
Petr. 135.—
Female Worship Leater C. Phoebas
, ădis, f., a PRIESTESS of Apollo;
hence the inspired one, The PROPHETESS
Ov.
Am. 2, 8, 12; id.
Tr. 2, 400; Luc.
5, 128; 165
HOWEVER, unknown to
Theologians, THIS IS THE WORSHIP OF THE
BEAST.
Rev. 13:11 And I
beheld another BEAST coming up out of
the EARTH;
and he
had two horns like a lamb, and he spake as a DRAGON.
Rev. 13:12 And he exerciseth all the power of
the first beast before him,
and
causeth the EARTH and them which dwell
therein
to WORSHIP
the first beast, whose deadly wound was
healed.
